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LANDOLT Hanspeter
100 Dessins de Maîtres des XVème et XVIème Siècles Tirés du Cabinet des Estampes de Bâle.
Société de Banque Suisse. 1972. In-folio pleine toile avec emboîtage. Très nombreuses ills. 100 p. TBE.
书商的参考编号 : 38129
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LANVIN Jeanne BRISSAUD Pierre
Au Pré Catelan - Robes de fillettes et tailleurs de Jeanne Lanvin. (La Gazette du Bon ton, n°6. Juin 1914 - Planche 55: )
Lucien Vogel éditeur, Paris 1914, 38,1x24,5cm, une feuille.
书商的参考编号 : 51297
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Lancelot,Dieudonné Auguste
De la serie La Rochelle et son arrondissement, histoire, description, monuments, paysages ...Eau forte Gravure originale (tirage d'epoque)
La Rochelle : Chez l'auteur, [1875]vue dans le texte [120 x 65 millimètres environs] sur chine rapporté non collé,chaque,sans marge,voir photos,20 € est le prix de chaque Eau forte Gravure originale (tirage d'epoque).Tirage à part,non collés,faisant partie d'une suite volante,pas sortie du livre.
书商的参考编号 : 21057
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Langhard, Johann:
Die anarchistische Bewegung in der Schweiz von ihren Anfängen bis zur Gegenwart und die internationalen Führer.
2., unveränderte Auflage. Bern, Stämpfli, 1909. 8°. VIII, 492 S. Goldgepr. Orig.-Leinenband.
书商的参考编号 : 30801AB
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LANVIN Jeanne & POIRET Paul & VIONNET Madeleine & WORTH Charles Frederick DAVID
Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)
Lucien Vogel éditeur, Paris 1925, 18x24cm, relié.
书商的参考编号 : 55400
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LANE, Richard:
Images from the floating world. The japanese print. Including an illustrated dictionary of Ukio-e.
London, Alpine Fine Arts Collection, 1978, in-4to, 364 p., richly illustrated, original clothbound with ill. jacket.
书商的参考编号 : 133518aaf
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LANGDALE, Cecily
MONOTYPES BY MAURICE PRENDERGAST in the Terra Museum of American Art
Chicago Terra Museum of American Art 1984 in 4 (28,5x24) 1 volume reliure toilée brique de l'éditeur, jaquette illustrée en couleurs, 159 pages et cahier d'addenta volant in fine(pp. 8, 3 colour illus). Ex dono manuscrit sur la première page de garde. First Edition. Bon exemplaire
书商的参考编号 : 49448 ???????? : 932171001
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LANGLUMÉ Pierre
Sur un rocher !...
Lithographie rehaussée de couleurs. Éditée à la mort de Napoléon Ier … En feuille Moyen Paris 1821 37 x 28 cm
书商的参考编号 : 14711
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LANE, Richard:
Ukiyo-e Holzschnitte Künstler und Werke. Aus dem Englischen übersetzt von Klaus J. Brandt
Zürich, Orell Füssli 1978, in-4to, 376 S., reich illustriert. Mit 200 teils farb. Abb. im Text u. 735 s/w Kleinabb. im Lexikonteil. Original-Leinenband, ill. Orig.-Umschlag.
书商的参考编号 : 112536aaf
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Lang, A.:
Von der Elektrifizierung der Rhätischen Bahn.
Zürich, Jean Frey, 1920. 4°. (4) Bl. Mit Abb. und Illustr. Lose Blatt.
书商的参考编号 : 31216AB
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Lang, Caspar:
Wolriechendes Hand-Meyelin. Das ist: Aussfürliche kurtze Schutz-Schrifft, wie von der Catholisch-Römischen Kirch, ob sie zum Geistlichen Stand ...
Zug, Jacob Ammon, 1673. Kl.-8°. 115 S., (1) Bl. (Druckfehler). Pappband der Zeit.
书商的参考编号 : 6629CB
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LANCKORONSKA, M
Die venezianische Buchgraphik des 18. Jahrhunderts.
Hamburg, Maximilian-Gesellschaft, 1950. 4to. 114 S. m. 121 Abb., 1 Bl. OLwd (Einbd gering fleckig, mit 2 dezenten kl. Stempeln).
