|
|
|
CRÉDIT LYONNAIS.-
Le Crédit Lyonnais en Russie 1878-1920.-
Paris. 1992. Petit in-f° (235 x 290mm) broché, couverture couleurs, 48 pages, illustrations dans et hors texte en noir ou en couleurs dont 3 plans sur double page. Bon exemplaire de cet intéressant ouvrage auquel on joint une carte de visite et une note manuscrite de Roger NOUGARET, Conservateur historique des Archives du Crédit Lyonnais.
Bookseller reference : ORD-2656
|
|
|
Crémieux (Ad.)
Histoire du peuple russe
Fort in-8 cartonné, Librairie d’éducation nationale, collection Picard, sans date, 248 pp. Cartonnage un peu défraîchi, intérieur un peu roussi, toutes tranches dorées. Illustré. Poids 1,1 kg. Frais d'envoi 10,05 euros sur la France, 18,35 UE et Suisse, entre 25,45 et 43,65 euros pour le reste du monde, à spécifier selon zone. Possibilité de remise en mains propres sur Paris, possibilité d’envoi MONDIAL RELAY, n’hésitez pas à me contacter avant de passer commande. Twitter : @Pontneuf06.
Bookseller reference : UUI-12470
|
|
|
Cucchi, Aldo
Una delegazione italiana in Russia.
Br., 8° picc., pp 146 (2). Seconda edizione. Coll. Documenti della crisi contemporanea #9. Resoconto del viaggio compiuto dal fondatore del Partito Socialista Democratico Italiano in Unione Sovietica nel 1950.
|
|
|
Cui, César.
La musique en Russie
1881 1881 Paris, Fischbacher 1881 1 In 8 Broché 172[pp]
Bookseller reference : LCI-1668
|
|
|
CUKURAS Valdemaro
De inquietudine religiosa apud Dostojevskij
80pp., 24cm., text in Latin, excerpt fro a Doctoral dissertation (Excerpta ex dissertatione ad Lauream in Facultate Philosophica Pontificiae Universitatis Gregorianae), softcover
|
|
|
CUKURAS Valdemaro
De inquietudine religiosa apud Dostojevskij
Rome, Pontificia Universitas Gregoriana 1957 80pp., 24cm., text in Latin, excerpt fro a Doctoral dissertation (Excerpta ex dissertatione ad Lauream in Facultate Philosophica Pontificiae Universitatis Gregorianae), softcover,
Bookseller reference : T112818
|
|
|
Culbertson, Ely.
TOTAL PEACE. What Makes Wars and How to Organize Peace.
pp. viii, 344. Illustrated with maps. 8vo. Original full cloth binding. Original dust jacket. Coldwar/Economics 3
|
|
|
CULLEN Robert
L'ogre de Rostov
PRESSES DE LA CITE (1993), collection Document, broché, 234 pages, très bon état
Bookseller reference : 383
|
|
|
CULLEN, R.
LOgre de Rostov.
Paris, France-Loisirs/Presses de la Cité (« Document »), 1994. in-8°, 234 pages, ill. hors texte N&B, 1 carte, relie cartonnage ed., jaquette ill. plast.
Bookseller reference : 11268
|
|
|
CULLEN, R.
L’Ogre de Rostov.
in-8°, 234 pages, ill. hors texte N&B, 1 carte, relie cartonnage ed., jaquette ill. plast. Bel exemplaire. [CA29-6] Avec en arrière-plan le tableau d’une Union soviétique agonisante, les méandres d’une enquête qui aboutira à l’arrestation de l’un des plus grands meurtriers des temps modernes.
|
|
|
Cullerne Bown, Matthew
Art under Stalin.
Oxford., Phaidon., 1991. 25 x 18 cm. 256 S. OPappband mit illustriertem OUmschlag., 8716D Erste Auflage. Umschlag etwas nachgedunkelt und mit kleinen Bereibungen. leicht angestaubt. Sonst gutes Exemplar.
Bookseller reference : 8716DB
|
|
|
Cuneo Michael W.
