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[Mec-art] HOLMES (Andrew)
Dallas Cowboy. Série 56.
Impression en sérigraphie. 1980. Dim: 57 x 76 cm. Tirée à 150 exemplaires. Signée et justifiée par l'artiste. Encadrée.
书商的参考编号 : 1465
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[Mec-art] HOLMES (Andrew)
Dallas Cowboy. Série 56.
Impression en sérigraphie. 1980. Dim: 57 x 76 cm. Tirée à 150 exemplaires. Signée et justifiée par l'artiste. Encadrée.
书商的参考编号 : 1465
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[Mec-art] HOLMES (Andrew)
Dallas Cowboy. Série 8.
Impression en sérigraphie. 1980. Dim: 57 x 76 cm. Tirée à 150 exemplaires. Signée et justifiée par l'artiste. Encadrée.
书商的参考编号 : 1468
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[Mec-art] HOLMES (Andrew)
Dallas Cowboy. Série 8.
Impression en sérigraphie. 1980. Dim: 57 x 76 cm. Tirée à 150 exemplaires. Signée et justifiée par l'artiste. Encadrée.
书商的参考编号 : 1468
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[Metastasio, Pietro].
Portrait. [Italien, frühes 19. Jahrhundert].
230 x 160 mm. Brustbild des italienischen Dichters und Librettisten Pietro Metastasio (1698-1782). Druck von Giovanni Steiner nach einer Zeichnung von Paolo Caronni.
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[MEXIQUE]. MATHES (W. Michael)
Mexico on stone. Lithography in Mexico, 1826-1900.
The Book Club of California, 1984. In-4, rel. d’éditeur demi-toile écrue, plats de papier décoré, XIV-68 pp. (texte en anglais), 32 reproductions de lithographies du XIXe siècle, dont 8 en couleurs. Tirage limité à 550 exemplaires.
书商的参考编号 : 568543
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[Meyer, Joseph; Hofmann, Friedrich; Bibliographisches Institut Leipzig
Meyer's Universum oder Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst aus der ganzen Erde - Erster Band [VOLUME 1 ONLY]
VOLUME I ONLY (Erster Band). RARE album with beautiful graphic illustrations with short descriptions of some of the most remarkable places and cites in Europe. 265x185mm. 108 pages. Brown marbled board Hardcover rebound with cloth spine. Text block edges dyed red. Cover heavily rubbed and scratched. Cover corners and edges bumped and worn/peeling. Spine slightly stained. Spine edges peeling. Previous owner's name written in ink on front whitepage. Front whitepages dirty and wrinkled; edges worn. Binding visible on rear inner cover and between several pages. Contents page pasted on rear endpaper. Page 108 upper edge torn (60mm) - NO damage to text/plate. Most pages bottom corner and few pages upper corner slightly bumped/wrinkled. Pages yellowing, wavy and somewhat age-stained. [SUMMARY]: This extremely rare and beautifully illustrated collection of lithographs, all in good condition and ready for framing, is otherwise in good condition.
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[Miliaria.] Brun, Giovanni.
Scuola del Soldato. O. O., um 1845.
2 gestochene Kupferplatten (132:198 mm bzw. 128:191 mm). Die beiden Platten III und V aus der "Scuola del Soldato" (in der ersten Hälfte des 19. Jhs. mehrfach aufgelegt) mit verschiedenen Exerzierstellungen.
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[MODE]
Almanach des Modes et de la Parure
1804 Couverture rigide Paris, Marcilly, 1804. Un volume in-24 (11 x 6,5 cm), cartonnage maroquiné de l'éditeur, dos lisse orné, roulette dorée d'encadrement sur les plats, fermoir maroquiné (sans son crayon), tranches dorées, coiffe supérieure fendue, coins émoussés. Titre gravé, calendrier révolutionnaire en 2 feuillets dépliants ornés de petits bandeaux illustrés, 1-20 et 45-62 pages (pagination non continue), 24 pages et 21-44 pages (pagination non continue), 30 feuillets blancs avec filigrane destinés à la prise de notes, almanach illustré de 12 figures gravées autour de la mode, rousseurs éparses. La pagination non continue s'explique par le fait que les feuillets dédiés au budget (pages 21-44) ont été déplacés en fin d'ouvrage ; exemplaire bien complet. Sous le Premier Empire, les almanachs étaient des publications très prisées, mêlant informations pratiques, divertissement et illustrations. Ils pouvaient être généralistes ou spécialisés, comme l’Almanach des Modes et de la Parure. Le nôtre contient des chansons, des notices historiques sur la mode et la toilette, ainsi que des pages dédiées à la gestion du budget, et en fin d’ouvrage, des feuillets blancs pour prendre des notes. Charmant almanach illustré témoignant de l’élégance du Premier Empire. Bon exemplaire, en assez bon état.
