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MENDELSSOHN Felix 1809 1847
Op. 89. Heimkehr aus der Fremde Piano solo
Leipzig: Breitkopf & Härtel PN 8335 1877. RIETZ Julius 1812-1877 ed. Folio. Original publisher's dark brown wrappers with titling within decorative border. 1 recto title verso blank 3-57 i blank pp. Engraved.<br/><br/>Wrappers slightly worn and soiled. Occasional light foxing; some leaves detached and frayed at edges. First Edition of this arrangement. Wehner MWV L 6 p. 196. Not in Krause Ward Jones or Hobokenb. Rare no copies located outside of Germany. <br/><br/>Heimkehr aus der Fremde to a libretto by Karl Klingemann was first performed privately in Berlin on 26 December 1829; its first public performance took place in Leipzig on 10 April 1851. <br/><br/>"Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 8335] unknown books
Bookseller reference : 36206
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MENDELSSOHN Felix 1809 1847
Op. 89. Heimkehr aus der Fremde. Piano-vocal score
Leipzig: Breitkopf & Härtel PN M.B.122 Kl.A 1877. RIETZ Julius 1812-1877 ed. Folio. Original publisher's full dark red cloth with titling gilt to upper within decorative blindstamped border titling gilt to spine; dark ivory endpapers. 1 title 2-83. i blank pp. Engraved. Text in German. With "Breitkopf & Härtels Musikbücher Nr. 181" to head of upper wrapper. <br/><br/>With Hungarian translation in ink along with marked cuts to No. 6. Terzett "O wie verschweig' ich."<br/><br/>In the series "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger Serie 15. Grössere weltiche Gesangwerke. Klavier-Auszug." From the Breitkopf edition of Mendelssohn's Complete Works No. 122. <br/><br/>Together with:<br/>An invitation to the 1931 production of the opera from the Budapest Choral and Orchestra Association Ének- és Zenekaregyesűlet partially laid down to front free endpaper signed by István Eisler for the commissioning group and with his name in ink along with a date of December 1930 to upper outer corner and handstamp of Hungarian publisher/musicseller Rózsavölgyi és társa dated December 12 1930 to lower outer corner of endpaper.<br/><br/>Together with: <br/>Heimkehr aus dem Fremde. Leipzig: Breitkopf & Härtel 1885. Libretto. 16mo. Original publisher's light gray printed wrappers. 1f. recto title verso blank 12 2 pp. publisher's catalogue of piano-vocal scores and libretti with additional publisher's catalogue to verso of upper and recto and verso of lower wrapper. Later printing. Wehner MWV L 6 p. 196.<br/><br/>Heimkehr aus der Fremde a Liederspiel in 1 act to a libretto by Karl Klingemann was given a private premiere in Berlin on 26 December 1829. The first public performance took place in Leipzig on 10 April 1851. <br/><br/>"Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN M.B.122 Kl.A] unknown books
Bookseller reference : 35155
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MENDELSSOHN Felix 1809 1847
Op. 90. Symphonie No. 4 . Piano 4-hands
Leipzig: Breitkopf & Härtel PN 8361 1851. Oblong folio. Original publisher's green printed wrappers with titling within decorative border. 1 title 2-55 i blank pp. Engraved. With publisher's catalog of works for piano 4-hands to verso of lower wrapper.<br/><br/>From the library of composer Horace Middleton 1879-1961 with his small handstamp to blank upper corner of title and page 3; small publisher's and Scharfenberg & Luis New York handstamps to foot of title.<br/><br/>Wrappers slightly worn and soiled; Scharfenberg & Luis handstamp to blank lower margin ofupper wrapper. Upper outer corners dampstained. First Edition of this arrangement. Wehner MWV N 16 p. 226. Not in Krause Ward Jones or Hoboken. Scarce.