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Robert Bob Willoughby photographer; Clive Donner director; Eliot Baker screenwriter; Murray Schisgal play; Jack Lemmon Peter Fa
Luv Original oversize double weight color photograph of Jack Lemmon Elaine May and Peter Falk from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown books
Bookseller reference : 139540
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Robert Bob Willoughby photographer; David Lean director; Robert Bolt screenwriter; Robert Mitchum John Mills Christopher Jones
Ryan's Daughter Original double weight photograph for the set of the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Bookseller reference : 139510
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Robert Bob Willoughby photographer; Edward Dmytryk director; Millard Kaufman screenwriter; Elizabeth Taylor Montgomery Clift st
Raintree County Original photograph from the 1956 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br/><br/>A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br/><br/>8 x 10 inches. Near Fine with black holograph ink annotations to the verso and hole punches to the margin. Metro-Goldwyn-Mayer [MGM] unknown books
Bookseller reference : 141567
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Robert Bob Willoughby photographer; Edward Dmytryk director; Millard Kaufman screenwriter; Elizabeth Taylor Montgomery Clift st
Raintree County Original photograph from the 1956 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br/><br/>A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Bookseller reference : 141247
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Robert Bob Willoughby photographer; Henry Koster director; Joseph Fields screenwriter play; Oscar Hammerstein II play; CY. Lee
Flower Drum Song Original double weight photograph from the 1961 film
Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br/><br/>Hirschhorn p. 373. Universal Pictures unknown books
Bookseller reference : 139506
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Robert Bob Willoughby photographer; J. Lee Thompson director; John D. MacDonald novel; James R. Webb screenwriter; Sy Bartlett p
Cape Fear Original double weight photograph on the set of the 1961 film
N.p.: N.p. 1961. Vintage oversize double weight candid photograph of Gregory Peck and producer Sy Bartlett conferring on the set of "Cape Fear" in 1961 during the final scene in which Peck's character Sam Bowden fights in swamp water with Max Cady Robert Mitchum. Shot struck and mounted by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph ink: "Greg on set listens to producer Sy Bartlett." With Willoughby's ASMP rubber stamp with his Pacific Palisades address and a separate stamp with the address of the Lee Gross Agency in New York. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 9 inches. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Silver Classic Noir. Selby US. Spicer US. N.p. unknown books
Bookseller reference : 133200
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Robert Bob Willoughby photographer; Jack Lemmon director; John Paxton screenwriter; Katharine Topkins novel; Walter Matthau Deb
Kotch Original double weight photograph from the 1971 film
Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown books
Bookseller reference : 139538
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Robert Bob Willoughby photographer; Mike Nichols director; Joseph Heller novel; Buck Henry screenwriter; Alan Arkin Art Garfunk
Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969
N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br/><br/>National Film Registry. N.p. unknown books
Bookseller reference : 133199
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Robert Bob Willoughby photographer; Otto Preminger director; Arthur Laurents screenwriter; Francoise Sagan novel Deborah Kerr
Bonjour Tristesse Original oversize double weight photograph from the set of the 1958 film
Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily holograph description of the scene on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown books
Bookseller reference : 139533
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Robert Bob Willoughby photographer; Otto Preminger director; Arthur Laurents screenwriter; Francoise Saga novel; Deborah Kerr D
Bonjour Tristesse Original photograph from the set of the 1957 film