书商的参考编号 : 1706
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[Mosel, Ignaz Franz von].
Portrait. Wien, Haslinger, o. O.
Lithographie. 295 x 235 mm. Brustbild nach einer Zeichnung von Kriehuber (1830).
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[Mumiendruck]. - Seyppel, Carl Maria
Christoph Columbus Logbuch, als Geheimschrift von mir selbst, für meinen Sohn Diego, vom 3ten August 1492 an, geführt und mit Schildereien und Karten versehen worden. Aufgefischt von C. M. Seyppel. (Schachteltitel: Geheimes Tagebuch von Christoph Columbus. Von ihm selbst geschrieben und mit Zeichnungen versehen auf der ersten Entdeckungsreise 1492 nach Westindien).
Düsseldorf, Verlag von Felix Bagel, o. J. (1884). 4°. Durchg. illustriert. 2 Bll., 39 S., 2 Bll., OKunst-Pgmt. m. Rückennähten, angehängtem Siegel u. diversen Applikationen (Sand, Algen u. kl. Muschelbruchstücke), in OKart.-Schachtel m. illustr. Deckelschild.
书商的参考编号 : 57406
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[Naples - Posillipo].
Prospetto ameno del Monte Posilipo pocco distante da Napoli. [Venice, 1761].
Engraving, 216 x 165 mm. Pretty view of Posillipo near Naples, removed from Thomas Salmon's "Lo stato presente di tutti i paesi, e popoli del mondo naturale, politico e morale" (Modern history or present state of all nations), vol. 23: "Continuazione dell'Italia, o sia descrizione del Regno di Napoli". - Some wrinkles and traces of folds; an insignificant tear. Residue of the collection of Sir Thomas Phillipps (1792-1872).
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[Naples].
Grocer selling vegetables in Naples. Naples, 1818.
Original watercoloured pen-and-ink drawing, trimmed to ink borders, signed and dated by Raimo. 253 x 192 mm. Matted (432 x 362 mm). Early watercoloured drawing of a grocer selling his produce in the port of Naples, at the beginning of the main pier leading up to the old lighthouse (lanterna del molo), with Vesuvius in the distance giving off a faint cloud of smoke. On the right a housewife is seen haggling with the merchant over cucumbers, while on the left a mother is handing her daughter a bunch of Welsh onions. Signed "Raimo inv. et fece 1818". - Some brownstaining, but still a very charming view.
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[Naples].
Venditore di Maccaroni cotti Napolitani. Naples, ca. 1820.
Original watercoloured pen-and-ink drawing within ruled ink borders, sheet size 347 x 275 mm. Matted (510 x 400 mm). Charming, early watercoloured drawing of a Neapolitan street vendor of maccaroni. Unsigned and undated, but attributable by its style to the Neapolitan artist active ca. 1820 who signed some of his works "Raimo". - Margins a little dust-stained, but very attractive.
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[Napoleon].
[Series of 3 coloured jigsaw puzzles]: La veille d'Austerlitz. La Nuit de Lodi. Clémence de l'empéreur. Paris, Ulysse, [ca. 1815].
Each puzzle measures 195 x 245 mm. Each puzzle with an engraved plate mounted on thin wood, coloured by a contemporary hand and cut to form a jigsaw puzzle, with engraved caption and short description below the image. Stored in the original cardboard box with an etched and engraved sample plate for a fourth puzzle (with caption "Équité de l'empereur") on the top, coloured by a contemporary hand, and an embossed gilt-paper border. Each puzzle with the original pink paper wrap-around slip preserved. A fine and colourful set of jigsaw puzzles depicting scenes from the life of Napoleon Bonaparte. Two of the puzzles and the sample plate have the address "Ulysse Paris" engraved in the image. Each puzzle has 20 pieces: the first depicts Napoleon calmly sleeping in a chair after having given orders to his generals on the eve of the battle of Austerlitz (1 Dec. 1805); the second shows Napoleon addressing an exhausted soldier - a scene from the battle of Lodi on 10 May 1796, fought between Napoleon's forces and the Austrian rear guard commanded by Johann Beaulieu. The third puzzle shows Napoleon as merciful emperor, receiving the thankful wife and children of a Prussian lord accused of conspiracy, whom he pardoned. The puzzle matching the scene depicted on the top of the box is not included. A few pieces cracked at thin spots; box slightly defective with traces of handling and browned. A good set.
