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Bartlett, William Henry. Engraved by R. Dawson.
[Syria, Holy Land, Asia Minor] Djebel Sheich and Mount Hermon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Convent of Mount Carmel (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Encampment at Ras-El-Ain, Near Balbec (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by T. Turnbull.
[Syria, Holy Land, Asia Minor] Seleucia (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. F. Starling.
[Syria, Holy Land, Asia Minor] Castle Near Tripoli, On the River Kadesha (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. Hill.
[Syria, Holy Land, Asia Minor] Halt of a Caravan in the Desert of Girgola, Near Mt. Amanus (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. J. Cooke.
[Syria, Holy Land, Asia Minor] The Ladder of Tyrus - A Pass "On the Sea Coast. Near Tyre" (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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BARTOLINI (Luigi)
Gli esemplari unici o rari. Novantasei riproduzioni di acqueforti
Roma, Gherardo Casini Editore, 1952. 655 g In-8 à l'italienne, reliure éditeur, 222 pp., [1] ff., 96 reproductions des eaux-fortes.. Sans faux-titre, légers défauts. . (Catégories : Estampes, )
Bookseller reference : 7745
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963)
6 litografie di Bartolini
Cartella contenente 6 litografie originali a colori, eseguite da Luigi Bartolini nel laboratorio delle Edizioni d'Arte il Bisonte a Firenze, tra il dicembre 1961 e il marzo 1962, ed un frontespizio litografico inciso dall'Autore. Titoli delle opere: "Villa in Sabina", "Strada di Villa Madama", "Il davanzale in fiore", "Anna nei boschi", "Fonte di campagna", "Le fioraie" (cm 65x46 - 46x65 c.ca). Le litografie sono numerate, titolate e firmate da Bartolini a matita. Con due poesie dell'Autore: "La passeggiata" e "Gli uccelli" Esemplare 6/30. Cm 66x48. pp. 4 + 7. . Molto buono (Very Good). . Prima edizione di 100+XXX es. numerati. .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Fonte Canapina
Acquaforte originale stampata per il volume ''La Nencia da Barberino'' di Lorenzo de Medici, Bucciarelli, Ancona 1965. La tiratura dell'acquaforte è del 1961 Firma e titolo a matita (Firma e data sulla lastra: Bartolini 1959). Esemplare p.d.a.. Cm 12,5x18,5 (Foglio 35x51). . . Ottimo (Fine). . 100 + alcune pda. .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963)
Il cavallino di Monte Mario
Acquaforte originale di Luigi Bartolini (cm 4x4,6) non firmata. Opera allegata al periodico "L'Incisione" n. 16 che contiene altra acquaforte originale, numerata e firmata, di Walter Piacesi (Omaggio a Piero Della Francesca, cm 18,3x16,3). Testo inedito di Dino Garrone . 4to. pp. 20. . Perfetto (Mint). . . . Sarà questa una delle lastre incise da Luigi Bartolini rincorrendo il cavallini di Monte Mario? Consegnatami dal grande Artista, con piacere ora la dono agli amici di questa rivista che porta il titolo da lui stesso suggerito. L'autenticità dell'acquaforte è convalidata dal timbro a secco - il cui disegno è stato delineato da Bartolini nel 1962 - delle edizioni Bucciarelli (Nota dell'Editore Brenno Bucciarelli)
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Senza titolo
Acquaforte originale. Una delle 4 acqueforti che illustrarono la raccolta di versi dell'A. ''Poesie 1960'', pubblicata da Bucciarelli Firma a matita (L.B.). Esemplare p.d.a.. Cm 6,8x3,6 (Foglio 17x25,5). . . . . Tiratura 100 + alcune p.d.a. .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Senza titolo
Acquaforte inclusa nella cartella ''Cinquanta incisioni di artisti italiani'', pubblicata da Prandi nel 1963 Firma e numerazione a matita (Firma e data sulla lastra). Esemplare 37/75. Cm 24,5x17 (Foglio 45x32). . . Ottimo (Fine). . . .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Senza titolo
Acquaforte. Opera appartenete alla cartella ''Testamento per Luciana'', contenente l'incisione ed un testo dell'Artista Disponibile senza la cartella. Esemplare p.d.a.. Cm 10,5x5 (Foglio 35x25). . . . . Tiratura 100 + alcune p.d.a.. .
