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Fritz Lang director; Thea von Harbou screenwriter; Gertrud Arnold Margarete Schon starring
Die Nibelungen Original program for the 1924 film
Germany: Decla-Bioscop / UFA 1924. Vintage program for the German premiere of the films "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge" on February 14 1924. Contains a brief essay by von Harbou and three additional short essays on the making of the film. Photo illustrated throughout with stills of characters from the films. <br/><br/>Also included is a supplemental program for UFA theaters featuring another brief essay on the film by starring actor Rudolf Klein-Rogge information and photographs relating to UFA theaters and advertisements. Text of both items in German. <br/><br/>Based on the thirteenth century epic poem "Nibelungenlied."<br/><br/>Program: Near Fine in heavy paper wrappers and string binding. Elegant owner name to the front wrapper with a light diagonal crease to the same and light fading to the edges. <br/><br/>Supplement program: Very Good in saddle stapled self wrappers top right corner clipped. Splitting to the spine with a light vertical fold crease and a couple of small chips. <br/><br/>Rossler Filmfieber p. 51. Masters of Cinema 46. Decla-Bioscop / UFA unknown books
Référence libraire : 139464
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Fritz Lang director; Thea von Harbou screenwriter; Gertrud Arnold Margarete Schon starring
Die Nibelungen: Siegried and Kriemhild's Revenge Original program for the 1924 film
Berlin: Film-Kurier 1924. Original German programs for duology "Die Nibelungen" one each for "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge." Based on the thirteenth century epic poem "Nibelungenlied." Text in German. <br/><br/>Film-Kurier was the first German film journal published daily beginning in 1919. Film-Kurier's classic era lasted until 1933 when its publisher Alfred Weiner had to flee Germany because of his Jewish origins. The issues from this era remain striking to this day because they were printed using a gravure reproduction process. Each day's issue would focus on a single film. <br/><br/>9 x 11.75 inches. Each program six pages folded loose leaves as issued. Very Good plus with a horizontal fold tiny pinholes to the corners and an occasional short closed tear. <br/><br/>Masters of Cinema 46. Film-Kurier unknown books
Référence libraire : 141664
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Fritz Peter Buch director screenwriter; Tibor Yost novel; Zarah Leander OW. Fischer Paul Hartmann Hans Richter starring O. W
Cuba Cabana Two original photographs from the 1952 film
West Germany: Rhombus Film 1952. Two vintage photographs of Zarah Leander on the set of the 1952 film. With holograph annotations on the verso. <br/><br/>Based on the 1952 novel by Tibor Yost. The second role in Zarah Leander's 1950s comeback after her career as a major star during the Nazi era<br/><br/>7 x 5 inches. Near Fine. Rhombus Film unknown books
Référence libraire : 144568
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Fujita Toshiya director; Norio Osada screenwriter; Kazuo Kamimura Kazuo Koike story writers; Meiko Kaji starring
Lady Snowblood Original screenplay for the 1973 film
Tokyo: Toho Company / 1973. Draft script for the 1973 Japanese film. Based on the 1972-1973 manga written by Kazuo Koike and Kazuo Kamimura. The story of a woman with a sword in the end of her umbrella who seeks vengeance against the men who murdered her father and raped her mother leaving a trail of blood in her wake. A gorgeously shot cult classic and one of the best films of early 1970s samurai cinema. One of Quentin Tarantino's greatest influences for his "Kill Bill" duology borrowing plot and thematic elements character and set design and even re-creating specific shots. Off white wrappers perfect bound with red and blue titles dated 1973.9.20. 83 leaves with last page of text numbered "e-28." Mechanical duplication. Pages Near Fine wrapper a moderately foxed Very Good plus. Arrow 662. Criterion Collection 790. Toho Company / unknown
Référence libraire : 143674
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Fuller Charles sourcework & screenwriter
Set of Eight Color Mini Lobby Cards for: A SOLDIER'S STORY
Los Angeles: Columbia Pictures 1984. Eight 8 x 10" full color mini lobby cards. About fine. A complete set of the mini lobby cards issued to promote the film version of A SOLDIER'S STORY adapted for the screen by the author from his Pulitzer Prize winning play. Directed by Norman Jewison and starring Howard E. Rollins Adophy Caesar Denzel Washington and David Alan Grier among others. The film was nominated for three Academy Awards and three Golden Globe Awards and won two NAACP Image Awards. Columbia Pictures unknown
Référence libraire : WRCLIT67839
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Fuller Charles sourcework & screenwriter
Set of Eight Color Mini Lobby Cards for: A SOLDIER'S STORY
Los Angeles: Columbia Pictures 1984. Eight 8 x 10" full color mini lobby cards. About fine. A complete set of the mini lobby cards issued to promote the film version of A SOLDIER'S STORY adapted for the screen by the author from his Pulitzer Prize winning play. Directed by Norman Jewison and starring Howard E. Rollins Adophy Caesar Denzel Washington and David Alan Grier among others. The film was nominated for three Academy Awards and three Golden Globe Awards and won two NAACP Image Awards. Columbia Pictures unknown books
Référence libraire : WRCLIT67839
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Fuller Samuel director screenwriter; Milton Gold still photographer; John Ireland Reed Hadley starring
I Shot Jesse James Oversize original double weight cast photograph from the 1949 film
Los Angeles: Lippert Pictures 1949. Oversize vintage black-and-white double weight still photograph of the cast and crew for the 1949 film dated Nov. 24 1948. Fuller's auspicious directorial debut one of three films he made for independent producer Robert Lippert before moving to Hollywood studios. An intense portrait of guilt and psychological torment the film based on the life of Robert Ford displays many of the hallmarks of the iconoclastic director's subsequent career. 20 x 15 inches. Very Good plus with a couple of small closed tears to the bottom edge. Criterion Eclipse 5. Lippert Pictures unknown
Référence libraire : 131899
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Fuller Samuel screenwriter and director
Original One Sheet for THE BIG RED ONE
Los Angeles: United Artists 1980. Pictorial one sheet 27 x 41". Folded as issued else fine. A pictorially appropriate one sheet for the original and substantially cut theatrical release of Sam Fuller's long-fought personal project a cinematic rendering of combat based on his own experiences in WWII with the US First Infantry Division. The cast included Lee Marvin Mark Hamill Robert Carradine and others. In 2004 years after Fuller's death the cuts were restored an additional 49 minutes of running time and Fuller's very personal film was finally made available in a form closer to his original intent. United Artists unknown
