|
DAVID
Loutre et velours imprimé, tissu de Bianchini (Croquis N°II, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84827
|
|
|
DAVID
Loutre et broché et lamé, tissu de Bianchini (Croquis N°III, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84828
|
|
|
DAVID Louis
L’Assomption de la Sainte Vierge.
Gagnière n° 51 bis. Manque de papier dans le coin supérieur gauche, en dehors de la cuvette. en feuille Moyen Avignon Chez Leblond 1704 25,7 x 19 cm au coup de planche.
书商的参考编号 : 7250
|
|
|
DAVID
Manteau d'antilope et d'écureuil (Croquis N°L, La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84832
|
|
|
DAVID
Manteau de suède bordé de zibeline (Croquis N°LV, La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84833
|
|
|
DAVID
Moine minime de St-François de Paule (Croquis N°VI, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84848
|
|
|
DAVID
Petit gris et satin broché, tissu de Bianchini (Croquis N°VII, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84830
|
|
|
DAVID
Prélat de petit manteau (Rome) (Croquis N°V, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84845
|
|
|
DAVID
Soeur bénédictine de Rome (XVIIIe siècle) (Costume de veuve) (Croquis N°VII, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84847
|
|
|
DAVID (Jules).
Vice et Vertu. Album moral représentant en action les suites inévitables de la bonne et de la mauvaise conduite. Douze sujets composés et lithographiés par Jules David.
Paris, Jeannin, s.d. (1836). Titre et 12 planches lithographiées montées sur chine appliquée (17 x 21 cm), encadrements historiés, reliées en 1 vol. in-folio oblong (38 x 55 cm), demi-chagrin rouge à petits coins, dos lisse orné (reliure de l'époque).
书商的参考编号 : 41586
|
|
|
DAVID
Zibeline et matelassé de soie, tissu de Bianchini (Croquis N°IV, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
书商的参考编号 : 84829
|
|
|
DAVID
Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)
- Lucien Vogel éditeur, Paris 1922, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Les planches sont introduites par un texte signé Jeanne Ramon-Fernandez. Les croquis I et II sont signés David, en bas à droite des planches. Reliure à la bradel en plein papier à
|
|
|
David Landau. Peter Parshall.
The Renaissance Print: 1470-1550
Yale University Press 1994. First edition. Hardcover. As New/as new. 4to xii 433 pages cloth; in publsher's slipcase. <br/><br/>"The year 2014 marks twenty years since the publication of David Landau and Peter Parshall's foundational text 'The Renaissance Print 1470 - 1550' With its stated aim to 'give a better approximation of the ways Renaissance prints of various sorts were realized distributed acquired and eventually handled by the public' this book launched a generation of new print scholarship encouraging the pursuit of new avenues of research - Ashley D. West Renaissance Society of America." Yale University Press hardcover
书商的参考编号 : 0006856 ???????? : 0300057393 9780300057393
|
|
|
David Livingstone; Illustrator Engravings
Livingstone's Africa: Perilous Adventures and Extensive Discoveries in the Interior of Africa
Phila. & Boston Hubbard bros.; etc. etc. 1872. Hardcover. Very Good. Philadelphia and Boston Hubbard Bros. Small 8vo. Hardcover. Intricately decorated cloth boards with gilt lettering. Hinges cracked. Wear to extremities. Slight scuffing around edges. Previous owner signature on inside of front board and fep. Otherwise clean unmarked pages. Slight tanning.