‎Scénariste‎

‎Frears Stephen director; Neville Smith screenwriter; Albert Finney Billie Whitelaw Janice Rule starring; Andrew Lloyd Weber c‎

‎Gumshoe Original screenplay for the 1971 film Billie Whitelaw's working copy‎

‎Culver City CA: Columbia Pictures 1970. Draft British script for the 1971 UK film. Working copy belonging to actress Billie Whitelaw SIGNED by Whitelaw on the front wrapper with her holograph annotations throughout in pencil and red and blue ink. Included are four vintage black-and-white still photographs from the film. Director Stephen Frear's debut feature film and the first film to feature an original musical score by Andrew Lloyd Weber. A whodunit verging on spoof Albert Finney plays a standup comedian and aspiring private detective. When he advertises his detective services in the local newspaper he may actually have to solve a real mystery. Set in Liverpool and London and shot there on location. Tall orange studio wrappers with a die-cut title window in the British style. Title page present dated 1st October 1970 with credits for screenwriter Neville Smith. 123 leaves mimeograph duplication. Pages Very Good wrapper Good bound internally with three silver brads. Grant US. Indicator 37. Columbia Pictures unknown‎

Référence libraire : 134464

‎Fred and Ginger Rogers Astaire starring; Mark Sandrich director screenwriter‎

‎Shall We Dance Original treatment screenplay for the 1935 film‎

‎Culver City CA: RKO Radio Pictures 1936. Treatment script for the 1937 film. Almost certainly the earliest draft associated with the film a typescript prose synopsis. <br/><br/>A ballet star Astaire falls in love with a young tap dancer Rogers on a trans-Atlantic voyage but rumors of their relationship precede them to their destination. The seventh of ten films Fred Astaire and Ginger Rodgers would make together and the fourth of five directed by Mark Sandrich. <br/><br/>Green titled wrappers noted as Treatment on the front wrapper rubber-stamped PLEASE RETURN TO RKO STORY FILES and production No. 808 dated October 16 1936 and with a credit for screenwriter Mark Sandrich. Title page integral with the first page of text. 26 leaves with last page of text numbered 26. Typescript. Pages Near Fine wrapper Very Good plus with a few tiny chips at the extremities bound with two gold brads with washers.<br/><br/>Hirschhorn The Hollywood Musical. RKO Radio Pictures unknown books‎

Référence libraire : 144161

‎Fred C. Brannon director; Ronald Davidson screenwriter; Judd Holdren Aline Towne Wilson Wood Lane Bradford Stanley Waxman st‎

‎Commando Cody: Zombies Of The Stratosphere Original photograph from the 1952 film‎

‎North Hollywood: Republic Pictures 1952. Vintage photograph from the 1952 film. With holograph annotations on the verso. <br/><br/>Martians invade Earth with plans to build a Hydrogen bomb that will blast Earth out of its orbit so that Mars can take its place and thrive closer to the sun. Larry Martin Judd Holdren leader of the Inter-Planetary Patrol investigates the Martian invaders in his jet-powered rocket suit .<br/><br/>10 x 8 inches. Near Fine. Republic Pictures unknown books‎

Référence libraire : 144804

‎Fred F. Sears director; David Chandler Orville H. Hampton screenwriter; Johnny Desmond Merry Anders Meg Myles starring‎

‎Calypso Heat Wave Original photograph from the 1957 film‎

‎Los Angeles: Clover Productions 1957. Vintage studio still photograph from the 1957 film. <br/><br/>A goofy film about the inner squabbles of a record company. An attempt by producer Sam Katzman to repeat the success of "Rock Around the Clock." <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Clover Productions unknown books‎

Référence libraire : 140421

‎Fred F. Sears director; Richard Tregaskis story; Martin Goldsmith Jesse Lasky Jr. Eugene Ling screenwriter; John Hodiak John‎