Référence libraire : WRCLIT68427
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Fuller Samuel screenwriter and director
Original One Sheet for THE BIG RED ONE
Los Angeles: United Artists 1980. Pictorial one sheet 27 x 41". Folded as issued else fine. A pictorially appropriate one sheet for the original and substantially cut theatrical release of Sam Fuller's long-fought personal project a cinematic rendering of combat based on his own experiences in WWII with the US First Infantry Division. The cast included Lee Marvin Mark Hamill Robert Carradine and others. In 2004 years after Fuller's death the cuts were restored an additional 49 minutes of running time and Fuller's very personal film was finally made available in a form closer to his original intent. United Artists unknown books
Référence libraire : WRCLIT68427
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Funt Allen director screenwriter producer starring; Richard Roundtree Laura Huston Susanna Clemm Joie Addison starring
What Do You Say to a Naked Lady Original poster for the 1970 film
Beverly Hills CA: United Artists 1970. Original one-sheet US poster for the 1970 X-rated film. Distributor rubber stamp on the verso. Director Funt notable for his "Candid" series of adult films explores further the human psyche when confronted with nudity in unusual candid situations. Richard "Shaft" Roundtree plays one-half of an interracial couple in his film debut. 27 x 41 inches folded as issued. Very Good plus fold stress small central chips and a few short tears. United Artists unknown
Référence libraire : 139424
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Furie Sidney J. director; Frank De Felitta screenwriter; Barbara Hershey Ron Silver starring
The Entity Archive of 7 screenplay drafts for the 1982 film
Los Angeles: Twentieth Century-Fox 1980. Archive of seven scripts for the 1982 film. Included is a first draft third draft four undated drafts and one draft under the working title "Carlotta: A Haunted Lady." Two scripts with holograph annotations present. From the estate of Frank De Felitta. Based on the 1978 novel of the same name about a real case of an alleged haunting. In 1974 Culver City Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist." Screenwriter Frank De Felitta was born 1921 in the Bronx. He served as a pilot right out of high school in WWII and returned to New York in 1945 where he began writing scripts. His first produced work was for the radio thriller series "The Whistler" and once established he turned to television writing producing and directing documentaries receiving Emmy nominations in 1963 and 1968. By the early 70's De Felitta was working on film scripts with author Max Ehrlich. His first novel "Oktoberfest" 1973 was a thriller that made him enough money to finance time needed to write the bestseller horror story about reincarnation the hit film "Audrey Rose" 1975 and later its sequel "For Love of Audrey Rose" 1982. He went on to write the film adaptation of the same story in 1977 starring Anthony Hopkins as Audrey's father and Marsha Mason as Ivy's mother directed by Robert Wise. 1st Draft Screenplay: Blue untitled wrappers with holograph pencil notation. Title page present dated September 25 1978 noted as First Draft Screenplay with credits for screenwriter Frank DeFelitta. 126 leaves with last page of text numbered 132. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. 3rd Draft: Black titled wrappers. Title page present holograph pencil notation dated March 1980 noted as 3rd Draft with credits for screenwriter Frank DeFelitta. 153 leaves with last page of text numbered 143. Xerographically reproduced. Pages Near Fine wrapper Very Good Plus bound with three gold brads. Entity Undated 1: Black titled wrappers. Title page present with credits for screenwriter Frank De Felitta. 145 leaves with last page of text numbered 142. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Entity Undated 2: Black titled wrappers. Title page present with credits for screenwriter Frank DeFelitta The Paul Kohner Michael Levy Agency producers Joe Wizan and Joyce Lukon. 128 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Entity Undated 3: Orange untitled wrappers. 126 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Entity Undated 4 Bound Internally Black titled wrappers. Title page present with credits for screenwriter Frank De Felitta. Holograph notation type over. 143 leaves with last page of text numbered 139. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Carlotta: A Haunted Lady: Pale yellow untitled wrappers. Title page present with credits for screenwriter Frank De Felitta and producers Joe Wizan and Joyce Lukon. 146 leaves with last page of text numbered 145. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Clover Men Women and Chainsaws. Scorsese The Dark Eleven. Twentieth Century-Fox unknown
Référence libraire : 142611
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Furie Sidney J. director; Orville H. Hampton screenwriter; John McCarthy Susan Travers Geoffrey Denton starring
The Snake Woman The Lady is a Snake Original screenplay for the 1961 film
Beverly Hills CA: United Artists / Caralan Productions 1961. Draft script for the 1961 British horror film here under the working title "The Lady is a Snake" with the release title in holograph pencil on the front wrapper. Though made in the UK the film was a US co-production and this is a US draft of the script noting the US production company Playstar Productions on the front wrapper. A doctor injects his pregnant wife with snake venom causing her to give birth to a snake woman who grows up to terrorize the local town. Set in Victorian England. Tan titled wrappers with credits for screenwriter Orville H. Hampton. Distribution page present with receipt intact. 114 leaves with last page of text numbered 111. Mimeograph Pages Fine. Front wrapper detached. Now encapsulated in mylar else Very Good plus bound with three gold brads. United Artists / Caralan Productions unknown
Référence libraire : 143580
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Furth George screenwriter
America's Sweetheart Original screenplay for an unproduced film
N.p.: N.p. 1972. Draft script for an unproduced film. Includes a humorous letter from the screenwriter to "Sally" laid in. A starlet's rise is threatened by her relationship with a longtime lover. Written by Hollywood staple George Furth best known for his award-winning musical "Company." Red titled wrappers. Title page present dated 1972 with credit for screenwriter Furth. 152 leaves mechanical duplication. Pages Near Fine wrapper Near Fine internally bound with two gold brads. N.p. unknown
Référence libraire : 129776
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FW. Murnau director screenwriter; Robert J. Flaherty screenwriter; Matahi Anne Chevalier Bill Bambridge Hitu starring F. W.
