Culver City CA: Columbia Pictures 1982. Revised Draft script for the 1983 film. Copy belonging to uncredited production designer Bogdan Kostrynski with annotations in holograph ink on the front wrapper: PLEASE RETURN TO SCENIC DEPT and a working title "Survivors" as well as a few penciled annotations throughout Donald Williams is fired from his upper management position in a nondescript company and Sonny Matthau a Korean war veteran with a recently exploded gas station. The two meet and become friends at the unemployment office. Later at a diner a masked gunman Reed attempts a robbery fails and flees but not before Sonny recognizes him. A series of events leaves Donald in a state of survivalism leaving him on a collision course with his new partner. Notable earlier directorial efforts by Ritchie include "Downhill Racer" 1969 "Prime Cut" 1972 and "The Candidate" 1972. Shot on location in California New York and Vermont. Yellow titled wrappers undated title page not present presumably as issued. 115 leaves with last page of text numbered "97-B." Xerographically duplicated on pink and yellow stock with pink revision pages dated variously between 11/12/82 and 11/16/82 . Very Good plus bound internally with a silver prong brad. Columbia Pictures unknown
Hollywood: Paramount Pictures. Final Draft script for the 1955 film. Actor Van Heflin's copy with his name on the front wrapper and his holograph annotations throughout. Based on the novel "Jovanka e le altre" by Urgo Pirro. Once branded himself by the House Un-American Activities Committee award-winning director Martin Ritt focuses on the cruel branding of five women in this standard wartime drama. Some of his better-known films The Spy Who Came In from the Cold Norma Rae also deal with the question of social and ethical choices in the face of pressure. In this story the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women played by Silvana Mangano Vera Miles Barbara Bel Geddes Jeanne Moreau and Carla Gravina have their heads shaved in order to brand them as traitors. Eleanor Mannikka AllMovie Filmed on location in Italy and Austria. Orange untitled wrappers with the Dino De Laurentiis stamp and numerous annotations. Title page present noted as Final Draft with credits for screenwriters Michael and Achilles for screenwriter Pirro and for director Ritt. 153 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown
Burbank CA: Warner Brothers 1986. Draft script for the 1987 film. Based on Topor's 1979 play of the same name a call girl kills her client in self-defense. Her parents want to avoid a scandal by having her declared mentally incompetent. against her wishes. Robert Webber's final film before his death in 2009. It was also Leslie Nielsen's final dramatic role. Set in New York City and filmed on location there. Gray titled wrappers. Title page present dated February 3 1986 with credits for screenwriters Ponicsan and Sargent. 140 leaves mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1990. Vintage studio still photograph from the US release of the 1990 film. Jane Fonda a struggling widow and working mother befriends the illiterate Robert De Niro and teaches him to read. During the production the film was picketed by Vietnam veterans who disliked Jane Fonda's anti-war activities decades prior to the film. Shot on location in Canada and the US. 8 x 10 inches. Fair with a large diagonal crease and red holograph annotations on the recto and on the verso. Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown
Hollywood: Paramount Pictures 1970. Collection of seven vintage borderless studio still photographs from the 1970 film. Paper snipe affixed to the verso. Set to the backdrop of coal country Pennsylvania the film follows a secret organization of Irish miners formulated to fight oppressive mine owners. Sean Connery stars as the treacherous leader Jack Kehoe. Shot on location in Pennsylvania. 8 x 10 inches. Very Good plus with extensive holograph graphite annotations to the verso. Complete collation details available on request. Paramount Pictures unknown
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1963. Draft script for the 1964 film. A remake of Kurosawa's 1950 film "Rashomon" envisioned as a Western four witnesses of a rape and murder case has conflicting views of the crime while at trial. Who can be trusted when all four accounts pin the blame on someone different and creates different motivations for the crimes Set in American Southwest shot on location in California and Arizona. White self wrappers title page integral with first page of text. 108 leaves with last page numbered 108. Mechanical duplication with blue revision pages dated variously from October 9 1963 to October 29 1963. Pages Near Fine bound with three gold brads. Metro-Goldwyn-Mayer [MGM] unknown