<br/><br/>Mendelssohn's "Italian" Symphony No. 4 Op. 90 was composed following the composer's visit to Italy and first performed in London on 13 May 1833. Mendelssohn revised the symphony in the following year but it remained unpublished at the time of his death. This leads to confusion surrounding the order of Mendelssohn's symphonies as both it and the "Reformation" Symphony No. 5 Op. 107 were composed and performed prior to Symphonies 2 and 3. The chronological order of Mendelssohn's symphonies is as follows:<br/><br/>- Symphony No. 1 Op. 11 1824<br/>- Symphony No. 5 Op. 107 "Reformation" 1830<br/>- Symphony No. 4 Op. 90 "Italian" 1833<br/>- Symphony No. 2 Op. 52 "Lobgesang" 1840<br/>- Symphony No. 3 Op. 56 "Scottish" 1842 <br/><br/>One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br/><br/>Horace Middleton was a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s. He was best known for the music he composed for the Greek plays performed at the college. See obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN 8361] unknown books
Bookseller reference : 35156
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MENDELSSOHN Felix 1809 1847
Op. 90. Symphonie No. 4. für Orchester. Op. 90. No. 19 der nachgelassenen Werke. Partitur. Pr. 4 Thlr. 15. Ngr. Full score
Leipzig: Breitkopf & Härtel PN 8347 1851. Octavo. Early half dark red calf with marbled boards spine in gilt-ruled compartments with titling gilt. 1f. title 193 i blank pp. Engraved.<br/><br/>Publisher's handstamp to lower margin of title; ownership signature in black ink of Florence Bertha Thomas dated February 1863 or 1868 to front free endpaper; two additional dates in the same hand to front pastedown possibly referring to performance dates. <br/><br/>Binding rubbed; lower portion of upper hinge slightly cracked. Occasional very light foxing. First Edition of the "Italian" Symphony. Hoboken 10 no. 284. Catalog of the Mendelssohn Papers in the Bodleian Library Oxford III no. 734. Felix Mendelssohn Bartholdy Leipzig catalog no. 152. Wehner MWV pp. 225-226 no. 16. Muller-Reuter I p. 73. Fuld p. 556.<br/><br/>Mendelssohn finished his "Italian" Symphony in Berlin on March 13 1833 conducting its first performance in London on May 13 1833 at a London Philharmonic Society concert. The first edition of the full score was not published until after the composer's death. Breitkopf & Härtel [PN] 8347 unknown books
Bookseller reference : 26616
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MENDELSSOHN Felix 1809 1847
Opp. 19 = 19a 34 47 57 71 etc. Volume of first and early editions of vocal music
Oblong folio. Full 19th century mid-brown cloth with "Mendelssohn Bartholdy I." gilt to upper within decorative blindstamped borders.<br/><br/>- Sechs Gesänge mit Begleitung des Pianoforte . Op. 19a Pr. 20 Ngr. Leipzig: Breitkopf & Härtel PN 5281 after 1841. 1 lithographic titlie within decorative border 2 blank 3-15 pp. Engraved. With occasional markings in pencil and red crayon. Small oval publisher's handstamp to foot of title. Slight soiling and browning to title. First Edition later issue. Wehner SD6. Hoboken 10 147. Krause 116. <br/><br/>- Sechs Gesänge . Fräulein Julie Jeanrenand zugeeignet . Op. 34. Pr. 25 Ngr. Leipzig: Breitkopf & Härtel PN 5783 after 1841. 1 lithographic title within decorative border 2 blank 3-15 pp. Engraved. Minor soiling; small marginal tear to pp. 13/14. First Edition later issue. Wehner SD13. Not in Hoboken. Krause 118. <br/><br/>- Sechs Lieder . Frau Constanze Schleinitz zugeeignet . Op. 47. Pr. 25 Ngr. Leipzig: Breitkopf & Härtel PN 6210 after 1841. 1 lithographic title within decorative border 2-15 pp. Engraved. Minor thumbing to lower outer corners. First Edition later issue. Wehner SD20. Not in Hoboken. Krause 120. <br/><br/>- Sechs Lieder . Frau Livia Frece zugeeignet . Op 57. Pr. 25 Ngr. Leipzig: Breitopf & Härtel PN 6929 1843. 1 lithographic title within decorative green floral border 2 blank 3-17 pp. Engraved. First Edition. Wehner SD26. Hoboken 10 228 and illustration no. 18. Krause 122. <br/><br/>- Sechs Lieder . Op. 71. Pr. 25 Ngr. Leipzig: Breitkopf & Härtel PN 7736 1847. 