<br><br>Livingstone was one of the first Westerners to make a transcontinental journey across Africa Luanda on the Atlantic to Quelimane on the Indian Ocean near the mouth of the Zambezi in 1854-1856. Despite repeated European attempts especially by the Portuguese central and southern Africa had not been crossed by Europeans at that latitude owing to their susceptibility to malaria dysentery and sleeping sickness which was prevalent in the interior and which also prevented use of draft animals oxen and horses as well as to the opposition of powerful chiefs and tribes such as the Lozi and the Lunda of Mwata Kazembe. In 1874 the New York Herald in partnership with Britain's Daily Telegraph financed Stanley on an expedition to the African continent. One of his missions was to solve a last great mystery of African exploration by tracing the course of the Congo River to the sea. The difficulty of this expedition is hard to overstate. Stanley used sectional boats to pass the great cataracts separating the Congo into distinct tracts. After 999 days on 9 August 1877 Stanley reached a Portuguese outpost at the mouth of the Congo River. Starting with 356 people only 114 had survived of whom Stanley was the only European.<br><br>Included is a detailed account of the discoveries of both renown explorers. An exceptional book in very good condition. Phila. & Boston, Hubbard bros.; [etc., etc.] hardcover
书商的参考编号 : 1112290040
|
|
|
David Weekley Wild Goose Books And Prints
Eeyore Loses A Tail: Classic Pooh 5x8 Journal Notebook Classic Pooh Journals
Independently published. Paperback. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes underlining and or highlighting. Possible ex library copy with all the markings/stickers of that library. Accessories such as CD codes toys and dust jackets may not be included. Independently published paperback
书商的参考编号 : 3185935878 ???????? : 179070751X 9781790707515
|
|
|
DAVIS, George Albury
POEMS BY GEORGE ALBURY DAVIS, M.A. - These Verses were collected and printed in his Memory by his Sisters; MCMXLVIII.
No place (The Coombe Press), 1948. 39 pages on uncut, handmade paper. - Blue grained-paper covered boards with gilt titled spine; 8vo.(ca. 24 x 16 cm).
书商的参考编号 : clv12v28xbvk
|
|
|
Day Sherman and 165 Engravings
Historical Collections Of The State Of Pennsylvania; Containing A Copious Selection Of The Most Interesting Facts Traditions Biographical Sketches Anecdotes Etc. Relating To Its History And Antiquities Both General And Local.
Leather Bound. Good. Philadelphia: George W. Gorton 1843 first ed. Full leather edgeworn slightly raised bands worn down all edges creamy fading marbled gilt titling on black leather compartment. 165 engravings all present pages with engravings toning. Front hinge starting though all signatures tight and complete. PAWLING's contemporary signature on title page and a marginal note at foot of page describing Pawlings family of Montgomery County. Historical Collections of the State of Pennsylvania Containing a Copious Selection of the Most Interesting Facts Traditions Biographical Anecdotes etc. Relating to the History and Antiquities.with Topographical Descriptions of Every County. 708 pps. including index. hardcover
书商的参考编号 : 1grtPhiladelphia: George
|
|
|
DDS. MD. ed. Turner; Illustrator Illustrated with 916 Engravings Charles R D. D. M. D.
THE AMERICAN TEXT-BOOK OF PROSTHETIC DENTISTRY. In Contributions By Eminent Authorities
Lea Brothers & Co 1907. Hardcover. Good. Thick 8vo. Green cloth. 3rd ed. Lea & Brothers 1900. 916 engravings. 896 pp. Internally sound with clean unmarked pages. Good binding. Rubbing to cover edge wear. Hardcover. Ships daily. Lea Brothers & Co hardcover
书商的参考编号 : 1103100132
|
|
|
DE PASSE Crispijn I (Crispin le vieux)
(L’ Agneau Pascal)
Très belle épreuve à grandes marges. Le Blanc (178-185) XVIIè 15,3 x 11,7 cm.