N.p.: Laugh or Die 1978. Two vintage black-and-white studio still photographs from the 1978 film. A role reversal comedy about the first pregnant man written and directed by comedian Joan Rivers. 8 x 10 inches and 10 x 8 inches. Near Fine with slight creasing to the recto. Complete collation details available on request. Laugh or Die unknown
Paris: Ajym Films 1961. Original French moyenne poster affiche for the 1961 French film. Winner of the 1962 Sutherland Trophy for best first or second feature by the British Film Institute. Scarce with only two copies found in Cine-ressources. A labor of love released after numerous financial woes and a three-year production schedule "Paris Belongs to Us" did not cause the same stir as did the debuts of Rivette's "Cahiers du Cinema" peers though today it is seen as a film with an importance on the same level as the first works of Truffaut Godard and Chabrol. Rivette retained his post at the journal throughout the 1960s even serving as editor from 1963 to 1965 as the French New Wave was in full swing. It wasn't until the start of the 1970s that Rivette's filmmaking career took off but the sensibilities and aesthetic values behind beloved masterpieces such as "Celine and Julie Go Boating" and "La belle noiseuse" are well on display in an exceptional first effort. Rivette's career is generally defined by his adherence to long-form storytelling and a sense of structural reflexivity. This first feature serves as a perfect preamble to the epics that followed offering early insight into his sense for both larger scope and narrative complexity. At a confident 140 minutes the runtime of "Paris Belongs to Us" is roughly 40 minutes longer than any other first feature of the French New Wave though it pales in comparison to his later work particularly the twelve-hour "Out 1". Further with its focus on a theatrical Shakespeare production Rivette uses film to comment on its relationship to the stage a theme he would address in future films. Set and shot in the streets and apartments of Paris. 23 x 31.5 inches folded as issued. Small exhibitor or distributor stamp to recto and verso. About Near Fine with small clean staple holes at corners and vertical fold very minor fold separation at edges and center. A wonderful of example of an unrestored and scarce poster for a landmark debut feature. BFI 656. Ajym Films unknown
N.p.: N.p. 1936. Treatment script for an unproduced film. A newsboy meets a professional dancer and the pair become highly respected in the couples dance circuit in New York City before the newsboy's boss desires the dancer for himself and sends the newsboy to cover the dance circuit nationwide in order to get him out of the picture. Untitled manilla wrappers. Title page integral with the first page of the script dated April 22 1936 with credits for screenwriter Rivkin. 12 leaves mimeograph on onionskin stock. Pages Near Fine wrapper Near Fine side stiched. N.p. unknown
Los Angeles: Paramount Pictures 1971. Collection of four vintage borderless reference photographs and one vintage borderless studio still photograph from the 1971 film. Three with printed mimeo snipes affixed to the verso and the stamp of Paramount Pictures and two with the stamps of Israel Film Archive on the verso. <br/><br/>Based on Roald Dahl's 1964 novel "Charlie and the Chocolate Factory" with a screenplay also written by Dahl. A poor but cheerful young boy finds one of the prized five golden tickets which grants access to chocolatier Willy Wonka's mysterious factory. <br/><br/>Shot on location in Munich.<br/><br/>Approximately 10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Paramount Pictures unknown books
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
Bon état - . quelques marques de lecture et/ou de stodckage sur couverture et coins mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
Bon état - . quelques marques de lecture et/ou de stodckage sur couverture et coins mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
Bon état - . quelques marques de lecture et/ou de stodckage sur couverture et coins mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
London: First Independent Films Limited 1991. Vintage black-and-white still photograph from the UK release of the 1990 film. <br/><br/>Kathy Bates' Academy award winning performance elevated the film to one of the best and highest grossing Stephen King adaptations. <br/><br/>8 x 10 inches. Ink notation on the verso else Near Fine. First Independent Films Limited unknown books
France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With holograph annotations in pencil on the verso. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. 7 x 5 inches. Near Fine. Arcadie Productions unknown
