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Meister, Leonhard:
Historisches, geographisch-statistisches Lexikon von der Schweiz oder vollständige alphabetische Beschreibung aller in der ganzen schweizerischen Eidgenossenschaft ... liegenden Städte, Klöster, Schlösser, Freisitze, Dörfer ...
2 Bände. Ulm, Verlag der Stettinschen Buchhandlung, 1796. 8'. (2) Bl., 832 Spalten; 1 Bl., 442 Spalten, S. 443–586, (1) S. Pappbände der Zeit mit Marmorpapierbezug.
书商的参考编号 : 31349AB
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Meister, Jakob Heinrich:
Reise eines ältern Zürchers durch Zürich. Aus dem Französischen übersetzt und mit Anmerkungen begleitet von einem jüngern Nicht-Zürcher (D. Hemann).
Zürich, Orell, Füssli und Compagnie, 1828. 12°. (2) Bl., 99 S. Broschur d. Zt. aus grünem, lackiertem Papier. Einband berieben und zerknittert - fachmännisch restauriert.
书商的参考编号 : 4845CB
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Meister, Leonhard:
Schweizerische Erzählungen.
St. Gallen, Müller, 1826. 12°. 190 S. Mit gest. Frontispiz und 30 Kupfertafeln. Pappband der Zeit.
书商的参考编号 : 4285DB
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Meisser, Leonhard (1902–1977);
Wald- Berglandschaft bei Ftan.
1951. Bleistift auf starkem Papier. Blattgrösse: 34,5 x 44 cm.
书商的参考编号 : 1701AG
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Meid, Hans (1883-1957), dt. Maler, Radierer, Illustrator
Menukarte zum Bankett am Hofe Kaiser Maximilians. am 22. Oktober 1922 im Weinhaus Trarbach, Berlin. Mit Illustration in Kaltnadelradierung. Mit Zeit, Ort und Menüfolge unter der Darstellung.
O. O. 1922. Plattenmaß der Radierung13 x 14,7 cm, Bogenmaß 28,5 x 21 cm.
书商的参考编号 : 99410
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Meier, Felix
Geschichte der Gemeinde Wetzikon. Herausgegeben von der Lesegesellschaft Oberwetzikon.
Zürich, Zürcher und Furrer, 1881. VI, 610 S. Mit 1 Plan und 1 Textillustration. Halbleinenband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
书商的参考编号 : 2582BB
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Meisser, Leonhard (1902?1977)
Wald- Berglandschaft bei Ftan.
1951. Bleistift auf starkem Papier. Blattgrösse: 34,5 x 44 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
书商的参考编号 : 1701AG
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Meissonier Jean Louis Ernest
The Emperor Napoleon III. at Solferino; From the Original Painting in the Gallery of the Luxembourg; by J.L.E. Meissonier 1 print by Gravure Goupil et Cie
Philadelphia: Gebbie & Co 1882. Near Fine. The sheet is 11.5 x 15 inches; the image is 7.25 x 10 inches. The print is a black-and-white image of the painting The Emperor Napoleon III. at Solferino by Jean-Louis Ernest Meissonier 1815-1891. The series The Masterpieces of French Art was issued in the United States by Gebbie & Co. beginning in 1882. Portfolios containing several photogravure prints made by Gravure Goupil et Cie as well as several wood engravings were published on a monthly basis. Gravure Goupil et Cie became Boussod Valadon & Cie in 1884. A strikingly beautiful image. In Near Fine Condition: very light soiling in margins; image is clean and bright. <br/><br/> Gebbie & Co unknown
书商的参考编号 : 004796
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Meister, Jakob Heinrich
Reise eines ältern Zürchers durch Zürich. Aus dem Französischen übersetzt und mit Anmerkungen begleitet von einem jüngern Nicht-Zürcher (D. Hemann).
Zürich, Orell, Füssli und Compagnie, 1828. 12°. (2) Bl., 99 S. Broschur d. Zt. aus grünem, lackiertem Papier. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4845C Einband berieben und zerknittert - fachmännisch restauriert.