书商的参考编号 : 7343
|
|
|
DE PAUW-DE VEEN Lydia
Hieronymus Cock prentenuitgever en graveur 1507-1570
Brussel, Koninklijke Bibliotheek Albert I 1970 100pp.+ 47 zw/w illustraties buiten tekst, 23cm., gebroch., catalogus van gelijknamige tentoonstelling t.g.v. de vierhonderdste verjaardag van het overlijden van H. Cock (Brussel, 21 nov.- 24 dec. 1970), goede staat, S87853
书商的参考编号 : S87853
|
|
|
DE BEAUVAIS Vincent
Le miroir historial _ Xylographie sur vélin
Paris Verard 1495-96 1495 Xylographie rehaussée à la gouache du tirage de luxe sur peau de vélin du frontispice extrait de Vincent de Beauvais ; Le miroir historial, 1495-96, (5 volumes in folio). Les éditions incunables d’Ambroise Verdard avaient pour certaines un tirage luxueusement imprimées sur vélin et rehaussés en couleurs, ces exemplaires précieux étaient destinés à une riche clientèle aristocratique parisienne. L’ensemble des cinq volumes du Miroir Historial ne possédaient que 5 xylographies.
书商的参考编号 : 3065
|
|
|
DE BREYNE Jean / HICKIN Paul (frontispice)
Le poème de Dublin.
Jean-Pierre Huguet Carnets des Sept Collines Jean-Pierre Huguet, Carnets des Sept Collines (N°1), 2001, 68 p., broché, environ 23x12cm, exemplaire numéroté 39/100, avec une estampe en frontispice signée de Hickin, bon état.
书商的参考编号 : 102096
|
|
|
DE GRADA (Raffaele)
Les Maîtres du dessin. Dictionnaire.
Paris, CELIV, 1994 Gr. in-4°, cart. d'éditeur toile noire, jaquette, 410 pp., nombreuses illustr. en coul.
书商的参考编号 : 520679
|
|
|
DE RICCI (Seymour)
Les Dessins français. Les chefs-d'œuvre de l'art français à l'Exposition internationale de 1937;
Paris, Librairie des arts décoratifs, A. Calavas, 1937 Gr. in-4, en ff., couv. à rabats, 12 pp, 42 pl. en noir
书商的参考编号 : 525135
|
|
|
DE FEURE Georges
Retour
Belle épreuve parue dans le numéro 2 (Juin 1897) de l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. Parfait état. L’Estampe Moderne a paru de mai 1897 à avril 1899. Cadre et passe-partout; Très bon Paris L’Estampe Moderne 1897 33 x 25,5 cm.
书商的参考编号 : 6106
|
|
|
DE NAVE, Francine;
RONDOM RUBENS : TEKENINGEN EN PRENTEN UIT EIGEN VERZAMELING / AROUND RUBENS / PRINTS AND DRAWINGS FROM THE STEDELIJK PRENTENKABINET,
, Antwerpen, Museum Plantin - Moretus en het Stedelijk Prentenkabinet, 1991,, Paperback , geillustreerde papieromslag, 205 x 290mm., 229pp., kleurillustraties en z/w tekeningen.
书商的参考编号 : 14567
|
|
|
DE FEURE, Georges De Feure Georges
SALON DES CENT, 5me exposition. Les Maitres de l'Affiche Pl. 10
0 Planche N°10, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, 2 toutes petites traces de punaisage dans l'extrémité de la marge supérieure (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales données en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
书商的参考编号 : 24141
|
|
|
DE ANGELIS, Vitaliano (Firenze, 1916 - Firenze, 2002 ),
Nudo e Arlecchino
Puntasecca Firma e numerazione a matita. Esemplare p.d.a.. cm 30 x 20 (Foglio 49 x 39,5). . . Ottimo (Fine). . . .
|
|
|
de Balzac, Honoré / Corinth, Lovis [Korinth] [Lithographs] / Mauthner, Margarethe [Tr.]
Die Frau Konnetable - Lithographien von Lovis Corinth [SIGNED BY L. CORINTH] [LIMITED EDITION: COPY #138 of 380].
