Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown
New York: Grove Press International Film Festival 1970. Original 1970 US half sheet poster for the 1970 French-Hungarian film. From the collection of noted film historian Amos Vogel. Full provenance available. The film that ended a prolific and important decade for director Jancso about a group of Croat anarchists in the 1930s who plot to assassinate King Alexander I of Yugoslavia. 22.25 x 31.25 inches rolled. About Near Fine with two-inch closed tear at right edge of lower margin. Grove Press International Film Festival unknown
Culver City CA: RKO Radio Pictures 1946. Vintage studio photograph of Mervyn LeRoy and Louella Parsons rehearsing on the set of the 1946 film. <br/><br/>Based on the obscure 1946 pulp novel by Jane Allen and Mae Livingston about a best selling novelist who meets Marine who she thinks is perfect for the lead in an upcoming film adaptation although he doesn't her book. An abundance of Hollywood cameos with columnist Louella Parsons playing herself.<br/><br/>8.25 x 10 inches. Near Fine with some light creasing. RKO Radio Pictures unknown books
Paris: Viaduc Productions 1974. Two vintage color studio still photographs of Jane Birkin from the 1974 film. Blind stamp on upper right of each. <br/><br/>A cynical dark comedy of sexual politics in 1970s Paris. Nicolas Jean-Louis Trintignant a shy meek bank clerk discovers he has a way with beautiful women Jane Birkin Romy Schneider Florinda Balkan and is encouraged and schooled from impoverished novelist Claude Jean-Pierre Cassel to use his liasons to become one of the richest most powerful men in Paris.<br/><br/>Set in and shot on location in Paris. <br/><br/>10 x 8 inches. Very good pinholes in corners with paper tape repair on verso. Viaduc Productions unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1963. Collection of 3 vintage black-and-white still photographs from the 1963 film. Ditto-style mimeograph still credits printed on the verso of each photo. <br/><br/>Eileen is 22 and is smarting from her breakup with Russ. She comes to New York to visit her brother Adam who is an airline pilot. Eileen confides to her brother that she thinks she may be the only 22 year old virgin left in the world. Adam assures her that sex is not what all men look for and insists he hasn't slept around. Of course Adam is lying and is in hot pursuit of a tryst with his occasional girlfriend Mona. However Adam's date with Mona has a series of job related interruptions. Meanwhile Eileen decides to see if she can have some fun for herself in New York and seems to find the perfect candidate in Mike a man she meets on the bus. But things get complicated when Russ pops in with a proposal and a mistaken assumption. <br/><br/>8 x 10 inches. Fine. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
N.p.: N.p. 1978. Vintage borderless black and white reference photograph from the 1978 film showing actors Lily Tomlin and John Travolta. With an agency stamp on the verso. <br/><br/>A socialite divorcee begins a May-December romance with a handsome younger drifter. A notorious box office flop at the time of its release noted by one of the film's crew members as "like being on the voyage of the damned" now considered a camp classic. <br/><br/>Set and shot on location in Beverly Hills and Malibu California. <br/><br/>10 x 8 inches. Very Good plus with light wear to the bottom edge. N.p. unknown books
N.p.: N.p. 1969. Collection of eight vintage borderless photographs from the 1969 French film. <br/><br/>Based on Rene Barjavel's 1969 novel. A young Parisian man travels to Nepal to find his deadbeat father only to fall in with a group of drug-loving hippies. <br/><br/>Set in Paris and Nepal. <br/><br/>7 x 5 inches. Near Fine. N.p. unknown books
Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in to the front wrapper. Text in English. <br/><br/>A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. <br/><br/>Shot on location in Budapest Hungary. <br/><br/>Clear plastic front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown books