Tabu: A Story of the South Seas Original photograph from the set of the 1931 film
N.p.: N.p. 1930. Vintage photograph of F.W. Murnau cinematographer Floyd Crosby a sound engineer and extras on location during shooting of the 1931 film. <br/><br/>Considered the first example of "docufiction." The fourth and final film made by Murnau during his time in the US. Murnau and Robert J. Flaherty wrote the unpublished story "Turia" based on a South Sea legend Flaherty had heard while working on W.S. Van Dyke's "White Shadows in the South Seas" 1928 which would later evolve into "Tabu." <br/><br/>Two young lovers on the idyllic island of Bora Bora find themselves in danger when an old warrior declares the girl to be the Chosen Maid. Refusing the lovers run off to a "westernized" island were the boy earns a living as a pearl diver and lands in debt. When the old warrior discovers their location they plan another escape requiring the boy paying off his debts by pearl diving in shark-infested waters. Winner of an Academy Award for Best Cinematography. <br/><br/>Shot on location in Tahiti and the Leeward Islands French Polynesia. <br/><br/>5.75 x 3.5 inches. Near Fine lightly faded. <br/><br/>National Film Registry. Rosenbaum 1000. Godard Histoires du Cinema. Eureka! 61. N.p. unknown books
Référence libraire : 148510
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G. W. Pabst director; Willy Haas screenwriter; Alfred de Musset source; Lili Damita Werner Krause actors.
Une femme dans la nuit
Paris: : Union Artistic Films distributor; F. P. S. Films production company circa 1927. First edition. . Other. Very Good/No Jacket. Double grande affiche 63 X 94 inches; 1600 x 2385 mm. On ne bandine pas avec l'amour or Man spielt nicht mit der Liebe. Two sheets restored and linen backed. G. W. Pabst director; Willy Haas screenwriter; Alfred de Musset source; Lili Damita Werner Krause actors. Une femme dans la nuit. On ne bandine pas avec l'amour or Man spielt nicht mit der Liebe. Paris: Union Artistic Films distributor; F. P. S. Films production company circa 1927. First edition. Double grande affiche 63 X 94 inches; 1600 x 2385 mm. Designed by G. Elizabeth. Two sheets restored and linen backed. The sheets are barely out of alignment; a couple tears laid down including one with a tiny bit of loss in the upper-left scene; a few old wrinkles flattened out; touch of rubbing; faint discoloration along the folds possibly with some minor touchups a couple instances of minor fold separation; a few faint tiny splashes visible in the lower-right margin. Presents as near fine. Union Artistic Films distributed four films starring Lili Damita produced by F. P. S. Films during the 1927-1928 season according to a two-page advertisement in the September 1927 issue of Cinegraphie. They were: Papillon d'or Der goldene Schmetterling 1926 directed by Michael Curtiz IMDb ID: tt0016930 La nuit nuptiale The Queen Was in the Parlour an English co-production based on a Noël Coward play 1927 directed by Graham Cutts tt0017900 La danseuse de grenade Die berühmte Frau 1927 directed by Robert Wiene tt0437864 and possibly this one under the title On ne joue pas avec l'amour Man spielt nicht mit der Liebe 1927 tt0017116. Man spielt nicht mit der Liebe is the only Lili Damita film we could identify produced by F. P. S. Films to co-star Werner Krauss. Using IMDb's collaborator search the only additional entries are Pabst's Secrets of a Soul Geheimnisse einer Seele produced by Neumann-Filmproduktion which starred Krauss and apparently featured Damita in an uncredited role and a ghost entry for Une femme dans la nuit created using the minimal information available in this poster from the Heritage Auctions listing. We cannot say with certainty that any of the assumptions made in the course of this catalog description are accurate and we still have a difficult time swallowing that Pabst who would be fresh off Joyless Street would not receive mention on the promotional material of any of his projects. All that said given the information available Une femme dans la nuit is either a completely ignored and immediately forgotten prestige project featuring two popular actors or was an alternate title from one of just two lost Pabst films. Either way it's still one hell of a decorative piece. Last year Heritage Auctions also sold a French grande one sheet half this size for this film under the same title with no additional release or production information. Deutsche Kinemathek's Lost Film database ID 986. #10012. Union Artistic Films (distributor); F. P. S. Films (production company), unknown
Référence libraire : 10012
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G.LENNE
La mort du cinéma film.
