‎Scénariste‎

‎King Vidor (director); Silvia Richards (screenwriter), Charlton Heston, Jennifer Jones, Karl Malden, Tom Tully (starring)‎

‎Ruby Gentry Vintage keybook still from the 1952 film‎

‎Los Angeles: Twentieth Century-Fox 1952. Vintage black-and-white linen-backed keybook still photograph from the 1952 film. Ownership rubber stamp Christopher C. Geest on the verso. Two hole punches at the top margin as issued. Pictured is Jennifer Jones cold-cocking Charlton Heston at the beach. <br /> <br /> Jennifer Jones offers a virtual reprise of her sultry performance in "Duel in the Sun" as the titular heroine of this film. Born into a poor-white-trash Southern family Ruby intends to improve her lot by marrying into wealth. Her casual beau Boake Tackman Heston considers Ruby unfit for marriage but prosperous businessman Jim Gentry Malden is eager and willing to make her his wife. Jim Gentry dies in an accident and the consensus of opinion is that he was killed by the covetous Ruby. For some reason this ignites a passion in Boake and he renews his torrid romance with the widow Gentry. Ruby's crazed brother Jewel James Anderson puts an end to this affair with a shotgun provoking a violent response from Ruby and a "Lady or the Tiger"-esque ending. <br /> <br /> Shot on location throughout California. <br /> <br /> 8 x 10.75 inches. Near Fine. Twentieth Century-Fox unknown‎

書籍販売業者の参照番号 : 135628

‎King Vidor (director); Joseph Farnham (screenwriter); James Murray, Eleanor Boardman, Bert Roach (starring)‎

‎The Crowd Original photograph from the 1928 silent film‎

‎Los Angeles: Metro-Goldwyn-Mayer MGM 1928. Vintage reference photograph from the 1928 silent film showing the infamous "office set" with dozens of identical desks in a largely windowless room. Provenance label mimeo snipe and annotations in manuscript ink on the verso. <br /> <br /> A bleak populist film heavily influenced by German cinema and nominated for several awards at the very first Academy Awards ceremony including Best Director for King Vidor.<br /> <br /> Shot on location throughout New York and in Los Angeles. <br /> <br /> 10 x 7.25 inches. Very Good moderately edgeworn with old cello tape at the corners and center bottom edge. <br /> <br /> National Film Registry. Godard Histoires du cinema. Rosenbaum 1000. Schrader 44. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown‎

書籍販売業者の参照番号 : 167295

‎Kinji Fukasaku (director); Koji Takada (screenwriter); Bunta Sugawara, Akira Kobayashi, Kinya Kitaoji, Joe Shishido (starring)‎

‎Battles without Honor and Humanity Original screenplay for the 1974 film‎

‎Tokyo: Toei 1974. Draft script for the 1974 Japanese film. Text and titles in Japanese. <br /> <br /> Based on a series of magazine articles written by journalist Koichi Iiboshi which were in turn based on memoirs written by yakuza crime boss Kozo Mino. The fifth and final film in director Kinji Fukasaku's yakuza pentalogy following feuding gangs in post-war Hiroshima. <br /> <br /> Recently the subject of a complete restoration helmed and issued by Arrow Films in England.<br /> <br /> Tan titled perfect-bound wrappers. 67 leaves with last page of text numbered D27. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with light dampstains to the extremities.<br /> <br /> Arrow 2164. Toei unknown‎

書籍販売業者の参照番号 : 148727

‎Klaus Maria Brandauer (director, starring); Stephen Sheppard (screenwriter, novel); Rebecca Miller, Brian Dennehy, Nigel Le Vail‎

