STRAUSS Johann Jr. 1825 1899
Indigo und die vierzig Räuber Piano-vocal score
Leipzig: Aug. Cranz PN C.S. 22.141 1900. Large octavo. Half black cloth-backed marbled boards with original publisher's upper wrapper with titling within decorative blue border laid down. 1f. recto series title verso blank 3-284 pp. Edition Cranz No. 772. <br/><br/>With early performance markings in blue and lead pencil throughout; occasional annotations in pencil. Stamps of "Emil Richter Theaterverlag Hamburg" etc. to upper wrapper endpapers and several pages of music. <br/><br/>Binding somewhat worn rubbed and bumped; hinges reinforced with white tape. Printed from First Edition plates. Weinmann p. 132.<br/><br/>Indigo und die vierzig Räuber to a libretto by M. Steiner and others was first performed at the Theater an der Wien on 10 February 1871.<br/><br/>"On the advice of his first wife the theatrically-astute mezzo-soprano Henriette 'Jetty' Treffz Johann began experimenting with the composition of operetta during the mid-1860s but it was not until 1871 that a stage work of his Indigo und die vierzig Räuber was produced. Though a box-office success the work received mixed critical reviews; Ludwig Speidel Fremden-Blatt 12 February 1871 considered the piece 'promises the most splendid expectations for the future' while Hanslick Neue Freie Presse 12 February 1871 dismissed it as 'Strauss dance music with words added and ascribed rôles'." Peter Kemp in Grove Music Online. Aug. Cranz [PN C.S. 22.141] unknown books
书商的参考编号 : 36166
|
|
STRAUSS Johann Jr. 1825 1899
Der Zigeunerbaron Piano-vocal score
Wien: Alwin Cranz PN C. 50024 1948. Large octavo. Original light brown printed wrappers. 1f. recto title verso cast list 1f. recto contents verso blank 5-208 pp. <br/><br/>With handstamps to upper portion of upper wrapper "Boynton & Haithwaite" and "Arundel Opera Theatre Inc.".<br/><br/>Wrappers worn. Some internal wear and browning; remnants of wrapper to inner margin of title. First performed in Vienna at the Theater an der Wien on 24 October 1885 with text by I. Schnitzer after M. Jókai's Saffi.<br/><br/>"Certainly Strauss was no judge of librettos and throughout his life he found it both cumbersome and restricting to compose to prescribed texts though with Der Zigeunerbaron 1885 he showed himself uncharacteristically adept in this. Over the next quarter of a century a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Alwin Cranz [PN C. 50024] unknown books
书商的参考编号 : 36159
|
|
STRAUSS Johann Jr. 1825 1899
Die Fledermaus Piano-vocal score
Leipzig .: Aug. Cranz PN F.S. No. 23422 1966. Folio. Full dark red cloth with titling gilt and decorative device in olive green black and gilt to upper; patterned endpapers. 1f. recto title verso blank 1 contents 2-168 pp. <br/><br/>Binding very slightly worn rubbed and bumped. Minor internal wear; former owner's name to blank upper margin of title "Emerich Voitek" in contemporary manuscript. Printed from first edition plates.<br/><br/>"Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Aug. Cranz [PN F.S. No. 23422] unknown books
书商的参考编号 : 36175
|
|
STRAUSS Johann Jr. 1825 1899
Die Fledermaus Piano-vocal score
