‎Scénariste‎

‎Clive and Richard Talmadge Donner directors; Vincent Rossell still photographer; Woody Allen screenwriter starring; Peter Selle‎

‎What's New Pussycat Original photograph from the 1965 film‎

‎Beverly Hills CA: United Artists 1965. Vintage black-and-white press photograph from the 1965 French-American film. Editorial annotations and Wide World Photo rubber stamp on the verso with a Spanish rubber stamp "paso por fotograbado." Shown are Ursula Andress and Katrin Schaake on-the-set conferring between scenes while standing on a bed. <br/><br/>Woody Allen's film debut as actor and screenwriter. Michael O'Toole is a womanizer soon to be married to Carole Schneider but Liz Paula Prentiss and Rita Andress get in the way. His psychoanalyst Dr. Fritz Sellers is no help and Carole flirts with Victor Allen a nervous wreck. Somehow they all end up in the same hotel in the French countryside and they mayhem ensues. <br/><br/>Shot on location in France. <br/><br/>6.5 x 9 inches. Very Good plus light creases heavy soil and sticker pull to the verso. United Artists unknown books‎

书商的参考编号 : 139246

‎Clive Donner director; Douglas Webb still photographer; John Eldridge screenwriter; Kenneth More Ray Brooks Annika Wills Davi‎

‎Some People Original British front-of-house card from the 1962 film‎

‎London: Anglo-Amalgamated Film Distributors 1962. Vintage full-color still British front-of-house card from the 1962 UK film. <br/><br/>Four teenagers are persuaded to form a rock band to keep them out of trouble. <br/><br/>8 x 10 inches. Light corner creases and a single stain to the top edge else Near Fine. Anglo-Amalgamated Film Distributors unknown books‎

书商的参考编号 : 132353

‎Clive Donner director; Elliot Baker screenwriter; Murray Schisgal play; Jack Lemmon Peter Falk Elaine May starring‎

‎Luv Original screenplay for the 1967 film‎

‎Culver City CA: Columbia Pictures 1966. First Estimating script for the 1967 film. Based on the 1965 play by Murray Schisgal. <br/><br/>Three friends play a game of musical chairs with their relationships in this quirky comedy based on the hit play by Murray Schisgal. Harry Berlin Jack Lemmon is a deeply depressed man who is convinced his life is going nowhere-so much so that he has decided to kill himself by jumping off a bridge. Just before he makes his big leap Harry is interrupted by Milt Manville Peter Falk an old friend in high school who has struck it rich as a combination stock broker and salvage dealer. Milt is not-very-happily married to wildly neurotic Ellen Elaine May and is having an affair on the side with Linda Nina Wayne a buxom gym teacher. Score by jazz saxophone legend Gerry Mulligan. <br/><br/>Pale blue titled wrappers noted as First Estimating Draft on the front wrapper dated May 27 1966. Title page present dated May 25 1966 noted as FIRST ESTIMATING DRAFT with credits for screenwriter Baker and playright Schisgal. 136 leaves eye rest green stock mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown books‎

书商的参考编号 : 130449

‎Clive Donner director; Stanley Ellin story; Frederic Raphael screenwriter; Alan Bates Denholm Elliott Harry Andrews Millicent‎

‎Nothing But the Best Collection of 8 front-of-house cards from the 1964 film‎

‎London: Warner-Pathe 1964. Collection of 8 vintage full-color front-of-house cards from the 1964 UK film. <br/><br/>Base on a short story by Stanley Ellin about an eager young man with a crush on the boss' daughter who gets involved with a bank heist and a murder. <br/><br/>8 x 10 inches. A few with faint corner creases else Near Fine. Warner-Pathe unknown books‎