1 lithographic title within decorative border 2 blank 3-15 pp. Engraved. First Edition. Wehner SD35. Hoboken 10 254. Krause 49. <br/><br/>- Lieder und Gesänge mit Begleitung des Pianoforte. Leipzig: Breitkopf & Härtel PNs 8302 8319 8527 e.1-2 8527 ca. 1852. Group of 15 separately published lied each with series title listing a total of 45 lieder. 15; 15; 3; 15 pp. Engraved. <br/>No.<br/>31. Da lieg'ich unter den Bäumen Op. 84<br/>32. Herbstlied. Im Walde rauschen dürre Blätter<br/>33. Jaglied. Mit lust thät ich ausreiten<br/>34. Es lauschte das Laub von C. Klingemann. Es lauschte das Laub so dunkelgrün<br/>35. Orgenlied. Erwacht in neuer Stärke<br/>36. Die Liebende schreibt von Goethe. Ein Blick von deinen Augen<br/>37. Allnächtlich im Traume seh ich Dich von H. Heine<br/>38. Der Mond von Geibel. Mein Herz ist wie die dunkle Nacht<br/>39. Altdeutsches Frühlingslied von Spee. Dertrübe Winter ist vorbei<br/>40. Erster Verlust von Goethe. Ach wer bringt die schönen Tage<br/>41. Die Sterne schau'n von Graf von Schlippenbach Die Sterne schau'n in stiller Nacht<br/>42. Lieblingsplätzchen aus des Knaben Wunderhorn Wisst ihr wo ich gerne weil<br/>43. Das Schifflein von Uhland. Ein Schifflein ziehet leise<br/>44. Wenn sich zwei Herzen scheiden von Geibel<br/>45. Es weiss und räth es doch Keines von Eichendorff<br/><br/>Binding slightly worn and frayed; slightly shaken; spine splitting with minor loss to head and tail of spine; hinges partially split. Minor internal wear and soiling. In very good condition overall. unknown books
Bookseller reference : 30834
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MENDELSSOHN Felix 1809 1847
Opp. 19 = 19b 30 38 53 62 and 67. Sechs Lieder ohne Worte für das Pianoforte . Op. 19. Ites Heft Preis 3 Frs
Bonn . Londres . Paris: N. Simrock . J.J Novello . M. Schlesinger PN 3041 1850. 1 title 2 blank 3-17 i blank pp. Lithographed. First German edition later variant issue.<br/><br/>With:<br/>- Op. 30. Sechs Lieder . componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft Pr. 3 Frs - 24 Sgr. Bonn . London . Paris: N. Simrock . N. Mori . M. Schlesinger PN 3205 ca. 1845. 1 title 2-3 blank 4-17 i blank pp. Engraved. First Edition later issue. Hoboken 10 177. <br/><br/>- Op 38. Sechs Lieder . componirt Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft Preis 3 Frs. - 24 Sgr. Bonn: N. Simrock PN 3383 ca. 1850-60. 1 title 2 blank 3-19 i blank pp. Later edition. <br/><br/>- Op. 53. Sechs Lieder . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53. IVtes. Heft Preis 4 Frs. Bonn: N. Simrock PN 3935 ca. 1860. 1 title 2 blank 3-21 i blank pp. <br/><br/>- Op. 62. Sechs Lieder . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. Vtes. Heft Preis 3 Frs 50c. Bonn: N. Simrock PN 4343 ca. 1850. 1 title 2-3 blank 4-19 i blank pp. Engraved. <br/><br/>- Op. 67. Sechs Lieder . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. VItes. Heft Preis 3 Frs 50c. Bonn: N. Simrock PN 4478 ca. 1860. <br/><br/>6 volumes. Folio. Titles printed on blue ground within decorative blue border. <br/><br/>Handstamp of 19th century New York musicseller Scharfenberg to foot of titles of all but one volume. <br/><br/>Disbound; spines reinforced with tape. Slightly worn; moderate browning and foxing throughout. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. N. Simrock ... J.J Novello ... M. Schlesinger [PN 3041] unknown books
Bookseller reference : 36216
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MENDELSSOHN Felix 1809 1847
Opp. 21 26 27 32 95. Drei Concert-Ouverturen Full scores