‎Seven Minutes The Artisan Original screenplay for the 1989 film‎

‎Venice CA: Moritz Borman Productions / Mutoskop Film 1985. Draft script for the 1989 film here under its working title "The Artisan." Text in English.<br /> <br /> Based on Stephen Sheppard's 1986 novel "The Artisan" which was in turn based on the true story of Johann Georg Elser a quiet German carpenter who attempted to assassinate Adolf Hitler in 1939.<br /> <br /> Set and shot on location in Hungary Germany and Austria. <br /> <br /> Brown generic International Creative Management wrappers. Title page present dated June 1985 with credits for screenwriter Stephen Sheppard. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with a light tide mark on the front and rear wrappers and page edges and accompanying dampstaining to the final leaf bound with two gold brads. Moritz Borman Productions / Mutoskop Film unknown‎

書籍販売業者の参照番号 : 147014

‎Koji Wakamatsu (director), Eiichi Uchida (screenwriter); Yuya Uchida, Mie, Reiko Nakamura (starring)‎

‎A Pool Without Water Original poster for the 1982 Japanese film‎

‎Tokyo: Wakamatsu Production 1982. Original Japanese B2 poster for the 1982 Japanese film. Text in Japanese.<br /> <br /> A married railway ticket puncher starts sedating women with chloroform in order to invade their houses. His cruelty escalates and he grows bolder in his desires. A late release by controversial pink film director and producer Kôji Wakamatsu.<br /> <br /> 20.5 x 28.75 inches Folded as issued. Very Good with light edgewear and creasing along the folds. Wakamatsu Production unknown‎

書籍販売業者の参照番号 : 160814

‎Koji Wakamatsu (director); Masao Adachi (screenwriter); Rika Mizuki, Mari Mukai, Hideo Saeki, Hidekatsu Shibata (starring)‎

‎The Love Robots Original pressbook for the 1966 film‎

‎Dallas: Orbit Films 1966. Vintage pressbook for the US release of the 1966 Japanese film. <br /> <br /> In a futuristic world young girls are abducted and transformed into Love Robots living sex dolls available for sale. Pink film auteur Koji Wakamatsu was one of the most successful Japanese filmmakers of the 1960s directing a number of notable erotic and softcore adult films including "Go Go Second Time Virgin" 1969 and "Ecstasy of the Angels" 1972 as well as producing Nagisa Oshima's controversial film "In the Realm of the Senses" 1976. <br /> <br /> Six pages bifold with one laid-in leaf. 11 x 17 inches. Near Fine. Orbit Films unknown‎

書籍販売業者の参照番号 : 154899

‎Kon Ichikawa (director); Natto Wada (screenwriter); So Yamamura, Tatsuya Mihashi, Tanie Kitabayashi, Mie Kitahara, Koreya Senda‎

‎Ghost Story of Youth Seishun kaidan Original photograph of Kon Ichigawa on the set of the 1955 Japanese film‎

‎N.p.: N.p. 1955. Vintage reference photograph of director Kon Ichigawa on the set of the 1955 film. Annotations in manuscript pencil on the verso relating to cropping as well as a provenance label. <br /> <br /> 5 x 6.5 inches. Near Fine. N.p. unknown‎

書籍販売業者の参照番号 : 159872

‎Kon Ichikawa (director, screenwriter); Jun'ichir Tanizaki (novel); Keiji Hasebe, Natto Wada (screenwriter); Machiko Ky , Nakamur‎

‎Odd Obsession Kagi Three original photographs from the 1959 Japanese film‎

‎N.p.: N.p. 1959. Three vintage borderless reference photographs from the 1959 Japanese film. One photograph with a stamp noting the film's French title "L'Etrange obsession" on the verso and all three photographs with manuscript ink annotations on the verso. <br /> <br /> Based on Jun'ichir Tanizaki's 1956 novel "The Key" about an aging voyeuristic antique collector who manipulates his wife into having an affair with his daughter's fiancé as a means of curing his impotence. Nominated for the Palme d'Or. <br /> <br /> Photos 6 x 4.5 inches. Very Good plus. N.p. unknown‎

書籍販売業者の参照番号 : 155776

‎Kon Ichikawa (director, screenwriter); Junichiro Tanizaki (novel); Keiji Hasebe, Natto Wada (screenwriters); Machiko Kyo, Ganjji‎

