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ARNOUT J
PERE LACHAISE CEMETARY. PL. 21
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6� x 10�. Margins: 11 x 16�. unknown
Referentie van de boekhandelaar : 443
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ARNOUT J
PERE LACHAISE CEMETARY. PL. 21
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
Referentie van de boekhandelaar : 443
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ARNOUT J
ROYAL PALACE PRIZED VIEW OF THE GARDEN. PL. 27
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6� x 10�. Margins: 11 x 16�. unknown
Referentie van de boekhandelaar : 447
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ARNOUT J
ROYAL PALACE PRIZED VIEW OF THE GARDEN. PL. 27
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
Referentie van de boekhandelaar : 447
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ARNOUT J
TRIUMPHAL ARCH AND THE PALACE OF THE TUILERIES. PL. 28
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6� x 10�. Margins: 11 x 16�. unknown
Referentie van de boekhandelaar : 448
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ARNOUT J
TRIUMPHAL ARCH AND THE PALACE OF THE TUILERIES. PL. 28
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
Referentie van de boekhandelaar : 448
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ARNOUT J
TUILERIES GARDENS. PL. 25
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6� x 10�. Margins: 11 x 16�. unknown
Referentie van de boekhandelaar : 445
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ARNOUT J
TUILERIES GARDENS. PL. 25
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
Referentie van de boekhandelaar : 445
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ARNOUT J
VERSAILLES VIEW FROM THE NEPTUNE FOUNTAIN. PL. 6
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6� x 10�. Margins: 11 x 16�. unknown
Referentie van de boekhandelaar : 439
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ARNOUT J
VERSAILLES VIEW FROM THE NEPTUNE FOUNTAIN. PL. 6
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
Referentie van de boekhandelaar : 439
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ARNOUX (Guy)
Le Paradis des Braves.
Librairie Lutetia. 38X48 cm.
Referentie van de boekhandelaar : 16277
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ARNOUX (Guy).
Debout les morts !!
Devambez. 44x55 cm.
Referentie van de boekhandelaar : 16291
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ARNOUX (Guy).
Gloire aux Soldats Français.1916.
Se trouve à la Librairie Lutetia. 48X32 cm.
Referentie van de boekhandelaar : 13249
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ARNOUX (Guy).
Grenadiers de France 1792 vers la victoire 1915.
P., Devambez. 63X 44 cm.
Referentie van de boekhandelaar : 16315
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ARNOUX (Guy).
L'horloge de la guerre. Il n'y a pas d'heure pour les braves.
52X33 cm.
Referentie van de boekhandelaar : 16283
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ARNOUX (Guy).
Le Soldat Laboureur.
P., Devambez. 63X47 cm.
Referentie van de boekhandelaar : 13640
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ARNOUX (Guy).
Maurice Barrès l'écrivain patriote.
Devambez. 48X32 cm.
Referentie van de boekhandelaar : 16280
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ARNOUX (Guy).
Paul Déroulède patriote français.
Devambez. 48X32 cm.
Referentie van de boekhandelaar : 16281
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ARNOUX Guy
Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)
- Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour
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Aron, Jacques; Schadlich, Christian; Horning, Jutta; Dauer, Horst; Siebenbrodt, Michael
Bauhaus 1919-1933
30X24 cm. 142 pages. Softcover in dust jacket. Inner cover pages slightly stained. Else in good condition.
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ARP Jean
Aquarelle interprétée III
Très belle sérigraphie à l'occasion d'une carte de vœux pour l'année 1987. En feuille Très bon 1987 27 cm x 9 cm
Referentie van de boekhandelaar : 11304
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ARP Jean & ARP Hans
Lithographie originale
- Louis Broder, Paris s.d. (ca 1961), 20x24,1cm, une feuille. - Estampe originale de Jean Arp imprimée sur japon et réalisée pour l'ouvrage Feuilles éparses en hommage à René Crevel. Très bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
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Arras - BODENEHR, Gabriel
Arras wie es von denen Frantzosen bevestiget und mit Einer Citadelle versehen worden. (Festungs- und Stadtplan aus der Vogelschau mit ausführlicher Legende an beiden Seiten).. Befestigungsgrundriß. Kupferstich veröffentlicht in; "Force d'Europe". Herausgegeben von Gabriel Bodenehr (1673 - 1765).