Culver City CA: Columbia Pictures 1957. Vintage oversize double weight photograph of Jean Seberg Otto Preminger David Niven and the stand-ins for Seberg and Niven on the set of "Bonjour Tristesse" in the late summer of of 1957 in Cote d'Azur France. Shot struck and mounted by the film's still photographer Bob Willoughby. Willoughby's annotations regarding same present on the verso along with Willoughby's stamps and a stamp for the Sygma Agency in Paris. Full provenance available. <br/><br/>In a subtle homage to early cinema Preminger took the uncommon approach of interspersing black-and-white sequences in what was primarily a color film and pitted the seasoned stalwart David Niven against young and unconventional Jean Seberg the latter fresh from her internationally acclaimed performance in Godard's "Breathless."<br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 13.75 inches. Near Fine. Columbia Pictures unknown books
Bookseller reference : 133206
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Robert Bob Willoughby photographer; William Wyler director; John Michael Hayes screenwriter; Lillian Hellman play; Audrey Hepbur
The Children's Hour Original double weight photograph for the 1961 film
Beverly Hills CA: United Artists 1961. Vintage oversize double weight borderless still photograph from the 1961 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>Based on Lillian Hellman's 1934 play about two teachers at an all-girls boarding school accused of being in a lesbian relationship by one of the students ruining the careers and personal lives of both. The play was previously adapted by William Wyler in 1936 as "These Three" though the Production Code forced Hellman to change the substance of the rumor from homosexuality to infidelity. The 1961 version restores the content of the child's lie and is overall incredibly faithful to the stage play. Nominated for five Academy Awards including a Best Supporting Actress nomination for Fay Bainter. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.25 inches. Near Fine. United Artists unknown books
Bookseller reference : 139518
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Robert Boris (screenwriter)
The Dangerfield Safari Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A jaded safari guide is coerced into hunting a wily killer elephant gradually realizing he feels more at home among the wild animals in the bush than the changing realities of life in Africa.<br /> <br /> Set in Africa.<br /> <br /> Mustard titled wrappers with credits for screenwriter Robert Boris. Title page present with credit for screenwriter Robert Boris. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
Bookseller reference : 146883
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Robert Boris director screenwriter; Elliott Kastner producer; Rob Lowe Ally Sheedy starring
Oxford Blues Original screenplay for the 1984 film with notations throughout
Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1983. First Draft script for the 1984 film. Numerous annotations possibly belonging to Rob Lowe in holograph ink and in pencil on the front wrapper and throughout the script noting his character's emotions style and motivations. <br/><br/>An American hustler targets a wealthy English woman and follows her to England. His only chance of engaging her is by joining the rowing team at Oxford University. One of the first "Brat Pack" films and a remake of the 1938 Jack Conway film "A Yank at Oxford." <br/><br/>Self wrappers. Title page integral with front wrapper dated October 13 1983 noted as FIRST DRAFT with credits for screenwriter Boris and producer Kastner. 125 leaves photocopied. Pages about Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / United Artists unknown books
Bookseller reference : 131330
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Robert Bresson (director, screenwriter); Anne Wiazemsky, Walter Green, Francois Lafarge, Jean-Claude Guilbert (starring)
Au Hasard Balthazar Original French lobby card from the 1966 film
N.p.: N.p. 1966. Vintage French lobby card from the 1966 film. <br /> <br /> Revered as one of the masterpieces of cinema Robert Bresson follows a donkey Balthazar through his life as he is passed from owner to owner most treating him cruelly. <br /> <br /> Set in and shot on location in Yvelines France. <br /> <br /> 11.75 x 9.25 inches. Very Good plus with pinholes and creasing to corners. <br /> <br /> Criterion Collection 297. Godard Histoires du cinema. Rosenbaum 1000. Ebert II. N.p. unknown
Bookseller reference : 148322
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Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan
Lancelot of the Lake Lancelot du lac Original oversize photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso.<br /> <br /> Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. <br /> <br /> Rosenbaum 1000. N.p. unknown
Bookseller reference : 150217
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Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan
Lancelot of the Lake Lancelot du Lac Original photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso.<br /> <br /> Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Bookseller reference : 150864