书商的参考编号 : 4845CB
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Meister, Leonhard
Historisches, geographisch-statistisches Lexikon von der Schweiz oder vollständige alphabetische Beschreibung aller in der ganzen schweizerischen Eidgenossenschaft ... liegenden Städte, Klöster, Schlösser, Freisitze, Dörfer ...
Ulm, Verlag der Stettinschen Buchhandlung, 1796. 8'. (2) Bl., 832 Spalten; 1 Bl., 442 Spalten, S. 443?586, (1) S. Pappbände der Zeit mit Marmorpapierbezug. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 31349AB 2 Bände.
书商的参考编号 : 31349AB
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Meister, Leonhard
Schweizerische Erzählungen.
St. Gallen, Müller, 1826. 12°. 190 S. Mit gest. Frontispiz und 30 Kupfertafeln. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
书商的参考编号 : 4285DB
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Mekhitarian, Arpag
Egyptian Painting
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. Re-bound by the library into strong, heavy hardback covers in blue buckram. Book shows general light wear. 164 pages with a great many large color prints of painted tomb walls depicting such things as a funerary boat, negro tributaries, animals, horses, chariots, youths carrying arrows, serving maids, sailors, etc.
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MELLAN Claude
Agatha Castillionea uxor; Claudii Domini de Marolles; Agathe de Châtillon, épouse de Claude Dominique de Marolles.
Beau portrait. 15,7 x 12,5 cm. en feuille Très bon 15,7 x 12,5 cm
书商的参考编号 : 11695
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MELCHERS Franz
La Phalène des iles de la mer
Belle épreuve parue dans le numéro 8 (décembre 1897) de l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. L’Estampe Moderne a paru de mai 1897 à avril 1899. en feuille Très bon Paris L’Estampe Moderne. 1897 26 x 35 cm.
书商的参考编号 : 6131
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Mellinghof, Frieder, Dieter Koepplin, and Andre Thomkins
Andre Thomkins. Die Druckgraphik und Monotypisches (catalogue raisonne of the the prints)
The catalogue raisonne of the prints. 146 items fully described and illustrated, most as full-page plates. Large 4to. Publisher's cloth. Fine in a vg dj.
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MELONI, Gino (Varese 1905 - Lissone 1989),
Fiori
Acquaforte Firma, data e titolo a matita. Esemplare 21/30. cm 20x15 (Foglio 50 x 40). pp.. . Ottimo (Fine). . Tiratura 30. .
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MELONI, Gino (Varese 1905 - Lissone 1989),
Prato di periferia
Acquaforte Firma, titolo, data e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio. Esemplare p.d.a. 3. cm 18,2x21,2 (Foglio 24,5x35). . . Ottimo (Fine). . . .
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Melot, Michel
L'oeuvre grave de Boudin, Corot, Daubigny, Dupre, Jongkind, Millet, Theodore Rousseau. [Werkverzeichnis / catalogue raisonne.]
Paris, Arts et Metiers Graphiques, 1978. 4°. 34 cm. 293 Seiten. Original-Leinenband mit Original-Schutzumschlag. [2 Warenabbildungen]
书商的参考编号 : 5062EB
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Melville Herman; Thorp Willard Whaling Prints
Moby-Dick or The Whale Quarterbound Leather
Franklin Library. Very Good with No dust jacket as issued. 1979. No Edition Stated. Quarter Bound Leather. Bookplate on half-title page bottom corners of covers slightly bumped; dark blue quarterbound leather w/cloth covers gilt page ends marbled endpapers ribbon bookmark; 527 pages . Franklin Library hardcover
书商的参考编号 : L2380
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Melville Herman; Introduction by Van Wyck Brooks; Engravings by Reynolds Stone
Omoo
Norwalk CT: The Easton Press 1967. Hardcover. Fine. Hardcover with gilt stamped full blue leather boards 1967 octavo 272pp. illustrated in b&w. Book fine with handsome boards and tight binding text clean and unmarked with handsome gilt to edges of text block. No DJ. The Easton Press hardcover
书商的参考编号 : B41640
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Melville Herman with An Introduction by Van Wyck Brooks. Wood Engravings by Reynolds Stone.