1971 Editions du Cerf, 1971, 110 pages, in 12 broché, exemplaire de bibliothèque (tampon et numérotation), état d'usage, coins cornés, usures et frottements sur les bords des plats.
Référence libraire : 18549
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Gabriele D'Annunzio novel; Pasquale Prunas screenwriter
Le Novelle Della Pescara The Pescara Stories Original screenplay for an unproduced television miniseries
Rome: Aquila Cinematografica 1974. Draft script for the first episode of an unproduced television miniseries. <br/><br/>Based on the short story "The Virgin Orsola" from Italian writer Gabriele D'Annunzio's 1902 collection "De Novelle Della Pescara." A chaste schoolteacher in a convent survives a life-threatening illness but soon after is violently sexually assaulted beaten and left for dead.<br/><br/>Set in Italy. <br/><br/>Orange untitled wrappers. Title page present dated 1974 with credits for novelist GABRIELE D'ANNUNZIO and screenwriter PASQUALE PRUNAS. 106 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining to the front wrapper bound internally with two gold brads. Aquila Cinematografica unknown books
Référence libraire : 146512
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Galbraith John Kenneth novel screenwriter
The Triumph Original screenplay for an unproduced film
N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green holograph marker. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept U.S. foreign policy response to a revolution by a moderate liberal in a small Central American country. Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown
Référence libraire : 147241
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Gallone Carmine director screenwriter; Rene Barjavel Leonardo Benvenuti Piero De Bernardi screenwriters; O. Civirani photogr
Don Camillo monsignore. ma non troppo Don Camillo. monseigneur Archive of 139 original photographs from the 1961 film
France / Italy: Affiches Gaillard / Cineriz 1961. Archive of 139 vintage borderless single weight still photographs from the 1961 Italian-French film. Seen in the images is starring actor Fernandel and other members of the cast in action and a few images of the film crew at work. Notations in holograph pencil and photographer Civirani's rubber stamp on the verso of all photos. Housed in two vintage Belgian Gevaert brand photo paper boxes. Based on Giovanni Guareschi's infamous Italian character. Don Camillo Fernandel heads to rome after a fight with Peppone Cervi where he becomes monsignor but his spirit eventually leads him back home. A local mayor tries to deceive Camillo during the wedding of Peppone's son. The fourth "Camillo" installment starring Fernandel the others being "The Little World of Don Camillo" 1952 "The Return of Don Camillo" 1953 "Don Camillo's Last Round" 1955 and "Don Camillo in Moscow: 1965. 7 x 9.25 inches. Light curling else Near Fine and splits to the paper box. Affiches Gaillard / Cineriz unknown
Référence libraire : 140316
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Gallone Carmine director screenwriter; Rene Barjavel Leonardo Benvenuti Piero De Bernardi screenwriters; Fernandel Gino Cer
Don Camillo monsignore. ma non troppo Don Camillo. monseigneur Original French poster for the 1961 film
Paris: Affiches Gaillard / Cineriz 1961. Original French grande poster for the 1961 Italian-French film. Based on Giovanni Guareschi's infamous Italian character. Don Camillo Fernandel heads to rome after a fight with Peppone Cervi where he becomes monsignor but his spirit eventually leads him back home. A local mayor tries to deceive Camillo during the wedding of Peppone's son. The fourth "Camillo" installment starring Fernandel the others being "The Little World of Don Camillo" 1952 "The Return of Don Camillo" 1953 "Don Camillo's Last Round" 1955 and "Don Camillo in Moscow: 1965. 47 x 63 inches folded as issued. Good with tears and chips and light toning. Affiches Gaillard / Cineriz unknown
Référence libraire : 138989
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Gallone Carmine director; Sauvajon Marc Gilbert screenwriter; Verne Jules author; Curd Jurgens Genevieve Page Jacques Dacqmi
Michael Strogoff Original screenplay for the 1956 film
France: Illria Film 1956. Draft script for the 1956 film. Based on the 1876 oft-produced novel by Jules Verne of the same title. Michael Strogoff is the courier of the Tsar tasked to deliver a very important message to the Tsar's brother who is in Siberia cut off from the main army due to the Tatar Army during the Crimean War. Set in the Russian Empire shot on location in Serbia. 203 leaves with last page of text numbered 203. Mechanical duplication. Pages Very Good plus lacking front wrapper bound with a silver prong binding. Illria Film unknown
Référence libraire : 141754
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GANCE (Abel) réalisateur, scénariste et producteur français (1889-1981)
Lettre dactylographiée à Jacques Reboul, au journal « Les Heures de Paris ». Chateauneuf-de-Grasse, (A. M.) 22 juin 1938. 1 p. in-4.
Il lui indique être arrivé trop tard Salle Pleyel. « Je suis intéressé à votre concours, pour mes prochaines distributions et serai heureux d’avoir votre avis personnel sur quelques uns et quelques unes de ces jeunes interprètes… ».