France: Discina films 1954. Vintage borderless photograph of Jaques Tati while on a promotional tour for the 1953 film. Blue mimeo snipe on verso. <br/><br/>The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. The first of five films featuring the Monsieur Hulot character. Nominated for an Academy Award.<br/><br/>Shot on location on the coast of France. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>Criterion Collection 110. Ebert I. Rosenbaum 1000. Discina films unknown books
Il ne peut remplir son "joli désir" car Jaroslav Kucera est mort "depuis trois ans" - Cette perte est "grave pour le cinéma tchèque" - Et il lui manque personnellement beaucoup - Il a tourné avec lui "Le premier Cri" en 1963, "la Romance" en 1965, ...- Sa lettre l'a trouvé par hasard et il apprécie son amour pour Jaroslav qui est aussi le sien professionnellement - Le magasin est fermé jusqu'au 6 avril - Nous verrons vos commandes ensuite - Merci -
N.p.: N.p. 1994. Vintage borderless black-and-white matte reference photograph of director Jim Jarmusch on the set of the 1995 film standing on the Oregon coast near the water's edge for the filming of its final sequence. Label on verso indicating that the photo is ex libris from the collection of Daniel Bouteiller. 5 x 7 inches. Fine. N.p. unknown
London: Regal Films National 1962. Vintage black-and-white still photograph from the 1962 UK film. Mimeograph snipe affixed to the verso. <br/><br/>Before Michael Caine as "Alfie" 1966 there was Ian Hendry as the cheeky womanizer named Albert whose ex-lover June Ritchie comes to visit with their out-of-wedlock child. For a brief period the two reunite and Albert puts a halt to his philandering ways until they fall out once more. <br/><br/>8 x 10 inches. Very Good plus with pinholes and creases at the extremities. Regal Films National unknown books
Culver City CA: Columbia Pictures 1980. Vintage black-and-white still photograph from the 1980 film. <br/><br/>A writer is kidnapped and forced to rob a bank but he seeks help from his ex-wife and her husband a prosecutor. <br/><br/>8 x 10 inches. About Near Fine. Columbia Pictures unknown books
Los Angeles: Warner Bros 1955. Eight full color 11 x 14" pictorial lobby cards. Some minor smudging rumpling and tack holes in margins marking crayon notations on verso else a good set. A complete set of the studio lobby cards promoting the film based on Richard L. Breen's screenplay. Directed by and starring Jack Webb as Pete Kelly and Janet Leigh Edmond O'Brien Peggy Lee a role for which she was nominated for an Oscar Lee Marvin and Ella Fitzgerald et al. The soundtrack was nominated for a Grammy. Warner Bros unknown
Los Angeles: Warner Bros 1955. Twelve full color 8 x 10" glossy color stills with cut-lines. Slightly curled with some minoir darkening to the borders. but very good. A set 1-12 of the color stills used in promoting the film based on Richard L. Breen's screenplay. Directed by and starring Jack Webb as Pete Kelly a Kansas City trumpter and band leader along with Janet Leigh Edmond O'Brien Peggy Lee a role for which she was nominated for an Oscar Lee Marvin and Ella Fitzgerald et al. The soundtrack was nominated for a Grammy. Warner Bros unknown
Los Angeles: Warner Bros 1955. Eight full color 11 x 14" pictorial lobby cards. Some minor smudging rumpling and tack holes in margins marking crayon notations on verso else a good set. A complete set of the studio lobby cards promoting the film based on Richard L. Breen's screenplay. Directed by and starring Jack Webb as Pete Kelly and Janet Leigh Edmond O'Brien Peggy Lee a role for which she was nominated for an Oscar Lee Marvin and Ella Fitzgerald et al. The soundtrack was nominated for a Grammy. Warner Bros unknown books
Los Angeles: Warner Bros 1955. Twelve full color 8 x 10" glossy color stills with cut-lines. Slightly curled with some minoir darkening to the borders. but very good. A set 1-12 of the color stills used in promoting the film based on Richard L. Breen's screenplay. Directed by and starring Jack Webb as Pete Kelly a Kansas City trumpter and band leader along with Janet Leigh Edmond O'Brien Peggy Lee a role for which she was nominated for an Oscar Lee Marvin and Ella Fitzgerald et al. The soundtrack was nominated for a Grammy. Warner Bros unknown books