‎Mission Over Korea Original photograph from the 1953 film‎

‎N.p.: Robert Cohn Productions 1953. Vintage studio still photograph from the US release of the 1953 film. <br/><br/>B-film about the Korean War starring John Hodiak. Fred F. Sears used a combination of stock footage and live action to form his picture. <br/><br/>Shot on location in South Korea. <br/><br/>10 x 8 inches. Fair with a large crease to the bottom right corner and blue holograph annotations to the verso. Robert Cohn Productions unknown books‎

Référence libraire : 139794

‎Fred Hilberdink screenwriter‎

‎Tutty Frutty Surprise Surprise Original screenplay for an unproduced film‎

‎Amsterdam: Fred Hilberdink Film Productions 1983. Second draft for an unproduced film. Noted on the title page: "Working title for a really shocking horrorfilm."<br/><br/>Yellow untitled wrappers. Title page present dated 1983 noted as second draft with credits for screenwriter Fred Hilberdink. 178 leaves with last page of text numbered 180. Xerographically reproduced. Pages Fine wrapper Fine bound with combs. Fred Hilberdink Film Productions unknown books‎

Référence libraire : 143912

‎Fred Olen Ray director; Mark Thomas McGee screenwriter; Telly Savalas Erika Nann Gary Hudson Suzee Slater starring‎

‎Mind Twister Original screenplay for the 1994 film‎

‎Los Angeles: Smart Egg Pictures 1992. Draft script for the 1994 film. Copy belonging to actor Telly Savalas who played Richard with annotations and corrections related to his character in holograph ink. Laid in are 21 additional pages of dialogue with photocopied annotations.<br/><br/>The friend of two exotic dancers is found dead and her coworkers decide to expose the psychiatrist who murdered her. Fred Olen Ray is a film director best known for his low to medium-budget films this particular movie proving to be actor Telly Savalas' final role. <br/><br/>Title page present dated June 19 1992 with credits for screenwriter Mark Thomas McGee. 105 leaves with last page of text numbered 93. Xerographic duplication with yellow and pink revision pages throughout dated variously between June 9 1992 and June 19 1992. Pages Near Fine lacking wrapper housed in a three ring binder. Smart Egg Pictures unknown books‎

Référence libraire : 142386

‎Fred Zinnemann director; Frederick Forsyth novel; Kenneth Ross screenwriter; Edward Fox Terence Alexander Michel Auclair Alan‎

‎Day of the Jackal Original banner poster for the 1973 film‎

‎Universal City: Universal Pictures 1973. Vintage US silkscreen banner poster for the 1973 film. <br/><br/>Based on Frederick Forsyth's 1971 novel about the titular professional assassin hired by a militant French underground organization to assassinate French president Charles de Gaulle. <br/><br/>Set in and shot on location in Paris Versailles and Hautes-Alpes. <br/><br/>82 x 24 inches. Rolled. Very Good with no restoration. Several vertical creases with some cracking three closed tears measuring tow four and five inches several small closed tears in margins otherwise bright and unfaded.<br/><br/>Penzler 101. Universal Pictures unknown books‎

Référence libraire : 146779

‎Fred Zinnemann director; Scotty Welbourne still photographer; Carl Foreman screenwriter; Marlon Brando Teresa Wright Everett S‎

‎The Men Original photograph from the 1950 film‎

‎Beverly Hills CA: United Artists 1950. Vintage black-and-white reference still photograph from the 1950 film. Pictured are Richard Erdman Ray Teal and Marlon Brando left to right. <br/><br/>Ken Brando is a paralyzed WWII vet trying to adjust to living without the use of his limbs. Nominated for an Academy Award and one of the earliest portrayals of post-WWII vets assimilating back into society emphasizing PTSD post-traumatic stress disorder. <br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. Very Good plus with a few bruises to the verso and recto. <br/><br/>Complete collation details available on request. United Artists unknown books‎

Référence libraire : 137544

‎Fred Zinnemann director; Stewart Stern screenwriter; Pier Angeli John Ericson Patricia Collinge Richard Bishop starring‎