Référence libraire : 57C24
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Gance Abel director screenwriter; Albert Dieudonne Antonin Artaud Gina Manes starring
Napoleon Original program for the 1927 film
France: Cine France 1927. Original French program for the 1927 film with a flyer for the world premiere at the Palais Garnier in Paris laid in. One of the late masterpieces of the silent era following Napoleon's early life through his appointment as Commander in Chief of the Army and invasion of Italy one of six films director Abel Gance planned about the life of the French statesmen and the only one he completed. The film is notable for the many innovative and experimental techniques Gance used uncommon in the silent era including location shooting fast cutting close up hand held and point of view shots multiple camera set ups in-camera movement and visual effects such as superimposition film tinting and split screen or mosaic shots. Most famously the film helped pioneer truly widescreen viewing as Gance created a technique later referred as Polyvision which required three projectors to run film shot from three different cameras simultaneously to achieve a 4:1 aspect ratio for the film's climatic battle sequence although seams between the screens would remain visible. After only showing at a handful of theatres the film which originally ran over four hours was severely cut when it was acquired by MGM with only the middle section of the triptych being retained the other two sections remaining mostly unseen until the film was fully restored in the early 1980s. 10 x 13 inches bound with a string binding. Owner blindstamp to the title page. Wrappers Very Good with a few short closed tears and light chipping now encapsulated in mylar. Interior pages bright and about Fine with light soil. A remarkably clean example of a rare surviving piece from the earliest days of French cinema and one of the world's most important epics. Godard Histoires du cinema. Cine France unknown
Référence libraire : 121921
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Gance Abel director screenwriter; Albert Dieudonne starring
The Madness of Dr. Tube La Folie du Docteur Tube Two original photographs from the 1915 film
France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck circa 1936. With holograph annotations and agency stamps on the verso. Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. 7 x 5 inches. Near fine. Le Film d'Art unknown
Référence libraire : 144596
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Ganzer. Alvin director; Guy Bolton Jack McGowan musical; Robert E. Kent screenwriter; Connie Francis Harve Presnell Peter Noo
When the Boys Meet the Girls Girl Crazy Original screenplay for the 1965 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1965 film musical. Copy from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in holograph pencil at the top right corner of the front wrapper. Laid in is a 17 page shooting schedule under the title "Girl Crazy" dated 7-13-65. <br/><br/>Based on the 1930 musical "Girl Crazy" by Guy Bolton and John McGowan with music and lyrics by George and Ira Gershwin respectively.<br/><br/>Previously filmed twice before first in 1932 directed by William A. Seiter and starring Bert Wheeler and Dorothy Lee then in 1943 directed by Norman Taurog and Busby Berkely and starring Mickey Rooney and Judy Garland.<br/><br/>Playboy and heir Danny Churchill Harve Presnell helps Ginger Gray Connie Francis save her father's ranch by turning it into a motel for divorcees.<br/><br/>The last feature film acting role of Connie Francis.<br/><br/>Set in Nevada shot on location in Nevada and California. <br/><br/>Yellow titled wrappers rubber-stamped copy No. 73 dated July 7 1965 with credits for screenwriter Robert E. Kent. Title page integral to first page. 96 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/>Shooting schedule 8.5 x 11 inches Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 148129
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GARDIES, René - Choix de textes et propos de Glauber Rocha
Glauber Rocha
1974 Editions Seghers, Collection "Cinéma d'aujourd'hui", N° 79 - 1974 - Petit in-12, broché, couverture illustrée - 184 p. - Nombreuses reproductions photographiques hors-texte en N&B
Référence libraire : 109605
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Gardner Leonard screenwriter and source
Set of Studio Lobby Cards for FAT CITY
Culver City: Columbia Pictures 1972. Eight pictorial lobby cards 11 x 14". Cards #s 1 and 2 show heavy creasing with #1 having a 1" closed tear from the middle top edge faint production crease to top edges of three others lower corner margin of #4 has a few dust spots otherwise a nice set unused. A complete set of the lobby cards promoting Gardner's superb adaptation to the screen of his own first novel. John Huston directed and Stacy Keach Jeff Bridges Candy Clark and Susan Tyrell starred. Tyrell was nominated for an Academy Award in the category of Best Supporting Actress for her performance as the barfly Oma. Columbia Pictures unknown
Référence libraire : WRCLIT68340
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Gardner Leonard screenwriter and source
Set of Studio Lobby Cards for FAT CITY
Culver City: Columbia Pictures 1972. Eight pictorial lobby cards 11 x 14". Cards #s 1 and 2 show heavy creasing with #1 having a 1" closed tear from the middle top edge faint production crease to top edges of three others lower corner margin of #4 has a few dust spots otherwise a nice set unused. A complete set of the lobby cards promoting Gardner's superb adaptation to the screen of his own first novel. John Huston directed and Stacy Keach Jeff Bridges Candy Clark and Susan Tyrell starred. Tyrell was nominated for an Academy Award in the category of Best Supporting Actress for her performance as the barfly Oma. Columbia Pictures unknown books
Référence libraire : WRCLIT68340
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Garfein Jack director; Calder Willingham screenwriter novel; Ben Gazzara Pat Hingle Peter Mark Richman Arthur Storch starri
The Strange One End as a Man Original photograph from the 1957 film
Culver City CA: Columbia Pictures 1957. Vintage photograph of Carroll Baker Jack Garfein Paul Richards and Ben Gazzara on the set of the 1957 film. With mimeo snipe holograph annotations in pencil and a press agency stamp on the verso. Based on the 1947 novel and stage play by Calder Willingham "End As a Man" and with much of the same cast as the stage production. Set at a southern military college Jocko de Paris Ben Gazzara is a sadistic cadet leader well known to be violent and power-hungry. In a particularly malicious act of hazing he sets up the expulsion of the son of the school's headmaster and subsequently manipulates his social circle into silence until they can no longer take it. Shot on location in Florida. 10 x 8 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 144227
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Garnett Tay director; Horace McCoy story screenwriter; Mickey Rooney Pat O'Brien Beverly Tyler James Brown starring
The Fireball Original photograph from the 1950 film
Los Angeles: Twentieth Century-Fox 1950. Vintage black-and-white still photograph from the 1950 film. Distributor rubber-stamp and blindstamp on the verso. Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Mickey Rooney stars as the orphan and Marilyn Monroe has a small role as one of his romances. 8 x 10 inches. Light corner creases else Near Fine. Twentieth Century-Fox unknown
Référence libraire : 132169
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Garrett Oliver HP. screenwriter H. P.