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Bartolini, Sigfrido
Mario Sironi. L'Opera Incisa
This is a very good hardcover copy in a very good dust jacket. Completely clean inside and very clean outside as well, just a small piece chipped out of the top edge of the front jacket panel. Text in Italian. Introduction by Alfonso Gatto. Illustrated in color and black & white. 12" high X 10" wide, 213 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Bartolomeo Pinelli
Nuova raccolta di Cinquanta costumi pittoreschi incisi all’acqua forte ... dedicati a sua eccellenza il cavaliere Hitroff
In-4° oblungo; frontespizio inciso e 50 tavole incise all’acquaforte da Pinelli (1781-1835), raffiguranti scene di costume ambientate nella campagna romana; i personaggi sono dediti a giochi, lavori, attività varie della vita quotidiana, anche a Roma e nel regno di Napoli; le ambientazioni sono in Ciociaria, Cerbara, Tivoli, Albano, Fracati, Pietra Terrazzana, Roma. L’indicazione di responsabilità presente su quasi tutti i rami è “Pinelli Fece 1815 Roma”. Buona copia.
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Bartolomeo Pinelli - Giuseppe Berneri
Il Meo Patacca o vero Roma in feste nei trionfi di Vienna poema giocoso nel linguaggio romanesco Edizione seconda arricchita di num. 52 tavole
In4° grande oblungo, legatura solida in mezza pelle rossa con angoli, fregi dorati al dorso, tasselo con titolo in oro al piatto superiore. Seconda edizione la prima completa con tutte le tavole. PP. (6), 170, più 52 tavole. Buon esemplare. I dodici canti del poema eroicomico, in dialetto romanesco, che diede la notorietà a Giuseppe Berneri (1637-1701) pubblicato insieme alle famose incisioni all’acquaforte di Pinelli (1781-1835) che ritraggono vivide scene popolari, con personaggi e costumi contemporanei, iconografia della Roma ottocentesca.
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Bartolomeo Vitturi - Bartolozzi
La serenata di Ciapino e il lamento della ghita. Stanze rusticali
In-4°; pp. (32), con 2 tavole f.t. incise da Francesco Bartolozzi (1727-1815), una vignetta incisa su rame al frontespizio, una testatina e 3 grandi finalini, di cui due da invenzioni di Piazzetta, incise da Fiorenza Marcello e Felicita Sartori. Sonetto introduttivo di Gasparo Gozzi, al termine una poesia di Giovanni MArsili. Legatura in cartonato colorato. Gamba p. 613.
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Bartsch, Friedrich Ritter von
Die Kupferstichsammlung der K. K. Hofbibliothek in Wien. In einer Auswahl ihrer merkwürdigsten Blätter.
Wien, Braumüller 1854. XIII, 312 S. HLdrBd. d. Zt. mit Rückengoldpräg.
Bookseller reference : EEzz2582
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BARTSCH, Frédéric de.
Catalogue des estampes de J.Adam de Bartsch.
Vienne, Pichler, 1818. 8 °. Portrait gravé, VIII, 165 p. Brochure originale, (dos fissuré, couverture légèrement froissée). Liste complète et détaillée des 505 gravures d'Adam von Bartsch, publiées par son fils.
Bookseller reference : ART5227M
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Baruch, Adam [Ed.]
Peter Z. Malkin: Silkscreens Portfolio
15x21 cm. 31 pages. Paperback in dust jacket. In good condition.