Leipzig: Breitkopf & Härtel PNs 5542 5543 5544 1841. 1f. recto lithographic title verso blank 78; 1f. recto lithographic title verso blank 52 pp.; 1f. recto lithographic title verso blank 66 pp. Music engraved throughout. <br/><br/>First Editions later issues of all three works. MWV P3 op. 21; MWV P7 op. 26; MWV P5 op. 27. Krause 135 143 146. Hoboken first issues only. <br/><br/>Bound with: <br/>Op. 32. Ouverture zum Märchen von der schönen Melusine . Partitur . Pr. 1 Rthlr. 20 Ngr. Leipzig: Breigkopf & Härtel PN 5688 ca. 1857. 1f. recto title verso blank 72 pp. Engraved. First Edition later issue. Hoboken 10 181. Krause 149. <br/><br/>Bound with:<br/>Op. 95. Ouverture zu Ruy Blas für grosses Orchester . Op. 95. Pr. 2 Thlr. Partitur No. 24 der nachgelassen Werke. Leipzig: Fr. Kistner PN 1837 1851-52. 1f. recto title verso blank 64 pp. Engraved. First Edition. Hoboken 10 290. Krause 153. <br/><br/>19th century mid-tan morocco-backed dark brown textured paper boards raised bands on spine with titling gilt marbled edges light blue endpapers narrow blue silk ribbon marker. <br/><br/>Binding slightly worn rubbed and bumped. Minor internal wear. An attractive copy of all five of Mendelssohn's concert overtures. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5542, 5543, 5544] unknown books
Bookseller reference : 36202
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MENDELSSOHN Felix 1809 1847
WoO 3. Scherzo a Capriccio Piano solo
London: Ewer & Co 1852. Folio. Disbound. 1 title within decorative border printed in red 2 blank 3-11 i publisher's catalogue pp. Engraved throughout. MWV U113.<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown books
Bookseller reference : 36190
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MENDELSSOHN Felix 1809 1847
ZOeuvres Complètes pour le Piano
Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br/><br/>Vol. I: 125 pp. 3rd edition<br/>Vol. II: 126-262 pp. 2nd edition<br/>Vol. IV: 263-399 pp. 2nd edition<br/>Vol. V: 536-608 pp. 2nd edition<br/><br/>Each volume includes a collective title and index.<br/><br/>With the signature of the American composer and pianist Edward Julius Biedermann 1849-1933 to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br/><br/>Partially disbound; wrappers torn or lacking. 4 of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown books
Bookseller reference : 36204
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MENDELSSOHN Felix Bartholdy
WEDDING MARCH in MIDSUMMER NIGHT'S DREAM EIN SOMMERNACHTSTRAUM VON SHAKESPEARE
<b>Rarity. First Edition First Printing of the famous Wedding March. The orchestral score was first published July 1848 by Breitkopf & Hartel Leipzig Germany. No printed date as customary at that time. Vb M. on pp 3-177 engraved the Hochzeitmarsch WEDDING MARCH on p.137 P.n. 7774.P. 178 blank. GM and JF. FIRST PRINTING of the orchestral parts engraved and with plate number 7852 probably published the following month is at BOD. NO COPIES OF THIS AT AUCTION AS LISTED IN ABPC CD ROM. <br />This is the true First Edition of Mendelssohn's full orchestral score of A MIDSUMMER NIGHT'S DREAM. It includes the FIRST EDITION of the famous Wedding March that was played at the conclusion of the wedding between Theseus and Hyppolita. This has become the omnipresent music used in virtually ALL traditional Western wedding ceremonies. PROVENANCE L. Girard with his ink signature at head of the title page. Girard was teacher and composer of identical music in France during the second half of the 19th century. One of his noted works was in his Chant de La Paix For Four Male Voices. HobokenX Fuld 633. Krause X!! 6. TRULY RARE≥</b> Breitkopf & Hartel hardcover books
Bookseller reference : 12803
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MENDELSSOHN FELIX KUPFERBERG Herbert
FELIX MENDELSSOHN: LIFE/FAMILY/MUSIC
NY SCRIBNER 1972. FIRST EDITION VERY GOOD. F. NY, SCRIBNER, 1972 unknown books
Bookseller reference : 14326
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Mendelssohn Kurt
The Secret of Western Domination
New York: Praeger Publishers 1976. 224p. b/w illus. dj. Praeger Publishers unknown books
Bookseller reference : 003911
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Mendelssohn Kurt.
