‎Siméon‎

‎Sfantul Simeon‎

‎Erminia dumnezeiescului Simbol al credintei ortodoxe‎

‎Used. For more details please contact me unknown‎

Bookseller reference : 148297

‎Shar, Larry, Tracy Gill, Simeon Lagodice, Edgar Smith, and Lisa Wyer‎

‎A Change of Taste from the Gilded Age to the Craftsman Aesthetic‎

‎Lowy 2011. Soft cover. Near Fine. Soft cover exhibition catalog 8.5" x 11" covers and contents are near fine. The catalog features Beaux Arts and Arts & Crafts frames from the Edgar Smith Collection; 78 color illustrations. <br/> <br/> Lowy paperback‎

Bookseller reference : 010117

‎SHAW Simeon‎

‎History of the Staffordshire Potteries‎

‎NY:: Praeger Publishers. Very Good in Very Good dust jacket. 1970. Hardcover. A reprint of the 1829 edition. Very good in a very good dust jacket. . Praeger Publishers, hardcover books‎

Bookseller reference : 65050

‎Shaw, Simeon‎

‎History of the Staffordshire Potteries‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 1015479561.G ISBN : 1015479561 9781015479562

‎Shaw, Simeon‎

‎History Of The Staffordshire Potteries: And The Rise And Progress Of The Manufacture Of Pottery And Porcelain 1900‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1164673947.G ISBN : 1164673947 9781164673941

‎Shaw, Simeon‎

‎History Of The Staffordshire Potteries: And The Rise And Progress Of The Manufacture Of Pottery And Porcelain 1900‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1436875064.G ISBN : 1436875064 9781436875066

‎Shaw, Simeon‎

‎History Of The Staffordshire Potteries And The Rise And Process Of The Manufacture Of Pottery And Porcelain - With Preferences To Genuine Specimens And Notices Of Eminent Potters‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1444642502.G ISBN : 1444642502 9781444642506

‎Shaw, Simeon‎

‎Nature Displayed in the Heavens and on the Earth according to the latest observations and discoveries‎

‎London Dublin Edinburgh & New York: Printed for Sir Richard Phillips 1823. Six volumes small octavo pp 588; 600 15; 584 10 uncut a few pages unopened a little age-toning and marking one gathering 347-350 in Volume IV detached and gatherings towards the rear of the volume becoming a bit weak and loose Volume VI has extra bis pages 343 - 354; very well illustrated with 197 engraved or wood engraved plates of which 31 are folding and 50 coloured plates of which 2 are folding and 1 folding table; bound in the original pink boards a bit worn chipped and marked original printed paper labels on the spines the upper cover of Volume V detached otherwise firm and tight a neat signature on each front endpaper. Apparently lacking one plate in Volume 1 Relative Sizes of the Planets though there is no sign of this ever having been bound in. There are several extra plates to those listed and our copy would seem to agree with the set at auction at Christie's in 2006 which contained 246 of 248 plates. A work of considerable charm and interest and despite some faults as mentioned a remarkable set in original unsophisticated state. Simeon Ackroyd Shaw 1785 - 1859 was a 19th-century English scientific writer industrial historian and teacher. He spent his working life in the Staffordshire Potteries now the city of Stoke-on-Trent England. Shaw originated in Lancashire and as a young man he arrived in the Potteries to work on the Potteries Gazette and Newcastle-under-Lyme Advertiser newspaper. After some 20 years of newspaper and printing work living in Wolstanton he then went into teaching. He ran several teaching academies in the district. His first book was this 6-volume work which was based on his obviously very comprehensive series of popular short lectures on everything from natural species to meteorites. First Edition. Boards. Good. Printed for Sir Richard Phillips Hardcover‎

Bookseller reference : 018730

‎Shaw, Simeon‎

‎Nature Displayed in the Heavens and on the Earth According to the Latest Observations and Discoveries Volume 5‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1179235134.G ISBN : 1179235134 9781179235134

‎Shaw, Simeon‎

‎The Chemistry of the Several Natural and Artificial Heterogeneous Compounds Used in Manufacturing Porcelain Glass and Pottery‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 1016800339.G ISBN : 1016800339 9781016800334

‎Shaw, Simeon‎

‎The Chemistry of the Several Natural and Artificial Heterogeneous Compounds Used in Manufacturing Porcelain Glass and Pottery‎

‎London: Scott Greenwood & Son 1900. Second edition. Hardcover. fair. Ex-library. 4to. xlvi 713 32pp. Blue cloth with gold lettering on cover and spine. Frontispiece of author. Table of contents: Part 1: Analysis and Materials. Part 2: Synthesis and Compounds. Part 3: Tables of the Characteristics of Chemical Substances. Ex-library bookplates on inside of front board. One by one inch piece of backstrip missing. Library call number pasted near head of spine. Three-inch split along front and back board on head of spine. Age wear and some staining on binding. Hinges starting. Minor age toning to outer edges of interior pages. Perforated library stamp on page 713 & on following unnumbered page. Originally published in 1837. 32 page catalogue of special technical books in rear. Binding poor to fair interior in overall very good condition. Scott, Greenwood & Son hardcover‎