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based Noah Webster illustrated with 670 engravings blank endpapers former owner name preface Charles Walter Brown
Donohues Websters Handy American Dictionary of English Language comprehensive Lexicon containing over 32000 words & phrases Correctly defined to which is added a list of foreign words phrases & quotations from ancient & modern languages Re
M. A. Donohue Chicago. HB NODJ No Date Early Vintage 1st edition Thus Purple with Black decorated cloth Cover minor rub & Wear & tiny Chips Extremities NF/VG NODJ back cover couple stains . First Thus. Hard Cover. M. A. Donohue Chicago hardcover
Bookseller reference : 9248
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Basel.- Schweizerischer Schriftstellerverein (Hrsg.):
E Majeli vo dr Liechtete im Rhyfälderhof fir d'Dailnämmer a dr Johresversammlig vom Schwyzerische Schriftstellerverain am 29. Mai 1921 z'Basel.
(Basel, o. Vlg.), 1921. Gross-8°. 20 S. Mit 3 signierten Lithographien von Burckhard Mangold, Otto Plattner u. ?, 1 mont. Linolschnitt nach Theodor Barth sowie 2 Lithographien nach Willi Wenk u. Dürrwang. Marmoriertes Heft d. Zt. mit mont. Deckelillustr. (mit mehreren kl. Randläsuren).
Bookseller reference : 5925BB
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Baselitz, Georg
Baselitz. Peintre-Gaveur. Werkverzeichnis der Druckgrafik. In Zusammenarbeit mit Johannes Gachnang. 2 Bände. 1. Band: Werkverzeichnis der Druckgrafik 1963-1974. 2. Band: Werkverzeichnis der Druckgrafik 1974-1982.
Bern, Berlin, Verlag Gachnang und Springer, 1983-1987. 4°. 34,5 x 25cm. 228 und 265 Seiten. Original-Leinenbände mit Original-Schutzumschlägen. Band 2 mit Pappschuber.
Bookseller reference : 45344AB
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Baskin, Lisa Unger [CURATOR]
The Gehenna Press: The Work of Fifty Years 1942-1992
28x21.5 cm. 238 pages. Softcover. Spine slightly wrinkled. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Bassaget, Pierre Numa (dit Numa)
Dieu fit l’homme à son image - Lithographie originale en couleur sur Velin blanc.
Lithographie - Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 3, 12 avril 1832, (Planche n°153 bis)Dimensions Hauteur: 27cm x Largeur: 35.6cm - Image : Hauteur: 18.4cm x Largeur: 23.8cm .- Inscription - Titre en bas au centre : « Dieu fit l’homme à son image. » ; indications, en ht au centre : « La Caricature (Journal) »Inscription - Dans la lettre : « Lith. de Delaporte » [imprimeur], « On s’abonne chez Aubert, Galerie véro dodat » [éditeur] ; dans l’image, en bas à gche, signature : « Numa »Inscription - Titre de l’ouvrage lu par Mahieux : « BIBLE »Dans un intérieur, un curé sous les traits de Mayeux lit la Bible à deux femmes élégamment vêtues assises sur un canapéPersonne / Personnage représenté:Mayeux (personnage littéraire)
Bookseller reference : 25274
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Bassaget, Pierre Numa (dit Numa)
Monsieur Budget et Mademoiselle Cassette se promenant aux Tuilleries [Tuileries].Lithographie originale coloriée sur Velin blanc.