SIGNED BY ARTIST. LIMITED EDITION of 380 COPIES: this is COPY No.138. RARE illustrated edition of Honoré de Balzac's short story "Die Frau Konnetable" (The High Constable's Wife). The text is accompanied by 13 moody lithographs (stone prints) by the German impressionist artist Lovis Corinth (Korinth) (1858-1925). The last page features this exemplar number and the artist's signature. 350x265mm. 21 pages. Tan quarter-leather Hardcover. Corinth's print on front cover. Cover somewhat stained. Cover bottom corners and edges slightly bumped. Water-stain on rear cover bottom edge. Binding visible between pages 12-13. Pages slightly yellowing. [SUMMARY]: This bibliophile edition of Balzac's masterpiece, illustrated by an eminent German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism, is in good condition.
|
|
|
De Brueys et de Palaprat
Oeuvres Choisies. Tome premier. Tome second. 2 Bände (so komplett).
Paris, Didot, 1811-1812. XV, 253 Seiten, Blatt; 252 Seiten, 1 Blatt. Dekorative Olivgrüne Halbledereinbände der Zeit mit reicher Rückenvergoldung. Buchblöcke unbeschnitten. Alter Besitzerstempel auf Vortitel. Sehr schön.
书商的参考编号 : 704252
|
|
|
DE CAROLIS, Adolfo (Montefiore dell'Aso, 1874 - Roma, 1928)
Quindici xilografie originali
Quindici xilografie impresse con i legni originali incisi da Adolfo De Carolis, in 250 esemplari numerati. Ogni incisione porta il timbro a secco dell'editore . Cm 50x35. . . Ottimo (Fine). Fioriture leggere alla cartella, stampe perfette. Edizione originale di 250 es. numerati. .
|
|
|
DE CHIRICO, Giorgio (Volos, 1888 - Roma, 1978),
Il giardino misterioso (Visione misteriosa, Il prato misterioso)
Acquaforte e bulino. Tiratura: 60 es. su carta a mano + X es. su carta Giappone + alcune p.d.a. (alcuni es. colorati a mano dall'Artista) Firma e numerazione a matita. Stampata da Giorgio Upiglio, Milano. Esemplare 27/60. cm 24,5x34,7 (Foglio 50x60). pp.. . Ottimo (Fine). . Tiratura: 60 + X + alcune p.d.a. .
|
|
|
de Couvray John Baptiste Louvet; Monzies Louis engravings; Avril Paul drawings
The Amours of the Chevalier de Faublas. Founded on Historical Facts Interspersed with Most Remarkable Narratives. A Literal Unexpurgated Translation from the Paris Edition of 1821. Four Volumes
London: Privately Printed for Societe des Bibliophiles 1898. Limited Edition. Hardcover. Very Good. Four volumes. Cloth-backed paper over boards gilt-stamped lettering and ornament on spine top edge gilt; with engravings etched by Louis Monzies after drawings by Paul Avril. An unnumbered copy from a limited edition of 100 on "Old English Spartan." ALL VOLUMES: Spines just a little dust soiled corners gently bumped. Volume 1 bumped at tail of spine. A very nice set. From the "Classics Facetius" series. <br/><br/> Privately Printed for Societe des Bibliophiles hardcover books
书商的参考编号 : D2333
|
|
|
de Crevecoeur Hector St. John; Cunliffe Marcus ed.; Connell Brian intro.; van Nierkerk Sarah wood engravings
America in the Making: Glimpses of America before Independence Selected from the Letters of Hector St John de Crevecoeur
London: Folio Society 1977. Hardcover. Very Good. Illustrated cloth. From the library of Douglas Fairbanks Jr. and inscribed to him by the author on the FFEP. Fairbanks 1909-2000 was an American actor his credits include �Gunga Din� and a highly decorated naval officer of World War II. <br/><br/> Folio Society hardcover
