‎Charlot‎

‎Charlot, Jean‎

‎ART FROM THE MAYANS TO DISNEY‎

‎United States: Sheed & Ward Inc 1939. 1st Printing. Hardcover. Good/NO Dustwrapper. 12mo - over 6¾" - 7¾" tall. First Printing. Sheed & Ward Inc New York 1939. illus 286pp pb spine & covers faded & bumped pages browned inscription on fep good <br/> <br/> Sheed & Ward Inc hardcover‎

書籍販売業者の参照番号 : 042982

‎CHARLOT, Jean‎

‎Art from the Mayans to Disney‎

‎New York: Sheed & Ward 1939. Hardcover. Very Good. First edition. Small octavo. Small paper remnant on the front board small label on the spine a near very good copy without dustwrapper. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Overview of art history including a chapter and illustration on Shahn: "To Ben Shahn a future Old Master. Jean Charlot. N.Y. 1941. Sheed & Ward hardcover‎

書籍販売業者の参照番号 : 345606

‎Charlot, Jean‎

‎Art-Making in Merico‎

‎New York: Sheed & Ward 1950. First Edition. 12 308pp. 12mo. Cloth. Fine in fine dj. First Edition. 12 308pp. 12mo. <br/><br/> Sheed & Ward hardcover‎

書籍販売業者の参照番号 : 329689

‎CHARLOT, John‎

‎Chanting the Universe: Hawaiian Religious Culture‎

‎Hong Kong: Emphasis International Limited 1983. Hardcover. Small 4to. Burgundy paper over boards pictorial dust jacket. 160pp. Color frontispiece numerous illustrations many color. Very good/near fine. A tight attractive first edition -- bearing a choice presentation inscription and signature from the author on the half-title page in black fountain pen: "For Margaret / a gift from her forgetful son / and loving daughter-in-law / with the affection of / John Charlot." Charlot's parents are the book's dedicatees likewise thanked in the acknowledgments. Emphasis International Limited hardcover‎

書籍販売業者の参照番号 : 31302

‎charlot, jean‎

‎charlot murals in georgia‎

‎Hard Cover. ############################################################################################################################################################################################################################################################### hardcover‎

書籍販売業者の参照番号 : 1622562

‎CHARLOT, Jean‎

‎Charlot Murals in Georgia‎

‎Atlanta: University of Georgia Press 1945. Hardcover. Near Fine/Very Good. First edition. Introduction by Lamar Dodd. Photographs by Eugene Payor. Small quarto. Heavily illustrated in black and white with several color plates. Owner name on front fly else near fine in about very good dust jacket with a toned and worn spine shallow loss at the spine ends two short tears and a bit of staining on the cover. Signed by Charlot on a front blank. One of 2500 copies printed. University of Georgia Press hardcover‎

書籍販売業者の参照番号 : 512278

‎Charlot, Jean‎

‎Charlot Murals in Georgia‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1258823373.G ISBN : 1258823373 9781258823375

‎Charlot, Jean; Lamar Dodd; Eugene Payor (Photographer)‎

‎Charlot Murals in Georgia - LIMITED EDITION‎

‎University of Georgia Press. As New. 1945. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Corresponds to ASIN: B0007E3OGG. 122 pages 178 illus. some in color 8vo. -- with a bonus offer-- . University of Georgia Press hardcover‎

書籍販売業者の参照番号 : 83145

‎Charlot, Jean; Lamar Dodd; Eugene Payor (Photographer)‎

‎Charlot Murals in Georgia - LIMITED EDITION‎

‎University of Georgia Press. As New. 1945. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Corresponds to ASIN: B000R2HIG0. 122 pages 178 illus. some in color 8vo. -- with a bonus offer-- . University of Georgia Press hardcover‎

書籍販売業者の参照番号 : 83147

‎CHARLOT, Jean‎

‎CHARLOT MURALS IN GEORGIA‎

‎Atlanta: University of Georgia Press 1945. First Edition. Hardcover. Near Fine in a Near Fine dustwrapper. Jean Charlot. Quarto 7-3/4" x 10-1/4". The total printing consisted of 2500 copies. Introduction by Lamar Dodd. Illustrated with photographs of Charlot's murals by Eugene Payor. <br/><br/> University of Georgia Press hardcover‎

書籍販売業者の参照番号 : 002153

‎Charlot, Jean‎

‎Dance of Death‎

‎<p>First Edition. Very Good no dust jacket. 50 drawings in memory of Jose Posada Mexican master of the theme. Unpaginated about 100 pages. Book has fraying at the spine bottom and the pages are evenly age toned. The corners are square and the pages are clean and unmarked.</p> Sheed & Ward hardcover‎