1832 Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 3, 2 février 1832, (Planche n°133);taches en marges.-Lithographie- Œuvre: Hauteur: 27cmx Largeur: 35.6cm - Image: Hauteur: 18.7cmx Largeur: 22.5cm - Titre en bas au centre : « Monsieur Budget et Mademoiselle Cassette / se promenant aux Tuilleries [Tuileries] » ; indications, en ht au centre : « La Caricature (Journal) / N°66. », en ht à dte : « Pl. 133. »- Dans la lettre : « Lith. de Delaporte » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur]Inscription - Sur la robe de la femme, une série de chiffres correspondant à des sommes mirobolantes- « Ces deux être abstraits, gras de la maigreur de tous, et dont chacun, même le Sans-Culotte, retrouve toujours la main dans un coin de son gousset ». Il s’agit d’une représentation caricaturale de Louis-Philippe, figuré extrêmement gros, comme engraissé par l’argent que "La Caricature" lui reproche de prendre aux Français par le biais des taxes et impôts. Il est représenté de dos (mais est reconnaissable au toupet et aux favoris). Il donne le bras à une femme, incarnation de la « Cassette », c'est-à-dire du budget, voire même de la liste civile du roi. Sa robe est tricolore (bleu, blanc et rouge). Elle aussi de dos, elle tourne la tête vers le spectateur. Les deux obèses personnages se promenent dans le jardin des Tuileries. La pl. critique l’amour de l’argent, voire l’avarice du roi des Français. A l’arrière-plan à gche, le pavillon des Tuileries, surmonté du drapeau tricolore.
Bookseller reference : 25611
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BATAILLE Georges
L'Archangélique
Paris Nouveau Cercle parisien du livre 1967 In-2 En feuilles, couverture illustrée, emboitage éditeur
Bookseller reference : 013650
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BATEM (Luc Collin)
Signierter Comic-Druck als Weihnachtsgabe von Heinzelmännchen's Bücherstube in Stuttgart. * Eigenhändig signiert und numeriert. Hier die Nummer 11 / 150.
Stuttgart 1992. Ein Blatt im Format 12,5x15 cm in orangerotem Umschlag "Frohe Weihnachten und ein gutes Neues Jahr". Neuwertig 21x15 cm
Bookseller reference : 147107
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Bates H E and Agnes E Bates Wood Engravings
Through the Woods: the English Woodland-April to April
London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. <br/> <br/> Frances Lincoln Publishers hardcover
Bookseller reference : 20053005
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BATES H. E. & PARKER AGNES MILLER Engravings
Down the River
Victor Gollancz 1937. First edition small quarto dark blue cloth boards with gilt lettering to spine illus title page 151pp illus with engravings on wood VG slight soiling to boad upper edges inscription in ink to front pastedown owner's name in pencil to fep moderate foxing to prelims terminals & page edges in d/w VG- heavy browning to spine & flap folds heavy foxing bruising & 1cm tears with loss to spine extrems bruisng to upper edges light soiling Victor Gollancz 1937 hardcover
Bookseller reference : 153856
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BATES H. E.; wood engravings by PARKER AGNES MILLER
THROUGH THE WOODS: THE ENGLISH WOODLAND - APRIL TO APRIL
NEW YORK: MACMILLAN COMPANY. G/FAIR LIGHT EDGEWEAR. LIGHT TONING & FOXING TO PAGES. Pages: 142. . 1936. HARDCOVER. DJ PRICE-CLIPPED HEAVILY EDGEWORN WITH CHIPS & TEARS OLD TAPE SHADOWS TAPED ON VERSO IN MYLAR WRAP. BINDING TIGHT. . MACMILLAN COMPANY hardcover
Bookseller reference : MASTER289708I
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BATES HE. Engravings by Agnes Miller Parker H. E.
Down the River
New York: Henry Holt 1937. Hardcover. Near Fine/Near Fine. First American edition. With 83 Engravings by Agnes Miller Parker. Small quarto. Fine in modestly age-toned very good dustwrapper with some light spotting on the spine. Henry Holt hardcover
Bookseller reference : 372172
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Bates HE.; wood engravings by Agnes Miller Parker H. E.
THROUGH THE WOODS - The English Woodland - April to April
New York: Macmillan Co 1936. 1st American edition. Oversize Hardcover in brick cloth boards no jacket. VeryGood unmarked slightly sunned spine. The English woods described in text and remarkably illustrated with many wood engravings. Nice bright clean copy of 1st US edition. <br/><br/>8 x 10-1/2 142 pp 73 b/w engravings. Macmillan Co hardcover
Bookseller reference : 17229
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Bates HE. Wood Engravings by Agnes Miller Parker H. E.