书商的参考编号 : 1223694
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Landelle Charles
A Woman of Thebes by Charles Landelle 1 print from The Masterpieces of French Art
Paris: Gravure Goupil et Cie 1882. Near Fine. The sheet is 15 x 11.5 inches; the image is 10 x 7.25 inches. The print is a black-and-white image of the painting A Woman of Theres by Charles Landelle 1812-1908. No date of publication. The series The Masterpieces of French Art was issued in the United States beginning in 1882. Portfolios containing several photogravure prints and several wood engravings were published on a monthly basis. Gravure Goupil et Cie became Boussod Valadon & Cie in 1884. A strikingly beautiful image. In Near Fine Condition: corners lightly rubbed; image is clean and bright. <br/><br/> Gravure Goupil et Cie unknown
书商的参考编号 : 004814
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Lander, Sarah H.
SPECTACLES FOR YOUNG EYES. St. Petersburg.
pp. 203, 8 [Walker, Wise, & Co.'s Children books catalogue with sample illustrations] + Plus wood engraved half title, frontis and full page plates. Wood engraved text illustrations. Inked 1864 ownership of Robert S. Bair (York, PA). Unusual Photo portrait ownership bookplate of Robert C. Bair, (York, PA) 1928. Bair was involved in politics and served as the Director of Historical Society of York County. Age stained. A few signatures loose. 12mo. Original full green buckram embossed in gold and blind. Binding slightly worn and cocked. ** PRICE JUST REDUCED!! RUSSIA/1
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Landolt, Karl; (1925-2009)
Schiffsteg am Zürichsee.
1983. Bleistiftzeichnung. Bildausschnitt: 23 x 15,5 cm. Bildgrösse mit Rahmen: 33 x 26 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
书商的参考编号 : 765DG
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Landsberger, Franz
Rembrandt, the Jews and the Bible
Book shows light wear only to bright red covers with gilt print at front and spine. Binding is solid and square, text/interior is clean and free of marking of any kind with prev. owner's name at front end paper and stamp on title page. 190 pages with 66 illustrations, mostly b&w prints. Dust jacket has small open tears, edge wear. Contents include: Rembrandt and the jews come to Amsterdam, Portraits of jew, Scenes of Jewish daily life, the Bible.
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LANDWEHR John
Romeyn De Hooghe 1645-1708 as book illustrator; a bibliography.
Amsterdam / New York: Van Gendt / Abner Schram 1970. First Edition. Hardcover. 4to. pp. 247 1. Contains many b&w illustrations. Green cloth with dust jacket. Near fine condition. Miniscule dusting/foxing to upper edge of text block. Dust jacket is vg/fine. "The present bibliography describes over 100 titles containing ca. 2800 etchings by De Hooghe." -d.j. Contains indexes. <br/><br/> Van Gendt / Abner Schram hardcover
书商的参考编号 : 000243
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LANE Charles
British Racing Prints 1700-1940.
4to., First Edition, with numerous illustrations in the text and pictorial endpapers; cloth, gilt back, a near fine copy in the dustwrapper. This major study, based around a catalogue by artist, includes a useful bibliography
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Lane, Richard
Images from the Floating World - The Japanese Print; Including an Illustrated Dictionary of Ukiyo-e
Book is as-new black fine cloth covers, sliver lettering at spine. Excellent condition in every respect with no blemishes of any kind. Previous owner's name and phone number on front endpaper. Dust jacket has very light shelf wear only, no tears or chipping. An encyclopedic reference to the subject, at 364 pages, book is divided between two roughly equal sections with different paper used in each. The first is in four sections: Early genre painting and the rise of Ukiyo-e, The primitives and the first centry of Ukiyo-e 1660 - 1765 The golden age of the color print 1765 - 1810, & Hokusai, Hiroshige and the Japanese landscape 1810 - 1880. 2nd section comprises the Illustrated dictionary of Ukiyo-e, in which illustrations go to b&w. In business for 20 years, we provide excellent customer service and ship in packing material appropriate to assure your package arrives undamaged.
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Lang, A
Von der Elektrifizierung der Rhätischen Bahn.
Zürich, Jean Frey, 1920. 4°. (4) Bl. Mit Abb. und Illustr. Lose Blatt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
书商的参考编号 : 31216AB
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Lang, Caspar
Wolriechendes Hand-Meyelin. Das ist: Aussfürliche kurtze Schutz-Schrifft, wie von der Catholisch-Römischen Kirch, ob sie zum Geistlichen Stand ...
Zug, Jacob Ammon, 1673. Kl.-8°. 115 S., (1) Bl. (Druckfehler). Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
书商的参考编号 : 6629CB
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Langhard, Johann
Die anarchistische Bewegung in der Schweiz von ihren Anfängen bis zur Gegenwart und die internationalen Führer.