The riddle of the pyramids.
New York: Praeger 1974. First American. Cloth. Very Good. Praeger hardcover books
Bookseller reference : 2796
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Mendelssohn Moses
Moses Mendelssohn: Selections from His Writings.
New York: Viking Press 1975. Book. Very good condition. Hardcover. First Edition. Octavo 8vo. xiv 210 pages of text including an index. Hardcover binding with minor shelfwear. Unclipped dustjacket with minor shelfwear and minor browning to the rear panel; protected in archival mylar. Edited and translated by Eva Jospe; Introduction by Alfred Jospe. Previous owner's bookplate neatly on the front endpaper. Text is clean and unmarked. Viking Press Hardcover books
Bookseller reference : 012395 ISBN : 067048993x 9780670489930
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Mendelssohn Moses with Moritz Brasch editor
MOSES MENDELSSOHN'S SCHRIFTEN ZUR PHILOSOPHIE AESTHETIK UND APOLOGETIK ERSTER BAND
Breslau: Wilh. Jacobsohn & Co 1892. Neue Titelauflage. VG/no DJ Octavo in red cloth over boards with Victorian filigree and borders gilt lettering on spine. Ex libris name stamp on verso of portrait page. Minor shelf wear and bumping; text clean; 602 pp. Small florette wallpaper endpapers. Spider marbling on edges of text block. In exceptional condition. ---TEXT IN GERMAN. <p>Shelved upstairs in shelves near copier. 1149626. Rockville Non-Retail Listings. Wilh. Jacobsohn & Co unknown books
Bookseller reference : 1149626
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Mendelssohn Moses.
Phädon oder über die Unsterblichkeit der Seele in drey Gesprächen.
Frankfurt & Leipzig. : No publisher. 1776. Publisher’s plain wraps paper spine label with handwritten title. . . Very good untrimmed in the wraps. 8vo. 19.5x12 cm. . German text. Mendelssohn’s musing on the immortality of the soul. weight: 0.4 lb. Engraved frontis. No publisher. paperback books
Bookseller reference : 190450
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Mendelssohn Sidney
MENDELSSOHN'S SOUTH AFRICAN BIBLIOGRAPHY. WITH A DESCRIPTIVE INTRODUCTION BY I.D. COLVIN
Cambridge: Maurizio Martino - Publisher 1993. cloth. South Africa. thick 8vo. cloth. lxxii1008; viii1139 pages. 2 volumes. Reprint of the 1910 first edition. Besterman p.179 This reprint was limited to 175 sets. 10000 entries given in this unsurpassed bibliography of all books in all languages on South Africa and masterpiece of scholarship and research. Maurizio Martino - Publisher unknown books
Bookseller reference : 54194
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Mendelssohn Sidney
MENDELSSOHN'S SOUTH AFRICAN BIBLIOGRAPHY. WITH A DESCRIPTIVE INTRODUCTION BY I.D. COLVIN
London: Kegan Paul Trench Trübner & Co 1910. blue cloth top edges gilt. South Africa. thick small 4to. blue cloth top edges gilt. lxxii1008; viii1139 pages. 2 volumes. First edition. Besterman p.179. 10000 entries given in this unsurpassed bibliography of all books in all languages on South Africa. A masterpiece of scholarship and research. Ex library copy with markings including the library name perforated on the title page. Wear at spine ends. Shaken. Kegan Paul, Trench, Trübner & Co unknown books
Bookseller reference : 107695
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Mendelssohn Sidney
MENDELSSOHN'S SOUTH AFRICAN BIBLIOGRAPHY. WITH A DESCRIPTIVE INTRODUCTION BY I.D. COLVIN
London: The Holland Press / Arco Publications 1957. cloth dust jackets. South Africa. thick 8vo. cloth dust jackets. lxxii1008; viii1139 pages. 2 volumes. Reprint of the 1911 first edition. Besterman p.179 This reprint was limited to 500 sets. A masterpiece of scholarship and research there are 10000 entries given in this unsurpassed bibliography of all books in all languages on South Africa. Jackets worn; tape marks on corners of free endpapers. The Holland Press / Arco Publications unknown books