Incident at Dunquerque Original screenplay for an unproduced film
Los Angeles: David O. Selznick Productions 1941. First Draft script for an unproduced film. A substantial Treatment script for an evidently unproduced film set during the 1940 battle and evacuation of Dunkirk. Also a novelist Garrett contributed to many of the great films of Hollywood's golden era including "The Story of Temple Drake" 1933 "Gone with the Wind" 1939 and "Duel in the Sun" 1946. Light blue titled wrappers noted as First Draft on the front wrapper dated April 15 1941 with credit for screenwriter Garrett. Distribution page present with receipt intact dated April 15 1941 noted as First Draft with credit for screenwriter Garrett. 43 leaves mimeograph duplication last leaf numbered page 42. Pages Near Fine wrapper Near Fine bound with two gold brads. David O. Selznick Productions unknown
Référence libraire : 135962
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Garrett Oliver HP. screenwriter H. P.
One Thing Worth While Original screenplay for an unproduced film
Los Angeles: Selznick International 1936. Draft script for an unproduced film called "One Thing Worth While" written for screen by Oliver H.P. Garrett whose film credits include "Ladies of the Mob" 1928 "The Texan" 1930 "City Streets" 1931 "A Farewell to Arms" 1932 "Gone With the Wind" 1939 and "Duel in the Sun" 1946. Brief notation in holograph pencil on one page. A story set in Manhattan about a neurosurgeon named Anton Laval and his romantic interest Judith; a theme unlike any film credited to Garrett that followed this script. Light blue titled wrappers dated April 22 1936 with a credit for screenwriter Garrett. Distribution page present with receipt removed. 130 leaves with last page of text numbered 129. Carbon typescript. Pages Near Fine wrapper Very Good plus bound with two gold brads. Selznick International unknown
Référence libraire : 129162
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Garrett Otis director; William Edward Haynes novel; Harold Buckley screenwriter; C. Henry Gordon Donald Woods Nan Grey starr
The Black Doll Post-production script for the 1938 film
Universal City CA: Universal Pictures 1937. Post-production Cutting and Continuity script for the 1938 film. A Universal Crime Club mystery second installment of the series after "The Westland Case" 1937 based on William Edward Haynes' 1936 novel of the same name. Misanthropic Nelson Rood Gordon is a businessman who double-crosses his partners to control the fortune of an ore-rich Mexican mine. One day he finds a mysterious Mexican black doll on his desk preceding a series of murders and the murders of suspects of those murders. The score is sprinkled with pieces of other scores including "Dracula's Daughter" 1936 "Werewolf of London" 1935 "The Raven" 1935 "Bride of Frankenstein" 1935 and "The Invisible Man" 1933 all previous Universal films. Crime Club films all based on Crime Club novels include: The Westland Case 1937 The Black Doll 1938 The Lady in the Morgue 1938 Danger on the Air 1938 The Last Express 1938 The Last Warning. 1938 Gambling Ship 1939 Mystery of the White Room 1939 Inside Information 1939 The Witness Vanishes 1939 White brad-bound self wrappers noting 7 reels mimeograph duplication. Toning else Near Fine. Weaver Universal Horrors. Universal Pictures unknown
Référence libraire : 130886
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Garry Marshall director; Michael Elias Rich Eustis screenwriter; Sean Young Michael McKean Gary Friedkin starring
Young Doctors in Love Two original photographs from the 1982 film
Los Angeles: Twentieth Century-Fox 1982. Two vintage black-and-white and sepia studio still photographs from the 1982 film. <br/><br/>Spoofy comedy in the vein of "Airplane" and "Naked Gun" this time taking aim at hospital soap operas. Garry Marshall would go on to direct "Pretty Woman" starring Julia Roberts and Richard Gere. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine with a red holograph notation to the verso. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
Référence libraire : 139730
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Garson Kanin director; Gordon Malherbe Hillman story; John Twist screenwriter; John Barrymore Peter Holden Virginia Weidler st
The Great Man Votes Original screenplay for the 1939 film presentation copy signed by cast and crew
Culver City CA: RKO Radio Pictures 1939. Bound presentation script for the 1939 film based on the 1933 short story by Gordon Malherbe Hillman originally published in "American Magazine." SIGNED by members of the cast and crew including stars John Barrymore Peter Holden Virginia Weidler and Donald McBride director Garson Kanin screenwriter John Twist and producers Cliff Reid and Pandro S. Berman. Presented to newspaper film critic Karl Krug with his name in gilt on the front board. <br/><br/>One of John Barrymore's final films where he plays a terminally ill man who has to cast the deciding vote in a town's mayoral election. <br/><br/>6.75 x 9 inches. Mimeograph duplication bound in flexible leather boards with gilt stamping. Very Good plus with a small dampstain to the front page edge. RKO Radio Pictures unknown books
Référence libraire : 138289
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Gartland Roger director; Lee Pressman screenwriter; Dudley Sutton Ania Sowinski Una Stubbs Victoria Wicks starring
Four scripts from the television show Delta Wave Four original screenplay for the 1995 television show
London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2." A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. "A Twist of Lemming: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Twist of Lemming: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Glitch in Time: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. "A Glitch in Time: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown
Référence libraire : 135826
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Gartland Roger director; Al Hunter Ashton Tim O'Mara screenwriter; Michelle Fairley Sarah Jane Potts Kevin Whately starring
The Broker's Man: Siege Original screenplay for the 1997 television episode
London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown
Référence libraire : 135849
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Gary David Goldberg creator; Kate Boutilier screenwriter; Meredith Baxter Michael Gross Michael J. Fox Justine Bateman starri
Family Ties: My Mother My Friend Elyse's New Friend Original screenplay for the 1986 episode