Paris: Chronos Films 1957. Collection of 6 original black-and-white photographs for the 1959 French film all featuring starring actor Richard in uniforms on bicycles and drinking Perrier bottled water. Film title in holograph ink on the versos 1 photo with a "Le Parisien libere" press rubberstamp. <br/><br/>A little seen comedy about a two French towns who compete at football soccer the goalie of what town who is traded to the other for a cow becomes infatuated by a local young woman Tanguy. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with this film the first in this series involving gendarmes and Champignol followed by "The Gendarm of Champignol" 1959 and "The Boss of Champignol" 1966. <br/><br/>Photographs range 3 x 4.25 inches to 9.25 x 11.75 inches. Very Good overall light curling a few brief creases slight discoloration to one a few with pinholes. Chronos Films unknown books
Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. <br/><br/>The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in holograph ink on the pages several with small white borders and several with series number on the verso in holograph pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in holograph pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. <br/><br/>Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. <br/><br/>An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. <br/><br/>Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. <br/><br/>Complete collation details available on request. Cinedis unknown books
Paris: Cite Films 1956. Collection of 22 original still photographs and portrait photographs from the 1956 French film here under the French title "Le couturier de ces dames." Starring actors Fernandel and Françoise Fabian are present in most of the images including four high contrast portraits of Fabian and a tense scene featuring Fernandel Fabian and Delair. In nearly all photos Fernandel is seen posing models dancing and generally being forthcoming while a in smaller photo two men are tailoring a woman's costume one of them smoking a cigarette. Eleven photos with numerical annotations on the versos in pencil one with "Le couturier de ces dames" in ditto mimeograph duplication. <br/><br/>Fernand Vignard Fernandel is a tailor who needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models Fabian and his wife Delair discovers his infidelity. The film spoofed the new haute couture that was thriving at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on this film and Japanese native Hanae Mori yet to represent the "new look."<br/><br/>Fernandel was France's leading funny man for decades and Fabian has over 80 film credits including Louis Malle's "The Thief of Paris" 1967 and Luis Buñuel's "Belle de jour" 1967. <br/><br/>Shot on location in Val-de-Marne France. <br/><br/>5 x 7 inches small white borders one photo 3.25 x 4.25 inches. Light curling else Near Fine. Cite Films unknown books
Paris: Cinedis 1957. Archive of original candid single- and double-weight photographs and color transparencies for the 1957 French film "Mademoiselle et son gang" from French distributor and press and film agency Cinedis. Nearly all feature starring actress Renaud in glamour poses some reclining some ascending a staircase in a shimmering paisley dress with matching high heels. Several candid photos feature racing drivers Harry Schell and Peter Collins director Jean Boyer and other members of the film crew. <br/><br/>Included in the archive are 12 black-and-white single-weight on-the-set photos with holograph annotations in ink on the versos and 28 images of Renaud in glamour poses: 6 double-weight full-color glamour portraits Gevaert paper rubber-stamped PHOTO COULEURS / HERDET PHOTO on the versos 2 full-color transparencies 20 smaller mounted full-color transparencies. Original photo envelopes also present. <br/><br/>Renaud who later became a prominent AIDS activist stars as a writer whose crime fiction entry attracts the attention of swindlers even as she joins a gang and becomes its leader. Little known film by Boyer whose credits include "Calais-Douvres" 1931 "End of the World" 1931 "Roses noires" 1935 "Serenade" 1940 and "One Does Not Die That Way" 1946. <br/><br/>Cinedis was prominent during the French New Wave distributing and promoting some of the genre's greatest films including "Jules and Jim" "Le Trou" "The Gates of Paris" even the popular "Don Camillo" series starring Fernandel. <br/><br/>Photos range in size the smallest being 3.75 x 4.75 inches the largest being 6.75 x 9.25 inches; transparencies 4 x 4.75 inches mounted transparencies 2 x 2 inches in 9.5 x 12-inch black mounts 12 windows each 1 mount with only 8 transparencies present. Housed in a cardboard paper box from the As de Trefle company with title label for the film on the lid. <br/><br/>Curling to photos box Good only else Near Fine overall. A fantastic tribute to actress and singer Renaud's beauty and a glimpse behind the scenes. Cinedis unknown books