Bookseller reference : 103903
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Mendelssohn Sidney
MENDELSSOHN'S SOUTH AFRICAN BIBLIOGRAPHY: Being the Catalogue Raisonne of the Mendelssohn Library of Works relating to South Africa including the Full Titles of the Books with Synoptical Biographical Critical and Bibliographical Notes on the Volumes and their Authors
Cambridge Massachusetts: Maurizio Martino-Publisher 1993. Hardcover. Near Fine. With a Descriptive Introduction by I.D. Colvin F.R.C.I. Two volumes. Tith twenty-six full-page illustrations reproducing valuable and rare engravings &c. Cambridge Massachusetts: Maurizio Martino-Publisher 1993. Facsimile reprint of the 1910 first edition limited to 175 copies. Octavo. Original burgundy cloth bindings with black and gilt titles. Issued without dust jackets. A near fine set. Maurizio Martino-Publisher hardcover books
Bookseller reference : 59250
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Mendelssohn Sidney
South African bibliography. 2 volumes
London: The Holland Press 1968. Finely printed and bound Holland Press reprint of the 1910 edition ltd to 350 copies. This is the definitive annotated account of South Africana. Each volume is 4to and about 1000 fairly densely set pages. Plates. The Holland Press unknown books
Bookseller reference : 27782
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Mendelssohn ( Moses )
Phédon ou entretiens sur l’immortalité de l’âme
Editions Alcuin 2000, broché, 196pp; traduction de M. Junker - très bon état
Bookseller reference : 72412
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Mendelssohn ( Peter de )
Marianne de ma jeunesse
Stock 1955, broché, 240pp avec des photographies hors texte extraites du film de Julien Duvivier; traduction de Denise van Moppès - très bon état
Bookseller reference : 77866
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MENDELSSOHN (& ROLLAND A.-A., trad.)
Lettres inédites de Mendelssohn
Paris, Hetzel s.d. [fin 19e siècle] viii + 344pp., "nouvelle édition", 19cm., br.orig. (charnières restaurées) protégée par papier cristal, peu de rousseurs, M83146
Bookseller reference : M83146
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MENDELSSOHN (& ROLLAND A.-A., trad.)
Lettres inédites de Mendelssohn
viii + 344pp., "nouvelle édition", 19cm., br.orig. (charnières restaurées) protégée par papier cristal, peu de rousseurs, M83146
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MENDELSSOHN (Félix).
Letttres inédites de Mendelssohn, traduites par A.A. Rolland.
Paris, Hetzel, s.d. [1864]. in 12, demi-veau glacé, dos orné de filets dorés et à froid, pièce de titre en maroquin vert, tranches mouchetées (Reliure de l’époque). (2)ff.-VIII-344 pp.
Bookseller reference : AMA-406
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MENDELSSOHN (Félix).
Voyage de jeunesse : lettres européennes (1830-1832).
Paris Stock, coll. "Musique" 1980 1 vol. broché in-12, broché, couverture illustrée, 373 pp. Préface Rémi Jacobs. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Bookseller reference : 113935
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MENDELSSOHN (Félix).
Voyage de jeunesse : lettres européennes (1830-1832).
Paris Stock, coll. "Musique" 1980 1 vol. broché in-12, broché, couverture illustrée, 373 pp. Préface Rémi Jacobs. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Bookseller reference : 113935
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MENDELSSOHN (K.).-
Cryophysique. Traduit par G. Martin.
P., Dunod (Collection "Monographies Dunod" N°42), 1963, in 12 reliure pleine toile de l'éditeur, XIII-198 pages.