‎Teresa Three original photographs from the 1951 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Collection of 3 vintage black-and-white studio still photographs from the 1951 film. Starring actors Ericson and Mauldin are featured throughout. On the versos two stills with "Silver Screen Archives" rubber-stamp one still with title mimeo snipe and all with brief numerical annotations. <br/><br/>One image from the set is shown. Please inquire for others.<br/><br/>Based on an original story by Alfred Hayes and Stewart Stern. Phillip Ericson is a soldier in Italy during WWII where he meets and marries Teresa Angeli and returns to the US to an overbearing mother Patricia Collinge. Hayes and Stern were nominated for an Academy Award for their story and the film grossed more international sales than domestic.<br/><br/>8 x 10 inches small white borders. Very Good overall with light curling and toning and marginal wrinkling and creasing. Metro-Goldwyn-Mayer [MGM] unknown books‎

Référence libraire : 145445

‎Frederic Kimball screenwriter‎

‎Kean: A Play for Life Kean: A Film Biography Two original screenplays for an unproduced film‎

‎New York: N.p. 1990. Two scripts for an unproduced film a 1983 First Draft script and a 1990 Draft script. The First Draft script titled "Kean: A Film Biography" contains a few annotations in holograph marker of text and dialogue corrections. The 1990 Draft script is entitled "Kean: A Play for Life." <br/><br/>Accompanying the First Draft script is a Laid in letter as well as photographically duplicated copy signed "Fred" with New York address and telephone number and dated 6/12/83 in holograph marker from Frederic Kimball to producer Elliott Kastner. Kimball closes the letter with "I hope you are still interested. Al is." likely referring to Al Pacino a longtime confidant and collaborator on films such as "Looking for Richard" 1996 "Author Author" 1982 "Dick Tracy" 1990 and "And Justice for All" 1979. Also laid in is an additional copy of the first page of the First Draft script.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>A biopic on the tumultuous life of the 19th century British Shakespearean actor Edumund Kean.<br/><br/>1983 First Draft Script:<br/><br/>Title page integral with wrapper dated 6/10/86 noted as First Draft with credits for screenwriter Frederic Kimball. 83 leaves with last page of text numbered 82. Offset duplication rectos only. Pages Near Fine unbound<br/><br/>Laid in letter 8.5 x 11 inches. Very Good folded horizontally 1/2" from top with large 2 x 3 inch chip on top left and small closed tears on left side.<br/><br/><br/>1990 Draft Script:<br/><br/>Title page integral with wrapper dated 1990 with credits for screenwriter Frederic Kimball. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Near Fine bound with prong binding. N.p. unknown books‎

Référence libraire : 147444

‎Frederick Forsyth novel screenwriter; John Mackenzie director; George Axelrod Richard Burridge screenwriters; Michael Caine P‎

‎The Fourth Protocol Original screenplay for the 1987 film signed by novelist-screenwriter Frederick Forsyth‎

‎US: Gulfmine Ltd 1986. Sixth Draft script for the 1987 film. SIGNED by screenwriter and source novel author Frederick Forsyth on the title page with an additional typed note signed referencing the script from Forsyth on his letterhead included. With both holograph and copied annotations by him on every page with most of the holograph annotations being changes to dialogue.<br/><br/>Adapted by Forsyth from his 1984 novel about a British agent who must stop the Russians from blowing up an American base in the UK with a nuclear bomb in the hopes of damaging US-UK relations. <br/><br/>Yellow untitled self wrappers. Title page present dated March 1986 noted as Sixth Draft with credits for novelist screenwriter and producer Frederick Forsyth producers Michael Caine and Timothy Burrill and director John Mackenzie. 128 leaves with last page of text numbered 128. Xerographic duplication rectos only with pink revision pages throughout dated 20 March. Pages Fine wrapper Very Good plus bound with a silver prong binding. Gulfmine Ltd unknown books‎

Référence libraire : 145597

‎Freeland Thornton director; Clemence Dane screenwriter; Jeffrey Farnol novel; Douglas Fairbanks Jr. Elissa Landi Gordon Harke‎