Through the Woods; The English Woodland April to April
London: Victor Gollancz 1936 1st edition. Cloth 142pp. Very good plus. Terracotta boards with gilt lettering to spine. Small sticker on front end-paper otherwise near fine. Victor Gollancz Hardcover
Bookseller reference : 112903
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BATES H. E.
Through the Woods.. The English Woodland - April to April. With Engravings by Agnes Miller Parker. [Second Edition] NEAR FINE COPY IN UNCLIPPED DUSTWRAPPER
8vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.
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Batlle Planas, Juan [Batle]
El Barrio de San Telmo - Cincografias Originales de Juan Batlle [Batle] Planas. [SERIES]: Laminas de la Ciudad de Buenos Aires, 8.
LIMITED EDITION - COPY No.338. RARE collection of 12 b&w silkscreen (serigraph) prints by an eminent Argentinian artist Juan Batlle Planas (1911-1966) belonging to the surrealist school, but orienting in his later phases to romanticism. Many of his works, while obscure, were sombre in feeling, influenced by social unrest and economic and political problems in Argentina. Batlle Planas was an influence on numerous Latin American painters, including Roberto Aizenberg and Dalila Puzzovio, who studied under him. The prints depict San Telmo ("Saint Pedro González Telmo") - the oldest barrio (neighborhood) of Buenos Aires characterized by its picturesque colonial buildings. 390x280mm. 12 separate plates & 12 text pages (6 unbound double pages) laid in Hardcover folder with cloth spine and string-tie closure. Prints actual size: 26x16cm printed on white framing background. Title sticker mounted on folder front cover. Folder curved. Folder strings tattered. Folder edges and corners bumped and worn/peeling. Folder front board dirty. Folder rear board and spine stained. Folder flaps detached. Spine edges tattered/peeling. [SUMMARY]: Only the folder of this extremely rare collection of unique silkscreen prints has sustained some wear. All plates are in very good condition and ready for framing!
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Battle of Britain Prints International Ltd.
The Blitz Then and Now: Volume 1 - September 91939 to September 61940 v. 1
1987-05-01. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
Bookseller reference : 0900913452n ISBN : 0900913452 9780900913457
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Baud Bovy Auguste Roger Marx introduction Charles Morice poem Maurice Baud wood engravings
Vingt oeuvres du peintre Baud-Bovy 1848-1899
Gen�ve Geneva: Cercle des Arts & des Lettres 1901. A stunning suite of TWENTY LARGE FOLIO WOOD ENGRAVINGS by Maurice Baud after paintings executed by Auguste Baud-Bovy between 1886 and 1898 depicting 19th-century Alpine life and landscapes in all of their picturesque austerity. 28 pages plus 20 full-page hors-texte wood-engravings. Complete with detailed letterpress descriptions. Edition limited to 171 copies of which this is number 41 one of 150 on fine wove paper printed for M.C. Fran�ois and SIGNED BY BAUD. Absolutely complete with ALL PRINTED TISSUE-GUARDS PRESENT. Large folio 51.9 x 39.7 cm. Loose as issued in publisher's attractive cloth portfolio. Half-title spotted last leaf wood engraving no. 20 with some small marginal tears else FINE AND BRIGHT. A rare and important collection of Alpine prints. <br/><br/> Cercle des Arts & des Lettres hardcover
Bookseller reference : 38254
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Baudrand, Barthelemy
L'Ame elevée a Dieu, par les réflexions et les sentimens, pour chaque jour du mois. Derniere edition.
Lyon, Rusand, 1792. 2 Bände. VII, 440; VIII, 280 Seiten, 172 Seiten, 2 Blatt. Dekorative marmorierte Lederbände der Zeit auf 5 Bünden mit reicher Rückenvergoldung und je 2 goldgeprägten Rückenschildern. Einbände nur minimal berieben.