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[Napoleon].
Portrait of Napoleon Bonaparte as First Consul of the French Republic. N. p., ca. 1800-1804.
33 x 23 cm (sheet size). Gouache on paper. Heightened in gold and silver. Charming, if amateurish, anonymous representation of Napoleon Bonaparte as Consul, based on reproductions of an original portrait by the general and military painter Louis Albert Guislain Bacler d'Albe (1761-1824). The official engraved version of d'Albe's portrait by Michelangelo Mercoli the younger circulated widely in Europe and was frequently reproduced and varied. In the gouached copy at hand, Napoleon's typical bicorne hat was added, either based on the concrete model or as an original idea of the copyist. This artistically rather unhappy addition is an interesting reminder of the immediate iconicity of Napoleon's hat. The inscription "N. Bonaparte P.er Consul de la République Française" corresponds exactly to Mercoli's print. - Well preserved. With minor tears and browning to the margins.
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[Napoléon] - Prevost, A.
Trauerzug anläßlich der Beisetzung im Invalidendom. [Paris, 1840].
Lithographie von drei Steinen, signiert "A. Prevost". Drei Blätter (je 690:154 mm), unmontiert. Über 2 Meter langes, durchlaufendes Panorama mit der Darstellung des Begräbniszugs Napoleon Bonapartes, dessen sterbliche Überreste erst am 15. Dezember 1840 nach ihrer Überführung von St. Helena auf Betreiben des Bürgerkönigs Louis-Philippe im Invalidendom ihre letzte Ruhestätte fanden. Ausgehend vom 1806 auf Napoleons eigenen Befehl errichteten, jedoch erst 1836 fertiggestellten Arc de Triomphe ist hier der gesamte Trauerzug über die Champs-Elysées bis zum Invalidendom dargestellt. - Sehr selten.
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[Nature printing].
Botanical manuscript on paper. Austria, 2nd half of the 19th c.
Large 4to (225 x 268 mm). 224 unnumbered ff. with more than 250 page-sized plant illustrations, mostly in a mixed techique of nature printing and coloured drawings. Also includes 3 coloured engraved plates and 1 tipped-in coloured lithograph. Later half calf over marbled boards with stamped title to spine. An uncommon collection of talented botanical illustrations, many based on nature prints amplified and coloured in various techniques. The plates show mainly medicinal and culinary plants (belladonna, calendula, tobacco, eggplant "from Arabia" etc.), frequently with blossoms and fruits. All plates are identified in Latin, many have additional notes in German stating the plants' flowering season and place of origin. Some plates are signed "G.F.", a fact which has suggested attribution to the Austrian naturalist Georg von Frauenfeld (1807-73), one of the leading scientists on the Novara expedition (cf. Reiss 77 [2001], lot 77). Frauenfeld himself published a book on the algae of the Dalmatian coast, illustrated by nature printing (cf. Fischer, Naturselbstdruck, no. 72). Includes three engravings and one lithograph from other botanical works. - Occasional light browning and fingerstaining; a few slight edge defects, but well preserved altogether.
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[Oriental scenes].
Oil on wood. One plate signed (probably "K. Urbanek"). No place, ca 1860/80.
Each 211 x 168 mm. In identical gilt wooden frames. A pair of atmospheric oriental genre scenes by an unidentified, but obviously professionally trained artist, masterfully capturing the light and mood: a mosque's courtyard with visitors and beggars, and a small bazaar with merchants, pedestrians, and a belly dancer within the picturesque environment of humble dwellings.
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[PARIS - VUE DOPTIQUE EN COLORIS DU TEMPS] MONDHARE Louis-Joseph
2ème vue des Boulevards prise du premier Caffé près le Réservoir de la Ville.