书商的参考编号 : JC2852
|
|
|
de Crevecoeur Hector St. John; Cunliffe Marcus ed.; Connell Brian intro.; van Nierkerk Sarah wood engravings
America in the Making: Glimpses of America before Independence Selected from the Letters of Hector St John de Crevecoeur
London: Folio Society 1977. Hardcover. Very Good. Illustrated cloth. From the library of Douglas Fairbanks Jr. and inscribed to him by the author on the FFEP. Fairbanks 1909-2000 was an American actor his credits include Gunga Din and a highly decorated naval officer of World War II. <br/><br/> Folio Society hardcover books
书商的参考编号 : JC2852
|
|
|
De Kruif Paul. Zadig With Wood Engravings
HUNGER FIGHTERS
New York: Harcourt Brace and Company. 1928. First Edition; First Printing. Hardcover. Very Good in blue boards light where to spine edges and corners owner book plate. ; Original binding. All domestic orders shipped protected in a Box. . Harcourt, Brace and Company hardcover
书商的参考编号 : 32298
|
|
|
De Kruif Paul Ill Zadig With Wood Engravings
HUNGER FIGHTERS
New York: Hartcourt Brace & Company. 1928. First Edition; First Printing. Hardcover. Another copy. Very good in boards. Corners bumped. Tearing to spine ends. Owner namer.; Original binding. All domestic orders shipped protected in a Box. . Hartcourt, Brace & Company hardcover
书商的参考编号 : 30796
|
|
|
de la Mare Walter. Wood engravings by Blair Hughes Stanton
Alone / by Walter De La Mare ; wood engravings by Blair Hughes-Stanton
Jan 01 1927. Paperback. Very Good. FIRST EDITION London: Curwen / Faber & Gwyer 1927. Small hardcover in onionskin jacket; 12mo; unpaginated 12 pages including blanks Number Four in the special Curwen Press Ariel Series featuring poets such as T.S. Eliot and Thomas Hardy etc. Walter de la Mare's evocative poem Alone with two woodcut engravings one in color by Blair Hughes-Stanton. No.139/350 on Zanders handmade paper. Onionskin jacket is stained and chipped toning to past-downs else very good overall condition. No markings NOT EX-LIBRARY. fprw2 paperback
书商的参考编号 : LK-BQHD-R3X0
|
|
|
de la Mare Walter. Wood engravings by Blair Hughes Stanton
ALONE. The Ariel Poems Number 4
<p>London: Faber & Gwyer 1927. First edition. Faint stains to covers else very good. 6 unpaginated leaves; illustrated with black and white wood engraving on front cover and full-page color wood engraved frontispiece; 12mo white card wrappers. <br /><br />#298 of 350 copies on Zander's hand made paper. Printed at the Curwen Press.</p> Faber & Gwyer)
书商的参考编号 : 21056
|
|
|
de la Mare Walter. Wood engravings by Blair Hughes Stanton
SELF TO SELF. The Ariel Poems Number 11
<p>London: Faber & Gwyer 1928. First edition signed limited. Moderate soiling to covers else very good. 8 unpaginated leaves; illustrated with 2 black and white wood engravings; 8vo boards with gilt title. <br /><br />#404 of 500 large paper copies on English hand-made paper. Printed at the Curwen Press.</p> Faber & Gwyer hardcover
书商的参考编号 : 21057
|
|
|
DE MICHELI, Gioxe (Milano 1947),
Giovane con tenaglia
Acquaforte Esemplare 86/90. cm 35x34,5 (Foglio 70x50). pp.. . Ottimo (Fine). . 90. .
|
|
|
DE MICHELI, Gioxe (Milano 1947),
Levriero
Acquaforte Firma, data e numerazione a matita. Esemplare 90/90. cm 34,5x34,5 (Foglio 50x70). pp.. . Ottimo (Fine). . Tiratura 90. .
|
|
|
de Mierre, H(ans) C.
AN EXHIBITION OF ETCHINGS Arranged by H. C. de Mierre. Opened by Sir. Henry Knight, on December 17, 1945.