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Robert Bresson (director, screenwriter); Luc Simon, Laura Duke Condominas, Humbert Balsan (starring)
Lancelot of the Lake Lancelot du Lac Original photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. <br /> <br /> Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 9.25 x 7 inches. Near Fine.<br /> <br /> Rosenbaum 1000. N.p. unknown
Bookseller reference : 150503
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green, Jean Pelegri (starring)
Pickpocket Original photograph from the 1959 French film
Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. <br /> <br /> Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown
Bookseller reference : 160494
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green, Jean Pelegri (starring)
Pickpocket Two original photographs from the 1959 film
N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br /> <br /> Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> 7.25 x 5.25 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown
Bookseller reference : 148847
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green (starring)
Pickpocket Original photograph from the set of the set of the 1959 film
France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. <br /> <br /> Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> 5 x 7.25 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown
Bookseller reference : 140945
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Robert Bresson (director, screenwriter); Antoine Monnier, Tina Irissari, Henri de Maublanc (starring)
The Devil Probably Le Diable probablement Three original photographs from the 1977 French film
N.p.: N.p. 1977. Three vintage reference photographs from the 1977 French film. Provenance labels and layout annotations in manuscript ink and pencil on the versos. <br /> <br /> A young alienated student grapples with his diminished faith in relationships religion and politics ultimately deciding that ending his life is the only option. Restricted to ages 18 and older in France as a result of its suicidal themes and described by Richard Hell as "by far the most punk movie ever." <br /> <br /> 9.5 x 7 inches. Two Near Fine one Very Good plus with ink residue on the recto. <br /> <br /> Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. N.p. unknown
Bookseller reference : 167751
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Robert Bresson (director, screenwriter); Florence Delay, Jean-Claude Fourneau, Roger Honorat (starring)
The Trial of Joan of Arc Le proces de Jeanne d'Arc Three original photographs from the US release of the 1962 French film
N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph.<br /> <br /> A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen.<br /> <br /> Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown
Bookseller reference : 151672
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Robert Bresson (director, screenwriter); Dominique Sanda, Guy Frangin (starring)
Une Femme Douce A Gentle Woman Original flyer for the 1969 French film
N.p.: Images et Loisirs 1990. Vintage flyer for a re-release of the 1969 French film. Text and titles in French.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on the 1876 short story by Fyodor Dostoevsky about a man reflecting on his wife's recent unexplained suicide. <br /> <br /> 5 x 8 inches. Single leaf recto and verso. Fine. <br /> <br /> Radiance Films 151. Images et Loisirs unknown
Bookseller reference : 162072
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Robert Bresson director screenwriter; Andre Devigny memoir; Francois Leterrier starring
A Man Escaped Un condamne a mort s'est echappe ou Le vent souffle ou il veut Original photograph from the set of the 1957 film
Neuilly-sur-Seine France: Gaumont 1956. Vintage borderless photograph from the set of the 1956 film showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. <br/><br/>Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny about a French Resistance member's escape from the Nazi controlled prison of Montluc. Like Devigny Bresson himself was a French POW during the war. Nominated for the Palme d'Or at Cannes. <br/><br/>6.5 x 9 inches. Very Good plus with shallow diagonal creasing to the corners. <br/><br/>Criterion Collection 650. Ebert IV. Rosenbaum 1000. Selby France. Gaumont unknown books
Bookseller reference : 143336
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Robert Bresson director screenwriter; Anne Wiazemsky Walter Green Francois Lafarge starring
Au Hasard Balthazar Balthazar Collection of four original photographs from the 1966 French film