‎Odd Obsession The Key Kagi Collection of 6 original photographs from the 1959 film‎

‎Kanagawa Japan: Daiei Studios 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key."<br /> <br /> An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces his daughter's boyfriend a handsome doctor to his younger wife. The jealousy and voyeurism that follow invigorates his dying spirit but the chaos he has introduced eventually takes a horrific toll. Winner of the 1960 Jury Prize at the Cannes Film Festival. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Weisser and Weisser Japanese Cinema Encyclopedia: The Sex Films pp. 219-220. Sharp Behind the Pink Curtain p. 372. Daiei Studios unknown‎

書籍販売業者の参照番号 : 144308

‎Kon Ichikawa (director); Natto Wada (screenwriter); Michio Takeyama (novel); Rentaro Mikuni (starring)‎

‎The Burmese Harp Original screenplay for the 1956 film‎

‎Tokyo: Nikkatsu 1956. First Draft script for the 1956 film. Title in English on rear wrapper. <br /> <br /> Based on a 1946 children's novel by Michio Takeyama about a conscience-driven Japanese soldier who adopts the lifestyle of a Buddhist monk after he fails to get his countrymen to surrender to an overwhelming force. Nominated for a Best Foreign Language Film Academy Award. <br /> <br /> Set in Burma during WWll shot on location in Burma and near the Izu Peninsula in Japan. <br /> <br /> White titled wrappers. Title page present. 70 leaves with last page of text numbered e-25. Mechanical duplication. Pages Near Fine with some toning due to age wrapper Very Good with mild foxing and light water damage near spine. <br /> <br /> Criterion Collection 379. Eureka Masters of Cinema 12. Nikkatsu unknown‎

書籍販売業者の参照番号 : 143240

‎Krasna, Norman (1909-1984). American screenwriter, playwright, producer and film director‎

‎TYPED LETTER SIGNED by the American playwright and film director NORMAN KRASNA to Jean Dalrymple regarding her producing his play.‎

‎<p>Blonay Switzerland. April 28 1976. 1976. Fine. - Over 160 words typed on his personal 11-5/8 inch high by 8-1/4 inch wide stationery with his Swiss address centered at the top. Not having heard from his friend New York City Center producer Jean Dalrymple about producing his play Norman Krasna writes "I have a letter from Jose Ferrer who informs me between barbs of witty abuse that he has had some communications with Sylvia Miles." . "I would suspect at this moment the prospect of getting her are fifty-fifty. She hasn't said yes she hasn't said no which is practically a lyric from a famous Jerome Kern show." He goes on to write that he understands if she hasn't been able to get any backing "we are in a most peculiar business at a difficult time and it is perfectly all right if you pass us by. Sad but all right." Signed "Norman". Folded for mailing with a pencil line indicating that Jean has read the letter else fine.</p><p>Together with a retained copy of Jean Dalrymple's reply dated June 19 1976. Having been away Jean replies "I have been in Russia for a while making a film on ballet. and so I am terribly late in replying to your very very nice letter." She goes on to say that "Unfortunately Sylvia Miles after first saying she was VERY interested turned us down." "At the moment I can't think of anyone who is 'just right' and the play MUST have that 'just right' actress! Ah. Judy couldn't you return for a bit" She concludes with wam regards ". and maybe you have a new play easier to cast"</p><p>The American screenwriter playwright producer and film director Norman Krasna 1909-1984 was known for his screwball comedies based on a case of mistaken identity. He wrote several successful Broadway plays including "Dear Ruth" and "John Loves Mary" and directed 3 films "The Ambassador's Daughter" "The Big Hangover" and "Princess O'Rourke" all of which he also wrote and was nominated 4 times for screenwriting Academy Awards winning once for "Princess O'Rourke".</p><p>The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> Blonay, Switzerland. April 28, 1976.‎