书商的参考编号 : 132433

‎Clive Donner screenwriter; Donald MacKenzie novel‎

‎Sleep is for the Rich Original screenplay for an unproduced film‎

‎N.p.: N.p. 1970. First draft screenplay for an unproduced film from British director Clive Donner circa early 1970s. Ribbon copy typescript on onionskin with two small annotations one on page 16 of the word "ice" written into the dialogue in holograph marker and the page number "100" underlined in holograph ink at the top margin of that page.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Based on the 1971 novel by Donald MacKenzie the third entry in his Henry Chalice Mystery series preceded by "Salute from a Dead Man" 1966 and "Death is a Friend" 1967. <br/><br/>Jewel thief Paul Henderson has had a run of bad luck when he is offered a job on a big heist from a career criminal he's worked with before but when he arrives in Switzerland for the crime he faces a double cross and a kidnapping.<br/><br/>Blue untitled wrappers with die-cut title window in the British style. Title page present noted as FIRST DRAFT with credits for screenwriter Clive Donner and novelist Donald Mackenzie misspelled. 143 leaves with last page of text numbered 142. Ribbon copy typescript on onionskin rectos only. Tall Pages 8.5 x 11.75 inches with standard size wrappers 8.5 x 11 inches. Pages Very Good plus title page trimed about 1 1/4" from bottom wrapper Very Good plus two closed tears at top of die-cut window bound internally with two flat metal brads. N.p. unknown books‎

书商的参考编号 : 147269

‎Clouzot H. G. director screenwriter; Pierre Boileau and Thomas Narcejac novel; Jerome Geronimi Rene Masson Frederic Grendel‎

‎Les diaboliques Diabolique Original French program for the 1955 film‎

‎Paris: Filmsonor 1955. Original French program for the classic 1955 French film noir. This program produced by the film's distributor Cinedis. With a stunning illustrated and textured front wrapper making dazzling use of a two-color process in green-gray. Laid in are credits leaves featuring biographies on Henri-Georges Clouzot Vera Clouzot Simone Signoret and Paul Meurisse. French text. Based on the 1952 novel by Pierre Boileau and Thomas Narcejac. Program 9.5 x 12 inches folded once as issued credits leaves 8.25 x 10.5 inches corner-stitched mimeograph on both sides. Small clip from the lower corner of the front flap. Very Good Plus overall. Buss French Film Noir. Criterion Collection 35. Grant US. Selby Masterwork US. Spicer US. Filmsonor unknown‎

书商的参考编号 : 141960

‎COCTEAU Jean‎

‎La machine infernale.‎

‎in 12 broché,pièce en quatre actes,quinze illustrations hors texte de Jean COCTEAU en fin de volume,grasset éditeur 1934. Edition originale sur alfa.Proche de l'état de neuf.‎

书商的参考编号 : 129

‎Cockrell Marian screenwriter‎

‎So In Love Original screenplay for an unproduced film‎

‎Los Angeles: David O. Selznick Productions 1946. Draft script for an unproduced film a romantic comedy set in the small town of Kenwood Missouri. Blue titled wrappers rubber-stamped copy No. 43 dated December 14 1946 with credit for screenwriter Cockrell. Distribution page present with receipt intact. Title page present dated December 14 1946 with credit for Cockrell. 184 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with three black brads. David O. Selznick Productions unknown‎

书商的参考编号 : 129340

‎Cockrell Marian screenwriter‎

‎SO IN LOVE STORY AND TREATMENT BY .‎

‎Culver City: Vanguard Pictures 1946. 2A-C213 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript wrappers with studio checkout leaf. Script number stamped on upper wrappers upper wrapper detached and creased else very good. A "second draft" treatment and story for this unproduced film project. Cockrell had gotten her footing as a screenwriter with the 1944 André de Toth noir thriller DARK WATERS based on a story she co-wrote with her husband Frank Cockrell and for its novelization. Unfortunately Marian Cockrell wrote no other films that reached production but was active as a television writer Perry Mason Alfred Hitchcock Presents Batman Suspicion for another quarter century. Vanguard Pictures unknown‎

书商的参考编号 : WRCLIT67434

‎Cockrell Marian screenwriter‎

‎What Every Young Bride Should Know Original screenplay for an unproduced film‎

‎Los Angeles: Vanguard Films 1947. First Draft script for an unproduced film. Screenwriter Cockrell is best known for the seminal film noir "Dark Waters" 1944 directed by Andre De Toth and went on to write for television between 1956-1966 including original stories for "Perry Mason" "Johnny Staccato" "Alfred Hitchcock Presents" and "Batman." Peach titled wrappers noted as First Draft script on the front wrapper rubber-stamped copy number present dated March 13 1947 with credit for screenwriter Cockrell. Distribution page present integral with title page with receipt intact number stamp date and screenwriter credit again present. 152 leaves mimeograph duplication and last page number is 150. Pages Near Fine wrapper Near Fine internally bound with three rusted gold brads. Vanguard Films unknown‎