A Paris, chez Mondhard, Rue Saint-Jacques, [c. 1760] Eau-forte coloriée à l'époque, 23 x 41 cm (36 x 52,5 cm avec le cadre). Encadrement : passepartout et baguette dorée . Bon état d'ensemble. Quelques menus trous de ver.
书商的参考编号 : 6158
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[Pasteur, Louis]. - Pirou, Eugène, early French filmmaker and photographer (1841-1909).
Woodburytype print on paper. N. p., c.1880.
235:174 mm (size of plate), mounted on cardboard (330:250 mm).
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[Paër, Ferdinando].
Portrait. O. O. u. D.
Kupferstich. 380 x 270 mm. Brustbild des italienischen Komponisten Paër (1771-1839).
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[Pius IX.].
Pio IX. P. M. Wohl Rom, 1860.
Gestochene Kupferplatte (103:133 mm). Unsigniertes Portraitkupfer des Papstes Pius IX. (Giovanni Maria Mastai-Ferretti; 1792-1878), datiert 1860, im Jahr, da die päpstlichen Truppen in der Schlacht von Castelfidardo von den piemontesischen Truppen geschlagen wurden.
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[POILLY (François de)], [Perelle.]
VUES DE VERSAILLES
Un volume in f° : 24,5 x 34,5 cm Carton recouvert de papier vert ( usures) dos à nerfs avec fleurons dores ( restaurations). Titre manuscrit sur papier beige. Album composite de 33 gravures, réalisé fin XVII ème Siècle Début XVIII ème Siècle. Certaines des gravures signées POILLY ; monogramme "C P R" (Cum Privilegio Regis.)
书商的参考编号 : ARC-114188
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[Poster - Hans Neumann].
Advertisement for "Residenzmodenhaus Zwieback am Fleischmarkt". Vienna, c. 1925.
Colour print, measuring 125:93 cm. Folded. Large-format advertising poster by the Viennese studio Hans Neumann for the renowned fashion dealer Zwieback on the Fleischmarkt in central Vienna. Hans Neumann (1888-1960) studied at the Viennese Academy of Arts and then was mainly active in Berlin until WWI. After the war, he established one of Austria's largest advertising studios with numerous employees (cf. Bernhard Denscher, Österreichische Plakatkunst 1898-1938, Vienna 1992, p. 200). In 1938, emigrated to London and later to Australia, where he founded a very successful Atelier for Graphic Design in Melbourne.
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[Prodigal Son].
Four etchings intended as supraportes. Bassano del Grappa, Remondini, ca. 1750.
Ca. 676 x 480 mm to 755 x 523 mm. Coloured etchings on paper. Partly heightened in gold and silver. Two of the prints mounted on canvas. Rare supraporte prints from the famous publishing house Remondini, depicting four episodes from the biblical Parable of the Prodigal Son. In the sequence of the biblical narrative, the etchings with legends in Spanish and Latin show the Prodigal Son collecting his share of the inheritance from his father, the Prodigal Son leaving the parental home, the Prodigal Son being reduced to serve as a swineherd after he squandered his fortune, and the reconciliation with his father following his desperate return home. The beautiful coloured etchings are wholly Rococo in style, from the large ornamental frames to the opulent clothing of the protagonists and decor within the scenes. Embracing the timeless character of a parable, the 18th century viewers were supposed to identify with the protagonists and have their taste in Rococo ornaments met. - The house of Remondini was founded in Bassano del Grappa by the merchant Giovanni Antonio Remondini (1634-1711) and was successfully expanded by his son Giuseppe Remondini (1672-1742). Apart from prints and books, Remondini produced decorated papers for various uses and wallpapers. In the 18th and early 19th centuries, Remondini was among the largest print publishers of Italy. The supraportes with the Prodigal Son are a beautiful example of the large portfolio of the company and its international market. - With occasional stains and some foxing. The return scene shows old restorations due to water damage, leaving some areas brittle, especially in the lower margin, and causing minimal losses to the print. The departure scene shows two small defects.
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[Ranftl, Johann Matthias, painter (1805-1854), ascribed].
Portrait of Ludwig (1784-1864), Archduke of Austria. N. p., [n. b. 1831].
Head-and-shoulders portrait, turned to the left. Watercolor on paper. 124:96 mm. A fine watercolor study, signed on the reverse by an unkown hand.