Wien London: Weinberger Alwin Cranz 1948. Large octavo. Original publisher's dark ivory wrappers. 1f. recto title verso blank 1 contents 2-196 pp. <br/><br/>Wrappers worn and slightly creased. Browned; signatures loose; small handstamps to lower margin of title. "Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Weinberger, Alwin Cranz unknown books
书商的参考编号 : 36171
|
|
STRAUSS Johann Jr. 1825 1899
Der Carneval in Rom Piano-vocal score
Wien: Friedrich Schreiber PN 23598 1875. Large octavo. Dark brown leather-backed marbled boards with large rectangular manuscript title label to upper. 1f. recto title on light brown ground printed in dark brown within decorative border verso index 3-185 i blank pp. <br/><br/>With extensive early performance markings in red blue and lead pencil. Front endpapers with extensive early manuscript annotations in German documenting instrumental and vocal part requirements and performers; rear endpapers with annotations documenting performances on 29 June and 7 July 1884. Early owner's signature to upper outer corner of title.<br/><br/>Quite worn browned and soiled. Lacking pp. 177-182. First Edition. Weinmann p. 129.<br/><br/>Der Carneval in Rom a comic opera to a libretto by J. Braun after V. Sardou's Piccolino was first performed at the Theater an der Wien on 1 March 1873.<br/><br/>An interesting copy. Friedrich Schreiber [PN 23598] unknown books
书商的参考编号 : 36178
|
|
STRAUSS Johann Jr. 1825 1899
Eine Nacht in Venedig Piano-vocal score
Leipzig .: Aug. Cranz PN C. 26000 1884. Quarto. Half gray cloth with black paper boards. 1f. recto title verso blank 3-141 i blank pp. <br/><br/>Occasional performance markings in pencil.<br/><br/>With multiple ownership stamps of Gustav Kotany and signature of Otto Radl to endpapers title and first page of music. <br/><br/>Slightly browned; minor creasing to upper outer corners; minor tape repair to one leaf; some ownership stamps crossed out. First Edition. Weinmann p. 134. <br/><br/>Eine Nacht in Venedig to a libretto by Zell and Genée after E. Cormon and M. Carré's Le château Trompette was first performed in Berlin at the Friedrich-Wilhelmstädtisches on 3 October 1883 and in Vienna at the Theater an der Wien on 9 October 1883. Aug. Cranz [PN C. 26000] unknown books
书商的参考编号 : 36177
|
|
STRAUSS Johann Jr. 1825 1899
Indigo und die vierzig Räuber Piano-vocal score
Wien: C.A. Spina PNs C.S. 22.131 - 22.154 1871. Large octavo. Half dark brown cloth with marbled boards octagonal paper title label to upper. 1f. recto illustrated title printed in dark brown verso blank 1f. recto index verso cast list 284 pp. With secondary pagination. Engraved. With "Druck von A. Eckel in Wien" to lower inner margin of first page of music.<br/><br/>Binding slightly worn rubbed and bumped. Minor internal wear. First Edition first issue. Weinmann p. 132.<br/><br/>Indigo und die vierzig Räuber to a libretto by M. Steiner and others was first performed at the Theater an der Wien on 10 February 1871.<br/><br/>"On the advice of his first wife the theatrically-astute mezzo-soprano Henriette 'Jetty' Treffz Johann began experimenting with the composition of operetta during the mid-1860s but it was not until 1871 that a stage work of his Indigo und die vierzig Räuber was produced. Though a box-office success the work received mixed critical reviews; Ludwig Speidel Fremden-Blatt 12 February 1871 considered the piece 'promises the most splendid expectations for the future' while Hanslick Neue Freie Presse 12 February 1871 dismissed it as 'Strauss dance music with words added and ascribed rôles'." Peter Kemp in Grove Music Online. C.A. Spina [PNs C.S. 22.131 - 22.154] unknown books