19 p. Illustrated. 12mo. Original printed wraps. Contains an excellent discussion on etching techniques and processes by de Mierre, who exhibited here20 of his own etching along with works by artists such as: Whistler; Muirhead Bone; Anders Zorn; etc. W140
|
|
|
de Mierre, H(ans) C.
TO STAND AND STARE.
24 watercolors + 15 Drawings and studies + 26 Etchings. Many of the subjects are of scenes in India. Oblong folio. Original full cloth binding.Original dust jacket, frayed at extremities. Number 82 of a Limited Edition. With a presentation card signed by the artist. **PRICE JUST REDUCED! W38
|
|
|
DE PAUW-DE VEEN Lydia
Hieronymus Cock prentenuitgever en graveur 1507-1570
100pp.+ 47 zw/w illustraties buiten tekst, 23cm., gebroch., catalogus van gelijknamige tentoonstelling t.g.v. de vierhonderdste verjaardag van het overlijden van H. Cock (Brussel, 21 nov.- 24 dec. 1970), goede staat, S87853
|
|
|
DE PISIS, Filippo (Ferrara, 1896 - Milano, 1956)
Rose in un bicchiere
Litografia originale in sanguigna, inserita nel n. 1 della rivista "Piccola Galleria. Pagine d'arte mooderna", pubblicata a Venezia nel maggio 1945, direttore Carlo Betocchi. Firma e sigla S. B. nella pietra Opera pubblicata con il n. 35 in apertura del catalogo "L'opera grafica di Filippo De Pisis", a cura di Manlio Malabotta, Edizioni di Comunità, 1969. Cm 16,8 x 12. . . Ottimo (Fine). . Tiratura non nota. .
|
|
|
De Pol John wood engravings; Charles V. Morris editor
In Appreciation: A Keepsake for Craftsmen
New York: Privately Printed 1969. Book. VG. Original Wraps. First Edition. 8vo - over 7�" - 9�" tall. Portfolio of 20 selected wood engravings from 150 illus. by wood engraver John De Pol that appeared in the 16 editions of the Printing Week Library of Benjamin Franklin Keepsakes. A joint effort of the Club of Printing House Craftsmen of New York and the Printing Week Library of Franklin Keepsakes. Dark rust paper wraps lettered in black. 28 pp. illus. in various colors. A few minor scuffs to covers. Privately Printed Paperback
书商的参考编号 : BIBL0289
|
|
|
DE ROMANS, Marialuisa (Milano 1922),
Senza titolo
Acquaforte acquatinta appartenente al volume ''Hong Kong'', testo di Paolo Marinotti e 7 incisioni dell'Artista, Milano, Grafica Uno, 1965, 50 + XX + 5 esemplari Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare BAT (Bon à tirer). cm 38x47,5 (Foglio 51,5x60). . . Molto buono (Very Good). . Tiratura 50 + XX + 5. .
|
|
|
DE ROMANS, Marialuisa (Milano 1922),
Senza titolo
Litografia a colori Firma, numerazione e note diffuse a matita dell'artista sul bordo inferiore e destro. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare BAT (Bon à tirer). cm 38x47,5 (Foglio 51,5x60). . . Molto buono (Very Good). . . .
|
|
|
de Saint Juirs Roman; Vierge Daniel illus.; Bellenger Clement engravings; de Heredia Jose Maria preface
Le Cabaret des Trois-Vertus
Paris: L. Baschet. Limited Edition. Hardcover. Near Fine. Original wraps bound in gilt-ruled red morocco and marbled paper boards gilt-stamped lettering and ornament on spine 5 raised bands. N.d. but circa late-1800s. Number 4 from a limited edition of 50 copies on China paper with a suite of hors-texte illustrations. Corners bumped; a few tiny scuff marks at spine tips; some light foxing in margins not infringing upon text or illustrations. A tight pretty copy. <br/><br/> L. Baschet hardcover
书商的参考编号 : D1121
|
|
?????????
?????PDF???
RSS feed
??