The Smoke of Satan: Conservative and Traditionalist Dissent in Contemporary American Catholicism
Oxford University Press 1997. clean unmarked copy. Hardcover. Fine/Fine. Oxford University Press Hardcover
Bookseller reference : 358571 ISBN : 0195113500 9780195113501
|
|
|
CUNISSET-CARNOT P.
Trois mois au Caucase, Svanetie, la mer caspienne (de Tiflis ? Bakou), Lenkoran, l'Arm?nie. Article (2 pages, 1 photo et 1 plan ) dans l'illustration.
Num?ro complet.
|
|
|
Cunningham, Bill.
THE KID NEXT DOOR.
37p. Text surrounded with blue drawings of a suburban street. Small 8vo. Original full paper binding, pictorial vignette on front cover. Original dust jacket, slightly torn. First printing. Scarce. Very nice copy. WWII 2
|
|
|
Cuny Hubert,Dugast Rouillé Michel,Pinoteau Hervé
Les Grands mariages des Habsbourg
Cuny Hubert, Dugast Rouillé Michel, Pinoteau Hervé Broché 1955 In-4 (23 x 28,7 cm), broché, 374 pages, envoi de l'auteur ; corps d'ouvrage désolidarisé de la couverture, pliure au dos, quelques annotations au stylo, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : nh880
|
|
|
Curated by OLGA SVIBLOVA.
Quiet resistance: Pictorialism in Russian photography.= Sessiz direnis: Rus fotografinda resimsellik. [Exhibition catalogue]. Edited by Cem Ileri.
New English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. Color and b/w ills. 272 p. "With a selection of the works of contemporaneous artists who were influenced by one another and 'rediscovered' in Russia in the mid 1990s, 'Quiet Resistence - Pictorialism in Russian Photography' presents to viewers a segment from the development of Russian art at the turn of the 20th century, as well as a glimpse into the country's cultural history. The exhibition is comprised of 194 outstanding vintage prints by 18 renowned Russian photographers, including Alexander Rodchenko, Sergei Lobovikov, Alexander Grinberg and Yuri Yeremin, whose works extend from 1898 to the 1940s.".
|
|
|
Curated by SIBEL ALPASLAN ARÇA, EMINE BILIRGEN, AYSEL ÇÖTELIOGLU.
Treasures of the Moscow Kremlin at the Topkapi Palace. Topkapi Palace Museum, March 12 - June 7, 2010. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (30 x 21 cm). In English. 261 p. Color and b/w ills. "The Topkapi Palace: The administrative centre for about 400 years of the 600 year history of the Ottoman Empire, is enthusiastically waiting to host the rare treasures of the Moscow Kremlin Palace. The "Treasures of the Ottoman Sultans from the Topkapi Palace Museum" exhibition that will reciprocate the Russian Treasures exhibition, orginazed at the Topkapi Palace with the cooperation of the Moscow Kremlin Palace Museums and the contributions of the Istanbul 2010 European Capital of Culture Agency in Moscow, will offer visitors the chance to see works of the Ottoman Palace of the same period at the Tsar's Palace. These exhibitions from the collections of the Topkapi and Kremlin, two important palaces of the world presented to visitors for the first time, will not only shed light on the historical-cultural relations between Turkey and Russia but will also be important for developing future relations".
|
|
|
Curators: EVGENIA PETROVA, TAYFUN BELGIN.
Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
|
|
|
Curators: EVGENIA PETROVA, TAYFUN BELGIN.
Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
|
|
|
Curderoy, Ernest
Hurrah ! ou la Révolution par les cosaques
Plasma 1977 In-8 broché 22 cm sur 14,1. 481 pages. Couverture légèrement passée, sinon, très bon exemplaire. Bon état d’occasion.
Bookseller reference : 105137
|
|
|
Curie Eva
Diario di guerra. Da New york a Chungking via Mosca
8vo, br. ed. bandelle, pp.672. . Durante la seconda guerra mondiale l'autrice, figlia della grande scienziata, fu corrispondente per l'Herald Tribune dall'Egitto, Persia, Russia, Cina, India, ecc.
|
|
|
CURLETTI Maria Grazia (a cura di)
ORI E ORE. Arte sacra e profana al tempo degli Zar.