OMOO.
The Heritage Press. Very Good with no dust jacket. 1967. Hardcover. In Good stained slipcase- Sandglass insert missing- name and date inked on endpaper; 10.40 X 6.50 X 1.60 inches . The Heritage Press, hardcover
书商的参考编号 : 367119
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MENARD René
Automne
Belle épreuve parue dans l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. Parfait état. L’Estampe Moderne a paru de mai 1897 à avril 1899. en feuille très bon Paris L’Estampe Moderne. 26 x 34,5 cm.
书商的参考编号 : 6141
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Menestrier, le P. Cl. Fr. :
Divers (Les) caractères des ouvrages historiques. Avec le plan d'une nouvelle histoire de la ville de Lyon.
Lyon, J. Bapt. et Nicolas De Ville, 1694 ; in-12 ; plein veau havane moucheté, dos à nerfs décoré et doré, pièce de titre grenat, roulette sur les coupes (reliure de l'époque) ; (14), 559, (3) pp., et 2 vignettes gravées dont 1 au titre, 2 planches gravées dépliantes (tables d'airain) et quelques figures dans le texte.
书商的参考编号 : 6757
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Menzi, Walter (Auswahl u. Einleitung):
Fünfzig Gedichte über Graubünden.
Liestal, Landschäftler A.-G., o. J. (ca. 1930). 12°. 61 (2) S. Goldgepr. Orig.-Leinenbd.
书商的参考编号 : 24075AB
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Menzi, Walter (Auswahl u. Einleitung)
Fünfzig Gedichte über Graubünden.
Liestal, Landschäftler A.-G., o. J. (ca. 1930). 12°. 61 (2) S. Goldgepr. Orig.-Leinenbd. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
书商的参考编号 : 24075AB
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Merz, Walther:
Die mittelalterlichen Burganlagen und Wehrbauten des Kantons Argau (sic). Mit Unterstützung der histor. Gesellschaft und in Verbindung mit mehreren Mitarbeitern herausgegeben.
3 Bände. Aarau, Sauerländer, 1905-1929. 4°. XII, 344, 10 S.; X S.345-714; IX, 186 (1) S. Mit zahlr. Tafeln, Stammtafeln und Abb. im Text. Orig.-Leinenbände (nicht uniform).
书商的参考编号 : 4179DB
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MERAS Paul
La Gazette du Bon ton, publicité pour les tapissiers-décorateurs Mercier Frères
Lucien Vogel éditeur, Paris [circa 1920], 19,5x25cm, une feuille.
书商的参考编号 : 43243
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Meryon, Charles
La Tour de L'Horloge, Paris
1852 1852 Edite par l’Artiste,Imp.Delatre,Etching;Printed on cream coloured laid paper. Fine early impression.26.8 x 18.8 cm
书商的参考编号 : 17807
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MERAS Paul
Le Retour du bois. Robe de promenade (pl.3, in La Gazette du Bon ton, 1913 n°7)
Lucien Vogel éditeur, Paris Mai 1913, 19x24,5cm, une feuille.
书商的参考编号 : 54530
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Merian, Matthaeus:
Topographia Helvetiae, Rhaetiae et Valesiae: Das ist: Beschreibung und eygentliche Abbildung der vornehmsten Stätte und Plätze in der Hochlöblichen Eydgenossenschaft.
Kassel u. Basel, Bärenreiter-Vlg, 1960. Gr.-4°. 90 S., 4 nn Bl., 10 S., 2 nn Bl. Mit 1 illustr. Titel und 86 Tafeln (davon 74 gefaltet). Orig.-Pappband mit illustriertem Schutzumschlag. tadellos.