France: Compagnie Industrielle et Commerciale Cinematographique CICC 1963. Original Pressbook for the 1963 French film. Based on Jean Bruce's novel Kerwin Matthews stars opposite Nadia Sanders in an action film with enough clothes ripping and cat fighting to merit interest. Bruce's "117" series is popular in France with adaptations made beginning in 1957 and the most recent in 2009. <br/><br/>6 pages saddle stapled with a couple of fold outs 9.5 x 12 inches folds out to 12 x 31 inches. Near Fine. Excellent illustrations by V. Vanni Tealdi. Compagnie Industrielle et Commerciale Cinematographique [CICC] unknown books
Paris: Florida Films 1970. Original French moyenne medium poster for the 1970 film. <br/><br/>Little known sexploitation about a wine producer who asks a friend to essentially seduce a cover girl who is in a lesbian affair. The friend does his job so well that the lesbian counterpart seeks to revenge her relationship with the cover girl. <br/><br/>22.75 x 30.75 inches folded two times as issued. Very Good plus with brief edgewear a few central tears and creases. Uncommon. Florida Films unknown books
Universal City CA: Universal Pictures 1981. Vintage black-and-white still photograph from the 1981 film. Features Faith Monton holding up Gene Hackman with finesse. <br/><br/>A less-known Hackman film about a forlorn fellow who has an affair with a distant cousin. <br/><br/>8 x 10 inches. Very Good plus with an ink notation on the verso and tiny corner creases. Universal Pictures unknown books
Munich: P.R. Wilk / Neue Filmkunst / Walter Kirchner 1961. Original early 1960s German A1 poster for the 1946 French film illustrated by Isolde Baumgart. <br/><br/>From the collection of noted film historian Amos Vogel. Full provenance available. <br/><br/>A classic 1946 French romantic fantasy film adaptation of the traditional fairy tale of the same name written by Jeanne-Marie Le Prince de Beaumont and published in 1757 as part of a fairy tale anthology "Le Magasin des Enfants ou Dialogues entre une sage gouvernante et ses eleves" London 1757. Directed by French poet and filmmaker Jean Cocteau and starring Josette Day as Belle and Jean Marais and the Beast. <br/><br/>The plot of Cocteau's film revolves around Belle's father who is sentenced to death for picking a rose from Beast's garden. Belle offers to go back to the Beast in her father's place. The Beast then falls in love with Belle and proposes marriage on a nightly basis though she refuses. Belle eventually becomes more drawn to Beast who tests her by letting her return home to her family and telling her that if she doesn't return to him within a week he will die of grief. <br/><br/>23 x 33 inches non-archivally mounted on board. Light rubbing and soil Very Good plus overall. <br/><br/>Shipping billed at cost. Item can only be shipped within the US. <br/><br/>Criterion Collection 6. P.R. Wilk / Neue Filmkunst / Walter Kirchner unknown books
N.p.: N.p. 1960. Vintage oversize borderless double weight reference photograph of actress Edith Scob from the 1960 French film.<br/><br/>A young man returns to his uncle's home a castle he has not visited for many years where he attempts to recover experiences and emotions of his childhood. An influential entry which for many years was considered lost in the French New Wave genre.<br/><br/>11.5 x 9.25 inches. Very Good plus with light edgewear and a small diagonal crease to the bottom right corner. N.p. unknown books
California: National Screen Service / Gamalex Associates 1972. Collection of 8 vintage black-and-white still photographs from the 1972 US release of the 1970 French-Italian-German film. Title layovers affixed to the rectos over the original titles. <br/><br/>Based on a novel by French writer Francis Ryck aka Yves Delville about a woman who kills her husband under the suspicion of infidelity when in reality the man was a secret agent. <br/><br/>8 x 10 inches. Light creases to the extremities else Near Fine. National Screen Service / Gamalex Associates unknown books