Bookseller reference : 21608

‎SIMEON‎

‎Discours prononcé au corps législatif, sur le projet de loi concernant l'organisation de l'instruction publique, séance du 11 floréal an 10.‎

‎IMP. NATIONALE. 1802. In-12. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 7 pages. Extrait d'un volume relié.. . . . Classification Dewey : 340-Droit‎

‎Corps Législatif. Classification Dewey : 340-Droit‎

Bookseller reference : RO80067805

‎SIMEON‎

‎L'ondulation permanente Eugène Publicité La Gazette du Bon ton 1920‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille Original color print advertising the Verlaine shop printed on laid paper. Two advertising vignettes on the reverse about Valaze and Dr Dys products. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of art deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metallic stencil technique heightened in colors and some outlined in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The success of the magazine is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These are the same illustrators who create the drawings for the advertisements of the Gazette. The plates highlight and sublimate the dresses of seven creators of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the fashion of the day. La Gazette du bon ton is a decisive step in the history of fashion. Combining aesthetic requirements and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""small dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown‎

Bookseller reference : 73139

‎Simeon‎

‎La Leçon De Natation Costume Et Chale Pour Le Bain Art Deco Color Fashion Plate By Siméon from La Gazette Du Bon Ton‎

‎Lucien Vogel / Conde Nast Paris 1921; First Edition; 7 1/2" x 9 3/4". Color pochoir fashion print by Siméon of a design for a lady’s bathing costume and shawl from La Gazette Du Bon Ton Lucien Vogel’s legendary fashion journal which was known for its uncompromising print quality and choice of artists and illustrators who formed a veritable Who’s Who of the Art Deco period with George Barbier Pierre Brissaud Andre Marty Charles Martin Edouardo Garcia Benito Erté Thayaht Georges Lepape Pierre Mourgue and Robert Bonfils listed among them. Likewise its articles were authored by the leading Parisian writers academics and critics of the day and its opinions highly influential. Vogel signed exclusive contracts to showcase the lines of Paris’s leading couture houses in the pages of his Gazette and the magazine was regarded by fashion conscious the world over as the epitome of style and good taste. It was printed in limited edition for subscribers only on heavy handmade paper and each issue was distinguished for its full-page fashion plates produced using the costly hand-colored pochoir technique. Near Fine 3/8" diagonal closed edge tear in the blank margin at upper left well clear of the image area. Plate #41 from Gazette No. 6 1921. Not a reproduction. Lucien Vogel / Conde Nast unknown‎

Bookseller reference : 6245

‎SIMEON‎

‎Le Retour des autans. Tailleur et Robe d'après-midi, de Doeuillet. (La Gazette du Bon ton, n°7 - Planche 55 )‎

‎Lucien Vogel éditeur | Paris [circa 1920] | 19.50 x 25 cm | une feuille‎

‎Estampe originale en couleur tirée sur papier vergé, non-signée. Gravure originaleréalisée pour l'illustration deLa Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications «s'adressent aux bibliophiles et aux mondains esthètes» (Françoise Tétart-Vittu «La Gazette du bon ton» in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors «Art, modes et frivolités». Georges Charensol rapporte les propos du rédacteur en chef: «En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France.» («Un grand éditeur d'art. Lucien Vogel» in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes: André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. - Photographies et détails sur www.Edition-Originale.com -‎

Bookseller reference : 43226

‎SIMEON‎

‎Rapport fait au nom d'une commission spéciale sur le projet de loi relatif au Concordat à ses articles organiques et à ceux des cultes protestants.‎

‎Paris à la fin: de l'Imprimerie Nationale an 10 1802. in-8. 20pp. Broché. Feuillets légèrement écornés en partie déreliés. Petites rousseurs éparses. Intéressante brochure sur le projet de loi de mettre en place le concordat régime organisant les rapports entre les différentes religions catholicime et protestantisme et l'État. La loi sera votée le jour suivant et restera en vigueur jusqu'en 1905 date de la séparation des Églises et de l'État. (Paris), (à la fin:) de l'Imprimerie Nationale, an 10 (1802). unknown‎

Bookseller reference : 98502

‎SIMEON‎

‎Serious International Crimes Human Rights and Forced Migration‎

‎Routledge 2022. Paperback. New. Routledge paperback‎

Bookseller reference : TF-9780367556266 ISBN : 036755626x 9780367556266

‎SIMEON‎

‎Serious International Crimes Human Rights and Forced Migration‎

‎Routledge 2022. Hardcover. New. Routledge hardcover‎

Bookseller reference : TF-9780367556235 ISBN : 0367556235 9780367556235

‎Simeon‎

‎Symeon of Durham: Libellus de Exordio Atque Procursu Istius Hoc Est Dunhelmensis Ecclesie: Tract on the Origins and Progress of This the‎

‎Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The text edited and translated here for the first time for over a century is the most complete and detailed account of the church of Durham down to the early twelfth century. It is also important in the study of historical writing after hardcover‎

Bookseller reference : ria9780198202073_inp ISBN : 0198202075 9780198202073

‎SIMEON‎

‎Un peu beaucoup. La Gazette du Bon ton n°5. Année 1920 - Planche 34‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Bookseller reference : 39039