(Augsburg). (Um 1720). Kupferstichblatt in guter Erhaltung. Format ca. 16,5 x 27 cm
Referentie van de boekhandelaar : 138889
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Arrowsmith, Aaron.
Asia. To Major James Rennell, Esqr. F.R.S. &c. &c. This Map is Inscribed, by His much Obliged Humble Servant. January 1st 1801. A. Arrowsmith. London, G. Allen for A. Arrowsmith, 1801.
Engraved map in 36 segments on canvas, folded. Fine original hand-colour. Ca. 1450 x 1230 mm. Earliest edition of this wall map, the most accurate map of Asia published at the beginning of the 19th century. It shows significant advancement compared with other maps of the period, incorporating the work of surveyors like James Rennell, to whom the map was dedicated. Rennell was surveyor-general of the East India Company's dominions in Bengal, and the information published in his "Bengal Atlas" in 1779 appears here. Arrowsmith also included remarkable topographical detail such as mountain ranges in regions as remote as Tibet. Remarkably, the region on the shore of the Arabian Gulf is already labelled as "Bani Yas" territory. Arrowsmith has marked the track of Lapérouse's voyage in the Indian Ocean and Far East. - Aaron Arrowsmith (1750-1823) was the finest cartographer of his generation. Although he received little formal education, it is believed that he was provided with some mathematical instruction by William Emerson, an author of several books on the application of mathematics to the area of cartography. Around 1770, Arrowsmith moved to London to seek employment. It is believed that he worked for William Faden before joining John Cary Sr. in the early 1780s. There he provided the measurements for John Cary's early publication detailing the roads from London to Falmouth, his first signed work. Arrowsmith set up on his own in 1790 and over the next thirty years produced some of the most beautiful and elegant maps of the era. "This highly detailed wall map of Asia is probably one of the most accurate maps of the continent before the completion of the Ordnance Survey maps of 1820" (Sweet). - Slightly soiled and browned, but well preserved. Not in Al Ankary or Al-Qasimi. Cf. Sweet 238 (1811 edition only).
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Arsène HOUSSAYE
Van OSTADE Sa vie et son œuvre
Vingt eaux-fortes par VAN OSTADE, Charles Jacque et Subercase Librairie à estampes Jules Maury & cie (sans date, vers 1870) format : 25 x 30 cm, couverture cartonnée, premier plat orné d'une gravure contrecollée, 15 pages de texte d'Arsène Houssaye suivies de 20 eaux-fortes. tiré à seulement 100 exemplaires couverture salie, manque au bas du dos, mors fendu sur 5 cm, une dédicace en page de titre sinon bon état, très bel état des eaux-fortes.
Referentie van de boekhandelaar : 800
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Art Prints and Amish Days
Vintage Amish Buggy 5642 Heavily Laminated
Fairfield Iowa: Angel Gifts Inc 1996 Very nice lithographed and laminated art print with pads on rear for attaching to wall or whatever. Has that aged appearance. Buggy with driver horse and 2 boys in foreground with windmill house and barn in background. Ships in sturdy Cardboard for safer deivery. Very Good. 8-3/8 x 10-1/2. Laminated Lithograph. Angel Gifts, Inc unknown
Referentie van de boekhandelaar : 11003
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ART: WOOD ENGRAVINGS. LEIGHTON Clare
CLARE LEIGHTON: Retrospective Exhibition
ART: WOOD ENGRAVINGS. LEIGHTON Clare. CLARE LEIGHTON: Retrospective Exhibition at The New Britain Museum of American Art. November 3rd through December 3 1967. New Britain Connecticut:: New Britain Museum of American Art 1967. First edition exhibition catalogue. . Extremities lightly rubbed faint crease on front cover else a very good copy. . Oblong octavo red printed wrappers 12 pages stapled illustrated reproducing a single woodcut by Clare Leighton. Prints information about the artist and a checklist of works in the exhibition. New Britain Museum of American Art, unknown
Referentie van de boekhandelaar : 59907
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ART: WOOD ENGRAVINGS. LEIGHTON Clare. ARMS John Taylor
FOUR HEDGES.