France: Cinedis 1959. Two original reference contact sheets from the 1959 French-Italian film. Each photo is hole-punched and presumably from a keybook totaling 24 images of starring actor Gabin smoking a pipe in an overcoat. Film title and Gabin's name in holograph ink on the verso. <br/><br/>Late French noir based on Simenon's novel "L'Affaire Saint-Fiacre" 1932. Maigret Gabin is called to the countryside to investigate the mysterious death of a countess. <br/><br/>Shot on location at the Castle Saint Fiacre Gaillon-sur-Montcient and Vernon France. <br/><br/>7.25 x 10 inches black-and-white single weight. Light curling else Near Fine.<br/><br/>Grant France. Cinedis unknown books
France: Cinedis 1960. Archive of 207 vintage borderless single weight still photographs and contact sheets from the 1960 French film. Numerical annotations on the verso of nearly all photos in holograph pencil several cropped contact sheets mounted on larger sheets. Housed in a vintage French Kodak brand photo paper box with most contact sheets in a two-ring binder similar to keybook photos. Also included is a press folder from the Cinedis agency in Paris with star biographies film credits and scenario on Cinedis parchment. <br/><br/>Seen in the images is starring actor and screenwriter Buissieres including a large portrait actress Carrel several seductive in nature with shots of director Faurez and the film crew in action and images of composer Georges Van Parys and singer Colette Renard famous for her "Irma La Douce" musical roles presumably working on the film soundtrack. Several images in the contact sheets show scenes from the film taking place in an automobile repair shop directed scenes from high on a crane and candid photos of the starring performers. A few of the contact sheets bear credits for the Laboratoire Tele-Photo film title client Cinedis and photographer. ` <br/><br/>Little known gangster drama about a woman and her child caught in the downward spiral of prostitution. <br/><br/>Photos vary in size from 3 x 4.5 inches to 9.25 x 11.75 inches with most being smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinedis unknown books
N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette.<br/><br/>A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife.<br/><br/>Shot on location in Morbihan France. <br/><br/>9.25 x 7 inches. Near Fine. N.p. unknown books
Paris: Fox Europa 1969. Vintage borderless reference photograph from the 1969 French film showing director Henri Verneuil actor Alain Delon and other members of the cast and crew on a constructed set used for the airplane flight sequence in the film. With two provenance stamps on the verso.<br/><br/>Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commissioner. <br/><br/>Set and shot on location in Rome New York and Paris.<br/><br/>9 x 6.5 inches. Very Good plus lightly creased throughout.<br/><br/>Grant US. Lee The Heist Film. Fox Europa unknown books
Paris: Cite-Films Jacques Bar 1961. Draft script for the 1961 French film. Text in French. <br/><br/>Based on the 1958 novel by Georges Simenon.<br/><br/>Jean Gabin in what is essentially two brilliant performances as the middle-aged French prime minister Emile Beaufort refusing to compromise his principles against the corrupt and opportunistic Philippe Chalamont impressively portrayed by Bernard Blier and twenty years later as the now aging ex-prime minister in ill-health dictating his memoirs to his secretary and deciding on how now to handle Chalamont in line to become the next prime minister.<br/><br/>Set in and shot on location in Paris Essonne Yvelines Seine-et-Marne and Val-de-Marne France. <br/><br/>Red titled wrappers. Title page present with credits for actor Jean Gabin director Henri Verneuil author Georges Simenon and screenwriters Michel Audiard and Bernard Blier. 166 leaves with last page of text numbered 165. Mimeograph duplication rectos only. Pages Ner Fine wrapper Very Good plus saddle-stitched with three staples. Cite-Films (Jacques Bar) unknown books