Hollywood: Paramount Pictures 1981. Vintage studio still photograph from the American release of the 1981 film. Snipe affixed to the image. Peter MacNicol best known for his role in the Academy Award winning drama "Sophie's Choice" plays a young magician apprentice faced with stopping a ferocious dragon. The film was notable for its advanced visual effects even receiving two Academy Award nominations. Cinematographer Derek Vanlit shot the seminal science fiction classic "Alien" two years earlier. Set in a 16th century kingdom shot in various locations across the UK. 10 x 8 inches. Very Good plus. Complete collation details available on request. Paramount Pictures unknown
Paris: Gaumont 1961. Original program for the 1961 French film here under the original French title. Illustrated in red black and white and stills from the film with laid-in synopsis sheets featuring the "Fenouillard" family and oversize umbrella illustration on the rectos. Based on the 19th century French comic by Marie Louis Georges Colomb Christophe one of the earliest in the country's history. Leocadie Fenouillard Desmarets and her family travel to France to visit the Eiffel Tower but end up on a boat headed for Brazil. They escape being eating by cannibals and sail to somewhere in the Arctic where they take refuge in an igloo. Their adventures take them to Japan where they imitate geishas and finally through Africa's riverbanks until they return home all without once seeing the Eiffel Tower. Program 9.25 x 12 inches saddle-stitched 4 leaves with 2 loose sheets slightly smaller. Very Good plus with light foxing and a few short creases. Gaumont unknown
Beverly Hills CA: United Artists 1955. Vintage press photograph from the set of the 1955 film.<br/><br/>Based on Clifford Odets' 1949 Broadway play. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant Worldwide. Selby US Canon. Silver and Ward Classic Noir. Spicer US. United Artists unknown books
Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. <br/><br/>One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. <br/><br/>Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown books
Burbank CA: Warner Brothers 1963. Two vintage studio still photographs from the 1963 film showing actors Frank Sinatra Dean Martin Anita Ekberg and Ursula Andress. With cropping annotations in holograph pencil on the verso along with a provenance stamp.<br/><br/>Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. <br/><br/>Shot on location in Mojave and Cantil California. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request.<br/><br/>Pitts 1422. Warner Brothers unknown books
London: Twentieth Century-Fox 1966. Two vintage black-and-white still photographs from the 1966 UK release of the 1965 US film. Mimeograph snipes and rubber-stamps on the versos cropping annotations on the recto of 1 still. <br/><br/>One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. <br/><br/>A story set in the Sahara desert shot on location in California and Arizona. <br/><br/>8 x 10 inches. About Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
London: Unviersal International Pictures 1961. Collection of 5 vintage full-color still photographs from the 1961 UK release of the 1961 US film. <br/><br/>Based on Howard Rigsby's novel "Sundown at Crazy Horse" about a cowboy who on the lam from the law travels to visit an old flame in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br/><br/>A story set and shot on location in Mexico. <br/><br/>8 x 10 inches. Faint creases overall else Near Fine. Unviersal International Pictures unknown books
Universal City: Universal Pictures 1960. Vintage borderless reference photograph of actor Rock Hudson signing autographs on the set of the 1961 Western film here under the working title "The Day of the Gun." With a printed mimeo snipe affixed to the verso along with the stamp of still photographer Shirley Clarke not to be confused with the filmmaker of the same name.<br/><br/>Based on the 1957 novel "Sundown at Crazy Horse" by Howard Rigsby under the pseudonym Vechel Howard. While on the run from the law a cowboy travels to visit an old lover in Mexico only to find her married to a drunk.<br/><br/>Set in Texas and Mexico and shot on location in Mexico. <br/><br/>8 x 10 inches. Very Good plus with light creasing to the edges. <br/><br/>Pitts 2237. Universal Pictures unknown books
Universal City: Universal Pictures 1961. Vintage photograph of Robert Aldrich and Kirk Douglas on the set of the 1961 film. With holograph annotations on the verso in green and brown ink and pencil. <br/><br/>Based on the 1957 novel by Howard Rigsby under the pseudonym Vechel Howard about a cowboy who on the run from the law travels to visit an old lover in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br/><br/>Set and shot on location in Mexico. <br/> <br/>10 x 8 inches. Near Fine. Universal Pictures unknown books