書籍販売業者の参照番号 : art 1177

‎Charlot, Jean‎

‎Dance of Death - 50 Drawings and Captions‎

‎<p>New York: Sheed & Ward 1951. First Edition. Very Good no dust jacket. 50 drawings in memory of Jose Posada Mexican master of the theme. Hardcover bound in black cloth stamped in silver. Unpaginated about 100 pages. Condition: Good. Lacks dust jacket but otherwise Very Good with NO marks or writing in book. NOT ex-library.</p> Sheed & Ward hardcover‎

書籍販売業者の参照番号 : UQ-LUDT-EI76

‎Charlot, Jean-Louis‎

‎Dictionnaire Généalogique des Habitants d'Arès de 1851 à 1899 French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 129138801X.G ISBN : 129138801X 9781291388015

‎Charlot, Jean; Brace, Ernest;‎

‎FRANKLIN C. WATKINS‎

‎G. Alan Chidsey Great Neck NY: 1940 1940 Hand-made book comprised of artfully pasted-in clippings from Boothe's magazine and news articles with other design and format elements drawn in by the designer. Thin 4to. Buckram cloth binding. Watkins 1894-1972 was born in New York City. Getting early training with Cecilia Beaux at the Pennsylvania Academy of Fine Arts - most of his career as an artist was spent in Philadelphia. He developed a reputation as a portraitist - but also provided sets and costumes for a Balanchine ballet and the murals for the Rodin Museum in Philadelphia. G. Alan Chidsey was a New York bookseller lawyer and occasional book designer who served as a trustee to the Marsden Hartley estate. While we have found a couple similar books designed by Chidsey described as mock-ups none seem to have entered an actual print run suggesting these were instead one-off or very small-run originals. Rare. Art 1. Hardcover. Very Good. G. Alan Chidsey, Great Neck, NY: 1940 hardcover‎

書籍販売業者の参照番号 : ART_A2

‎Charlot, Jean; Morse, Peter‎

‎Jean Charlot's Prints A Catalogue RaisonnGE‎

‎Univ of Hawaii Pr 1976. Hardcover. Near Fine/very good . Near Fine hardbound in Very good dustjacket slight tear to lower cover. Also included is Catalog of Prints by Jean Choulot with illustrations and included brochure Kei Viti. 4to. Large. 450 pgs. Univ of Hawaii Pr hardcover‎

書籍販売業者の参照番号 : 183 ISBN : 0824803647 9780824803643

‎Charlot, Jean‎

‎Le Gaullisme dopposition 1946-1958: Histoire politique du Gaullisme‎

‎new. unknown‎

書籍販売業者の参照番号 : 11274172-n ISBN : 2213012466 9782213012469

‎Charlot, Jean 1898-1979‎

‎Mexican Art and the Academy of San Carlos 1785-1945‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

書籍販売業者の参照番号 : 1014216729.G ISBN : 1014216729 9781014216724

‎Charlot, Jean‎

‎Mexican Art And The Academy Of San Carlos 1785-1915‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1258190362.G ISBN : 1258190362 9781258190361

‎Charlot, Jean‎

‎Picture Book II: 32 Original Lithographs and Captions with Additional Signed Plate "Hawaiian Swimmer"‎

‎Los Angeles CA: Zeitlin & Ver Brugge 1973. Book. Very Good. Soft cover. Signed by Authors. 4to. Includes slipcase. Also includes additional plate laid-in: Hawaiian Swimmer. Plate is signed by Jean Charlot. Limited Edition of 1000 copies drawn directly from the plates of Jean Charlot. This is number 217. SIGNED by the artist Jean Charlot and Lynton R. Kistler on limited page. Missing prospectus. Illustrated with 32 full page multi-color lithographs. Shelfwear to book: light scuffing along edges and covers spine fade small tear and crease along outer edge of front cover. Interior is clean and tightly bound. Additional plate Hawaiian Swimmer is in excellent condition. Shelfwear to slipcase: scuffing along edges and covers fading some scratch marks and smudges on covers. Volume is in Very Good condition. Zeitlin & Ver Brugge Paperback‎

書籍販売業者の参照番号 : 064472

‎CHARLOT, Jean ( Kistler, Lynton R )‎

‎Picture Book II‎

‎Los Angeles CA: Zeitlin & Ver Brugge 1973 1973. ALFONSO OSSORIO'S COPY - LIMITED SIGNED EDITION. 1 vol. limited to 1000 numbered copies this being #135 signed by Charlot & Kistler illustrated with 32 full page multi-color lithographs additional boldly signed by Alfonso Ossorio on the front blank endleaf. Original printed wrappers with the original slipcase includes the prospectus and an additional plate "The Hawaiian Swimmer" signed in pencil by Charlot in NEAR FINE condition. Alfonso Angel Yangco Ossorio was a Filipino American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His heritage was Hispanic Filipino and Chinese. Los Angeles CA: Zeitlin & Ver Brugge, 1973 unknown‎