書籍販売業者の参照番号 : 100704

‎Kristel, Sylvia, Umberto Orsini (starring); Francois Leterrier (director, screenwriter); Etienne George (photographer); Monique‎

‎Goodbye Emmanuelle Emmanuelle 3 Original photograph of Sylvia Kristel from the 1977 film‎

‎N.p.: N.p. 1977. Vintage borderless reference photograph of Sylvia Kristel from the 1977 film. <br /> <br /> The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle: The Joys of a Woman" "Emmanuelle II" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini.<br /> <br /> Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br /> <br /> 7 x 4.75 inches. Near Fine. N.p. unknown‎

書籍販売業者の参照番号 : 150004

‎Krzysztof Kie lowski (director, screenwriter); Gra yna Szapo owska, Aleksander Bardini, Maria Pakulnis (starring)‎

‎No End Bez ko ca Original photograph of Krzysztof Kie lowski and Gra yna Szapo owska on the set of the 1985 film‎

‎N.p.: N.p. 1985. Vintage borderless reference photograph from the 1985 Polish film showing director Krzysztof Kie lowski and actress Gra yna Szapo owska on the set. Provenance stamp and annotations in manuscript ink on the verso. <br /> <br /> A translator tries to come to terms with the death of her husband a lawyer while trying to help her husband's last client with his pending imprisonment. Kie lowski's first writing collaboration with screenwriter Krzysztof Piesiewicz.<br /> <br /> Shot on location in Warsaw. <br /> <br /> 7 x 5.25 inches. About Fine. N.p. unknown‎

書籍販売業者の参照番号 : 159869

‎Kurt Neumann (director); Carle Snell (screenwriter); Ray Jones (photographer);Tom Brown, Maureen O'Sullivan, James Gleason, Arle‎

‎Fast Companions Information Kid Original publicity photograph of Tom Brown and Arletta Duncan from the 1932 film‎

‎Universal City: Universal Pictures 1932. Vintage double weight publicity photograph of Tom Brown and Arletta Duncan by photographer Ray Jones from the 1932 film. On the verso is Jones' photographer stamp a 1932 date stamp and a mimeo snipe here under the working title "Information Kid." <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Tom Brown stars as Marty Black a crooked jockey who tries to mend his ways after becoming attached to Midge a young orphan boy in need of love and guidance played by Mickey Rooney. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown‎

書籍販売業者の参照番号 : 165745

‎Kurt Neumann (director, screenwriter); Earle Snell (screenwriter); Bennett Foster (author); Robert Arthur, Kathleen Nolan, Rhys‎

‎The Desperados are in Town The Outlaws are in Town Original screenplay for the 1956 film‎

‎Los Angeles: Twentieth Century-Fox 1956. Draft script for the 1956 film here under the working title "The Outlaws are in Town." Copy belonging to Robert Arthur who played Lonny Kesh with his name on the front wrapper in manuscript pencil and his manuscript pencil and ink annotations throughout. <br /> <br /> Lonny Kesh Arthur works his family's farm in Georgia but has big dreams of going west. His dreams are realized one day as he heads to Texas and ends up running with a gang of outlaws. He eventually returns to the family farm to find his parents have passed on. All goes smoothly until his former gang shows up. <br /> <br /> Set in Georgia and Texas. <br /> <br /> Green titled wrappers rubber-stamped copy No. 27 dated June 18 1956. Title page present dated June 18 1956 with credits for screenwriters Earle Snell and Kurt Neumann and author Bennett Foster. 106 leaves with last page of text numbered 106. Multilith duplication with blue revision pages throughout dated July 2 1956. Pages Very Good wrapper Very Good bound with two gold brads. Twentieth Century-Fox unknown‎

書籍販売業者の参照番号 : 140205

‎Lambert Hillyer (director); Harold Sumate (screenwriter); Ray Jones (photographer); Norman Foster, Florence Rice, Mary Carlisle‎