Bern, Stämpfli, 1909. 8°. VIII, 492 S. Goldgepr. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 2., unveränderte Auflage.
书商的参考编号 : 30801AB
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LANVIN Jeanne & POIRET Paul & VIONNET Madeleine & WORTH Charles Frederick DAVID
Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)
- Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed LRF Sketches L, LII, LIII, LV, are signed David, respectively on the lower right and left boards. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée.
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LANVIN Jeanne BRISSAUD Pierre
Au Pré Catelan. Robes de fillettes et tailleurs de Jeanne Lanvin. (La Gazette du Bon ton, n°6. Juin 1914 - Planche 55: )
- Lucien Vogel éditeur, Paris 1914, 38,1x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illustration d
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LARAN Jean, LETHÈVE Jacques, et altri
Inventaire du fonds français Après 1800
Inventaire du fonds français des estampes de la Bibliothèque Nationale de Paris. Les tomes 1 à 14 sont brochés et pour la plupart non coupés, le tome 15 est en cartonnage d'éditeur et daté de 1985 (dernier tome paru). Exceptionnel outl de travail, ici en condition parfaite. Brochés Très bon Paris Bibliothèque Nationale 1967-1985 15 volumes in-4°
书商的参考编号 : 13041
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LARMESSIN Nicolas IV de
Le matin, le midi, l”après-dinée, la soirée.
Eau-forte et burin. 4 estampes gravées d'après Lancret. Très belle condition: cadres et vitres anciens. Parfait état. Cadres d'époque et vitres anciennes. Très bon 1741 39 x 45,5
书商的参考编号 : 6820
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Laran Jean
Que sais-je? N° 135 Les estampes
Presses Universitaires de France Edition original Première édition 30 Septembre 1943. 1943. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 pages illustrées de quelques dessins en noir et blanc. . . . Classification Dewey : 769-Estampes
书商的参考编号 : RO90130671
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Laran Jean Bibliotheque Nationale Cabinet des Estampes Eugene Bejot
L'oeuvre grave d'Eugene Bejot catalogue raisonne of the prints of Eugene Bejot
Paris: Editions des Bibliotheques Nationales de France 1937. The catalogue raisonne of Bejot's prints. 2 leaves 279 pp. 437 items thoroughly described. Profusely illustrated. Index. Edition limited to 350 numbered copies printed on fine wove paper with THREE ORIGINAL ETCHINGS BY BEJOT L. 347 411 and 412 PRINTED ON VERY FINE SPECIALLY-MADE LAID PAPER. Folio. Bound in the original quarter vellum and marbled boards with morocco labels on front cover and spine. Uncut. A tiny wisp of wear to extremities of binding else FINE AND BRIGHT WITH NO DEFECTS. An excellent copy of a very scarce book usually found worn and/or re-bound. <br/><br/> Paris: Editions des Bibliotheques Nationales de France, 1937 hardcover
书商的参考编号 : 3095
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LARAN Jean
Les estampes
PUF Que Sais Je ? 1943, In-12 broché, 128 pages. Trés bon état.
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LAREDO VICTOR PHOTOGRAPHS AND PRINTS
New York City: A Photographic Portrait
Dover Publications Inc. New York: 1973. Softcover. Good condition. ISBN: 0486228525. Dover Publications, Inc., New York: 1973 paperback
书商的参考编号 : 39914X1 ???????? : 0486228525 9780486228525
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LASTMAN Peter
Juda et Thamar
Très belle et rare eau-forte dans le goût de Rembrandt, malheureusement coupé en haut supprimant ainsi la marque du graveur. Très beau tirage.Très rare. XVIIè 17,5 x 17,8 cm.
书商的参考编号 : 7364
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LASSALLE, Emile, d'après COROT
SOLEIL COUCHANT
L'Artiste 19° SOLEIL COUCHANTLithographie Emile LASSALLE d'après COROT édition L'Artiste sur papier de chine contre collé sur hollandeEditions L'ArtisteDimensions de l'image 215 x 183 mmDimensions de la feuille 290 x 222 mmVisitez nous en consultant notre site antharedeschuyter.frPour cet objet envoi en recommandé R2Recommandation importante : la plupart de mes envois se font en recommandé avec assurance. Si à la livraison le colis présente des signes de détérioration il est important de le signaler au facteur ou au livreur et d'émettre des réserves, seul moyen de faire fonctionner la garantie.