書籍販売業者の参照番号 : 001138

‎CHARLOT, Jean‎

‎PICTURE BOOK II. Original Lithographs and Captions‎

‎Los Angeles: Zeitlin & Ver Brugge 1973. First Edition. wraps. Mostly unopened; minor wear to spine. Near Fine lacking the slipcase. Jean Charlot. Quarto 8-3/4" x 11" in illustrated wrappers. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS. Copy #240 of 1000 copies SIGNED on the colophon page by the artist and the printer Lynton R. Kistler. <br/><br/> Zeitlin & Ver Brugge paperback‎

書籍販売業者の参照番号 : 021284

‎Charlot, Jean Claudel, Paul, ; Cavanna, Elise,‎

‎Picture book : 32 original lithographs‎

‎<p>John Becker 1933-01-01. First Edition. Paperback. Very Good. Signed. Limited edition of 500 numbered copies signed by Charlot Kistler & Armitage. Complete with 32 original chromolithographic plates by Charlot. 4to 28.3 x 22.2 cm. Bound in publisher's printed wrappers. Wear to dust jacket with some loss. Good binding and cover. Clean unmarked pages. 128 pages. "The beautiful illustrations in this book typical of Charlot's Mexican Mayan figure style are these lithographs drawn by the artist on zinc plates rather than stones"- The Artist & The Book 54.Autographed by author.</p> John Becker paperback‎

書籍販売業者の参照番号 : 1812150008

‎Charlot, Jean‎

‎Picture Book II SIGNED‎

‎Los Angeles: Zeitlin & Ver Brugge 1973. First edition. Softcover. vg. 1/1000. 8vo. Unpaginated. Illustrated wrappers in original paper covered illustrated slipcase. Pages unopened. "'Picture Book II' is the clearest and most direct of titles. Yet its very simplicity calls for some comment in this complex age. It is indeed a book of pictures - pictures which are unified only by being the work of a single man. Jean Charlot considers it a collection of some of his personal motifs analogous to a Liber Studiorum of an earlier age. Many subjects will be familiar to those who know the artist's oeuvre though they wear new colors and new composition." Stunningly illustrated with 32 full page multi-color lithographs which the artist prefers to call 'chromolithographs.' Each plate is accompanied with text written by Charlot. Includes an additional color lithograph "Hawaiian Swimmer" signed in pencil by Charlot which is different from the one depicted in the book. This plate was not part of this edition and is laid-in. Colophon page is also signed by the artist and the printer Lynton R. Kistler. A wonderful edition with both slipcase and book in very good - fine condition. Zeitlin & Ver Brugge unknown‎

書籍販売業者の参照番号 : 12617

‎Charlot, Jean‎

‎Pictures and Picture Making: A Series of Lectures: by Jean Charlot for DIsney Studios Frank Nastasi's Copy‎