书商的参考编号 : 36173
|
|
STRAUSS Johann Jr. 1825 1899
1001 Nacht Piano-vocal score
Wiesbaden .: Aug. Cranz PN C. 41763 1959. Large octavo. Publisher's light green printed wrappers. 1f. recto title verso cast list iii contents iv-xi ouverture 2-148 pp. <br/><br/>Wrappers slightly worn. Aug. Cranz [PN C. 41763] unknown books
书商的参考编号 : 36182
|
|
STRAUSS Johann Jr. 1825 1899
Die Fledermaus Piano-vocal score
New York: G. Schirmer PN 42069 1951. Large octavo. Original publisher's dark red wrappers with titling in ivory and black. 1f. recto title verso copyright 1f. recto publisher's note verso cast list 1 contents 2-168 pp. <br/><br/>Occasional performance markings in red and lead pencil.<br/><br/>Wrappers quite worn; spine reinforced with red tape; small musicseller's label to upper. Some wear; light uniform browning; former owner's name to upper margin of title. "Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. G. Schirmer [PN 42069] unknown books
书商的参考编号 : 36179
|
|
STRAUSS Johann Jr. 1825 1899
Die Fledermaus Piano-vocal score
New York .: Boosey & Hawkes PN U.S. Bk. No. 91 1943. Large octavo. Original publisher's dark brown illustrated wrappers. 1f. recto title verso translator's note 3-160 pp.<br/><br/>Wrappers slightly worn. Uniform light browning. "Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Boosey & Hawkes [PN U.S. Bk. No. 91] unknown books
书商的参考编号 : 36181
|
|
STRAUSS Johann Jr. 1825 1899
Simplicius. Piano-vocal score
Hamburg: Aug. Cranz PN C. 27869 1889. Large octavo. Modern half dark red cloth with patterned boards original publisher's upper printed wrapper laid down to upper. 1f. recto title verso blank 1f. recto dedication verso contents 3-162 pp. <br/><br/>With performance markings in blue and lead pencil; occasional additional text in lead pencil. <br/><br/>Upper wrapper trimmed. Minor wear to lower outer corners; inner margin of title reinforced with white paper. First Edition. Weinmann p. 135.<br/><br/>Simplicius to text by Léon after J.J.C. von Grimmelshausen's Der abenteuerliche Simplicissimus was first performed in Vienna at the Teater an der Wien on 17 Dec 1887. Aug. Cranz [PN C. 27869] unknown books
书商的参考编号 : 36176
|
|
STRAUSS Johann Jr. 1825 1899
La Tzigane Piano-vocal score
Paris: Au Ménestrel . Heugel & Fils PN H. 4814 1877. Large octavo. Original publisher's light blue wrappers with titling in dark blue and red within decorative border. 1f. recto title printed in red and blue within decorative red border verso blank 1f. recto attractive full-page illustrated lithographic title printed on green ground verso blank 1f. recto named cast list and contents verso blank 274 pp. <br/><br/>Named cast includes Bouffar D'Asco Piccolo Ismael Urbain and Berthelier. <br/><br/>With handstamp of former owner "Wesley Boynton" to upper margin of upper wrapper and title.<br/><br/>Wrappers slightly worn; minor chips to blank outer edge; split at spine. Minor internal wear; edges slightly foxed. Revised for the first Paris performance. Au Ménestrel ... Heugel & Fils [PN H. 4814] unknown books
书商的参考编号 : 36180
|
|
STRAUSS Johann Jr. 1825 1899
Le Reine Indigo Piano-vocal score