书商的参考编号 : 3768
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Laska Vera; Engravings by John De Pol
Benjamin Franklin the Diplomat Printing Week Library of Benjamin Franklin Keepsakes # 30 SIGNED & ASSOCIATION COPY
Privately Printed 1982. Book. Very Good. Hardcover. Signed by Authors. 12mo - over 6� - 7�" tall. Pale hardcover with gilt littering on front; no jacket; 151 pages; illustrated with occasional green engravings. Very good plus condition: fading to binding mostly spine and back board. Inscribed and signed to the illustrator by the author; also brief inscriptions by designer Maxwell Max J. Baumwell and two other people. "This Keepsake is the thirtieth in the Printing Week Library of Benjamin Franklin Keepsakes. It is published in connection with the 275th birthday of Benjamin Franklin Printer.". Privately Printed Hardcover
书商的参考编号 : 098609
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Laske, Oskar.
De Ark van Noach. Amsterdam, Richard Bing, [1926].
Oblong 4to. Leporello of 12 chromolithographs, each segment 245 x 350 mm. In a protective box with pictorial cover. The only foreign-language edition of this work that originally appeared in identical form in Vienna in 1925, very rare. - Pictorial narrative which flows continuously through the illustrations on both sides, the animals coming on one side and leaving on the other. Oskar Laske (1874-1951) mainly worked as a painter from 1904. He excelled as a graphic artist and saw his works published in the Vienna-based "Zeitschrift für vervielfältigende Kunst", one of the leading international fine art journals of the day. For the next fifteen years, print-making dominated Laske's oeuvre. In 1907 Laske joined the Hagenbund and in 1924 the Vienna Secession. His work was not only exhibited at those artist associations but also internationally. - Some wear to the first plate. F. C. Heller. Die bunte Welt. Handbuch zum künstlerisch illustriertem Kinderbuch in Wien 1890-1938 (Wien 2008), p. 293. Cf. Lily Schulz-Laske & Elisabeth Kesselbauer-Laske, Oskar Laske. Der künstlerische Nachlaß (Wien 1952), Lithographien, p. 29, nos. 28-39. Exhibition catalogue "Oskar Laske", Kunsthaus (Wien 1996), Ill. pp. 96f.
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LASSERON & Associés
*Vente aux enchères du 30 mai 2007. Collection Durville et Divers
39 p., ill. coul. Inv. 34099
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LATTANZI, Luciano (Carrara 1925-1999),
IV Stato
Acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare p.d.a. (IV stato). cm 16,8x21,5 (Foglio21x25). . . Ottimo (Fine). . . . La pubblicazione ''Undici stati'' tratti da un'unica lastra incisa all'acquaforte da Lattanzi dimostra la precisa intenzione dell'Artista di definire e identificare ogni stato non come la consueta fase di passaggio per arrivare all'optimum desiderato e destinato alla relativa tiratura, bensì come una realizzazione a sé. Per il terzo e quarto ''stato'' la tecnica utilizzata è quella dell'acquatinta che campisce le zone dove appaiono i mezzi toni. L'undicesimo stato fu l'ultimo solo perché la lastra, ormai erosa, non permetteva ulteriori morsure in acido: idealmente la ''focalizzazione semantica'' continua all'infinito. . . (Vanni Scheiwiller).
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LATTANZI, Luciano (Carrara 1925-1999),
Senza titolo
Acquaforte acquatinta a colori Firma a matita. Esemplare prova ad personam. Cm 38,5x32 (Foglio 70x50). pp.. . Ottimo (Fine). . Tiratura 100 + alcune prove ad personam. .
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LATTANZI, Luciano (Carrara 1925-1999),
Senza titolo
Acquaforte acquatinta a colori Firma, data e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio. Esemplare BAT (Bon à tirer). 4 lastre di cm 19x29 (Foglio 63,5x75). . . Ottimo (Fine). . . .
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LAURENCIN Marie
( L’allée )
Tirage à 50 exemplaires. Signée au crayon en bas à gauche. Au dos un tampon très discret : L’ALLÉE; Agréablement encadrée. Paris 165 x 120
书商的参考编号 : 5529
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LAURIN / GUILLOUX / BUFFETAUD
Catalogue d'estampes & tableaux modernes, vendus aux enchères le 19 novembre 1984
DRAPEAU COMPO. 1984. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Sans pagination. Nbreuses illust n&b dans le texte. . . . Classification Dewey : 769-Estampes
书商的参考编号 : RO20030716
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LAURENCIN Marie
Jeune fille troubadour
Epreuve d’artiste (d’un tirage total à 100). Marchesseau 238 Cadre en bois naturel. 1946 20 x 16 cm.