N.p.: N.p. 1965. Vintage borderless reference photograph from the set of the 1965 film showing producer Joseph Levine and costume designer Edith Head examining actress Carroll Baker's gown side-by-side with Head's original design. <br/><br/>The rise to fame and troubled life of starlet Jean Harlow before her death from kidney failure at 26. Not to be confused with the 1965 film of the same name directed by Alex Segal and starring Carol Lynley.<br/><br/>Set in Hollywood. <br/><br/>7.5 x 9.25 inches. Near Fine. <br/><br/>Olive Films 247. N.p. unknown books
Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in holograph ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". <br/><br/>Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. <br/><br/>Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. <br/><br/>7 x 9.5 inches. Very Good plus with light creasing and foxing. <br/><br/>Hardy The Gangster Film US. Adel Productions unknown books
N.p.: N.p. 1964. Vintage oversize borderless reference photograph from the 1964 film showing actors Jean-Louis Trintignant and Jeanne Moreau between takes. With a printed mimeo snipe affixed to the verso along with the stamp of PRPresse. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Loosely based on the adventures of Dutch dancer-turned-spy Mata Hari who worked as a secret agent for the Germans during World War I. <br/><br/>Shot on location in Paris. <br/><br/>8 x 11.5 inches. Near Fine. N.p. unknown books
N.p.: Primex Films 1964. Vintage borderless photograph of Jean-Luc Godard in Morocco from the 1964 film. French mimeo snipe on the verso. <br/><br/>An anthology film featuring five stories about swindlers around the world. Godard's segment stars Jean Seberg as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le Grand escroc" "The Great Swindler". Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski whose segment had been removed at his request. <br/><br/>7.25 x 9.5 inches. Near Fine. <br/><br/>Olive Films 1339. Primex Films unknown books
Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With holograph annotations on the verso. <br/><br/>An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear."<br/><br/>12 x 9 inches. Near Fine. <br/><br/>Olive Films 327. Gaumont unknown books
France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. <br/><br/>Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie."<br/><br/>Shot on location in Paris.<br/><br/>9.5 x 7 inches. Near Fine.<br/><br/>Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown books
France: JLG Films 1985. Vintage borderless photograph of director Jean-Luc Godard on the set of the 1985 film. With an agency stamp typed description and holograph annotations on the verso. <br/><br/>Released the same year as Godard's highly and pointlessly controversial picture "Je Vous Salue Marie" "Hail Mary". Set in a hotel in Paris the plot follows a trio's attempt to solve a murder that occurred at the location two years prior. Nominated for the Palme d'Or award at the Cannes Film Festival.<br/><br/>Shot on location in Paris.<br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Carlson and Connolly Destroy All Movies. Godard Histoires du cinema. JLG Films unknown books
Paris: Les Films Concordia 1963. Vintage oversize borderless double weight photograph of Brigitte Bardot and Michel Piccoli on the set of the 1963 film. With the stamp of photographer Aldo Durazzi and a press agency stamp on the verso. <br/><br/>Godard's lush Technicolor landmark that transformed Brigitte Bardot from a sex symbol into an art object while simultaneously furthering his own reputation for being the most commercially successful deconstructionist in film history. A fascinating film that can be watched either as narrative about a disintegrating relationship or as an unending series of pure cinematic references. <br/><br/>12 x 9.5 inches. Near Fine. <br/><br/>Criterion Collection 171. Les Films Concordia unknown books