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[Reger, Max, Komponist und Pianist (1873-1916)].
Portraitphotographie. Wohl Leipzig, [nach 1903].
545:397 mm. Hinter Glas gerahmt. Schönes, großformatiges Portrait aus dem Atelier des Hofphotographen Ernst Hoenisch, dessen Atelier in Leipzig ab dem Jahre 1903 nachgewiesen ist. - Mit gepr. Signet von Hoenischs Atelier am linken unteren Rand.
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[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N° 217 - décembre-janvier-février 1999 sommaire: Dossier spécial: livres et religions -
Un fascicule in-4 de 96 pages - nombreuses photos en couleurs -
书商的参考编号 : GF24252
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[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°204 - juillet-aout 1997sommaire: Chan Ky-Yut - reliure : O. Drapeau - estampe : C. Raimbourg - bibliophilie: les autographes - les éditions Gonin -
Un fascicule in-4 de 64 pages - nombreuses photos en couleurs -
书商的参考编号 : GF24250
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[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°216 - Novembre 1999 -sommaire: livres d'équitation - Sem - Yves Yacoël - Bibliothèque Gennadus à Athénes - Léon Gruel, la reliure à Nantes - Els Baekelandt - estampes: Olivier Debré - B.-J. Baron - le fac-similé -
Un fascicule in-4 de 88 pages - nombreuses photos en couleurs -
书商的参考编号 : GF24246
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[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°219 -juin 2000 -sommaire:La Comtesse de Ségur et ses illustrateurs - Nicolas Cirier - Joel Leick - Jacky Vignon - L'enluminure médiévale - Patrick Aubert - L'estampe: définition - Didier Boursin - La bibliothèque de Versailles -
Un fascicule in-4 de 88 pages - nombreuses photos en couleurs -
书商的参考编号 : GF24247
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[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°225 - juillet - aout - septembre 2001sommaire:De sceau en ex-libris - De l'art postal à l'oeuvre de bibliophilie - La bibliothéca Wittockiana - Hervé Di Rosa - Jacques de Bellange - Franck Mouteault -
Un fascicule in-4 de 80 pages - nombreuses photos en couleurs -
书商的参考编号 : GF24248
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[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°226 - octobre-novembre 2001 sommaire: Claude Ribal - Les établissements Alivon - La reliure traditionnelle chinoise - Anna Romanello - Matteo Ripa - Iris Chen -
Un fascicule in-4 de 70 pages - nombreuses photos en couleurs -
书商的参考编号 : GF24251
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[Rentz, Michael Heinrich / Montalegre, Josef von.
Das Christliche Jahr. Schweidnitz, Joh. Christian Müllern, 1735?].
4to. 244 (instead of 248) partly numbered engraved plates. Slightly later full calf with giltstamped red title label to sparsely gilt spine. Very rare edition of "one of the most splendidly illustrated devotional books of the period" (Jantz), containing only the engraved plates and neither the text nor the music. The "Geistreiche Gesänge und Lieder auf alle Sonntags-Evangelien und Episteln so in dem Christlichen Jahre enthalten seyn [...]" were first issued in 1725-26, which saw a reissue under the title "Das Christliche Jahr" in 1735. This title is stamped on the spine label of this copy, suggesting that the present copy is of this latter edition. The plates "represent scenes from biblical history and the lives of the saints [...] exhibit[ing] a high point of Baroque illustration" (Faber du Faur) and are mostly presented within ornamental frames decorated by emblematic vignettes. - Wants title-page. Later handwritten bibliographical note in ink to flyleaf. Hinges a little worn, small flaw at the top margin of the plate showing St. Theresa (not touching image), but otherwise very well preserved. From the library of the Viennese collector Werner Habel, with his ownership stamp to flyleaf. Faber du Faur 1146. Jantz 2379. Bäumker III, 56, 138. Wolffheim 2202. Seebass 301. Nagler XIII, 36 and IX, 418.
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[Revue Nouvelles de l'Estampe] - [Odilon Redon]
Nouvelles de l'Estampe. Octobre-novembre 2005. N° 202 : Redon et Flaubert, tentations croisées dans Saint Antoine par Denis Bruza Molino / Mon dictionnaire et mes gravures par André Béguin / Sergio Borga ou la gravure de manifeste / Janine Bailly Herzberg / Pascale Hémery / Shirley Sharoff, l'art des signes urbains.