Beverly Hills CA: Leading Artists Inc 1986. Early Draft Spec script for the season 5 episode 12 "My Mother My Friend" of the popular NBC television sitcom which aired on December 18 1986 here under the working title "Elyse's New Friend." Leading Artists agency wrappers with cardstock note laid in on Leading Artists letterhead to "Webster" screenwriter Robbie Jayson from the assistant of Leading Artists partner Robb Rothman on behalf of screenwriter Kate Boutilier.<br/><br/>When Mallory brings her college friend Allison home to visit and she immediately bonds with Elyse Mallory grows jealous questioning her relationship with her mom. The series was nominated for 19 Emmy Awards over its 7 season run winning 5 including 3 Outstanding Lead Actor in a Comedy awards for Michael J. Fox in a star-making role. <br/><br/>Untitled Leading Artists wrappers. Title page present with credits for screenwriter Kate Boutilier. 43 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine wrapper with light rubbing else Near fine bound internally with three gold brads. Leading Artists Inc unknown books
Référence libraire : 152264
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Gary Grimes Jennifer O'Neill starring; Herman Raucher novel screenwriter; Dave Friedman still photographer
Summer of '42 Collection of 8 photographs from the 1971 film
Burbank CA: Warner Brothers 1971. Collection of 8 vintage black-and-white still photographs from the 1971 film. <br/><br/>Winner of the Academy Award for Best Original Score and nominated for three others including Best Screenplay Best Cinematography and Best Editing. <br/><br/>8 x 10 inches. Fine. <br/><br/>Complete collation details available on request. Warner Brothers unknown books
Référence libraire : 131642
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Gaspard Huit Pierre director; Jean Michel Clermontet screenwriter
Mission Dragon Blanc Original screenplay for an unproduced film
N.p.: N.p. 1960. Draft script for an unproduced film. With a single holograph annotation in ink to the front wrapper. Laid in with the script is a typed page crediting Pierre Gaspard-Huit as director. Text in French. An FBI agent infiltrates an international drug smuggling ring that operates primarily through a system of casinos. Set in Portugal. Grey titled wrappers. Title page present rubber-stamped France-Cinema-Productions with credits for screenwriter Jean-Michel Clermontet. 62 leaves with last page of text numbered 58. Mimeographed rectos only. Pages Very Good plus with faint foxing to the verso of the final leaf wrapper Very Good plus with perfect binding. N.p. unknown
Référence libraire : 146515
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Gavin Millar director; William Boyd screenwriter; Evelyn Waugh novel; Denholm Elliott Donald Pleasence Michael Hordern starrin
Scoop Original screenplay for the 1987 film
London: Independent Television 1986. 3rd Draft script for the television movie. Based on the 1938 novel by Evelyn Waugh which in turn was based on Waugh's own experiences working at the Daily Mail. Working copy with holograph annotations in blue red and black ink and pink highlighter throughout as well as handmade tape tabs marking the scenes. Laid in are a number of original and photocopied newspaper articles dealing with the production six pages of background information on their Moroccan shooting location and four pages of call sheets from Morocco. <br/><br/>A tale of sensationalist foreign correspondents covering a war in Ishmaelia desperately looking for news of a story to send home and the unlikely man who finds the real scoop. Shot on location in Morocco and the United Kingdom. <br/><br/>White self titled wrappers noted as 3rd Draft on the front wrapper production No. 10556 dated June 1986 with credits for screenwriter Boyd novelist Waugh director Millar and eight other crew members including producer Sue Birtwistle. Title page integral with the front wrapper. 127 leaves with last page of text numbered 126. Mechanical duplication with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. Independent Television unknown books
Référence libraire : 135813
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Gay John playwright; Jack Richardson screenwriter; Elliot Silverstein story
Living on the Edge Original screenplay for an unproduced film
Los Angeles: Underworld Productions 1980. Draft script for an unproduced film. Based on John Gay's 1728 play "The Beggar's Opera" source for many similar adaptations including "The Threepenny Opera." The odds are constantly stacked against Mickey Moore an honest gambler who is about to be killed for owing a powerful man too much money. He falls for a female acrobat and daughter of the owner of the local chapel who dislikes Moore. After a failed robbery of a Sheik Moore is thrown in jail but love and salvation come to him as he is about to hang in a ghost town outside Vegas where he let ten dollars ride on the black on a roulette wheel and he ends up winning the casino. Set in Las Vegas. Red titled wrappers. Title page present dated 1980 with credits for screenwriter Jack Richardson playwright John Gay and author Elliot Silverstein. 133 leaves with last page of text numbered 130. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two silver brads. Underworld Productions unknown
Référence libraire : 140722
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Gayton Joe director; Jonathan Craven screenwriter producer; Wes Craven producer; Phil Mittleman screenwriter; Lance Henriksen
Mind Ripper Wes Craven Presents: The Outpost Original screenplay for the 1995 film round robin copy signed Lance Heriksen director Joe Gayton and many others
Beverly Hills CA: Outpost Productions / Multicom Entertainment 1994. Revised Shooting script for the 1995 film "Mind Ripper" seen here under the title "Wes Craven Presents: The Outpost." Round robin copy SIGNED on the front wrapper by director Joe Gayton producers Jonathan Craven and Peter Shepherd cast members Lance Henriksen Adam Solomon Natasha Gregson Wagner Giovanni Ribisi and Dan Blom editor Harry Hitner production designer Jeremy Levine stunt coordinator Anthony Cecere makeup artists James Barr and Paul Jones and more. A science lab in a remote desert location attempts to create a superhuman by reanimating a corpse but the end result is an uncontrollably violent monster zombie. Although marketed as a sequel to "The Hills Have Eyes" and "The Hills Have Eyes II" the only true link between the three films is Wes Craven's name. Shot on location in Bulgaria and Canada. Tall white titled self wrappers lacking rear wrapper presumably as issued noted as REVISED SHOOTING DRAFT BLUE on the front wrapper dated July 20 1994 with credits for screenwriters Phil Mittleman and Jonathan Craven. Title page integral with the front wrapper. 97 leaves with last page of text numbered 96. Xerographically reproduced. About Fine condition loose leaves. Outpost Productions / Multicom Entertainment unknown
Référence libraire : 143834
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GE. Moore screenwriter G. E.