书商的参考编号 : 143476

‎Cockrell Marian screenwriter‎

‎SO IN LOVE STORY AND TREATMENT BY .‎

‎Culver City: Vanguard Pictures 1946. 2A-C213 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript wrappers with studio checkout leaf. Script number stamped on upper wrappes a bit of use at brads else near fine. A "second draft" treatment and story for this unproduced film project. Cockrell had gotten her footing as a screenwriter with the 1944 André de Toth noir thriller DARK WATERS based on a story she co-wrote with her husband Frank Cockrell and for its novelization. Unfortunately Marian Cockrell wrote no other films that reached production but was active as a television writer Perry Mason Alfred Hitchcock Presents Batman Suspicion for another quarter century. Vanguard Pictures unknown books‎

书商的参考编号 : WRCLIT67433

‎Cockrell Marian screenwriter‎

‎WHAT EVERY YOUNG BRIDE SHOULD KNOW ORIGINAL SCREENPLAY BY .‎

‎Culver City: Vanguard Pictures 1947. Two volumes. 2150; 2131 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript wrappers with studio checkout leaf. Script number stamped on upper wrappers a bit of use at brads else near fine. Both a "second draft" script and a "final shooting" script for this unproduced film. Cockrell had gotten her footing as a screenwriter with the 1944 André de Toth noir thriller DARK WATERS based on a story she co-wrote with her husband Frank Cockrell and for its novelization. That this project got as far as a final shooting script is evidence of Selznick's confidence in its merit. Unfortunately Marian Cockrell wrote no other films that reached production but was active as a television writer Perry Mason Alfred Hitchcock Presents Batman Suspicion for another quarter century. Vanguard Pictures unknown books‎

书商的参考编号 : WRCLIT67428

‎Cohen Howard R. director screenwriter; Vince Edwards David Mendenhall Patsy Pease Thom Christopher starring‎

‎Space Raiders Original screenplay for the 1983 film crew member's copy‎

‎Los Angeles: Millenium / New World Pictures 1982. Final Draft script for the 1983 film. Copy belonging to an uncredited member of the Property department with annotations in holograph ink throughout with laid-in call sheet and shooting location sheet. A low-budget sci-fi adventure produced by Roger Corman. Hawk Edwards is a former space soldier turned pirate who leads his crew to steal a freighter and in the process accidentally kidnaps a young boy. Released during the space opera heyday in the wake of "Star Wars" and generally panned by critics for its reuse of special effects footage from Corman's 1980 film "Battle Beyond the Stars." Shot on location in California. Red wrappers. Title page present dated Dec. 13 1982 noted as FINAL DRAFT with a credit for screenwriter/director Cohen. 108 leaves with last page of text numbered 107 with two laid-in interoffice sheets. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Complete collation details available upon request. Millenium / New World Pictures unknown‎

书商的参考编号 : 136428

‎Cohen Larry director screenwriter; Michael Moriarty Candy Clark and David Carradine starring‎

‎Q Collection of 2 original photographs from the 1982 film‎

‎N.p.: Arkoff International 1982. Collection of 2 vintage black-and-white studio still photographs from the American release of the 1982 film. A charming low budget monster film complete with a stop-motion animated dragon. Written directed and produced by Larry Cohen whose film "It's Alive!" achieved cult status. Photographs featuring actress Candy Clark and Michael Moriarty who played Joan and Jimmy Quinn. Set in Manhattan New York shot on location in Manhattan. 10 x 8 inches. Near Fine. Complete collation details available on request. Arkoff International unknown‎

书商的参考编号 : 139425

‎Cohen Martin B. director screenwriter; Michael Kars Abe Polsky screenwriters; Cameron Mitchell Bruce Dern Jack Nicholson st‎

‎Rebel Rousers Original photograph from the 1970 film‎

‎N.p.: Paragon International Pictures 1970. Vintage studio still photograph from the 1970 film. One of several off-beat biker film staring the young Jack Nicholson. A gang of outlaws hold a motorcycle race to see who will "win" a young pregnant woman they previously kidnapped. Shot on location in Arizona and California. 8 x 10 inches. Near Fine with a sticker to the verso denoting the previous owner's number and address. Complete collation details available on request. Paragon International Pictures unknown‎

书商的参考编号 : 140426

‎COLLECTIF - Edited by Claire Johnston and Paul Willemen‎

‎Frank Tashlin‎

‎1973 Screen, The Journal of Society for Education in Film and Television / Edinburgh Film Festival - 1973 - In-12, broché format carré, couverture illustrée - 151 pages - Illustrations et reproductions photographiques en N&B in et hors texte‎