Bookseller reference : 52852
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Mendelssohn (Kurt)
Cryophysique , Traduit par G. Martin
Dunod Malicorne sur Sarthe, 72, Pays de la Loire, France 1963 Book condition, Etat : Bon relié, cartonnage éditeur, pleine toile rouge imprimée In-8 1 vol. - 211 pages
Bookseller reference : 100137
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Mendelssohn (Kurt)
La recherche du zéro absolu , Texte français de J.G. et L.G. Desternes (Georges Cailletet - Szygmunt Florenty von Wroblewski - Sir James Dewar - Kamerlingh Onnes)
Hachette , L'Univers des Connaissances Malicorne sur Sarthe, 72, Pays de la Loire, France 1966 Book condition, Etat : Bon broché, sous couverture imprimée éditeur blanche, illustrée d'une figure sur fond noir In-8 1 vol. - 254 pages
Bookseller reference : 86058
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MENDELSSOHN (Moses).
Phédon, ou Entretiens sur la spiritualité et l'immortalité de l'âme. Par M. Mosès Mendels-Sohn, Juif à Berlin. Traduit de l'allemand par M. Junker, de l'Académie des Belles-Lettres de Gottingen.
A Paris, chez Saillant et à Bayeux, chez Lepelley, 1772. In-8 de 1 frontispice gravé, (4)-XXIV-342-(2) pp., veau marbré glacé, dos lisse orné, pièce de titre en maroquin rouge (reliure de l'époque).
Bookseller reference : 42123
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MENDELSSOHN (Mosès).
Phédon, ou entretiens sur la spiritualité et l'immortalité de l'âme. Traduit de l'allemand par M. Junker.
Paris et Bayeux Saillant et Lepelley 1772 1 vol. Relié in-8, veau fauve écaille, dos à nerfs, pièce de titre de maroquin rouge, caissons ornés de fleurons et dentelle dorés avec double filet en encadrement, coupes filetées, coiffes guillochées, tranches rouges, XXIV + 342 + (2) pp. Edition originale française ornée d'un beau frontispice d'après Monet, gravé par Ménil. Précédé d'une vie de Socrate, cet essai est composé en trois dialogues, à la manière du "Phédon" de Platon, à partir de la correspondance de Mendelssohn avec son ami Thomas Abbt. Infime galerie de ver au dos en pied, sinon très bon exemplaire en reliure d'époque avec ex-libris gravé Cazenove.
Bookseller reference : 54813
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MENDELSSOHN (Mosès).
Phédon, ou entretiens sur la spiritualité et l'immortalité de l'âme. Traduit de l'allemand par M. Junker.
Paris et Bayeux Saillant et Lepelley 1772 1 vol. Relié in-8, veau fauve écaille, dos à nerfs, pièce de titre de maroquin rouge, caissons ornés de fleurons et dentelle dorés avec double filet en encadrement, coupes filetées, coiffes guillochées, tranches rouges, XXIV + 342 + (2) pp. Edition originale française ornée d'un beau frontispice d'après Monet, gravé par Ménil. Précédé d'une vie de Socrate, cet essai est composé en trois dialogues, à la manière du "Phédon" de Platon, à partir de la correspondance de Mendelssohn avec son ami Thomas Abbt. Infime galerie de ver au dos en pied, sinon très bon exemplaire en reliure d'époque avec ex-libris gravé Cazenove.
Bookseller reference : 54813
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MENDELSSOHN - BARTHOLDY
ALLNACHTLICH IM TRAUME SEH ICH DICH OP86 N°4 - PIANO
SAMMTLICHER. NON DATE. In-Folio. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 3 pages de partitions - clés de sol et de fa -. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50059961
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MENDELSSOHN - BARTHOLDY
COMPOSITIONS POUR PIANO - VOLUME 1 : SONATES + SONATE 2 (COMP.1821) - EN 1 VOLUME - N°902.
ENOCH FRERES & COSTALLAT. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 51 pages de partitions. Protection plastique transparente. Premier plat illustré en noir et blanc. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50044586
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MENDELSSOHN - BARTHOLDY
ECHOS N° 164 L'AUTOMNE
A. DURAND ET FILSnon daté. non daté. In-Folio. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 7 pages. Partition pour Piano solo. Déchiures sur le dos n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50038547
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MENDELSSOHN - BARTHOLDY
LES BLES
A. DURAND ET FILS. NON DATE. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 2 pages. chants et partitions. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50040220
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MENDELSSOHN - BARTHOLDY
LIEDER ET DUOS - N°6 : FLEURS DE MAI - PIANO ET CHANT A 2 VOIX.