‎The Amateur Gentleman Original screenplay for the 1936 film‎

‎London: Criterion 1935. Shooting script for the 1936 film. Based on the 1913 novel. When a former boxing champion turned innkeeper is wrongly accused of stealing jewelry from wealthy guests staying at the inn his son travels to London and impersonates an aristocratic gentleman in order to prove his father's innocence and catch the true thief. Orange titled wrappers. Title page present noted as Shooting Script with credits for screenwriter Clemence Dane. 235 leaves with last page of text numbered 230. Mimeographed rectos only. Pages Very Good wrapper Very Good with foxing and edgewear side stitched. Criterion unknown‎

Référence libraire : 146083

‎Fregonese Hugo director; David Walker novel; Sydney Boehm screenwriter; Stewart Granger Barbara Rush Anthony Steel I. S. Joh‎

‎Harry Black Harry Black and the Tiger Collection of 6 photographs from the 1958 film‎

‎London: Twentieth Century-Fox 1958. Collection of 6 vintage full-color still photographs from the 1958 UK film. Based on the 1956 novel by David Walker and shot in India about a man-eating tiger in the jungle. Two men hunt and eventually trap the cat resulting in the near fatal mauling of the one of them. During his recovery he falls in love with the other man's wife who is tending to him and begins heavily drinking until he must venture out to face the tiger again. 8 x 10 inches. Tiny creases at the extremities else Near Fine. Twentieth Century-Fox unknown‎

Référence libraire : 132613

‎Fregonese Hugo director; Lawrence Kimble screenwriter; James Mason Marta Toren Dan Duryea Basil Ruysdael starring‎

‎One Way Street Death on a Side Street Original screenplay for the 1950 film‎

‎Universal City CA: Universal Pictures 1949. Revised First Continuity script for the 1950 film noir here under the film's working title "Death on a Side Street." That title has been struck through in pencil with the film's final title "One Way Street" written just above it. Copy belonging to studio secretary Marion Pecht with her name in holograph pencil on a second title page. Brief annotations throughout in holograph pencil. In this key film noir James Mason reprises in spirit his role from the British film noir "Odd Man Out" made three years before as a criminal who steals from the mob and is forced to go on the lam with mob boss Dan Duryea in no mood for forgiveness. The first American film to be directed by Argentinian import Hugo Fregonese. The AFI Catalog notes that Mexican Vice Consul Ernesto Romero acted as technical advisor and according to studio production notes an entire Mexican village was built on the Universal-International lot. Rodolfo Acosta Emma Roldan and Margarito Luna were all Mexican actors. Finally popular character actor James Best made his debut in "One-Way Street" appearing briefly in an uncredited role as a "Driver." Green titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped production No. 7684 dated September 14 1949. Title page present noted as REVISED FIRST DRAFT with a credit for screenwriter Kimble. 137 leaves with last page numbered 95. Mimeograph on yellow stock dated variously between 9/6/49 and 10/4/49 with blue and yellow revision pages throughout dated variously between 9/22/49 and 10/7/49 Pages and wrapper Near Fine bound with two gold brads. Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Universal Pictures unknown‎

Référence libraire : 137617

‎Freund Karl director; Fay Wray Nils Asther Edward Arnold starring; William Hurlbut screenwriter‎

‎Madame Spy Original screenplay for the 1934 film‎

‎Universal City CA: Universal Pictures 1933. Draft script for the 1934 espionage film noted on the title page as having the working title "Under False Colors". Though best remembered as one of the great cinematographers Karl Freund also directed eight films after coming to the US from Germany. "Madame Spy" was the third on the heels of his masterpiece "The Mummy" 1932 and "only a year before "Mad Love" 1935. Hal Erickson writes: One of several variations of the "Mata Hari" and "Fraulein Doktor" legends Universal's "Madame Spy" is set during World War I. Fay Wray stars as Maria the wife of Austrian diplomat Captain Franck Nils Asther. What Franck doesn't know is that Maria is a Russian secret agent assigned to spy on her own husband. Eventually captured and sentenced to be shot Maria manages to make her escape by crawling through "No Man's Land" though looking none the worse for wear at the end of her ordeal. A scene-for-scene remake of the German drama "Under False Flags" "Madame Spy" was itself remade and heavily rewritten as a "B" picture in 1942. White wrappers rubber-stamped FILE COPY on the front wrapper noted as copy No. 37 and production No. 648 dated September 29 1933 with credits for screenwriter Hurlbut and director Freund. Title page integral with the front wrapper as issued. 99 leaves mimeograph duplication. Pages Near Fine wrapper Very Good with some damage to the rear wrapper bound with two gold brads and a staple. Universal Pictures unknown‎