Paris: Au Ménestrel . Heugel et Cie. PN H. 4568 1875. Large octavo. Original publisher's light blue decorative wrappers printed in dark blue. 1f. recto title printed in blue within decorative border verso publisher's catalogue 233 i blank pp. Publisher's catalogue to recto and verso of lower wrapper. <br/><br/>Wrappers worn and partially split; edges chipped; tape repairs to spine. Title slightly worn and foxed; small publisher's stamps to blank lower margin. The first of Strauss's operettas La Reine Indigo was first performed in Vienna at the Theatre an der Wien on 10 February 10 1871. Au Ménestrel ... Heugel et Cie. [PN H. 4568] unknown books
书商的参考编号 : 36170
|
|
STRAUSS Johann Jr. 1825 1899
Prinz Methusalem. Piano-vocal score
Leipzig .: Aug. Cranz 1900. Large octavo. Full black cloth boards with publisher's light blue printed wrappers laid down. Publisher's catalogue to rear wrapper "Opern und Operetten." 1f. recto title verso publisher's catalogue "Ballet=Musik" 3-175 i blank pp. <br/><br/>Wrappers slightly trimmed. Very minor internal wear. First Edition later issue. Weinmann p. 135.<br/><br/>Prinz Methusalem was first performed in Vienna at the Carltheater on 3 January 1877. Aug. Cranz unknown books
书商的参考编号 : 36174
|
|
STRAUSS Johann Jr. 1825 1899
Ritter Pásmán Piano solo
Berlin: N. Simrock 1892. Quarto. Modern plain ivory wrappers. 1f. recto attractive illustrated title printed in color verso blank 3-161 pp. <br/><br/>Title with faint small ownership handstamp to upper outer corner; chipped at upper outer margin with paper repairs to verso. Slightly browned. First Edition. Weinmann p. 113. <br/><br/>Ritter Pásmán to a libretto by L. Dóczi after J. Aranyi was first performed in Vienna at the Court Opera on 1 January 1892.<br/><br/>"Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta." Peter Kemp in Grove Music Online. N. Simrock unknown books
书商的参考编号 : 36188
|
|
STRAUSS Johann Jr. 1825 1899
Der lustige Krieg komische Operette in 3 Acten von F. Zell und Richard Genée .
Hamburg . Wien: Aug. Cranz . C.A. Spina PN C. 25513 1882. Large octavo. Half dark brown cloth with matching boards original publisher's dark tan upper wrapper laid down to upper. 1f. recto title verso blank 164 pp. <br/><br/>Binding slightly worn; wrapper trimmed; remnants of label to spine; endpaper slightly cockled. Slightly worn and browned; occasional foxing; minor pencilling. First Edition first issue. Weinmann p. 133. <br/><br/>Der lustige Krieg was first performed in Vienna at the Theatre an der Wien on 25 November 1881. Aug. Cranz ... C.A. Spina [PN C. 25513] unknown books
书商的参考编号 : 36104
|
|
STRAUSS Johann Jr. 1825 1899
Die Tänzerin Fanny Elssler Operette in 3 Akten von Hans Adler .
Wiesbaden . Wien .: Aug. Cranz . Josef Weinberger PN J.W. 4242a 1950. Quarto. Original publisher's dark orange printed wrappers. 112 pp. <br/><br/>Slightly worn. Aug. Cranz ... Josef Weinberger [PN J.W. 4242a] unknown books
书商的参考编号 : 36103
|
|
STRAUSS Johann Sr. 1804 1849 and STRAUSS Johann Jr. 1825 1899
Valses de Vienne Opérette en Trois Actes et Sept Tableaux
Paris: Max Eschig PN M.E. 4045 1975. Folio. Illustrated wrappers. 1f. recto title verso blank 1f. blank 1f. recto contents verso blank 1f. recto cast list from the first performance at the Théâtre de la Porte St. Martin on 21 December 1933 verso blank. 119 i blank pp. Reprint of the 1933 edition. Max Eschig [PN M.E. 4045] unknown books