London: Gala Film Distributors 1966. Collection of four vintage reference photographs from the 1966 French film. With printed mimeo snipes specific to the film's UK release affixed to the verso. <br/><br/>A donkey named Balthazar is followed through his life in rural France as he is passed from owner to owner most treating him cruelly. Revered as one of the masterpieces of French cinema. <br/><br/>Set in and shot on location in Yvelines France. <br/><br/>10 x 8 inches. Very Good plus several with faint soil on the edges. Gala Film Distributors unknown books
Bookseller reference : 151335
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Robert Bresson director screenwriter; Antoine Monnier Tina Itissari Henri de Maublanc Laetitia Carcano Nicolas Deguy starri
The Devil Probably Collection of eight original photographs from the 1977 film
Paris: Sunchild Productions 1977. Collection of eight vintage photographs from the 1977 film. <br/><br/>In a fine outing from a director who basically made no missteps protagonist Charles drifts Bressonially through politics religion and psychoanalysis rejecting them all. Once he realizes the depth of his disgust with the moral and physical decline of the world he lives in he decides that suicide is the only option. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. Sunchild Productions unknown books
Bookseller reference : 145745
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Robert Bresson director screenwriter; Martin LaSalle Marika Green starring
Pickpocket Original photograph from the set of the set of the 1959 film
France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and holograph pencil annotations regarding layout and identifying the image on the verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>5 x 7.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books
Bookseller reference : 140945
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Robert Bresson director screenwriter; Martin LaSalle Marika Green Jean Pelegri starring
Pickpocket Two original photographs from the 1959 film
N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>7.25 x 5.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown books
Bookseller reference : 148847
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Robert Bright (novel); Tim Michael (screenwriter)
The Spirit of the Chase Original treatment script for an unproduced film
N.p.: N.p. 1971. Treatment script for an unproduced film.<br /> <br /> Based on the 1957 novel by Robert Bright. In postwar France an art collector discovers clues to the whereabouts of a major masterpiece long considered lost to time and sets off in pursuit of the treasure. <br /> <br /> Set in Paris. <br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriter Tim Michael and novelist Robert Bright. 39 leaves with last page of text numbered 37. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
Bookseller reference : 153167
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Robert Butler director; Jonathan Brett screenwriter; Ray Liotta Lauren Holly starring
Turbulence Original screenplay for the 1997 film
Los Angeles: Turbulence Productions 1996. Revised Fourth Draft script for the 1997 film.<br/><br/>After both pilots and the navigator are killed mid-flight by two prisoners on board a brave flight attendant must direct the plane to safety.<br/><br/>Blue titled wrappers. Title page present dated May 6 1996 noted as Revised Fourth Draft with credits for screenwriter Jonathan Brett and revisions by Steven E. de Souza and John Herzfeld. 146 leaves with last page of text numbered 119. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 1996 and May 6 1996. Pages Near Fine wrapper Near Fine bound with two gold brads. Turbulence Productions unknown books
Bookseller reference : 146034
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Robert Butler director; Michael Kozoll Steven Bochco screenwriter; Daniel J. Travanti Michael Conrad Michael Warren Bruce We
Hill Street Blues: Politics as Usual Original teleplay script for the 1981 television episode
Los Angeles: Twentieth Century-Fox 1980. First Draft script for Episode 3 from Season 1 of the 1981 television series. The debut season of the show received eight Emmy Awards and a total of 98 Emmy nominations during its seven season run. <br/><br/>A police drama with the appearance of a documentary feel. In the last episode a presidential visit is scheduled for the Hill Street Station. In this episode negotiations about the visit continue while old partners split up and some cops take bribes. <br/><br/>Set on Hill Street. <br/><br/>Red untitled wrappers. Title page present dated October 20 1980 noted as Script #2 with credits for screenwriter Michael Kozoll and Steven Bochco. 63 leaves with last page of text numbered 60. Mechanical duplication with revision pages throughout dated variously between June 28 1980 and October 20 1980. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
Bookseller reference : 140786
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Robert Canton (director, screenwriter); Allen Garfield, Jennifer Welles, Robert Heinz (starring)