Burbank CA: Warner Brothers 1973. Vintage reference photograph taken on the set of the 1973 film showing actor Lee Marvin to the far left with a camera crew capturing the shot to the right. With the stamps of Warner Brothers and still photographer Mac Julian to the verso.<br/><br/>Director Robert Aldrich's portrait of the hard-boiled men who made their reputations by way of the railroad during the Depression. One of the best and most underrated American films of the early 1970s. <br/><br/>Set and shot on location in Oregon. <br/><br/>9.5 x 4 inches with wide margins. Very Good plus with light wear to the corners. Warner Brothers unknown books
Burbank CA: Warner Brothers 1978. Final Draft screenplay for the 1979 film "The Frisco Kid" seen here under the early working title "No-Knife." <br/><br/>Though first offered to John Wayne the part of "Tommy" went to Harrison Ford when Wayne declined having been offered less than his usual fee. Director Aldrich's second Comedy Western following his 1963 Frank Sinatra film "Four for Texas." Gene Wilder plays a Polish rabbi who ventures into the American West to lead a synagogue. Things don't go well on the way where he is nearly burned at the stake and killed by outlaws fortunately encountering Ford in the nick of time. <br/><br/>Set in the Old West largely on a desert road between Pennsylvania and San Francisco and shot on location in various locations in Colorado California and Arizona. <br/><br/>Pale blue titled wrappers noted as FINAL DRAFT on the front wrapper dated 10/16/78 Rev. 10/25/78. Title page present dated October 16 1978 noted as FINAL DRAFT with credits for screenwriters Elias and Shaw. #PAGES leaves mechanical duplication with blue revision pages throughout dated either 9/26/78 or 10/25/78. Pages Near Fine wrapper about Near Fine bound with two gold brads. Warner Brothers unknown books
London: Cinema International 1976. Vintage black-and-white still photograph from the 1976 UK release of the 1975 US film. Mimeo tag affixed to the verso with cropping annotations in holograph pencil and a UK distributor stamp. <br/><br/>Lt. Phil Gaines Reynolds is a tough Los Angeles detective investigating the death of a young woman and having a troubled relationship with a call girl Deneuve. Features an early role by Robert Englund Fred "Freddy" Krueger in the "Nightmar on Elm Street" films. An often overlooked entry in the late cycle of film noir. <br/><br/>Set in California and shot on location there. <br/><br/>8 x 10 inches. About Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Grant US. Silver Classic Noir. Spicer US. Cinema International unknown books
Los Angeles: Twentieth Century-Fox 1979. Collection of six vintage black-and-white studio still photographs from the 1979 film. <br/><br/>A 1979 romantic comedy about a an older man and his young earth-mama musical girlfriend. The role of Marta Heflin was originally written for Sandy Dennis but due to a costar's cat allergies coupled with Dennis' pension for bring cats to script readings the role was recast with Sheila Shea. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
N.p.: Lion's Gate Films 1979. Collection of eight vintage color studio still photographs from the 1979 film. <br/><br/>A 1979 romantic comedy about a an older man and his young earth-mama musical girlfriend. The role of Marta Heflin was originally written for Sandy Dennis but due to a costar's cat allergies coupled with Dennis' pension for bring cats to script readings the role was recast with Sheila Shea. <br/><br/>10 x 8 inches. Near Fine with a small dampstain to the margin of image 1. <br/><br/>Complete collation details available on request. Lion's Gate Films unknown books
N.p.: Lion's Gate Films 1979. Collection of five vintage studio still photographs from the 1979 film. <br/><br/>A 1979 romantic comedy about a an older man and his young earth-mama musical girlfriend. The role of Marta Heflin was originally written for Sandy Dennis but due to a costar's cat allergies coupled with Dennis' pension for bring cats to script readings the role was recast with Sheila Shea. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Lion's Gate Films unknown books
Beverly Hills CA: United Artists 1976. Set of eight vintage color studio still photographs from the 1976 western film. With the stamp of a Canadian film distributor on the verso.<br/><br/>Based on the 1968 play "Indians" by Arthur Kopit. A revisionist look at the Buffalo Bill legend in which the buffoonish Bill Paul Newman hires Chief Sitting Bull Frank Kaquitts to star in his Wild West Show but finds himself frequently butting heads with Sitting Bull's own vision of the American west. <br/><br/>Shot on location in Alberta Canada. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Pitts 554. United Artists unknown books
N.p.: N.p. 1978. Two vintage borderless photographs shot on the set of the 1978 film one of Robert Altman behind the camera and one of Altman and Carol Burnett.<br/><br/>In a style that Altman invented and had by this time more than mastered a soup of overlapping stories told in the context of a middle-class wedding in the American South and all taking place on a single day. <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books