In-8 (cm. 22), brossura illustrata, con alette, pp. 217, (5), con illustrazioni a colori nel testo. Catalogo della Mostra: Milano, Galleria ottavo piano, La Rinascente piazza Duomo, 1 Dicembre 1994 - 14 Gennaio 1995. Puntiforme abrasione al piatto anteriore; peraltro, volume in buono stato (good copy).
|
|
|
Curley, Walter J. P
Monarchs-in-waiting.
New York, Dodd, Mead, 1973. original cloth large 8vo, xv, 238 pages with maps and illustrations, copy signed by the author, a good copy
Bookseller reference : HC10-797
|
|
|
Current Opinion.
CURRENT OPINION. One issue for the Year 1917. Edited by Edward J. Wheeler.
One issue, July. Numerous advertisements, drawings and photographs. Folio. Original full printed color pictorial wraps. Slight soiling. Wonderful advertisements. A remarkable record from the World War One era. WWI 12
|
|
|
Curtis, William Eleroy
Around the Black Sea: Asia Minor, Armenia, Caucasus, Circassia Daghestan, the Crimea Roumania
8vo. original dark yellow cloth with elaborate white and rose decorated front board. First Edition. pp. 456 The orginal color folding map and 40 b&w unique photographs are intact. An excellent copy. scarce. Contents: cruising in the black sea, trebizond, railway concessions in turkey, caucasus, tiflis, ararat, armenians persecution, massacres of 1909, american missions, caspian oil fields, daghestan, circassians and cossacks, crimea, sevastopol and balaklava, florence nightingale, odessa, new regime in turkey, emancipation of turkish women, robert college and other american schools
|
|
|
Curtis, William Eleroy
TURKESTAN: THE HEART OF ASIA
Foxing and dampstaining throughout. Binding loose in spots; Dark blue boards with gilt lettering and gilt ornate ; B&W Photographs; 8vo; 344 pages
|
|
|
Curtiss John Shelton
RUSSIAN REVOLUTIONS OF 1917
New York: D. Van Nostrand Company. 1957. Paperback. Very Good with no dust jacket; Wear at edges Bookstore stamp. Previous owner's name. ; Van Nostrand Anvil Books; Vol. 16; 191 pages . D. Van Nostrand Company paperback
Bookseller reference : 58063
|
|
|
Curtiss John Shelton
The Russian Revolutions of 1917
Queenston: Robert E. Krieger 1982. Paper bound reprint edition 191pp includes short bibliography and index. A very good or better copy - clean and tight. 170 grams - ships lettermail at much reduced postage! Scan available on request. All books in stock and available for immediate shipment from Winnipeg Manitoba. Queenston: Robert E. Krieger, 1982 unknown
Bookseller reference : 27011 ISBN : 0898744997 9780898744996
|
|
|
Curzon Robert Lord
Armenia: A Year at Erzeroom and on the Frontiers of Russia Turkey and Persia
New York: Harper & Brothers 1854. First American Edition . Blue Cloth. Good. Map and Woodcuts. 226 Pp. Original Cloth Gilt And Blind Stamped. Contents Clean Light Aging. Covers With Wear Cloth Lightly Frayed Across Top Of Spine And Down 3/4" At Top Front Spine Edge A Few Other Points Of Fraying. Spine Has Been Wet Gilt Is Dulled Cloth Of Spine And Adjacent Areas Of Covers And Endpapers Damp Stained This Damage Not Reaching The Printed Pages. Anecdotes And Observations Made While Curzon Was Part Of A Commission To Resolve The Turkish And Persian Problem In Kurdistan And Armenia Seeking The Least Democratic Solution For All Residents Of The Area And Achieving Enduring Success. Library Label Franklin Institute On Front Pastedown Four Digit Number At Base Of First Page. This Copy Fairly Crisp And May Never Have Been Read. <br/> <br/> Harper & Brothers hardcover
Bookseller reference : 025450
|
|
|
CUSHION, John P.