The Good the Bad and the Beautiful Original photograph from the 1970 film
N.p.: Abrams and Parish 1970. Vintage studio still photograph from the 1970 film. <br /> <br /> A sexploitation melodrama about the cruelties and perversities of a group of politicians in the days leading up to an election. <br /> <br /> 10 x 8 inches. Near Fine. Abrams and Parish unknown
Bookseller reference : 157621
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Robert Clouse director; Gregory Teifer screenwriter; Robert Mitchum Richard Egan Leslie Nielsen Bradford Dillman starring
The Amsterdam Kill Original photograph from the 1977 film
London: National Screen Service / EMI Films Limited 1978. Vintage full-color still photograph from the 1978 UK release of the 1977 Chinese-American film. <br/><br/>Robert Mitchum stars as ex-DEA agent Quinlan hired by a the leader of a drug cartel in Amsterdam to act as a rat and give the DEA information on drug deals. <br/><br/>8 x 10 inches. Very Good plus with a diagonal crease and slight waviness to the top edge. National Screen Service / EMI Films Limited unknown books
Bookseller reference : 132909
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Robert Collins (director, screenwriter); William Sullivan, William Brown (book); Treat Williams, Joe Regalbuto (starring)
J. Edgar Hoover Hoover Original screenplay for the 1987 film
Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987.<br /> <br /> A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI."<br /> <br /> Set in Washington DC<br /> <br /> Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown
Bookseller reference : 146118
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Robert Collins director screenwriter; William Sullivan William Brown book; Treat Williams Joe Regalbuto starring
J. Edgar Hoover Hoover Original screenplay for the 1987 film
Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987.<br/><br/>A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI."<br/><br/>Set in Washington DC<br/><br/>Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown books
Bookseller reference : 146118
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Robert D. Webb director; WR. Burnett story; Harold Medford screenwriter; Vincent Price Diana Ivarson Robert Gunner starring W.
The Jackals Original color photograph from the 1967 film
Los Angeles: Twentieth Century-Fox 1967. Vintage color studio still photograph from the 1967 film. <br/><br/>A South African DeLuxe Color remake of William A. Wellman's 1948 film "Yellow Sky" based on W.R. Burnett's unpublished novel which was loosely based on William Shakespeare's "The Tempest."<br/><br/>Prospector Oupa Decker Vincent Price and his granddaughter Diana Ivarson are targeted by bandits led by 'Stretch' Hawkins Robert Gunner.<br/><br/>Set in South Africa shot on location in Australia and South Africa. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
Bookseller reference : 147882
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Robert Daley (novel); Sidney Lumet (director, screenwriter); Robert Daley (novel); Jay Presson Allen (screenwriter); Treat Willi
Prince of the City Original photograph from the set of 1981 film
Beverly Hills CA: Orion Pictures 1981. Vintage studio still photograph of Sidney Lumet and Treat Williams on the set of the 1981 film. French mimeo snipe on the verso. <br /> <br /> Based on Robert Daley's 1978 nonfiction book of the same name. New York detective Daniel Ciello Treat Williams joins the Department of Justice to help put an end to police corruption. Along the way he uncovers a conspiracy and finds himself getting closer to the heart of the corruption than he anticipated. <br /> <br /> Shot on location in New York City. <br /> <br /> 10.25 x 8 inches. Near fine some edgewear. <br /> <br /> Spicer US Neo-Noir. Orion Pictures unknown
Bookseller reference : 146142
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Robert Daley novel; Sidney Lumet director screenwriter; Robert Daley novel; Jay Presson Allen screenwriter; Treat Williams Jer
Prince of the City Original photograph from the set of 1981 film
Beverly Hills CA: Orion Pictures 1981. Vintage studio still photograph of Sidney Lumet and Treat Williams on the set of the 1981 film. French mimeo snipe on the verso. <br/><br/>Based on Robert Daley's 1978 nonfiction book of the same name. New York detective Daniel Ciello Treat Williams joins the Department of Justice to help put an end to police corruption. Along the way he uncovers a conspiracy and finds himself getting closer to the heart of the corruption than he anticipated. <br/><br/>Shot on location in New York City. <br/><br/>10.25 x 8 inches. Near fine some edgewear. <br/><br/>Spicer US Neo-Noir. Orion Pictures unknown books
Bookseller reference : 146142