‎Assez bon état - Frottements sur la couverture - Pages 137 à 151 détachées (volantes) - Plis de lecture au dos - Quelques rares annotations au stylo dans les marges‎

书商的参考编号 : 117917

‎Colbert Claudette Fred MacMurray starring; Homer Croy novel; Dane Lussier screenwriter; Claude Binyon director‎

‎Family Honeymoon Original screenplay producer John Beck's copy with stills mounted throughout‎

‎Universal City CA: Universal Pictures 1949. Revised Final Script for the 1949 film "Family Honeymoon" directed by Claude Binyon based on the 1948 novel by Homer Croy written for the screen by Dane Lussier and starring Claudette Colbert and Fred Macmurray. Producer John Beck's copy bound in green leatherette with the film title and his name stamped in gilt on the front board. This an original copy of the revised shooting script with 28 black-and-white silver gelatin still photographs from the film mounted in sequence throughout. Also included is a bookkeeping summary of the film's cost a record of the amount of film shot including dates when production began and ended and a cast and credits list. The last of seven films to pair Colbert and Macmurray one of the greatest film comedy teams of the 1930s-40s about a bachelor who marries a widow followed by a honeymoon that involves all three of her children. Green padded cowhide stamped in gilt on the front board and the spine. Title page present with a credit for screenwriter Lussier. 138 leaves mimeograph with blue and pink revision pages throughout dated variously between 5/28/48 and 7/27/48. Pages and binding Near Fine with a couple of removal-related bruises to the patterned front endpapers. Universal Pictures unknown‎

书商的参考编号 : 119026

‎Cole Lester screenwriter‎

‎Archive of Typescripts for: JACKHAMMER released as TOO TOUGH TO KILL‎

‎Los Angeles: The Author 1935. Six volumes. Quarto. Chiefly carbon typescript but also original typescript the latter with extensive manuscript revisions and notations. Each unit bradbound or stapled into typescript wrappers. Some use wrappers a bit frayed at edges and chipped at spines last wrapper separated at spine but typescripts in generally very good order consistent with use. A fine contiguous sequence of scripts tracing the development of this film from its earliest stages through the final working draft of Cole's screenplay and the intercession of another writer. The 1935 film directed by D. Ross Lederman was released under the title TOO TOUGH TO KILL and starred Victor Jory Sally O'Neill Ward Bond et al. The film as conceived by Cole is a depiction of an investigation into labor strife at a tunnel and aqueduct construction site near Morongo California. The film as finally released was co-credited to Cole and Jay Griffin based on a story by Robert Speers. However with the exception of the last item the material in this archive is credited throughout solely to Lester Cole and includes the following: a Treatment 122 leaves carbon typescript; b First Draft Screenplay 22 July 191 leaves carbon typescript with scattered revisions and annotations in pencil; c Second Draft Screenplay 30 July 110 leaves carbon typescript with scattered pencil queries comments and alterations; d Third Draft Screenplay 2 August 1104 leaves carbon typescript; e Fourth Draft Screenplay 5 August 1104 leaves carbon typescript; and f Fourth Draft Screenplay altered in manuscript to read "Final Working Copy" 5 August ca. 104 leaves plus lettered inserts and other variations largely original typescript but some carbon very heavily revised throughout in pencil in at least two hands. The first four items are designated in manuscript with the name of Ben Pivar the production supervisor of record for the film. The last bears the ownership signature of J. Griffin Jay and would obviously appear to be the copy of Cole's draft Jay utilized for the start if not the bulk of the revisions and rewrites that earned him co-credit. Cole was one of the cofounders of the Screen Writers Guild and in 1934 joined the CPA. Like his other colleagues known as the "Hollywood Ten" Cole refused to cooperate with the HUAC in 1947 was sentenced to a year in prison and a fine and was placed on the Blacklist. He continued to work sporadically under pennames and his last major film BORN FREE was so credited. Jay had his own substantial list of screenwriting credits chiefly in the genres of adventure science fiction and horror films. A fine coherent and contiguous archive the sort seldom preserved intact over the passage of more than 75 years. The Author] unknown books‎

书商的参考编号 : WRCLIT62273

‎Colla Richard A. director; Ed McBain novel; Evan Hunter screenwriter; Burt Reynolds Jack Weston Tom Skerritt Yul Brynner sta‎