MANUEL DE LA CÉRAMIQUE EUROPÉENNE. Faïences, faïences fines, grès, terres cuites
Fribourg Office du Livre 1987 in 8 (21,5x23) 1 fort volume reliure toilée illustrée de l'éditeur, 732 pages [2], avec de nombreuses reproductions de marques de céramiques européennes. Ont collaboré: Jeanne Giacomotti et Antoinette Faÿ-Hallé. Coordination: Tamara Préaud. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bookseller reference : 32103
|
|
|
CUSTINE MARQUIS DE; Foreword by BOORSTIN DANIEL J.; Introduction byKENNAN GEORGE F.
EMPIRE OF THE CZAR: JOURNEY THROUGH ETERNAL RUSSIA
NEW YORK: ANCHOR / DOUBLEDAY. G IN WRAPS. COVER EDGEWORN. CREASES TEARS AT SPINE ENDS. Pages: 631. . 1990. 1ST THUS. TRADE PAPERBACK. PREV. OWNER INSCRIPTION FFEP. . ANCHOR / DOUBLEDAY paperback
Bookseller reference : MASTER232823I
|
|
|
CUSTINE (A.-L.-L., marquis de)
La Russie en 1839.
Paris, Amyot, 1843. 4 volumes in-8, 2ff.-XXXIpp.-354pp. - 2ff.-416pp. - 2ff.-470pp. - 2ff.-544pp.- tableau généalogique au tome 4. Demi-basane verte, dos lisses, roulettes dorées. (Reliures de l'époque).
Bookseller reference : 18018
|
|
|
CUSTINE (Astolphe de).
La Russie.
Paris, Amyot, (1854); in-4, bradel papier gaufré violet, filets dorés, couv. jaune illustrée. (Laurenchet). 196 pp., texte sur 2 colonnes. Vignette sur bois en tête. Rarissime édition populaire de ce livre fameux, publié pour la première fois chez le même Amyot en 1843, 4 volumes. Bien complet de sa couverture. Très bien établi.
Bookseller reference : 46400265
|
|
|
CUSTINE (Astolphe, marquis de).
La Russie en 1839.Seconde édition, revue, corrigée et augmentée.
1843 br. le volume … 40 € 2 vol. in-12 , P. Amyot 1843
Bookseller reference : 13467
|
|
|
CUSTINE (de) marquis
La Russie en 1839, TOME 2 SEUL
SOLIN, 1990, 521 pp., broché, plis sur le dos, légères traces d'usage, état correct.
|
|
|
CUSTINE (Marquis de)
La Russie en 1839. Seconde édition, revue, corrigée et augmentée.
Paris, Amyot, Paris, Amyot1843 ; 4 volumes in-12°, demi chagrin rouge, filets dorés, tranches jaspées. Reliure de l'époque. - PREMIERE EDITION IN-12°, en partie originale, parue la même année que la première édition publiée par le même éditeur en format in-8°. Le chef-d'œuvre du Marquis de Custine. Entrepris pour plaider personnellement la cause de son ami Ignace Gurowski, ce voyage en Russie sera une révélation. Le livre de Custine, ouvrage tout de circonstance, bien fait pour ne pas survivre à ce qu'il peint, après plus d'un siècle nous surprend et nous fascine parce qu'il a de prémonitoire. L'aristocrate dans l'âme qu'est Custine devient une sorte de révolutionnaire "" face à la servitude et plus encore à l'effrayant silence où tout un peuple est muré "". "" Le despotisme n'est jamais si redoutable que lorsqu'il prétend faire du bien, car alors il croit excuser ses actes les plus révoltants par ses intentions ! "". Les dures réflexions de Custine sur le gouvernement des tsars, jalonnent l'ouvrage en un crescendo de plus en plus vigoureux. Ce qui frappe le plus dans "" l'âme russe "" c'est cette acceptation de la servitude. Il parle de mystique et de volupté de la servitude. Custine justifie et annonce la révolution russe : "" nos petits enfants ne verront peut-être pas l'explosion que nous ne pouvons cependant présager dès aujourd'hui comme inévitable "". La conclusion du volume parait écrite aujourd'hui par un figarotier ; "" Quand votre fils sera mécontent en France, usez de ma recette, dites lui : Allez en Russie "". C'est un