2005 Paris, Comité national de la Gravure française, 2005. 30 x 21 cm, 76 pp., illustrations en noir et en couleurs, broché.
书商的参考编号 : 2390
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[REVUE]. [L'AMATEUR D'ESTAMPES].
L'AMATEUR D'ESTAMPES. " Organe de la Chambre syndicale des éditeurs et marchands d'estampes anciennes et modernes ".
Paris (38, rue de Châteaudun, puis - dès la 2e année - 27, rue Grégoire de Tours, puis - à partir de la 4e année - 39 bis, rue de Châteaudun). Rédacteur en chef : Eugène Bouvy. Gérant : Léo Delteil. La première année, le bulletin est mensuel (mais ne paraît pas en juillet et août) et compte donc 10 numéros en 10 livraisons, sous la forme d'in-4° agrafé. Dès la 2e année, le bulletin adopte son rythme de parution définitif : 6 numéros par an, en 6 livraisons, sous la forme de grand in-8° broché. La pagination est suivie d'un numéro au suivant (environ 200 pages par année + de nombreuses et intéressantes pages de publicité pour des galeries, des éditeurs d'estampes, des parutions d'ouvrages spécialisés, des ateliers d'imprimerie artistique, etc.). Le dernier numéro de chaque année comporte une " Table des matières " des articles et planches parus dans les numéros de l'année achevée. Le premier numéro a paru en décembre 1921 ; le dernier, en décembre 1934. Lors de la 13e et dernière année, le titre devient " L'Amateur d'estampes et de livres d'art ".
书商的参考编号 : 10830
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[ROPS]. CATALOGUE DE VENTE
Tableaux, Aquarelles, Dessins, Eaux-fortes et Lithographies de Félicien ROPS formant la célèbre collection du Dr Ottokar Mascha de Vienne.
Bruxelles, Galerie Georges Giroux, 1921. In-4, broché, 144 pp., 1055 numéros, 29 oeuvres reproduites en 20 planches hors-texte sur papier couché. Tirage limité à 1050 exemplaires, un des 600 numérotés sur vergé anglais teinté, n°126. Carton d'invitation pour l'exposition privée joint.
书商的参考编号 : 560410
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[ROUBAUD (Benjamin)].
Les Romantiques chassés du temple. Album Théâtral, planche N°2.
1618 P., Chez Bauger, r. du Croissant, 16, Imp. dAubert & Cie, s.d. (1838), 1 planche encadrée (dimensions à vue : 280 x 230 mm), cadre du XIXe s. en placage de loupe (465 x 370 mm).Papier bruni, couleurs restées bien fraîches.
书商的参考编号 : 14134
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[Schmier, Johannes Franz]
[Jurisprudentia publica universalis ex jure tum naturali tum divino positivo nec non jure gentium nova et scientifica methodo derivata, et juris publici facta]
[Salzburg, Mayr 1722]. (28), 436 Seiten, 38 Seiten Index. Mit einigen Vignetten und Kopfstücken in Holzschnitt. 2° (33,5 x 22,5 cm). Schöner Pergamentband der Zeit mit durchgezogenen Bünden, spanischen Deckelkanten, handschriftlichem Rückentitel und rot gefärbten Schnitten.
书商的参考编号 : 1045261
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[Scoppa, Giuseppe, Neapolitan painter (fl. mid-19th century) - attrib.].
V[eduta] di Napoli da Mare. Naples, ca. 1860.
Gouache on paper, ca. 32 x 45 cm (sheet dimensions ca. 41.5 x 52 cm). Meticulous panoramic view of the bay, shoreline and city of Naples from Santa Lucia in the west to Mount Vesuvius in the east. The foreground shows fishing boats and other small vessels as well as a paddle steamer flying the French flag and a U.S. navy barque. - Margins tinted in grey wash, showing some light staining and a few tiny holes, caption title lettered in pink. The vividly coloured view is perfectly preserved. - Provenance: near-contemporary ink annotation on verso "Naples / Magasin de Beaux Arts / Place Cappella a Chiaja No. 6 / Sous le Palais Partanna / Tenú par Gaetano Calvi". Sold in 2015 through Holger Christoph, Bonn (sale 38, lot 411) to a German private collector and subsequently through Dobiaschofsky in Berne (2018) and Zisska in Munich (2021). A comparable, likewise unsigned example is held by the Bibliothèque nationale de France (dept. Estampes et photographie: "Napoli da Posilippo", Smith-Lesouëf 7277). For the painter Giuseppe Scoppa and his family cf. R. Rinaldi, Pittori a Napoli nell'Ottocento (2001), p. 247. See also Thieme/Becker XXX, 1936; Comanducci V (1974).