‎Los Angeles: NP 1938. First edition. Ring_bound. vg. Quarto. 183 individual single-sided mimeographed leaves 22 additional leaves of photographic negative prints. Scarce mimeographed document printed from typescript with all leaves and negatives three-hole punched along the left side housed in modern black three-ring binder 11.5x 11". The pagination throughout is only on a per lecture basis and is non-continuous. Printed pages with occasional manuscript corrections. The versos of most of the leaves throughout contain mounted small cutouts from b/w photographic prints either reproducing relevant images from art history or being original technical hand-drawings by Charlot serving as relevant illustrated figures on the rectos for the corresponding text pages opposite 275 in total. An additional thirteen of these images have been directly mimeographed onto the rectos. The 22 leaves of compiled photographic negatives found at the rear of the binder contain most of the same images seen throughout and are organized according to lecture.<br /> <br /> In 1938 Walt Disney invited the French-born Mexican-American artist Jean Charlot 1898-1979 to deliver a series of eight lectures on art history and technique to the staff of the Disney Animation Studios over the course of two months from April 12th - May 31st of that year. Though Charlot was adamant against having any kind of lecture plan as he states in his opening remarks each of the lectures were still always themed Natural vision composition two-dimensional composition color and subject planes and space etc. Each was accompanied by a series of slides reproduced and mounted here both of Charlot's original impromptu drawings and reproductions of historic works of art. Fortunately a stenographer or recording device was present and took down each lecture including the questions and answers posed by his audience. This extremely scarce mimeographed binder serves as a complete and systematic documentation of those important and significant lectures.<br /> <br /> At the time of these lectures the company had just come off the massive and groundbreaking success of Snow White and the Seven Dwarfs 1937 and was at work on the shorts "Mickey's Toothache" and the ultimately scrapped "Pluto's Robot Twin". Although there does not seem to be direct evidence or documentation pointing to the affect these lectures ultimately had on the future work of the studio its diffuse influence can be surmised. At the very least these in depth lectures provided a continued boost to the morale and confidence of the Disney staff in placing the relatively new and sometimes belittled art form of animated films on the vast continuum of the fine arts from prehistoric times through classical antiquity and until the present. This reassured the staff of their visual storytelling abilities and the relevance of their chosen work. These assertions have since been reinforced by the the fact that in the wake of these lectures a number of these animators stayed in contact with Charlot and over the years since have asserted the personal impact these lectures had on their outlook.<br /> <br /> Although the discussions here range widely from all historical periods of art incorporate examples from the relevant work of many of the most famous international figures and touch upon countless technical and specific qualities of the fine arts arguably the most significant and unique aspect the text is Charlot's discussions of art in Mexico where he lived most of the time beginning in 1921. Specifically the art of Mexican murals and the work of Jose Guadeloupe Posada nearly forgotten during this period who had just recently died in 1913 were of interest to Charlot. It is known that he began buying Posada prints and the original printing blocks from Posada's print shop reviving interest which has never abated. Though we could find no specific reference to Posada in any of his lectures the speaker does incorporate Rivera's murals noting in passing that "a man like Rivera has absolutely to shun all textural qualities all brush stroke qualities because all things appear at a distance" Lecture V p. 12. Going further into the influence of Mexico's divergent populations and its effect on art Charlot describes in his following lecture "This static rectangle to me became assimilated to the Indian for a number of reasons and one of them is that the true verticals and true horizontals are admirably fitted to the Indian character; the Indian is always in close contact with the ground which is a true horizontal and the man in squatting takes a very different shape and different proportions from the White man. If you have a white man sitting on a chair you have those two little tooth picks under him and he has no correct relation with the so-called Mother Earth" Lecture VI p. 7. <br /> <br /> Only in the final lecture does Charlot finally speak on animation humbly noting "I told you the other time I would talk on animation tonight and I felt silly the whole week long because after all you are the people who know most about it; but it will be a good result to me by clearing my mind about it and I hope you won't hiss" Lecture VIII p. 1. The lecturer then goes on to sympathetically compare a close-up of Grumpy's face to a portrait by Raphael.<br /> <br /> According to Ruel Denny in "A Tale of Two Studios: Artist Jeans Charlot in Walt Disney's Atelier" taken from Feast of Strangers: Selected Prose and Poetry 1999 these lectures although never published "are provocative because they provide a partial but unique record of five concurrent artistic encounters in the twentieth-century: first the intellectual collaboration in artistic research by Disney and Charlot; second the encounter between the fine artist Charlot and a group of craftsmen in popular art; third the connections and disconnections between the visual arts of the pre-cinematic period and those of the cinematic age; four the marriage between cinematic animation techniques of storytelling and our inherited and folkloristic narrative of the oral and print traditions; and five the migration into modern media from primordial sources and picturizations of anthropomorphized animal figures".<br /> <br /> Some leaves throughout with minor age toning along edges as well as some occasional light stains or adhesive residue <br /> from the images pasted on the rectos. Some of the pasted on plates are loosening from the original drying adhesive and it is clear that in a very few instances images have come loose or are missing. Binder and interior in very good condition overall. Extremely scarce. Provinence:<br /> It is not known how many of these scarce mimeographed copies were printed but there is another known copy held in the collections of the University of Hawaii the state where Charlot spent his final years. It is known that the content of these lectures was never formally published. This copy bears the name of American television actor comedian and Soupy Sales sidekick Frank Nastasi 1923 – 2004 at the top of the title leaf. There is no evidence of Nastasi's connection to Disney or that he had ever attended these lectures he would have been 15 years old at the time so it is not known how he came to be in possesion of the piece. NP unknown‎

書籍販売業者の参照番号 : 47856

‎Charlot, Jean‎

‎Posada's Dance of Death‎

‎New York: Pratt Graphic Art Center 1964. Paperback. Very Good. Eichenberg Fritz. 8vo. 12 pp. 4 pages of plates. Bound in stapled dark pink wrappers with cover illustration in white and title in black. One wood engraving by Fritz Eichenberg on title page signed by him in pencil and four relief engravings by José Guadalupe Posada. Printed in an edition of 500 numbered copies signed by Charlot on colophon this is No. 67. Very Good internally clean and sound rubbing and wear to extremities - heaviest at spine 1/2" tear to head of spine 1" dark smudge to lower front cover. <br/><br/> Pratt Graphic Art Center paperback‎

書籍販売業者の参照番号 : 002757