书商的参考编号 : 15703AB
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MERAS Paul
(La Gazette du Bon ton, publicité pour les tapissiers-décorateurs Mercier Frères)
- Lucien Vogel éditeur, Paris [circa 1920], 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illustra
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MERAS Paul
Le Retour du bois. Robe de promenade (pl.3, in La Gazette du Bon ton, 1913 n°7)
- Lucien Vogel éditeur, Paris Mai 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'i
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Merian, Matthaeus
Topographia Helvetiae, Rhaetiae et Valesiae: Das ist: Beschreibung und eygentliche Abbildung der vornehmsten Stätte und Plätze in der Hochlöblichen Eydgenossenschaft.
Kassel u. Basel, Bärenreiter-Vlg, 1960. Gr.-4°. 90 S., 4 nn Bl., 10 S., 2 nn Bl. Mit 1 illustr. Titel und 86 Tafeln (davon 74 gefaltet). Orig.-Pappband mit illustriertem Schutzumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + tadellos.
书商的参考编号 : 15703AB
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Merian, Matthaeus (der Ältere, 1593?1650)
La Ville de Zurich, en Suisse.
Leiden, Petri Vander Aa, 1723. Kupferstich von Mattäus Merian. Plattengrösse: 26,2 x 34,6 cm. Blattgrösse: 29,2 x 39,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
书商的参考编号 : 1015CG
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Merle, William Henry; Cruikshank, George.
ODDS AND ENDS. In Verse and Prose. Illustrated by George Cruikshank from designs by the author.
pp. (vii), 146 (1), Including (10) full page etched plates and small illustrations. 12 mo. 200 mm. Original paper boards binding; needs rebacking. William Henry Merle (1791-1878) was a journalist and writer in the Regency era. Around 1814 he befriended George Cruikshank (1792-1878) who was a great and famous humorist and illustrator with an extraordinary output. Merle and Cruikshank shared ideas - back and forth - over sixty years. First Edition. **PRICE JUST REDUCED! ENGLAND 6
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Merrick Henrietta Sands introd Sir Francis Younghusband 66 illusts from photographs by author colour prints by Mrs. A. E. Be
In The World's Attic with Folding map Himalayas
Putnam's 1931. HBNO DJ rubbed red cloth with stain 1931 1st edition former owner name inscrip few water stains on pgs Good AS-IS NOJACKET. First Edition. Hard Cover. Putnam's hardcover
书商的参考编号 : 3153
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Merritt A. or as Abraham Merritt illustrated with wood engravings by Howard Simon
Seven Footprints to Satan: Murder of the Month No. 1
New York: Avon Book Company Publishers 1942. Good. 1942. First Thus; First Printing. Trade Paperback. First edition thus. Murder Mystery Monthly of the Month No. 1. Locke A Spectrum of Fantasy pages 155-156 "Weird mystery novel that is not strictly a fantasy the Satan of the title being a super-villain something after the style of Fu Manchu". Tuck The Encyclopedia of Science Fiction and Fantasy page 310 "One of Merritt's most noted novels thought the fantasy element is slight. A super-criminal sets himself up as the Devil". Reginald 10069. Hubin 1984 Crime Fiction page 282. Pictorial wrappers 310 pages plus ads at the rear illustrated. Good copy spine creased with some edgewear and a short tear to the head front corner cover creasing cheap paper tanned.; 8vo 8" - 9" tall; 310 pages . Avon Book Company Publishers [1942] paperback
书商的参考编号 : 73692
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Merritt A. or as Abraham Merritt illustrated with wood engravings by Howard Simon
SEVEN FOOTPRINTS TO SATAN: MURDER OF THE MONTH NO. 1
New York: Avon Book Company Publishers 1942. Good. 1942. First Thus. Trade Paperback. First edition thus. Murder Mystery Monthly of the Month No. 1. Locke A Spectrum of Fantasy pages 155-156 "Weird mystery novel that is not strictly a fantasy the Satan of the title being a super-villain something after the style of Fu Manchu". Tuck The Encyclopedia of Science Fiction and Fantasy page 310 "One of Merritt's most noted novels thought the fantasy element is slight. A super-criminal sets himself up as the Devil". Reginald 10069. Hubin 1984 Crime Fiction page 282. Pictorial wrappers 310 pages plus ads at the rear illustrated. Good copy spine creased and slightly cocked cover creasing very scattered top edge staining scattered rear cover staining cheap paper tanned. . Avon Book Company Publishers [1942] paperback
书商的参考编号 : 73691
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Merz, Walther
Die mittelalterlichen Burganlagen und Wehrbauten des Kantons Argau (sic). Mit Unterstützung der histor. Gesellschaft und in Verbindung mit mehreren Mitarbeitern herausgegeben.