ART: WOOD ENGRAVINGS. LEIGHTON Clare. FOUR HEDGES. A Gardener's Chronicle. Written and Engraved by Clare Leighton. New York:: The Macmillan Co. 1935. First American edition. . Moderate fading on spine and top edge bit of light tanning on endpapers else a very good copy in pictorial dust jacket; jacket is lightly tanned on front panel quite faded on spine two small chips on rear panel else very good. . Quarto green cloth 167 pages illustrated with wood engravings by Clare Leighton. Contains a seven-page introduction by John Taylor Arms. The Macmillan Co., hardcover
Referentie van de boekhandelaar : 54249
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ART: WOOD ENGRAVINGS. LEIGHTON Clare
GIVE US THIS DAY
ART: WOOD ENGRAVINGS. LEIGHTON Clare. GIVE US THIS DAY Written and Illustrated by Clare Leighton. New York:: Reynal & Hitchcock 1943. First edition. . Tips of spine and corners are lightly rubbed else a very good copy in very good price-clipped dust jacket; pictorial jacket has few nicks at tips of spine front panel has thin chip at tip of one corner light wear and few short tears to extremities with few early clear tape mends on verso. . Squarish octavo brown cloth pp. x 86 plus plates illustrated with ten full-page plates reproducing chalk drawings by Clare Leighton printed on rectos only. Reynal & Hitchcock, hardcover
Referentie van de boekhandelaar : 58102
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ARTAUD Antonin - LAM Wilfredo
Le Théâtre et les Dieux
Paris Aubry-Rueff 1966 In-8 Broché, couverture à rabats
Referentie van de boekhandelaar : 015079
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Artcurial
Au Temps du Japonisme
This is an about very good softcover copy with light wear. Completely clean. Soft creases to back cover and pages. Text in French and English. Essay by Serge Lemoine. This is a sale catalog for an auction held at Artcurial in Paris on May 23, 2018. The sale consisted of Japanese prints that were assembled by a private collector in the late 19th and early twentieth centuries. This man lived in Paris and was introduced to Siegfried Bing and Hayashi Tadamasa two well known art dealers specialising in Japanese prints. 49 prints in the sale. All illustrated in color. No prices realized sheet, just price estmates for each lot. 11" high X 8" wide, 60 pages. This book will be securely packed and shipped with tracking.
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Arter, Paul J
Panorama von Brütten.
Winterthur, C. Studer, (1838). Gef. Lithographie mit mehreren Randillustr. von Caspar Studer nach Paul J. Arter. Bildformat: 232 x 12 cm. Blattformat: 236 x 18 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
Referentie van de boekhandelaar : 224BG
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ARTIGUE Albert Émile
Albine
Belle épreuve parue dans l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. L’Estampe Moderne a paru de mai 1897 à avril 1899. en feuille Très bon Paris L’Estampe Moderne. 31 x 27 cm.
Referentie van de boekhandelaar : 6133
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Artistes multiples : MIRO, CALDER, TAPIES, UBAC, BURY, RIOPELLE, CHILLIDA, GIACOMETTI, etc.
DERRIÈRE LE MIROIR N° 195. MAEGHT ÉDITEUR. Décembre 1971.
Paris, Maeght éditeur, 1971. In-folio (380 x 280 mm) en feuilles, 28 pages. DLM publié en décembre 1971, présentant de Grandes Editions Originales Illustrées et Albums. 1 LITHOGRAPHIE ORIGINALE EN COULEUR de Ubac. LITHOGRAPHIES EN COULEURS de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. Tirage original.