N.p.: Embassy Pictures 1964. Two intage studio still photographs from the US release of the 1963 film showing actors Brigitte Bardot Giorgia Moll and Jack Palance. With holograph pencil annotations on the verso regarding layout. <br/><br/>Based on the 1954 Italian novel "Il disprezzo" "A Ghost at Noon" by Alberto Moravia. Director Jean-Luc Godard's lush Technicolor landmark that transformed Brigitte Bardot from a sex symbol into an art object while simultaneously furthering his own reputation for being the most commercially successful deconstructionist in film history. A fascinating film that can be watched either as a narrative about a disintegrating relationship or as an unending series of pure cinematic references. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 171. Godard Histoires du cinema. Rosenbaum 1000. Embassy Pictures unknown books
Paris: Anne-age-Bela 1975. Vintage French moyenne poster for the 1975 French film. <br/><br/>Godard's experimental film examines the intricate social relations of a young French family while simultaneously analyzing and commenting on the act of film making. The film is unique for presenting two images on the screen simultaneously. <br/><br/>24 x 32 inches folded. Two holograph pencil annotations to the verso else Near Fine. <br/><br/>Rosenbaum 1000. Anne-age-Bela unknown books
Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. <br/><br/>One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. <br/><br/>Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br/><br/>5 x 7 inches. Fine condition. <br/><br/>Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown books
Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. <br/><br/>9 x 6 inches. Near Fine. <br/><br/>Criterion Collection 238. N.p. unknown books
Paris: Athos Films 1965. Vintage French moyenne poster for the 1965 film. <br/><br/>The influence of "Alphaville" as the first crime film to be set in a sci-fi context cannot be underestimated and even the film's legitimate proteges such as "Blade Runner" don't quite capture its strange sexuality. <br/><br/>Shot on location in Paris. <br/><br/>23 x 30 inches folded. Light holograph pencil notation to the verso else Near Fine. <br/><br/>Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films unknown books
Paris: Parc Film 1968. Collection of five vintage borderless reference photographs from the 1968 film. French "La Chinoise" stamps on versos.<br/><br/>Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky.<br/><br/>Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. <br/><br/>Set in and shot on location in Paris. <br/><br/>6.75 x 4.75 inches. Near Fine. <br/><br/>Rosenbaum 1000. Parc Film unknown books
N.p.: Sara Films 1983. Vintage reference photograph from the 1983 film. With a printed mimeo snipe on the verso.<br/><br/>Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br/><br/>Set and shot on location in Paris. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Godard Histoires du cinema. Sara Films unknown books
Neuilly-sur-Seine France: Societe Nouvelle de Cinematographie SNC 1965. Vintage oversize double weight photograph of director Jean-Luc Godard behind the camera on the set of the 1965 film. Shot by photographer Georges Dudognon in the summer of 1965 with his stamp on the verso. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 421. Godard Histoires de cinema. Societe Nouvelle de Cinematographie [SNC] unknown books
France: Athos Films / Chaumiane / Filmstudio 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso.<br/><br/>Jean-Luc Godard's neo-noir foray into science fiction following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state.<br/><br/>Shot on location in Paris. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 25. Rosenbaum 1000. Grant US. Godard Histoires du cinema. Athos Films / Chaumiane / Filmstudio unknown books
N.p.: Andre Michelin Productions 1965. Vintage borderless reference photograph of Eddie Constantine as Lemmy Caution in bed armed and reading a French translation of Raymond Chandler's "The Big Sleep" from the 1965 film. Printed snipe and provenance stamp of "G. Toussier" on verso. <br/><br/>Jean-Luc Godard's neo-noir foray into science fiction transplanting the fictional detective Lemmy Caution Constantine into a dystopian future assigned to kill the machine intelligence that rules over a fascist state where emotion is outlawed.<br/><br/>9.5 x 7.25 inches. Very light edgewear to the corners else Near Fine. <br/><br/>Criterion Collection 25. Godard Histoires du Cinema. Grant France. Rosenbaum 1000. Andre Michelin Productions unknown books
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