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[Sri Lanka].
Album of watercolours. Sri Lanka, December 1895-February 1896.
Large 4to (180 x 255 mm). 24 watercolours on 22 ff. With several additional pencil sketches. Original black half leather with green cloth covers and pen holder. Impressive album of vibrant watercolours documenting the extensive Ceylonese journey of a female British artist, Frances de la Poer. The volume opens with a depiction of a "Madras Conjurer" in Kandy, performing the "great mango trick" with two cobras, wherein the performer gives the illusion of the sudden germination and growth of a mango tree (drawn from life and dated Kandy, 31 Dec. 1895). The second drawing shows a crowd gathered before a Buddhist temple in Kandy. - Setting out from Kandy, the artist explored the countryside, drawing landscapes in Yattawatta, the tea harvest on Coolbawn estate in Navalapitiya, a pandal in Bandarawala, the surroundings of Haldummulla, a verandah in Pelmadulla, two views of Adam's Peak, men riding elephants in Ratnapura, the famous Elephant Rock (Ethagala) of Kurunegala, and four impressions from the beaches of Bentota. The final watercolour in the album is a beautiful impression of a beach sunset, dated 18 February 1896. - Frances de la Poer (ca. 1850-1925) was the youngest daughter of the Irish nobleman John William de la Poer (1816-51). In 1881 she married Thomas William Gaston Monsell, 2nd Baron Emly, son of the liberal politician William Monsell. - Spine professionally restored; generally well preserved. Album bought from Roberson & Co., London, with his ticket to front pastedown.
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[STEINLEN]. Collectif.
L'Estampe et L'Affiche.
Paris, Éditions d'Art, Édouard Pelletan, N° 2, 15 avril 1897. Une revue in-4 (22,5 x 29 cm), broché, couverture imprimée et illustrée, 68 pp. Sur le dos de la couverture Dessin de JOSSO.
书商的参考编号 : 31101
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[Strasbourg Cathedral].
In admirandam inclytae urbis Argentinae turrim. [Strasbourg, 1566].
52,8 x 37 cm. Woodcut on paper (two conjoined sheets). Rare pirated copy of the famous south-west view of the Strasbourg Cathedral by Daniel Specklin (1536-1589). A "Matthias Huebner" from Schneeberg in Saxony, who is presented as the author of the print in the modified text in the strapwork frame to the right ("Matthias Huebner Schnebergensis faciebat Argent. Cal. Ian M. D. LXVI"), has not been identified. The monumental view of the Cathedral, including the staffage figures and the strapwork cartouche with the date, correspond with the original published by Bernhard Jobin in Strasbourg (as depicted in Hollstein). - Trimmed, insignificant marginal damage, two restored tears on the left. Smoothed, slightly soiled, somewhat toned. Hollstein LXXIII, 67, 1 (with illustration on p. 66). Strauss, German single-leaf woodcut, III, S. 975, I (of II; with fig. II). Cf. Passavant III, p. 350f. Drugulin I, 290f. Bartsch IX, 303, 1.
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[Suite de 9 estampes libres].
-
Dimensions : 247 x 187 mm.
书商的参考编号 : 15923
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[Tertiaren].
Terzo Ordine. Wohl Rom, um 1780.
Gestochene Kupferplatte (118:66 mm). Kupferplatte mit zwei Andachtsbildchen: das Minoritenwappen (ein bloßer und ein kuttentragender Arm mit Stigmata vor einem Kreuz, von einem Strick umkränzt) sowie der Hl. Franziskus, kniend und die Stigmata empfangend. Unter der letzteren Darstellung findet sich die Legende, die auf den schon 1221 begründeten Dritten Orden der Franziskaner hinweist.
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[Trentsensky, Joseph].
Carawane nach Mecca. Vienna, Matthias Trentsensky (printed by E. Sieger), [ca. 1855].