‎SIMEON (Joseph, Jrme, comte).‎

‎N Aix-en-Provence. 1749-1842. Juriste et homme politique franais. L.S. Simon Monsieur Becquey, Paris, 9 septembre 1820, 1 p. 1/2 in folio. En-tte imprim du ministre de l Intrieur.‎

‎09/09/1820 Le ministre des Finances (Antoine Roy) l'ayant charg de la formation du compte gnral des dpenses du ministre de lIntrieur, Simon prvient Becquey afin que sa section se mette en mesure de lui rpondre rapidement : & Il ma sembl que le cadre que vous avez adopt lanne dernire prsente plutot la rpartition des crdits que le compte des dpenses effectues ou effectuer (& ) cette forme a lavantage de faire voir lensemble de tous les travaux dun mme dept.(& ) mais vous pourriez peut-tre ajouter une ou deux colonnes pour constater ltat des dpenses& Simon est aussi dput au conseil des Cinq-cents, ministre de lIntrieur et de la Justice de Jrome Bonaparte, et ministre de lIntrieur dans le Cabinet Villle.Becquey (1760-1849) est magistrat, parlementaire et haut fonctionnaire franais, il est aussi conseiller dEtat, directeur gnral des Ponts et Chausses et des Mines.‎

Bookseller reference : 533

‎Simeon John‎

‎A Treatise on the Law of Elections In All Its Branches. Corrected.‎

‎1795. Pioneering English Treatise on Election Law Simeon John 1756-1824. A Treatise on the Law of Elections In All Its Branches. Corrected and Enlarged. London: Printed by A. Strahan 1795. xx 210 cxxvii 13 pp. Octavo 8-1/2" x 5". Contemporary calf rebacked in period style gilt-edged raised bands and lettering pieces to spine front endpapers and rear free endpaper renewed. Negligible light rubbing and a few scuffs to boards moderate rubbing and a few nicks to board edges corners bumped and moderately worn front hinge cracked partial crack between final two leaves of index. Moderate toning to text faint dampstaining to head of text block short clean tear to margin of leaf Y4 pp. cxvii-cxviii not affecting text. A handsome copy. $750. Second and final edition. With extensive index containing extracts from election cases. "We have seen that Douglas the reporter in the court of King's Bench had also made reports of election cases which he published in 1775-177 and that other reports of election cases began to appear about the same time. The publication of these reports gave an opportunity for a more logical treatment of the subject which was provided by Simeon's book.": Holdsworth History of English Law XII:346. The first edition which has less content was published in 1789. English Short-Title Catalogue N14028. unknown books‎

Bookseller reference : 70780

‎Simeon ( Michel )‎

‎Cheminement d’amertume‎

‎Editions Saint-Germain-des-Prés 1984, broché, 62pp avec envoi de l’auteur - très bon état‎

Bookseller reference : 76550

‎SIMEON (Edouard).-‎

‎Les Animaux industrieux. Vingt compositions en noir par Jules Maurel.‎

‎P., Paclot, sans date, grand in 8°, cartonnage papier rouge décoré de l'éditeur, 125 pages ; papier jauni ; petits manques en tête et queue du dos.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

Bookseller reference : 33844

‎SIMEON (Gabriel).‎

‎Les Illustres observations antiques du seigneur Gabriel Symeon, Florentin, en son dernier voyage d'Italie l'an 1557.‎

‎1558 Lyon, Jean de Tournes, 1558. Petit in-4, (8) ff.,134 pp., demi-veau cerise, dos à nerfs avec filets dorés (Reliure du XIXe siècle).Édition originale française, dédiée au cardinal de Lorraine. Elle précède de peu l'édition originale italienne, parue chez le même Jean de Tournes.C'est en accompagnant le duc de Guise en Italie que Simeoni (1509-1575) entreprend ce long périple dans le sud de la France et en Italie ; il s'arrête à Vienne, Avignon, Aix, Antibes, Rome, Ravenne, Padoue, Venise, et revient par Anet et Clermont-Ferrand. Son ouvrage est un intéressant catalogue de monuments, stèles, sculptures, médailles antiques... remarquées au cours de ce voyage.L'illustration se compose d'un portrait de Simeoni sur le titre, et de 50 gravures sur bois dans le texte, dont 35 médaillons."Certaines vignettes attribuées à Bernard Salomon sont d'un grand mérite, en particulier, p. 29, la Fontaine de Vaucluse, p. 96, la Fontaine d'Anet et p. 97 la métamorphose d'Actéon. À la fin, 12 bois des signes du zodiaques. L'ingéniosité de la mise en pages est tout à fait remarquable." (Brun, Le livre illustré de la Renaissance, p. 294).Sur le titre, ex-libris manuscrits : Blanchard et Billet Defaniere (1706). Ex-libris gravé du XIXe s., A. Bérard.Travail de vers dans la marge inférieure des 12 derniers feuillets, sans atteinte au texte ; petits trous de vers épars dans le texte ; le dernier feuillet blanc manque.‎

Bookseller reference : 792