‎Super Speed Original photograph of Florence Rice from the 1935 film‎

‎Culver City CA: Columbia Pictures 1935. Vintage reference photograph of Florence Rice from the 1935 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. Not to be confused with the 1925 silent film directed by Al Rogell and starring Reed Howes and Mildred Davis.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> A scientist invents a "superspeed" formula for race cars that everyone is soon fighting to own.<br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown‎

書籍販売業者の参照番号 : 164515

‎Lamont Johnson (director); Eric Bercovici (screenwriter); Danny Thomas (host); Van Heflin (starring)‎

‎The Danny Thomas Hour: Fear is the Chain Original teleplay script for the 1968 television episode Van Heflin's working copy‎

‎Burbank CA: National Broadcasting Company NBC 1967. Final Draft script for episode 19 of the 1967-1968 television anthology show. Actor Van Heflin's copy with the name of his character in manuscript ink on the front wrapper and manuscript annotations on nearly every page. <br /> <br /> "The Danny Thomas Hour" ran for one season on NBC as an anthology show with Thomas presenting dramas comedies and musical variety shows. In "Fear the Chain" Van Heflin plays a deserter from the German army trying to reach Switzerland. <br /> <br /> Goldenrod titled wrappers with annotations in manuscript ink and pencil. Title page present dated April 20 1967 noted as Final Draft with credit for screenwriter Bercovici. 66 leaves mechanical duplication with blue and goldenrod revision pages throughout dated variously between 5-18-67 and 5-29-67. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown‎

書籍販売業者の参照番号 : 130772

‎Lance Comfort (director, producer); Lyn Fairhurst (screenwriter); David Hemmings, David Healy, Jerry Lee Lewis (starring)‎

‎Be My Guest Be My Guest Original screenplay for the 1965 film‎

‎London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. <br /> <br /> A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. <br /> <br /> Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in manuscript pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown‎

書籍販売業者の参照番号 : 131832

‎Lane Slate (screenwriter)‎

‎Get Me Out Original screenplay for an unproduced film‎

‎N.p.: N.p. 1977. Draft script for an unproduced film. With a single notation in manuscript pencil on page 66 and 16 pages of additional dialogue laid in. <br /> <br /> An investment banker and financial advisor works in New York City and lives upstate. His life is the envy of all his coworkers yet he struggles with his memories of the army and with his marriage leading him to begin an affair. <br /> <br /> Set in New York City. <br /> <br /> Black untitled wrappers. Title page present dated February 1977 with credits for screenwriter Lane Slate. 105 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown‎

書籍販売業者の参照番号 : 141525

‎Langston Hughes (screenwriter); Leslie Goodwins, Bernard Vorhaus (directors); Clarence Muse (screenwriter); Bobby Breen, Alan Mo‎

‎Way Down South Four photographs from a re-release of the 1939 film‎

‎N.p.: Screencraft 1945. Four vintage studio still photographs from a circa 1945 re-release of the 1939 film. Two photographs with National Screen Service stamps on the verso. <br /> <br /> The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. <br /> <br /> Set in Louisiana shot on location in Calabasas and Santa Monica California. <br /> <br /> 10 x 8 inches. Very Good plus. Screencraft unknown‎

書籍販売業者の参照番号 : 156296

‎Langston Hughes (screenwriter); Leslie Goodwins, Bernard Vorhaus (directors); Clarence Muse (screenwriter); Bobby Breen, Alan Mo‎

‎Way Down South Original lobby card from the 1939 film‎

‎Hollywood: RKO Radio Pictures 1939. Vintage lobby card from the 1939 film. Provenance stamp on the verso along with the stamp of Independent Poster Exchange. <br /> <br /> The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. <br /> <br /> Set in Louisiana shot on location in Calabasas and Santa Monica California. <br /> <br /> 14 x 11 inches. Lightly worn at the corners else about Near Fine. RKO Radio Pictures unknown‎