书商的参考编号 : 5497
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Lausanne.- Pohler, R.:
Kathedrale und Müsnster von Lausanne mit Placce St. François und Brücke im Vordergrund.
Aquarell. Blattgrösse: 44 x 31 cm.
书商的参考编号 : 1790AG
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Launay, Nicolas de (1739-1792). Graveur
Le chiffre d'amour : [estampe] / Peint par H. Fragonard, Peintre du Roi. ; Gravé par N. De Launay, Graveur du Roi.
A Paris chez N. De Launay... Rue de la Bucherie, N° 26., [1787] Description matérielle:1 est. : gravure en taille-douce en noir ; 36,4 x 27,4 cm,sous cadre moderne façon ancienne,quelques rousseurs
书商的参考编号 : 23683
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LAURENS Jules
Nature morte au lièvre
Curieuse "estampe" gravé sur plaque collodionée par J. Laurens. Elle est numérotée IV et est signée par le photographe H. Bonet Pas de couverture Très bon 10,9 x 16,8 cm
书商的参考编号 : 11376
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LAUNAY (C.)
Rueil et le Mont-Valérien. (Vue prise du bord de l'eau). Eau-forte originale.
Paris, Cadart, (1868). 24 x 16 cm à la cuvette + marges.
书商的参考编号 : 16503
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LAURENS Jean-Paul
Un attelage de bœufs
Belle estampe tirée sur Japon et signée au crayon. Marque de contrôle du Cercle de la Librairie en bas à gauche. C'est la dernière eau-forte de Jean-Paul Laurens. Elle a paru dans la Revue de l'Art ancien et Moderne en 1897. Paris Revue de l'Art ancien et moderne 1897 18,5 x 23 (31 x 45)
书商的参考编号 : 5273
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LAURY MARC
UNE ESTAMPE ORIGINALE DE MARC LAURY - represantant un paysage comprenant un chemin et des arbres.
A COMPTE D'AUTEUR. NON DATE. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. UNE ESTAMPE ORIGINALE de dimension 46 Cm X 31 Cm environ incluant les bordures - Dimension hors bordures : 32 C m X 20 Cm environ. // Epreuve signée en bas à gauche, annotée EA à droite , au crayon a papier.. . . . Classification Dewey : 769-Estampes
书商的参考编号 : R320100668
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Laubi, Hugo:
Zur Erinnerung an den Eintritt Zürichs in den Bund der Eidgenossen 1351. Historischer Festzug der Zürcher Zünfte, Sonntag, den 22. April 1951.
Zürich, Zentralkomitee der Zünfte Zürichs, 1951. Quer-4°. 70 S. Mit zahlr. farb. Illustr. Orig.-Broschur.
书商的参考编号 : 6643CB
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Laubi, Hugo
Zur Erinnerung an den Eintritt Zürichs in den Bund der Eidgenossen 1351. Historischer Festzug der Zürcher Zünfte, Sonntag, den 22. April 1951.
Zürich, Zentralkomitee der Zünfte Zürichs, 1951. Quer-4°. 70 S. Mit zahlr. farb. Illustr. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
书商的参考编号 : 6643CB
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Lauckhard, C. F. [Carl Friedrich] [Ed.]
Die Welt in Bildern - Orbis pictus : Bilderbuch zur Anschauung und Belehrung [3 VOLUME SET]. Zweite Auflage. Mit über 600 colorirten Abbildungen.
COMPLETE THREE VOLUME SET. RARE second edition of 'Voigt and Günther's Orbis pictus' - the classic illustrated textbook for children in the tradition of Comenius' 'Orbis Pictus'. Contains 90 full-page colored plates. [ALL VOLUMES]: 260x195mm. [148] + [138] + [VI+204] pages & 90 plates. Hardcover rebound with original boards (without the original spine). Gilt volume numbers on spine. Original boards and spine worn and stained. Cover corners and edges, and spine edges bumped and peeling. Few pages/plates slightly dirty. Some pages/plates age-stained. Few pages somewhat worn at corners and/or edges - no damage to text or plates. Pages yellowing and rough-cut. [VOL.I]: Ink inscription on front inner cover. Text page 45/46 edges worn, upper edge taped - NO damage to text. Plates XIII and XVIII mispaginated as nos.VI and VII. [VOL.3]: Puncture-marks on rear cover (not penetrating into inner cover). [SUMMARY]: This extremely rare and beautifully illustrated three volume classic children's textbook is otherwise in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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