书商的参考编号 : 36106
|
|
STRAUSS Richard 1864 1949
Op. 46. Fünf Gedichte von Friedrich Rüchert für eine Singstimme mit Klavierbegleitung. Piano-vocal scores complete
Berlin: Adolph Fürstner 1900. 5 folios. Original publisher's wrappers with lithographic illustration of loving couples to uppers series title within decorative borders with floral cornerpieces to uppers and publisher's advertisements to lowers.<br/><br/>Includes:<br/>No. 1: Ein Odbach gegen Sturm und Regen. PN 5801. 7 pp.<br/>No. 2: Gestern war ich Atlas. PN 5796. 7 pp.<br/>No. 3: Die sieben Siegel. PN 5802. 7 pp.<br/>No. 4: Morgenrot. PN 5802. 11 pp.<br/>No. 5: Ich sehe wie in einem Speigel. PN 5416. 9 pp.<br/><br/>With printed dedication "Meinen lieben Schweigereltern gewidmet." Small handstamp "Made in Germany" to upper left corner of uppers. <br/><br/>Slightly worn and browned; some wrappers loose. First Edition first issue no. 5.<br/>First Edition later issue nos. 1-4.<br/>TrV 199. Adolph Fürstner unknown books
书商的参考编号 : 34539
|
|
STRAUSS Richard 1864 1949
Collection of 6 lieder. Piano-vocal scores
Berlin: Adolph Fürstner. Folio. 6 numbers in original publisher's wrappers.<br/><br/>Includes:<br/>Op. 22 nos. 1 Kornblumen and 3 Epheu. Mädchenblumen . Gedichte von Felix Dahn . English version by Mrs. John P. Morgan. PNs 5793 5792 ©1891. 5; 6 pp.<br/>Op. 31 nos. 2 Wenn and 4 Stiller Gang. 3 Lieder von Carl Busse . Richard Dehmel. PN 5795 ©1896. 7; 5 pp.<br/>Op. 47 no. 4 Einkehr. Fünf Lieder Ludwig Uhland. PN 5796 ©1900. 9 pp.<br/>Op. 69 no. 3 Einerlei. Fünf kleine lieder nach gedichten von A. von Arnim. PN A. 7487 F. ©1919. 8 pp.<br/><br/>Somewhat worn browned and brittle; small handstamps and minor markings. First Editions probable later issues. TrV 153 173 200 237. Adolph Fürstner unknown books
书商的参考编号 : 34537
|
|
STRAUSS Richard 1864 1949
Op. 12. Symphonie F moll Study score
München: Jos. Aibl PN R. 2560 1904. Small octavo 205 x 150 mm. Contemporary half dark green cloth boards with titling gilt to spine. 1f. title 248 pp.<br/><br/>Slightly worn and bumped; minor splitting to hinges; handstamps to endpapers and title: "Eigentum Wolfgang Schneiderhan" "Otto Maass .". Uniformly browned. First edition later issue. TrV 126.<br/><br/>Premiered in New York on 13 December 1884. Jos. Aibl [PN R. 2560] unknown books
书商的参考编号 : 34547
|
|
STRAUSS Richard 1864 1949
Op. 46. Fünf gedichte von Friedrich Rüchert für eine Singstimme mit Klavierbegleitung. Piano-vocal scores complete
Berlin: Adolph Fürstner 1900. 5 folios. Original publisher's wrappers with lithographic illustration of couple embracing nos. 2 3 and 5; series title within decorative borders with floral cornerpieces to uppers and publisher's advertisements to lowers.<br/><br/>Includes:<br/>No. 1: Ein Odbach gegen Sturm und Regen. PN 580o. 7 pp.<br/>No. 2: Gestern war ich Atlas. PN 5796. 7 pp.<br/>No. 3: Die sieben Siegel. PN 5803. 7 pp.<br/>No. 4: Morgenrot. PN 5145. 11 pp.<br/>No. 5: Ich sehe wie in einem Speigel. PN 5152. 9 pp.<br/><br/>With printed dedication "Meinen lieben Schweigereltern gewidment."<br/><br/>Slightly worn browned and chipped; some leaves loose. First Edition first issue nos. 4 and 5. <br/>First Edition early issue nos. 1 and 3.<br/>First Edition later issue no. 2.<br/>TrV 199. Adolph Fürstner unknown books