Référence libraire : 127959

‎Friedkin William director; Gerald Petievich screenwriter‎

‎C.A.T. Squad Original screenplay for the 1986 television movie‎

‎Burbank CA: National Broadcasting Company NBC 1986. Fifth Draft script for the 1986 television movie directed by William Friedkin and written for the screen by Gerald Petievich. "C.A.T. Counter Assault Tactical Squad" was the first of two television movies intended to become a series but never further developed. The sequel "C.A.T. Squad: Python Wolf" was broadcast two years later in 1988. Light blue titled wrappers with the film title in holograph ink. Title page present dated February 9 1986 noted as Fifth Draft with credit for screenwriter Petievich. 102 leaves on blue stock mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown‎

Référence libraire : 129299

‎Friedkin William director; William Peter Blatty novel screenwriter; Josh Weiner still photographerl;‎

‎The Exorcist Original oversize double weight still photograph from the 1972 film‎

‎Burbank CA: Warner Brothers 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image showing Max von Sydow looming above-and seemingly beyond-a very possessed young Linda Blair. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars including Best Screenplay for Blatty along with 8 nominations including Best Picture a feat nearly unheard for a horror film. 11 x 14 inches. Near Fine. Warner Brothers unknown‎

Référence libraire : 135017

‎Friedrich Freiherr von der Trenck source work: Green Howard J. screenwriter‎

‎INSIDE OUT". BASED ON THE AUTOBIOGRAPHY OF FRIEDRICH FREIHERR VON DER TRENCK‎

‎Hollywood: ZIV Television Programs Inc. 1954. 446 leaves. Quarto. Mimeographed typescript printed on rectos only bradbound in mimeographed wrappers. With extensive annotations throughout in pencil see below else very good. A "Final Master Script" of this adaptation prepared as #68B of the MY FAVORITE STORY series. This script belonged to Larry Lund the script supervisor and was used in the production. It is extensively annotated throughout with camera angles revisions in dialogue and stage directions etc. The versos of many leaves bear annotations pertaining to camera p.o.v. and similar data keyed to the facing recto. In addition there are two original typed pages laid in also with pencil annotations which feature a new ending to the story. ZIV Television Programs, Inc. unknown‎

Référence libraire : WRCLIT40361

‎Fritz Lang director screenwriter; Bartlett Cormack screenwriter; Spencer Tracy Sylvia Sidney Walter Brennan starring‎

‎Fury Original US herald for the 1936 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Original US herald for the 1936 film. Lang's first Hollywood film and second talkie considered one of his finest efforts and one of three films in 1936 that propelled Spencer Tracy to the upper echelons of stardom. An important precursor to film noir which would develop directly from the expressionist style Lang and others brought to Hollywood from Germany beginning in the early 1930s. <br/><br/>6.75 x 11.75 inches. Near Fine quite bright with a coupe of tiny closed tears and light creasing to the top edge. <br/><br/>National Film Registry. Grant US. Rosenbaum 1000. Spicer US Precursor. Metro-Goldwyn-Mayer [MGM] unknown books‎

Référence libraire : 132489

‎Fritz Lang director screenwriter; Thea von Harbou screenwriter; Peter Lorre starring‎