voyage utile... quiconque aura bien vu ce pays se trouvera content de vitre partout ailleurs ! "". Le livre connut un grand succès en France et fut interdit en Russie. Balzac qui passait la fin de l'été 1843 à Saint Petersbourg, chez Madame Hanska, le lit en cachette et le blâme ouvertement. Il est tellement lâche qu'il supprimera la dédicace à Custine qu'il comptait mettre en tête du Colonel Chabert. Le bruit a même couru que Balzac a été sollicité d'écrire une réfutation de la Russie en 1839 et qu'on lui a offert beaucoup de roubles. - Peu à peu on oublia ce livre. En 1930 on publie à Moscou une nouvelle traduction du livre qui condamne le gouvernement des tsars. En 1946 l'U.R.S.S parait constituer pour l'Europe une menace semblable à celle de la Russie de 1839 et l'on imprime à Paris des extraits du voyage. Après la France, l'Amérique s'intéresse à lui. On le relit, on en parle. Diplomates, journaliste et hommes politiques de tous bords, s'en font à peu de frais un allié. Quelques rousseurs"
Bookseller reference : 46400983
|
|
|
CUSTINE (marquis de)
Lettres de Russie
Paris, les Editions de la Nouvelle France, (1946) - in-8 : 372 pp. -br., couv. ill., pap. bleu (déchirures au mors sup, couv. défraîchie)
Bookseller reference : 295
|
|
|
CUSTINE (Marquis de)
Lettres de Russie
Livre Club du Libraire 1960, in-8 relié toile ocre de l'éditeur, 371 p. (très bon état, bien complet du fascicule dépliant de Gustave Doré) Tirage limité à 3600 exemplaires sur bon papier (non justifié). Bonne anthologie des lettres qu'il écrivit depuis la Russie en 1839, ici présentées par Henri Massis. Un grand classique à connaître.
Bookseller reference : 37724
|
|
|
Custine (Marquis de).
La Russie.
Un volume de format grand in 4° de 196 pp.; texte sur deux colonnes, édition populaire regroupant les 36 lettres de Custine sur la Russie. Reliure postérieure en demi basane vert empire; dos à 5 nerfs, fleurons dorés, pièces de titres en maroquin rouge; titres dorés. Plats papier à la cuve assorti. Couverture conservée. Petits manques à la fragile couverture. Sinon bel état. Reliure de qualité. Tampon de colportage. Exemplaire désirable.
|
|
|
CUSTINE (Marquis de).-
Lettres de Russie avec une introduction de l'éditeur.
P., Ed. de la Nouvelle France, 1946, in 8° broché, 369pp., non coupé ; couverture abîmée.
Bookseller reference : 12478
|
|
|
CUSTINE (Marquis de).-
Voyage en Russie. Lettres présentées par Jacques Brenner.
1957 Paris, Club Français du Livre, 1957, in 8° relié pleine toile ocre décorée de l'éditeur,296 pages ; portrait en frontispice et première garde illustrée dépliante
Bookseller reference : 82526
|
|
|
CUSTINE Astolphe
LA RUSSIE EN 1839. Vol. I (-IV)
In 16, 4 voll., pp. 411, 398, 357, 372 con una genealogia dei Principi di Brunswick a doppia pagina n.t. Sporadiche bruniture ma nel complesso buon esemplare. M.pg. Importante opera del marchese di Custine (1790-1857) noto soprattutto per i suoi racconti di viaggio. In trentasei lettere l'autore analizza la vita sociale, economica, artistica e politica russa non risparmiando attacchi alla tirannide zarista a quel tempo incarnata dallo zar Nicola II. Tuttavia, nonostante le violente critiche, quando l'opera fu tradotta in russo nel 1930, venne definita 'la piu' intelligente che sia stata scritta sulla Russia da uno straniero'. Apparentemente prima edizione pur differenziandosi per il numero delle pagine da altre copie in commercio.
|
|
|
CUSTINE Astolphe, Marchese de -
Lettere dalla Russia.