书商的参考编号 : 34540
|
|
STRAUSS Richard 1864 1949
Op. 47. Fünf lieder Ludwig Uhland componirt für eine Singstimme mit Klavierbegleitung. Piano-vocal scores complete
Berlin: Adolph Fürstner 1900. 5 folios with original publisher's wrappers series titling to uppers publisher's advertisements to lowers.<br/><br/>Includes:<br/>No. 1: Auf ein Kind. PN 5798. 5 pp.<br/>No. 2: Des Dichters Abendgang. PN 5802. 11 pp.<br/>No. 3: Rückleben. PN 5796. 9 pp.<br/>No. 4: Einkehr. PN 5796. 9 pp.<br/>No. 5: Von den sieben Zechbrüdern. PN 5166. 23 pp.<br/><br/>With printed dedication to "Herrn J.C. Pflüger in Bremen freundschaftlichst gewidmet." small handstamps to upper left corners of uppers.<br/><br/>Somewhat worn and browned more significantly to no. 1. First Edition first issue of no. 5 the others later issues. TrV 200. Adolph Fürstner unknown books
书商的参考编号 : 34538
|
|
STRAUSS Richard 1864 1949
Op. 13. Quartett in C moll. Score and parts
München: Jos. Aibl PNs R.2579 R.2580 1886. Folio 340 x 270 mm. Unbound as issued. Score: 1f. title i dedication 65; Violin: 12; Viola 12; Violoncello: 12 pp.<br/><br/>With "Preisgekrönt vom Berliner Tonkünstlerverein" to head of title and printed dedication "Seiner hoheit Georg II. Herzog von Sachsen-Meiningen in ehrfurcht und dankbarkeit zugeeignet."<br/><br/>Slightly browned and chipped. Wrappers lacking. First Edition later issue. TrV 137.<br/><br/>Premiered on 8 December 1885 by the composer and members of the Halir Quartet. Jos. Aibl [PNs R.2579, R.2580] unknown books
书商的参考编号 : 34527
|
|
STRAUSS Richard 1864 1949
Collection of lieder. Piano-vocal scores
Berlin: Adolph Fürstner. Folio. 18 scores in original publisher's printed wrappers.<br/><br/>Includes:<br/>- Op. 22 nos. 1 3 and 4. Mädchenblumen. . Kornblumen / Epheu / Wasserrose . Gedichte von Felix Dahn. PNs A. 5792 F. A. 5793 F. ©1891. 5; 6; 7 pp.<br/><br/>- Op. 31 nos. 1 2 and 4. 3 Lieder von Carl Busse . Blauer sommer / Wenn. Stiller Gang . Richard Dehmel. PNs A. 5794 F. A. 4904 F. ©1896. 5; 7; 5 pp.<br/><br/>- Op. 46 nos. 2 and 3. Fünf Gedichte von Freidrich Rückert . Gestern war ich Atlas / Die sieben seigel. PNs A. 5797 F. A. 5802 F. ©1900. 7; 7 pp.<br/><br/>- Op. 47 no. 4. Fünfleider Ludwig Uhland . Einkehr. PN A. 5796 F. ©1900. 9 pp.<br/><br/>- Op. 48 no. 3. 5 Lieder nach gedichten von Otto Julius Birnbaum und Karl Henckell . Kling!. PN A. 5800 F. ©1901. 7 pp.<br/><br/>- Op. 49 nos. 2 4 7 and 8. Acht lieder . In goldener Fülle / Das lied des Steinklopfers / Wer lieben will muss leiden / Ach was kummer qual und schmerzen. PNs A. 5801 F. A. 5805 F. A. 5796 F. A. 5247 F. ©1902. 9; 9; 5; 7 pp.<br/><br/>- Op. 68 nos. 1 and 2. Sechs lieder nach gedichten Clemens Brentano . An die nacht / Ich wollt ein sträusslein binden. PNs A. 7470 F. A. 7472 F. ©1919. 9; 9 pp.<br/><br/>- Op. 69 nos. 1 and 3. Fünf kleine lieder nach gedichten von A. von Arnim . Der stern / Einerlei. PNs A. 7482 F. A. 7487 F. ©1919. 6; 8 pp.<br/><br/>- Op. 71 no. 3. Drei Hymnen von Freidrich Hölderlin . Die Liebe Piano vocal score. PN A. 7691 F. ©1921. 16 pp.<br/><br/>Somewhat worn and browned; small handstamps; occasional minor tears and chips; some wrappers detached; some scores brittle with splits to spine; small publisher's handstamps and minor markings. First and early editions. TrV 153 173 199 200 204 235 237 240. Adolph Fürstner unknown books