書籍販売業者の参照番号 : 156299

‎Larry Cohen (screenwriter)‎

‎An Hour To Kill Original treatment script for an unproduced television film‎

‎Burbank CA: National Broadcasting Company NBC 1960. Treatment script for an unproduced television film. Signed by screenwriter Larry Cohen on the title page with Cohen's manuscript ink annotations throughout noting both substantive and editorial revisions. Title page on National Broadcasting Company letterhead. <br /> <br /> An unhappily married man is forced to defend his wife and home during a violent robbery. <br /> <br /> An unproduced venture by screenwriter Larry Cohen best known for his Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set in Cedar Basin Arizona. <br /> <br /> Self wrappers. Title page present undated with credits for screenwriter Larry Cohen. 22 leaves not numbered. Carbon typescript rectos only. Pages Very Good plus bound with a paper clip. National Broadcasting Company [NBC] unknown‎

書籍販売業者の参照番号 : 153708

‎Larry Cohen (screenwriter); John Flynn (director); James Woods, Brian Dennehy, Victoria Tennant (starring)‎

‎Best Seller Hard Cover Original screenplay for the 1987 film Signed by screenwriter Larry Cohen‎

‎N.p.: N.p. 1986. Draft script for the 1987 here under the working title "Hard Cover" SIGNED and titled with the release title by screenwriter Larry Cohen twice on both the front wrapper and the title page with an annotation in manuscript marker of the working title on the top of the front wrapper.<br /> <br /> Screenwriter producer and director Larry Cohen is best known as the screenwriter of horror science fiction and Blaxploitation films during the 1970s and 1980s including "Bone" 1972 "Black Ceasar" 1973 "Hell Up in Harlem" 1973 "It's Alive" 1974 "The Stuff" 1985 A Return to Salem''s Lot" 1987 and "Phone Booth" 2002.<br /> <br /> A hit man James Woods coerces a detective Brian Dennehy into writing a book about the assassin's lucrative career secretly working for a prominent politician. The two men travel around the country gathering statements and evidence while attempting to stay clear of the politician's cronies who will stop at nothing to keep the story from unfolding.<br /> <br /> Set and shot on location in Manhattan and Los Angeles. <br /> <br /> Beige untitled wrappers. Title page present with credits for screenwriter Larry Cohen. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a tiny amount of silverfish damage to the very bottom of the front wrapper and title page bound with three gold brads.<br /> <br /> Grant US. Olive Films. Silver and Ward US. Spicer US. N.p. unknown‎

書籍販売業者の参照番号 : 159757

‎Larry Cohen (director, screenwriter); Fred Williamson, Gloria Hendry (starring)‎

‎Hell Up in Harlem Original contact sheet from the 1973 film‎

‎N.p.: N.p. 1973. Vintage contact sheet from the 1973 film showing 34 images of cast and crew members on the set including several of actor Fred Williamson. <br /> <br /> A fearless crime boss takes on a corrupt district attorney who seeks to control the city's drug trade. Sequel to the 1973 film "Black Caesar."<br /> <br /> 11 x 8.5 inches. Very Good plus with light wear to the corners and a few manuscript pencil annotations to the recto selecting images. <br /> <br /> Olive Films 1361. Silver and Ward Neo-Noir. <br /> Howard Blaxploitation Cinema p. 26-28 63 150. N.p. unknown‎

書籍販売業者の参照番号 : 154525

‎Larry Cohen (screenwriter); Charles S Durbin (director); EG Marshall, Robert Reed, Andrew Duggan, Dana Elcar (starring) E G‎

‎The Defenders: The Captive Original screenplay for the 1963 television episode‎

‎New York: Filmways 1963. Draft script for the 1963 television episode which originally aired on October 12 1963 on CBS. Signed by screenwriter Larry Cohen on the title page.<br /> <br /> The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this installment the duo become involved in an international espionage case. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Black titled Studio Duplicating Service wrappers. Title page present dated May 15 1963 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 92 leaves with last page of text numbered 87. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus slightly edgeworn bound with two gold brads. Filmways unknown‎

書籍販売業者の参照番号 : 153686