Milano, Silva, 1961, 8vo legatura tutta tela con fascetta editoriale e sovraccopertina in plastica trasparente, pp. XVI-316.
|
|
|
CUSTINE Marquis de
La Russie en 1839
seconde édition,revue,corrigée et augmentée.Tome premier. In 12 broché,faux-titre,titre,XXIV,392 pages,Librairie d’Angot 1843.Une partie supérieure et inférieure du dos réparée.
Bookseller reference : 5795
|
|
|
CUSTINE Marquis de
LA RUSSIE EN 1839. Tomes 1-2
Paris Valmonde édition 1991 in 8 (25x13,5) 2 volumes reliures façon velour vert de l'éditeur, dos lisses, 527 et 523 pages, papier vergé des papeteries de Jeand'heurs. Collection bibliothèque de l'histoire. préface d'Hélène Carrère d'Encausse. Postface de Julien-Frédédéric Tarn. Notes et éclaircissements de Michel Parfenov. Bel exemplaire
Bookseller reference : 15773
|
|
|
CUSTINE Marquis de:
La Russie en 1839.
Paris, Lib. d’Amyot, 1843. 4 vol. in-12 de XXIV, 392 + 406 + 400 + 426 pp. demi-veau brun glacé, dos à faux-nerfs orné de fleurons, filets et roulettes dorés, tranches bleues. Coiffes frottées avec de légers manques aux coiffes supérieures, un petit manque au dos du vol. 2, charnière 1er plat vol. 1 fendue et dos détaché, rousseurs.
Bookseller reference : 2250
|
|
|
CUTOLO Alessandro -
Il magnifico Potemkin.
Novara, De Agostini, 1970, 8vo tutta tela editoriale con fregi e titoli dorati al piatto anteriore e al dorso e sovraccopertina illustrata a colori, pp. 318 (Collana Storica) .
|
|
|
Cvetaeva Marina
Il diavolo
trad. di Luciana Montagnani tela edit. con sovrac. ill., minima rottura in sovrac.
|
|
|
Cvetaeva Marina
Il Diavolo
8vo, br. ed. pp-x-162 scritti autobiografici.
|
|
|
Cvetaeva Marina
L'accalappiatopi. Testo russo a Fronte
8vo, br. e. pp.330. Composto negli anni dell'emigrazione fra Praga e Parigi, "L'accalappiatopi" è l'ultimo poema di Marina Cvetaeva ispirato a un motivo del folclore, la leggenda del Pifferaio magico. Ammaliati dal suono del flauto - seduzione femminile della Musica - i topi sognano di una rivoluzione mondiale in un'India favolosa. Seguono il Pifferaio incantati da miraggi d'Oriente. Incalzante il ritmo del flauto e dell'intero poema, musica demònica che conduce alla morte non-morte nel regno della libertà. L'originale interpretazione della fiaba vuole che i topi siano salvati dall'imborghesimento e i bambini di Hameln sottratti per sempre all'orrore della ripetizione. Il loro esodo verso una terra promessa, Paradiso della Poesia, Eden e Sesamo, avviene in un tripudio di azzurro, mitico colore dell'Anima romantica. Il tema nordico del Pifferaio magico è il pretesto che Marina Cvetaeva coglie per orchestrare le aspre dissonanze di una "satira lirica" contro il filisteismo. "L'Accalappiatopi" esprime l'antinomia fondamentale della sua poetica: il conflitto tra l'Anima-Poesia e il corpo, ovvero il quotidiano, che esige dal poeta la resa assoluta. Così avvenne per Majakovskij, per Cvetaeva, Esenin, poeti "dissipati"dalla propria generazione. Lo scontro si dinamizza nel tessuto poetico, dispiegato lungo un ampio registro, che alterna toni alti e bassi, dizione biblica e modi colloquiali o gergali.
|
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