书商的参考编号 : 34528
|
|
STRAUSS Richard 1864 1949
Op. 38. Tennyson's Enoch Arden für Pianoforte . ein Melodram
Leipzig: Rob. Forberg PN 5200 1898. Folio. Original publisher's light green decorative wrappers. 1f. recto title printed in red and black verso publisher's advertisement 23 pp.<br/><br/>With printed dedication "Ernst von Possart gewidmet" to head of upper wrapper. <br/><br/>Wrappers slightly worn and chipped. Small handstamp to blank lower margin of title "G. Schirmer 35 Union Square New York." First Edition. Scarce. TrV 181. Mueller von Asow I p. 234. <br/><br/>Tennyson's Enoch Arden premiered in München on 24 March 1897 at Mathildensaal with Ernst v. Possart as speaker and the composer at the piano. Rob. Forberg [PN 5200] unknown books
书商的参考编号 : 34551
|
|
STRAUSS Richard 1864 1949
Selections from operas. Solo piano arrangments
Berlin: Adolph Fürstner. Folio. 7 scores in original publisher's printed wrappers.<br/><br/>Includes:<br/>Op. 50. Feuersnot . Liebesszene; arr. Otto Singer. PN A. 5277 F. ©1902. 7 pp. With "Musikprobe Der bürger als Edelmann" printed at head of lower wrapper.<br/>Op. 59. Der Rosenkavalier . Frühstücks-scene; arr. Carl Besl. PN A. 5926 F. ©1911. 8 pp. With "Musikprobe from Der bürger als Edelmann" at head of page 1 "Musikprobe Ariadne auf Naxos" at head of page 8.<br/>Op. 59. Der Rosenkavalier . Szene des Ochs von Lerchenau; arr. Carl Besl. PN A. 6137 F. ©1911. 11 i publisher's advertisement pp.<br/>Op. 59. Der Rosenkavalier . Aufzug des Rosenkavaliers und Duett zwischen Sophie und Oktavian. PN A. 6127 F. ©1911. 19 i publisher's advertisement pp.<br/>Op. 60. Ariadne auf Naxos . Frauenterzett; arr. Carl Besl. PN A. 6321 F. ©1912-13. 5 i publisher's advertisement pp.<br/>Op. 60. Ariadne auf Naxos . Fantasie; arr. Otto Singer. PN A. 6370 F. ©1913. 15 i blank pp. <br/>Op. 79 Arabella . Fantasie; arr. Leopold Weninger. PN A. 8262 F. ©1934. 15 i blank pp. <br/><br/>Somewhat worn and browned; minor chipes tears and markings; some scores brittle; some wrappers split at spine. TrV 203 227 228 263.<br/><br/>"Strauss considered his operas to be his major contribution to the 20th century and from Salome to Capriccio he averaged a new opera every two to three years. .Coming of age as a composer at a time when the duality of bourgeois and artist had become increasingly problematic Strauss negotiated the worlds of art and society with a remarkable combination of candour and irony. Averse to the metaphysics of Wagner and indifferent to Mahler's philosophical intentions in music Strauss exploited instead the paradoxes inconsistencies and potential profundities to be found in modern everyday life. The new possibilities he envisioned for music were exemplified in the eclecticism of the opera Der Rosenkavalier in which the juxtaposition of contemporary with intentionally anachronistic elements creates a stylistic pluralism that adumbrates subsequent experimentation of the later 20th century." Bryan Gilliam and Charles Youmans in Grove Music Online. Adolph Fürstner unknown books
书商的参考编号 : 34536
|
|
STRAUSS Richard 1864 1949
Op. 69 no. 3 Fünf kleine Lieder nach Gedichten von A. von Arnim und H. Heine . 3. Einerlei. Piano-vocal score