Referentie van de boekhandelaar : 1458
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ARTISTI VARI
Dieci viaggi di Paolo VI
Dieci incisioni originali, numerate e firmate a matita, di Roberto Stelluti, Luigi Toccacieli, Alfredo Bartolomeoli, Angelo Rosetti, Edgardo Travaglini, Adriano Calavalle, Claudio Polzonetti, Silvano Silvani, Nani Tedeschi e Mario Bellagamba (cm. 20x20, foglio 50x35) Ciascuna incisione, stampata al torchio su carta a mano della cartiera Magnani di Pescia è custodita in un quartino con la riproduzione di un brano del discorso ufficiale di Paolo VI, pronunciato in occasione del viaggio. Fogli sciolti custoditi in cartella in cartoncino "Murillo" della cartiera Milani di Fabriano. Esemplare n. 40. Cm 50x35. . . Ottimo (Fine). . Edizione originale di 99 esemplari numerati. .
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ASADA Hiroshi
Histoire de l'eau
Paris Michèle Broutta 1980 In-4 carré En feuilles, sous emboitage toilé de l'éditeur
Referentie van de boekhandelaar : 010059
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Asimov Isaac John De Pol engravings foreword by Charles V. Morris
The Dream Benjamin's Dream and Benjamin's Bicentennial Blast: three short stories signed
New York: Library of Keepsakes 1976. Hardcover. 51p. 4.75x7.25 inches decoative endpapers forword illustrated with wood engravings personal inscription signed by Asimov on half-title sunning to spine otherwise very good first edition thus in green boards and gilt. Printing Week Library of Benjamin Franklin Keepsakes #23. Three short stories by Asimov that appeared in the Saturday Evening Post in 1974 reprinted to observe the Bicentennial and Benjamin Franklin's 270th birthday. The stories concern Benjamin Franklin his philosophy his patriotism and his ghost who is speaking the authorial "I" Asimov himself. Library of Keepsakes hardcover
Referentie van de boekhandelaar : 244306
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Asimov Isaac John De Pol engravings foreword by Charles V. Morris
The Dream Benjamin's Dream and Benjamin's Bicentennial Blast: three short stories signed
New York: Library of Keepsakes 1976. Hardcover. 51p. 4.75x7.25 inches decoative endpapers forword illustrated with wood engravings personal inscription signed by Asimov on half-title sunning to spine otherwise very good first edition thus in green boards and gilt. Printing Week Library of Benjamin Franklin Keepsakes #23. Three short stories by Asimov that appeared in the Saturday Evening Post in 1974 reprinted to observe the Bicentennial and Benjamin Franklin's 270th birthday. The stories concern Benjamin Franklin his philosophy his patriotism and his ghost who is speaking the authorial "I" Asimov himself. Library of Keepsakes hardcover books
Referentie van de boekhandelaar : 244306
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Asplund Karl
Zorn's Engraved Works
San Francisco: Alan Wofsy 1990. First edition. Hardcover. Fine/very good. Folio <br/><br/>Published at $295. Engravings. Alan Wofsy hardcover
Referentie van de boekhandelaar : 002551 ISBN : 1556600348 9781556600340
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ASSADOUR (Assadour BEZDIKIAN, Beirut, 1943)
Predelles, 1983
Incisione originale a colori, numerata e firmata . Opera appartenente all'edizione "Predelles", con testo poetico di Roberto Sanesi. Acquaforte stampata su torchio a mano nell'Atelier di Mario Boni a Parigi. Esemplare E. A. (Prova d'Artista). Cm 7 x 12,2 (foglio 19 x 28,5). . . Perfetto (Mint). . Edizione originale di 75 es. numerati e firmati dall'artista. .