‎M Original double weight photograph from the 1931 film‎

‎Berlin: Nero-Film AG 1931. Vintage oversize double weight photograph from the 1931 film. Based on the true story of psychopathic serial killer Hans Beckert nicknamed the "Vampire of Dusseldorf" here played by Peter Lorre. A brilliant image from this crime thriller classic in which the search is on for Lorre. <br/><br/>Lang's first sound film Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The mood atmosphere and lighting foreshadow film noir and Lang's use of sound though primitive technologically still makes a powerful psychological impact. <br/><br/>So strongly regarded was the film that MGM producer Irving Thalberg assembled his writers and directors for a screening and told them they needed to be making films of this caliber. Banned in Germany in 1934 when the Nazis came into power at which point Lorre and Lang both of partial Jewish ancestry fled the country. The expressionistic art direction visible here the uncredited work of Edgar G. Ulmer would also serve as the basis of Ulmer's later directorial work in Hollywood where he would make some of the most creative and classic noir-style films. Set in Berlin shot there on location. <br/><br/>Nero film insignia in the lower right corner with a Dutch blind stamp at the upper right corner. Original German stills from this film are scarce: this is the only one we have ever offered. <br/><br/>9 x 12 inches. Fine. <br/><br/>Complete collation details available on request. Nero-Film AG unknown books‎

Référence libraire : 136679

‎Fritz Lang director screenwriter; Thea von Harbou novel screenwriter; Wolfgang Schackla still photographer; Werner Jorg Luddec‎

‎The Tiger of Eschnapur Der Tiger von Eschnapur and The Indian Tomb Das Indische Grabmal The Indian Epic Original photograph of Fritz Lang and Paul Hubschmid from the 1959 films‎

‎Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. <br/><br/>Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film.<br/><br/>A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves.<br/><br/>Set in India shot on location in Berlin Germany and Udaipur India. <br/><br/>9 x 7 inches. Near Fine. <br/><br/>Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown books‎

Référence libraire : 150507

‎Fritz Lang director; Douglas Morrow screenwriter; Dana Andrews Joan Fontaine Sidney Blackmer Arthur Franz Philip Bourneuf E‎

‎Beyond a Reasonable Doubt Original photograph of Dana Andrews on the set of the 1956 film‎

‎Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. <br/><br/>A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. <br/><br/>Shot on location in Chicago. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown books‎

Référence libraire : 145504

‎Fritz Lang director; Jay Dratler screenwriter; David O. Selznick producer‎

‎Daybreak Original screenplay for an unproduced film‎

‎Los Angeles: Selznick International 1945. Incomplete First Draft Shooting script for an unproduced film called "Daybreak" written for screen by Jay Dratler whose film credits include "Laura" 1944 "The Dark Corner" 1946 "Call Northside 777" 1948 "Pitfall" 1948 and "Impact" 1949. <br/><br/>Fritz Lang's only effort with Selznick also known as "Dawning." Intended for Ingrid Bergman the project was called off after four weeks of work supposedly because Bergman had decided to take on a different project. In truth there was also a fair bit of conflict between Lang and Selznick and the contract ultimately led to no produced work. <br/><br/>A story set on "Gray Island" just after WWII involving a rich art collector Stefan Korvath and his blind wife Nina and the roaming painter Chris Bartlett who falls in love Nina. <br/><br/>Salmon titled wrappers noted as 1st Draft Shooting Script and "incomplete" on the front wrapper dated 1/3/45 and 2/28/45 with a credit for screenwriter Dratler. 69 leaves with last page of text numbered 69. Carbon typescript dated variously between 1/3/45 and 1/9/45. Pages and wrapper Near Fine bound with three gold brads. Selznick International unknown books‎

Référence libraire : 129160

‎Fritz Lang director; Norman Krasna story writer; C. Kenneth Lobben still photographer; Virginia Van Upp screenwriter; Sylvia Sid‎

‎You and Me Three original photographs from the set of the 1938 film‎

‎Hollywood: Paramount Pictures 1938. Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney Lang on the floor setting up an unusual camera angle and Lang playing a clarinet for baby actor Donald Dodd's who played Silvia Sidney's infant son in the film. <br/><br/>Each photo with a printed snipe on the verso a number annotated and circled in blue pencil 1 2 3 respectively and a stamp crediting Paramount Studios photographer Malcolm Bulloch. <br/><br/>5 x 7 inches. Near Fine. One photo with a faint vertical crease. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books‎

Référence libraire : 144158