Aarau, Sauerländer, 1905-1929. 4°. XII, 344, 10 S.; X S.345-714; IX, 186 (1) S. Mit zahlr. Tafeln, Stammtafeln und Abb. im Text. Orig.-Leinenbände (nicht uniform). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C|D 3 Bände. [4 Warenabbildungen]
书商的参考编号 : 4179DB
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MESSAGIER (Jean).
32 km de printemps.
Grande eau-forte à dominante rose imprimée sur Arches. Titrée, justifiée E. A. et signée en marge (63/90 cm). Bon état.
书商的参考编号 : awd-841
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MESSAGIER (Jean).
3272 frottements de nuages.
Grande eau-forte polychrome imprimée sur Arches. Signée en marge, justifiée XX/XX ex. et titrée par l'artiste (63/90 cm). Bon état.
书商的参考编号 : awd-845
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MESSAGIER (Jean).
Enfants d'eau sombre.
Grande pointe sèche imprimée en noir sur Arches. Titrée et signée en marge (63/90 cm). Bon état.
书商的参考编号 : awd-848
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MESSAGIER (Jean).
Grande verseuse d'été.
Grande pointe sèche moutarde imprimée sur Arches. Justifiée 6/25 ex., titrée et signée en marge (63/90 cm). Bon état.
书商的参考编号 : awd-846
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MESSAGIER (Jean).
Jeunes filles aux faunes.
Grande pointe sèche et eau-forte imprimée en noir sur Arches. Justifiée E. A., titrée et signée en marge (74/66 cm). Bon état.
书商的参考编号 : awd-849
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MESSAGIER (Jean).
La Grande frayère.
Grande eau-forte imprimée en noir sur Arches. Justifiée 1/30 ex., titrée et signée en marge. Bon état.
书商的参考编号 : awd-843
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MESSAGIER
LES ESTAMPES ET LES SCULPTURES. 1945-1974
Paris Yves Rivière - Arts et Métiers Graphiques 1975 in 4 1 volume broché, couverture illustrée en couleurs, 211 pages. 233 estampes décrites et reproduites, 12 monotypes, et 71 sculptures. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
书商的参考编号 : 13632
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MESSAGIER (Jean).
Les pêcheuses.
Grande eau-forte et pointe sèche en noir imprimée sur Arches. Justifiée E. A., titrée et signée en marge. Bon état.
书商的参考编号 : awd-850
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MESSAGIER (Jean).
Paysage ourlé.
Grande lithographie polychrome imprimée sur Arches. Titrée, justifiée 33/100 ex. et signée en marge (63/90 cm). Bon état.
书商的参考编号 : awd-842
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MESSAGIER (Jean).
Perche de près.
Grande eau-forte imprimée sur Arches dans les tons gris, rouges et bruns. Titrée, justifiée 5/20 ex. et signée en marge (106/75 cm). Bon état.
书商的参考编号 : awd-839
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MESSAGIER (Jean).
Sans titre.
Grande lithographie imprimée sur Arches par Mourlot, justifiée E. A. XXX/XL et signée au crayon sur la feuille. Bon état (74/63 cm).
书商的参考编号 : awd-851
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