‎Fuzz Post-production script for the 1972 film‎

‎Beverly Hills CA: United Artists 1972. Post-production Combined Continuity script for the 1972 film. Based on the 1968 novel of the same name and part of the 87th Precinct stories series this mystery involves detectives investigating a murder-extorition racket ran by a deaf man. While preventing several attacks on high-ranking city officials they are also faced with a string of arsons perpetuated against some homeless men. Set in Boston and shot on location there. Orange clip-bound titled wrappers dated May 15 1972 noting 10 reels and footage of 8384 feet. Mechanical duplication. Near Fine. United Artists unknown‎

书商的参考编号 : 130710

‎Collins Lewis D. director; Joseph F. Poland screenwriter; Whip Wilson Fuzzy Knight and Phyllis Coates starring‎

‎Stage to Blue River Original photograph from the 1951 film‎

‎N.p.: Silvermine Productions 1951. Vintage studio still photograph from the US release of the 1951 film. An undercover marshal investigates a series of robberies the aim of which is to keep a stage-line from securing a mail contract. Shot on location in Los Angeles CA. 10 x 8 inches. Near Fine with light toning to the bottom right margin. Complete collation details available on request. Silvermine Productions unknown‎

书商的参考编号 : 139607

‎Collins Robert director screenwriter; William Sullivan William Brown book; Treat Williams Joe Regalbuto starring‎

‎J. Edgar Hoover Hoover Original screenplay for the 1987 film‎

‎Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987. A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI." Set in Washington D.C. Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown‎

书商的参考编号 : 146118

‎Collins Wilkie: Buffington Adele screenwriter‎

‎Original Studio Pressbook and Three Stills for THE MOONSTONE‎

‎New York & Los Angeles: Monogram Pictures 1934. 8pp. Pictorial self wrappers. Vintage folio pressbook 31 x 46.5 cm. Illustrated. Pressbook has horizontal fold else near fine. One still has a diagonal crease another has tack holes and mends to margins with small chip at blank corner the third has ownership stamps and captions on verso. A visually beautiful pressbook promoting the first sound adaptation of Collins's novel to the screen based on a screenplay by Adele Buffngton directed by Reginald Barker and starring David Manners Phyllis Barry Gustav von Seyffertitz at al. The outer bifolium treats the superbly atmospheric publicity paper for the film and the special photoplay edition of the novel while the insert bifolium includes the promotional copy and advert halftones. The stills are obviously less than stunning but included as reference. Monogram Pictures unknown‎

书商的参考编号 : WRCLIT68406

‎Collins Wilkie: Buffington Adele screenwriter‎

‎Original Studio Pressbook and Three Stills for THE MOONSTONE‎

‎New York & Los Angeles: Monogram Pictures 1934. 8pp. Pictorial self wrappers. Vintage folio pressbook 31 x 46.5 cm. Illustrated. Pressbook has horizontal fold else near fine. One still has a diagonal crease another has tack holes and mends to margins with small chip at blank corner the third has ownership stamps and captions on verso. A visually beautiful pressbook promoting the first sound adaptation of Collins's novel to the screen based on a screenplay by Adele Buffngton directed by Reginald Barker and starring David Manners Phyllis Barry Gustav von Seyffertitz at al. The outer bifolium treats the superbly atmospheric publicity paper for the film and the special photoplay edition of the novel while the insert bifolium includes the promotional copy and advert halftones. The stills are obviously less than stunning but included as reference. Monogram Pictures unknown books‎

书商的参考编号 : WRCLIT68406

‎Collinson Peter director; Troy Kennedy Martin screenwriter; Michael Caine Noel Coward Benny Hill Raf Vallone Tony Beckley‎

‎The Italian Job Collection of six original photographs from the 1969 film‎

‎Los Angeles: Paramount Pictures 1969. Collection of six vintage oversize borderless photographs from the 1969 British film. With holograph annotations and an agency stamp on the verso of each. One of the best heist films of the twentieth century: funny complex and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film with as fine an ending as one could ask for. 13 x 9 inches. Near Fine. Lee The Heist Film. Paramount Pictures unknown‎

书商的参考编号 : 144541

‎Comfort Lance director producer; Lyn Fairhurst screenwriter; David Hemmings David Healy Jerry Lee Lewis starring‎

‎Be My Guest Be My Guest Original screenplay for the 1965 film‎

‎London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive holograph emendations to dialogue throughout. A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in holograph pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown‎

书商的参考编号 : 131832