A Holiday in France Original treatment script for an unproduced film
N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript with type in black and red. <br/><br/>A family visits France and deals with all sorts of upper class conveniences and distractions including eating dinner and being invited for tea. Text partially in French language. <br/><br/>Set in France. <br/><br/>Unbound leaves. Title page integral with first page of text. 33 leaves with last leaf of text numbered 31. Ribbon copy typescript. Very Good with some faint evidence of dampstaining at the bottom edge of pages. N.p. unknown books
Référence libraire : 142375
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GE. Moore screenwriter G. E.
Goodbye to Mrs. Bligh Original screenplay for an unproduced film
N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript with type in black and red. <br/><br/>A sixteen year old living in her sick aunt's boarding house receives a proposition from a local wealthy individual for marriage which she would only do to pull herself out of her situation but she cannot abandon her sick aunt who needs her help. <br/><br/>Set in Australia. <br/><br/>Unbound leaves Title page integral with first page of text. 21 leaves with last page of text numbered 20. Ribbon copy typescript. Very Good plus overall. N.p. unknown books
Référence libraire : 142374
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GE. Moore screenwriter G. E.
Mr. Pybus Archive of original screenplays for an unproduced film
N.p.: N.p. 1950. Archive of various ribbon copy typescript draft script revisions in both red and black ribbon type for an unproduced film. With annotations throughout in holograph ink. <br/><br/>A mystery begins to unfold as Tom Fielding finds an acquaintance of his in a highly distressed position. When he returns to his home he finds his wife has been brutally murdered and that he is the prime suspect. <br/><br/>Set in London and Liverpool. <br/><br/>Script #1:<br/><br/>Blue titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 37 leaves with last page of text numbered 6. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a string binding. <br/><br/>Script #2:<br/><br/>Blue untitled wrappers. Title page present noted as First Copy with credits for screenwriter Moore. 266 leaves with last page of text numbered 11. Ribbon copy typescript in black and red. Pages Very Good plus wrapper Very Good plus unbound. N.p. unknown books
Référence libraire : 142350
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GE. Moore screenwriter G. E.
Portrait of Catherine Archive of three original screenplays for an unproduced film
N.p.: N.p. 1950. Archive of Draft scripts for an unproduced film the first draft being a ribbon copy typescript. <br/><br/>A man experiences constant ennui in high society life and soon falls for a married woman whom he meets at a salon in her husband's house. They begin an affair amongst affluent society and start traveling secretly around Europe. <br/><br/>Set in Paris. <br/><br/>Screenplay #1:<br/><br/>Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 25 leaves with last page of text numbered 21. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound with a string binding. <br/><br/>Screenplay #2:<br/><br/>Blue titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 62 leaves with last page of text numbered 55. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus with dampstaining bound with three staples. <br/><br/>Screenplay #3:<br/><br/>Title page present with credits for screenwriter Moore. 237 leaves with last page of text numbered 32. Mixed ribbon copy typescript and carbon typescript. Pages Very Good plus wrapper Very Good plus housed in a green spring binding. N.p. unknown books
Référence libraire : 142370
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GE. Moore screenwriter G. E.
The Dunnegan Dilemma Original treatment script for an unproduced film
N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. <br/><br/>An Irish comedy involving a small village which finds itself on the border between the Republic of Ireland and Northern Ireland i.e. the British Empire. A man and a woman on opposite sides of the border fall in love. <br/><br/>Set in Ireland. <br/><br/>Green titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 33 leaves with last leaf of text numbered 27. Ribbon copy typescript with type in black and red. Pages Near Fine wrapper Near fine bound with string binding. N.p. unknown books
Référence libraire : 142338
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GE. Moore screenwriter G. E.
The League of Free Men Original screenplay for an unproduced film
N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. <br/><br/>A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. <br/><br/>Set in London. <br/><br/>Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown books
Référence libraire : 142329
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GE. Moore screenwriter G. E.
The Strange Case of Miss Chant Original treatment script for an unproduced film
N.p.: N.p. 1950. Original treatment script for an unproduced film. Ribbon copy typescript. <br/><br/>In a nonspecific Communist-occupied country in Central Europe during the Cold War a group of military police arrest a woman they believe to be a spy. She maintains her innocence yet still she has an interesting alibi married an artist three days before and finding him dead and speaks English with a Magyar accent despite an "English" upbringing. <br/><br/>Set in Central Europe. <br/><br/>Brown wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 48 leaves with last leaf of text numbered 45. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound with a string binding. N.p. unknown books
Référence libraire : 142348
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