Oblong folio (ca 370 x 240 mm). With 11 (of 24) numbered leaves containing 52 hand-coloured lithographic pen-drawings of people, animals, equipment & gear and goods, from a caravan travelling to Mecca, each drawing including a base for cutting out, mounting on card stock or wood, and arranging them upright in three-dimensional scenes. Lacking 12-24 (of 24). Loose leaves. The first eleven leaves of a very rare lithographic print series issued in parts. Most copies were probably cut up by children and destroyed in play. The human figures to be cut out include Turkish, Arabic, African and Middle Eastern men and women in Islamic costume, including both masters and servants, some of the men with a variety of firearms, spears, daggers, and various gear and goods. There are also camels, horses and donkeys, often with their gear for riding or for carrying loads. The series must have provided many children and adults with their first notion of Muslim society and culture and is rich in authentic details. "Kleine Welt des Bilderbogens" dates the series to ca. 1855, just after Sir Richard Burton's famous visit to Mecca disguised as an Afghan in 1853 (he was one of the few Europeans who had ever visited Mecca and lived to tell of it). The complete series of 24 leaves comprised four groups of leaves, each leaf with the title, relevant subtitle and imprint (without date) at the foot: 1-6: Die Ueberbringung des heiligen Teppich; 7-13: Die Reise durch die Wüste (not present here: 14-16: Das Lager in der Wüste; 17-24: Die Gefahren der Wüste). The artist is not named. The drawings are printed on unwatermarked wove paper. The paper is fairly thin and the drawn bases have no folding tabs, as the publisher intended the cut-outs to be pasted onto card stock with a folding tab at the foot of the base or wood so that they could stand without support. - Occasional pencil marks. Some edge flaws and duststains, waterstains and browning. Includes two uncoloured sheets (numbered 10 and 23) on somewhat later, stronger paper. Kleine Welt des Bilderbogens: der Wiener Verlag Trentsensky (1977), 111. Katharina Siefert, ed., Paläste, Panzer, Pop-up-Bücher: Papierwelten in 3D (2009), with a chapter, "Die Carawane nach Mecca", pp. 31-38. Not in KVK; WorldCat.
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[TURNER]
A Catalogue of the Collection of prints from the Liber Studiorum of Joseph Mallord William Turner. Formed by the Late Francis Bullard of Boston Massachusetts and bequeathed by him to the Museum of Fine Arts in Boston.
Boston, Privately Printed, 1916. In-4, rel. d’éditeur demi-toile brune, dos et premier plat titrés en doré, sous étui cartonné, 203 pp., catalogue de 96 œuvres, reproduites en sépia, index. Tirage à petit nombre, imprimé sur vergé.
书商的参考编号 : 564312
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[Turniere].
Pergamentblatt mit vier turnierenden Rittern. O. O. u. D., [um 1880].
467:393 mm. Unter Passepartout. Sehr hübsch ausgeführte aquarellierte Federzeichnung des Historismus, in der Art ihrer Darstellung den Turnierbüchern der maximilianischen Zeit nachempfunden; links oben vier Wappen, darunter möglicherweise die der Familien Montfort, Stauf von Ehrenfels, Gemmingen oder Schellenberg; rechts unten monogrammiert "H.W.M.". - Einige kleine Einrisse im rechten weißen Rand, stellenweise leicht fleckig und angestaubt, im ganzen jedoch sehr ordentliches Blatt in kräftigen Farben.
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[Ulbricht, Walter]. - Eltzner, Adolf.
Panorama von Leipzig in Niesens' Haus aufgenommen. Leipzig & Paris, Louis Rocca & Tessari et Comp., 1846.
1200 x 400 mm. Gerahmt hinter Glas. Schöne Ansicht von Leipzig, gestochen von Friedrich Salathé (1793-1858) nach der Zeichnung von Adolf Eltzner. Aus dem Besitz des gebürtigen Leipzigers Walter Ulbricht (1893-1973), rückseitig in Bleistift bezeichnet: "Geschenk an den Vorsitzenden des Staatsrates, Gen. Walter Ulbricht, anlässlich des 75. Geburtstages. 30.6.1966 [!] überreicht von Prof. Dr. Dieckmann". Händleretikett Erwin Paetzel, Berlin, Linienstraße 155.
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