N.p.: N.p. 1994. Vintage borderless double weight color reference photograph of director Robert Altman with Julia Roberts and Lyle Lovett on location at Roissy Airport Charles de Gaulle Airport for the 1994 film. French and English printed "Sipa Press" snipe and "Pica Pressfoto" label on verso. <br/><br/>Altman's lightly sardonic take on Paris Fashion Week featuring an enormous and star-studded ensemble cast of international actors models and designers.<br/><br/>Set in and shot on location in Paris France . <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books
Chicago: Olive Films 1969. Collection of 4 vintage black-and-white still photographs from the 1969 film. Based on the novel by Peter Miles. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Olive Films unknown books
Los Angeles: Commonwealth United Entertainment 1969. Vintage color studio still photograph from the 1969 film. Based on the novel by Peter Miles. <br/><br/>The feature film that brought Robert Altman to the attention of the film world giving him the break he needed to make "MASH" in the year that followed. A gothic psychological thriller that explores a spinster's depth of loneliness and sexual longing. She happens upon a young mute man in the park who she invites to live in her house. The film was not a box office success and has received a relatively negative reception mostly due to its unclarified theme. <br/><br/>Shot on location in Vancouver Canada. <br/><br/>10 x 8 inches. Near Fine condition. <br/><br/> <br/><br/>Olive 540. Commonwealth United Entertainment unknown books
Hollywood: Paramount Pictures 1974. Vintage press kit for the 1974 film. Includes 29 vintage black-and-white studio still photographs each with the Paramount two-color folding snipe a facsimile cover of Newsweek drawn from the film's content a dense program that includes essays on the making of the film and several stapled information sheets. <br/><br/>Folder 9 x 11.5 inches. Contents 8 x 10 inches. Contents Fine housed in a Very Good studio folder. Paramount Pictures unknown books
Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film which originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film.<br/><br/>Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. <br/><br/>Shot on location in Paris.<br/><br/>10.25 x 7 inches. Fine. Gamma unknown books
Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. <br/><br/>Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. <br/><br/>12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. <br/><br/>National Film Registry. Twentieth Century-Fox unknown books
London: National Film Archives / Rank Organisation 1960. Vintage black-and-white still photograph from the 1960 UK film. Cropping annotations on both sides of the still <br/><br/>When a grocery boy has his heart broken he decides to join the Navy where he is to man the first British rocket. Both Michael Caine and Oliver Reed make brief cameos. <br/><br/>6.25 x 8 inches. Very Good plus with light a shallow crease. National Film Archives / Rank Organisation unknown books
Burbank CA: Martin Ransohoff Productions 1980. Draft script for an unproduced film. <br/><br/>Western featuring Lazarus a fugitive cowboy who cant keep out of trouble. <br/><br/>Red titled wrappers. Title page present with credits for screenwriter Robert Avard Miller composer George Leonard and producer A. Ronald Lubin. 111 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Near Fine bound internally with three gold brads. Martin Ransohoff Productions unknown books
Burbank CA: Warner Brothers / American Broadcasting Company ABC 1989. First Draft script for the season one episode eight of the 1989 television show originally broadcast March 25 1989 on ABC here under the working title "White Poison." Virgil Vogel credited here as Director but Harry Falk would receive final credit as Director of the episode. <br/><br/>"Hawk" was based on a character from the crime drama series "Spencer: For Hire" 1985-1988. Avery Brooks an African American actor reprising his role from the former series starred as the sharp-dressed streetwise sunglasses-wearing elongated Colt revolver-toting vigilante with a deep sense of being. <br/><br/>In this episode Hawk is tracking the source of heroin laced with strychnine but his task is constantly interrupted by a nosy reporter. <br/><br/>Orange titled wrappers noted as FIRST DRAFT on the front wrapper dated January 27 1989. Title page present dated January 27 1989 noted as FIRST DRAFT with credits for screenwriters Parker and director Vogel as well as credits for executive producers producers associate producer and unit production manager. 62 leaves with last page of text numbered 58. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers / American Broadcasting Company [ABC] unknown books
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