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Robert Day (director); Stein, Michael Eric (screenwriter); John Denver, Meg Wittner, David Renan, Brandon Marsh (starring)
Higher Ground Original teleplay script for the 1988 television film
Los Angeles: Columbia Broadcasting System CBS 1988. Third Draft script for the 1988 television film originally broadcast on CBS. Copy belonging to actor Brandon Marsh who portrayed Tommy with annotations in manuscript ink related to his role. <br /> <br /> Country musician John Denver stars as John Clayton a disillusioned CIA agent who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger Clayton works to solve the crime and clear his name. <br /> <br /> Set in Alaska shot on location in British Columbia CA. <br /> <br /> White titled wrappers. Title page present dated Februay 5 1988 noted as THIRD DRAFT with credits for screenwriter Michael Eric Stein. 117 leaves with last page of text numbered 115. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown
Bookseller reference : 142395
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Robert Day director; Edgar Rice Burroughs character; Lewis Reed story; Bob Barbash story screenwriter; Mike Henry Jan Murray
Tarzan and the Great River Three original photographs from the 1967 film
Los Angeles: Paramount Pictures 1967. Three vintage photographs from the 1967 film one studio still and two on the set photographs. <br/><br/>The second of three Tarzan films to star Mike Henry.<br/><br/>Tarzan is called to Brazil by his old friend The Professor Paulo Gracindo to help stop the evil Barcuma Rafer Johnson and the Jaguar Cult from destroying villages and enslaving natives. <br/><br/>Set in and shot on location in Brazil. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
Bookseller reference : 147886
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Robert Day director; Stein Michael Eric screenwriter; John Denver Meg Wittner David Renan Brandon Marsh starring
Higher Ground Original teleplay script for the 1988 television film
Los Angeles: Columbia Broadcasting System CBS 1988. Third Draft script for the 1988 television film originally broadcast on CBS. Copy belonging to actor Brandon Marsh who portrayed Tommy with annotations in holograph ink related to his role. <br/><br/>Country musician John Denver stars as John Clayton a disillusioned CIA agent who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger Clayton works to solve the crime and clear his name. <br/><br/>Set in Alaska shot on location in British Columbia CA. <br/><br/>White titled wrappers. Title page present dated Februay 5 1988 noted as THIRD DRAFT with credits for screenwriter Michael Eric Stein. 117 leaves with last page of text numbered 115. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
Bookseller reference : 142395
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Robert De Niro, Meryl Streep, Harvey Keitel, Dianne Wiest (starring); Ulu Grosbard (director); Michael Cristofer (screenwriter)
Falling in Love Original screenplay for the 1984 film
Hollywood: Paramount Pictures 1984. Second Draft script for the 1984 film. Annotation in manuscript ink on the title page noting copy No. 23. Six revision pages and 30-page location breakdown sheet laid in with the script. <br /> <br /> Through multiple twists of fate two strangers in New York become friends soon realizing they are developing romantic feelings for each other-although both are married with families. Loosely based on David Lean's 1945 film "Brief Encounter." <br /> <br /> Set and shot on location throughout New York City.<br /> <br /> Dark red titled Studio Duplicating Service wrappers with credit for screenwriter Michael Cristofer on the front wrapper. Title page present dated January 10 1984 noted as Second Draft with credit for Cristofer. 124 leaves with last page of text numbered 117. Xerographic duplication rectos only with salmon revision pages laid in at the rear of the script dated 4/7/84. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
Bookseller reference : 166545
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Robert De Niro, Robert Duvall (starring); John Gregory Dunne (screenwriter, novel); Joan Didion (screenwriter); Ulu Grosbard (di
True Confessions Original screenplay for the 1981 neo-noir film
N.p.: N.p. 1979. Third Draft script for the 1981 film with rainbow revisions. Laid in with the script are two additional yellow revision pages dated 3/28/80. <br /> <br /> Based on the 1977 novel by John Gregory Dunne who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder about a homicide detective investigating the brutal murder of a young woman in Los Angeles. <br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Blue titled wrappers. Title page present dated November 29 1979 noted as Third Draft with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated between 1/9/80 and 3/24/80. Pages Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Housed in a custom beige clamshell box. N.p. unknown