Bookseller reference : 703903
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BAUGEAN GOSSART AUBERT SCHROEDER QUEVERDS FORTIER de SAULX pour les graveurs et GOBLAIN BENCE FONTAINE BOURGEOIS GUYOT etc pour les dessins
NOUVEAU VOYAGE PITTORESQUE DE LA FRANCE
Album factice in 8° (225 x 160 mm) de 117 gravures (la notion d'album factice correspond en ce qu'il n'est pas le produit de la volonté de l'éditeur mais celui d'un collectionneur et ne comprend pas forcément la totalité d'une série.)Il s'agit de vues des principales villes de France, ports de mer, monuments anciens et modernes, sites remarquables. OSTERVALD l'Ainé, éditeur, rue de la parcheminerie, Paris, première moitié du 19° siècle
Bookseller reference : 3733
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Baumberger, Georg
'Juhu-Juuhu!'. Appenzellerland und Appenzellerleut'. Skizzen u. Novellen.
Einsiedeln u.a., Benziger, 1903. 8°. 292 S. Mit 60 zum Teil ganzs. Abb. im Text. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4586DB
Bookseller reference : 4586DB
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Baumberger, Georg:
'Juhu-Juuhu!'. Appenzellerland und Appenzellerleut'. Skizzen u. Novellen.
Einsiedeln u.a., Benziger, 1903. 8°. 292 S. Mit 60 zum Teil ganzs. Abb. im Text. Orig.-Leinenband.
Bookseller reference : 4586DB
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Baumberger, Otto (1889-1961)
Kirche mit 4 Personen im Vordergrund.
o.J. Blei- und Farbstiftzeichnung von Otto Baumberger. Bildgrösse: 31,5 x 41 cm. Blattgrösse: 36,5 x 46 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 996DG
Bookseller reference : 996DG
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Baumberger, Otto (1889-1961):
Kirche mit 4 Personen im Vordergrund.
o.J. Blei- und Farbstiftzeichnung von Otto Baumberger. Bildgrösse: 31,5 x 41 cm. Blattgrösse: 36,5 x 46 cm.
Bookseller reference : 996DG
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Baumeister, Willi - Spielmann, Heinz
Willi Baumeister. Werkkatalog der Druckgraphik. Diese Publikation erscheint am 31. August 2005 zum 50. Todestag des Künstlers.
Ostfildern-Ruit, Hatje Cantz Verlag, 2005. 4°. 32 x 26 cm. 223 Seiten. Original-Leinenband mit farbig illustriertem Original-Schutzumschlag.
Bookseller reference : 4421FB
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Baumgartner, G(ottlieb)
Das Curfirstengebiet in seinen pflanzengeographischen und wirtschaftlichen Verhältnissen.
O.O., (um 1900). 8°. S. (1) 148-407. Mit 1 gef. Tabelle, 1 gef. Tafel, 14 Tafeln und 1 gef. farb. pflanzengeogr. Karte. Leinenband d.Zt. mit handschr. Deckel- und Rückentitel. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
Bookseller reference : 6045BB
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Baumgartner, G(ottlieb):
Das Curfirstengebiet in seinen pflanzengeographischen und wirtschaftlichen Verhältnissen.
O.O., (um 1900). 8°. S. (1) 148-407. Mit 1 gef. Tabelle, 1 gef. Tafel, 14 Tafeln und 1 gef. farb. pflanzengeogr. Karte. Leinenband d.Zt. mit handschr. Deckel- und Rückentitel.
Bookseller reference : 6045BB
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Baumgartner, Georges
Die Geschichte der Wagons- und Aufzügefabrik Schlieren D'Wagi 1895?1985.
Schlieren, Stolz und Baumgartner, 1986. 4°. 96 S. Mit zahlr. Abb. Orig.-Leinenband mit Schutzumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7698CB
Bookseller reference : 7698CB
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Baumgartner, Georges:
Die Geschichte der Wagons- und Aufzügefabrik Schlieren D'Wagi 1895–1985.
Schlieren, Stolz und Baumgartner, 1986. 4°. 96 S. Mit zahlr. Abb. Orig.-Leinenband mit Schutzumschlag.
Bookseller reference : 7698CB
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