ENOCH FRERES & COSTALLAT. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 7 pages de partitions. Premier plat illustré en noir et blanc par P. Borie. Traduction française de Victor Wilder.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50053699
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MENDELSSOHN - BARTHOLDY
RONDO CAPRICIOSO POUR PIANO - OP.14.
HENRY LEMOINE ET CIE. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 10 pages de partitions. Premier plat illustré en noir et blanc. Dos renforcé avec de l'adhésif. Deuxième plat absent. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50044876
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MENDELSSOHN - BARTHOLDY F.
CHANSON DU PRINTEMPS - ROMANCE SANS PAROLES POUR PIANO.
G. BRANDUS ET S. DUFOUR. XIX° SIECLE. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Déchirures. 5 pages de partitions. Tampons sur le premier plat. Petites déchirures sur le bas des pages, sans réelles conséquences sur la lecture.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50054114
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MENDELSSOHN - BARTHOLDY F.
L'ATHENEE MUSICAL - N° 2487 BIS - OP.22 : CAPRICCIO BRILLANT - H MOLL / B MINOE / SI MINEUR - PIANOFORTE II.
COSTALLAT ET CIE. NON DATE. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages de partitions. Premier plat illustré en couleur. Tampon sur la page de titre. Légères déchirures sur les tranches de la couverture.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50044883
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MENDELSSOHN - BARTHOLDY F.
LIED OHNE WORTE - PIANO + VIOLONCELLE OU VIOLON.
ENOCH & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Rousseurs. 4 pages de partitions paginées de 70 à 73 + 1 page de partition pour violoncelle. Tampon sur la page de titre, ainsi que sur la première page. Dos renforcé. Annotation sur le premier plat. Petites déchirures aux extrémités des pages, sans conséquences.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50052970
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MENDELSSOHN - BARTHOLDY F.
OEUVRES DIVERSES POUR PIANO - N° 452 - OP.16 N°1 : TROIS FANTAISIES.
HENRY LEMOINE ET CIE. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 5 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50044152
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MENDELSSOHN - BARTHOLDY F.
OUVERTURE DU SONGE D'UNE NUIT D'ETE - POUR PIANO.
ALFRED IKELMER & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 25 pages de partitions. Couverture en couleur abîmée, nombreux manques et déchirures. Dos renforcé avec de l'adhésif.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50046105
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MENDELSSOHN - BARTHOLDY F.
PIECES POUR ENFANTS - N°1 : OP.72 POUR PIANO - OEUVRES CELEBRES ET TRANSCRIPTION CLASSIQUES N°1340.
MAURICE SENART & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Mouillures. 3 pages de partitions. Premier plat illustré en couleur par E. Jacotot. Petites déchirures sur le bord des pages, sans conséquences. Mouillures sur le haut des pages. Révision par A. Sauvrezis.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50056152
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MENDELSSOHN - BARTHOLDY F.
SCHERZO A CAPRICCIO - PIANO.
HENRY LITOLFF / ENOCH & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 9 pages de partitions. Premier plat illustré en noir et blanc. Tampon sur le premier plat ainsi que sur la première page.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50056156
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MENDELSSOHN - BARTHOLDY F.
SCHOTTISCHE SYMPHONIE - N°04207/12 - OP.56 - KLAVIER ZU 4 HÄNDEN.
SCHOTT. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 55 pages de partitions. Premier plat illustré en couleur. Plats désolidarisés avec quelques déchirures au dos.. . . A l'italienne. Classification Dewey : 780.26-Partitions
Bookseller reference : RO50045420
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MENDELSSOHN - BARTHOLDY F.
SONATE EN MI DIEZE MAJEUR POUR PIANO.
SCHONENBERGER. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 25 pages de partitions. Plats en couleur désolidarisés. Tampon et étiquette contre collée sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50056151
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MENDELSSOHN - BARTHOLDY F.
SONATE POUR VIOLINO.
MAURICE SCHLESINGER. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Rousseurs. 9 pages de partitions. Plats absents. Op.45.. . . . Classification Dewey : 780.26-Partitions
Bookseller reference : RO50053872
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