Bookseller reference : 160041
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Robert Dhery director; Alfred Adam Robert Dhery Pierre Tchernia screenwriter; Alfred Adam Colette Brosset Robert Burnier sta
La Belle Americaine Original photograph from the 1961 film
N.p.: Continental Distributing 1961. Vintage studio still photograph from the US release of the 1961 French film. <br/><br/>An unlucky man's life is made worse by the sudden acquisition of an expensive vehicle. <br/><br/>Shot on location in Paris and Haut-de-Seine France. <br/><br/>10 x 8 inches. Near Fine with light red fingerprints to the verso. <br/><br/>Complete collation details available on request. Continental Distributing unknown books
Bookseller reference : 139747
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Robert Dornhelm (director); Michael Ventura (screenwriter); Tom Hulce, Susan Dey, Cheech Marin, Michael Bowen (starring)
Echo Park Original screenplay for the 1986 film
Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single manuscript ink annotation on the front wrapper and a few copied manuscript annotations to page 59 and 60 noting grammatical revisions. <br /> <br /> A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br /> <br /> Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br /> <br /> Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown
Bookseller reference : 147136
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Robert Dornhelm director; Michael Ventura screenwriter; Tom Hulce Susan Dey Cheech Marin Michael Bowen starring
Echo Park Original screenplay for the 1986 film
Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single holograph ink annotation to the front wrapper and a few copied holograph annotations to page 59 and 60 noting grammatical revisions. <br/><br/>A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br/><br/>Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br/><br/>Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown books
Bookseller reference : 147136
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Robert Douglas (director); Harry Spalding (screenwriter); Leslie Nielsen, Aliza Gur, Dorinda Stevens, Eric Pohlmann (starring)
Night Train to Paris Original screenplay for the 1964 British film
Shepperton UK: Lippert Films 1964. Draft script for the 1964 British film copy belonging to Art Director George Provis with his name and the date "8th May 1964" written on the front wrapper.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Leslie Nielsen stars as a former OSS officer living in London who travels to Paris disguised as a photographer's assistant in order to deliver a secret tape reel after a former colleague with a decoy of the tape is killed.<br /> <br /> Shot on location in London. <br /> <br /> Yellow titled wrappers. Title page present. 84 leaves with last page of text numbered 88. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Lippert Films unknown
Bookseller reference : 166111
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Robert Dozier (screenwriter)
The Sentries Original screenplay for an unproduced film
Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br /> <br /> The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br /> <br /> Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
Bookseller reference : 132145
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Robert Dozier screenwriter
The Sentries Original screenplay for an unproduced film
Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br/><br/>The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br/><br/>Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
Bookseller reference : 132145
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Robert Duvall (starring); Howard W Koch (director); Peter Hamill (screenwriter); Verna Bloom, Henry Darrow, Eddie Egan (starring
Badge 373 Three original photographs from the 1973 film
Los Angeles: Paramount Pictures 1973. Three vintage studio still photographs from the 1973 film. Each photograph with printed mimeo snipe affixed to the verso and one provenance stamp on the verso. <br /> <br /> A gritty crime thriller about a racist Irish cop who is forced to turn in his badge after killing a Puerto Rican suspect while in pursuit of the man that killed his former partner. The second film based on the experiences of real-life New York policeman Eddie Egan following William Friedkin's 1971 film "The French Connection" two years prior. <br /> <br /> Set and shot on location in New York. <br /> <br /> 8 x 10 inches. Very Good plus. Paramount Pictures unknown
Bookseller reference : 161971
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