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ASSE (Geneviève)
Geneviève Asse. La pointe de l'oeil
Paris, Bibliothèque Nationale de France, 2002. 725 g Petit in-4 broché sous étui, 119-[1] pp.. Catalogue de l'exposition de la BNF du 26 février au 19 mai 2002. Contient un poème d'André du Bouchet et des textes de Geneviève Asse, de Marie-Cécile Miessner et de Marie-Françoise Quignard. Un des 50 exemplaires numérotés et signés au crayon par Geneviève Asse celui-ci n°1/50, accompagné d'une pointe sèche originale (21x18 cm) également numérotée 1/50, signée par l'artiste et datée au verso de 2002. . (Catégories : Arts, Gravures / Estampes, )
Referentie van de boekhandelaar : 10117
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Asse Geneviève
Litres
Paris Féquet et Baudier 1969 Gravure originale en couleurs, 53 X 33 cm. Couverture non pliée de l'ouvrage de Pierre Lecuire "Litres". Quelques plis dans la marge supérieure. (couverture seule )
Referentie van de boekhandelaar : 5453
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Asse Geneviève
Litres
Paris Féquet et Baudier 1969 Gravure originale en couleurs, 53 X 33 cm. Couverture rempliée de l'ouvrage de Pierre Lecuire "Litres". (couverture seule)
Referentie van de boekhandelaar : 5454
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ASSELIN Maurice
Étude de nu
Belle lithographie en 2 teintes. Très bon 21,5 x 10 cm
Referentie van de boekhandelaar : 8496
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ASSELIN Maurice
Étude de nu
Belle lithographie. Très bon 15 x 12,3 cm
Referentie van de boekhandelaar : 8497
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Asselin, Maurice - Diehl, Gaston (préf.)
[Les Maîtres de l'estampe française contemporaine :] Maurice Asselin, dix estampes originales présentées par Gaston Diehl
Paris Rombaldi 1946 in-folio en feuilles Paris, Rombaldi, 1946. Coll. "Les Maîtres de l'estampe française contemporaine" (n° 4). 38,5 x 28,5 cm, in-folio, 2 ff. bl. - 7 ff. n. ch. portant 2 eaux-fortes dans le texte - 10 estampes (4 lithographies en noir, 1 lithographie en couleurs, 4 eaux-fortes, 1 pointe-sèche) toutes numérotées et signées par l'artiste à la mine de plomb et montées sous passe-partout - 3 ff. n. ch. - 3 ff. blancs, en feuilles sous couverture blanche rempliée et imprimée et portefeuille de l'éditeur.
Referentie van de boekhandelaar : 4347
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Assheton Smith Charles Garden
"A Rustic Judge": Lord Justice Williams Judges no. 54 -- Vanity Fair March 2 1899
London: Vincent Brooks Day & Son Lith 1899. Near Fine -. 1 chromolithographed print 38 x 25 cm. signed "C.G.D." with the biographical text photocopy. Sir Charles Garden Assheton-Smith n� Duff 1851-1914 signed his Vanity Fair caricatures variously "C.G.D." or "Cloister." He was a landowner and owner of three Grand National winners an amateur caricaturist and the 1st Baronet of Vaynol Park. Roland Lomax Vaughan Williams 1838-1917 was appointed a Judge of High Court of Justice in 1890 a Judge in Bankruptcy in 1891 and a Lord Justic of Appeal in 1897. In Near Fine- Condition: margins are lightly soiled; otherwise clean and bright. <br/><br/> Vincent Brooks, Day & Son, Lith unknown
Referentie van de boekhandelaar : 004951
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Assoc. Waccamaw School Alumni
2 Waccamaw School Prints - Ash North Carolina Brunswick County
Waccamaw School Alumni Assoc. POSTER. 2 Waccamaw School Prints - Ash North Carolina Brunswick County; First Print is of the Old Waccamaw School and the Second Print is the Old Waccamaw School Gym - The Largest Log Building in the South; Each is a Black and White Print on heavy stock paper; Size: 14.25" x 11.25 inches; suitable for framing. Exclusive! . New. 1997. Waccamaw School Alumni Assoc. unknown
Referentie van de boekhandelaar : SKU1012344
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ASVERI, Gianfranco (Fiorenzuola d'Arda 1948),
Senza titolo
Puntasecca e carborundum originale a colori Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio su carta Hahnemuhle. Esemplare I/XXV. cm 64,5x49,5 (Foglio 90x66). pp.. . Perfetto (Mint). . Tiratura XXV. .
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ATTALI (Jean).
Composition géométrique en noir et blanc.
Gravure signée au crayon et justifiée 4/ 40 ex. (42/74,5 cm) Bon état.
Referentie van de boekhandelaar : awd-217
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