Berlin: Adolph Fürstner PN 7486 1919. Folio. Original publisher's wrappers with lithographic titling and illustration of birds in flight by Stolze printed in black with red highlights to upper. 1 title 2 advertisement 3 text 8 9-10 advertisements pp.<br/><br/>With printed dedication "Frau Mizzi von Grab gewidmet" to head of first page of music.<br/><br/>Wrappers somewhat worn brown and chipped; handstamps "Hoch" and "Made in Germany" to upper left corner of upper. Publisher's handstamp and copyright restriction stamps to p. 4. First Edition. TrV 237. Adolph Fürstner [PN 7486] unknown books
书商的参考编号 : 34542
|
|
STRAUSS Richard 1864 1949
Op. 58. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal. Piano vocal score
Berlin W - Paris: Adolph Fürstner 1909. BESL Carl arranger. Folio. Original publisher's brown printed wrappers with series titling to upper. <br/><br/>Includes:<br/>No. 1. Soloscene der Elektra. "Allein! Weh ganz allein" A. 5657.5658 F. 1 title 15 16 advertisement pp.<br/>No. 2. Gesange der Chrystothemis. "Ich hab's wie in der brust" A. 5658.5685 F. 1 title 11 12 advertisement pp.<br/><br/>Wrappers browned and slightly brittle; partially detached. Later issue. TrV 223. Muller von Asow I p. 409. <br/><br/>Elektra premiered in Dresden at the önigliches Opernhaus on 25 January 1909.<br/><br/>"The music of Elektra is often diagnosed as marking an 'advanced' point - i.e. on the way to modernist atonality - from which the composer then staged a prudent inglorious retreat. That bespeaks a prejudice which he never espoused. Though passages in the opera share the queasy harmonic climate of Schoenberg's op.11 no.2 piano piece 1909 Strauss felt no natural urge towards atonality as the Music of the Future. The sporadic 'atonalisms' in Elektra as in his Ophelia songs were meant to convey the exacerbated spiritual condition of his characters not to promote some more radical cause. .The apparent similarities between Elektra and say Schoenberg's atonal Erwartung also 1909 lie in their violent extremes - of vocal line and histrionic moods of dynamics and post-Romantic orchestration. Strauss's score however absolutely presupposes a secure tonal norm against which to measure its harsh disorientating dramatic effects for an audience with late Romantic ears." David Murray in Grove Music Online. Adolph Fürstner unknown books
书商的参考编号 : 34535
|
|
STRAUSS Richard 1864 1949
Op. 62. Deutsche Motette Full score
Berlin: Adolph Fürstner PN 7010 1913. Folio. Original publisher's dark gray printed wrappers. 1 title 2 blank 3 dedication to "Professor Hugo Rüdel und dem ausgezeichneten Hoftheatersinchor in Berlin" 4-5 text and translation 62 pp.<br/><br/>With performance markings in pencil and red crayon.<br/><br/>Wrappers considerably worn chipped stained and creased; spine reinforced with black binder's tape; edges reinforced with tape to versos; partially disbound. Uniformly browned; lower outer corners thumbed several torn. First Edition. Scarce. TrV 230. Mueller von Asow II p. 623. <br/><br/>The Deutsche Motette premiered in Berlin on 2 December 1913 conducted by Hugo Rüdel. Adolph Fürstner [PN 7010] unknown books
书商的参考编号 : 34554
|
|
STRAUSS Richard 1864 1949
Op. 53. Symphonia Domestica. Study score
Berlin: Ed. Bote & G. Bock PN 15613 1904. Small quarto 260 x 200 mm. Original publisher's decorative olive green wrappers with stylized embossed titling to upper. 1 title 123 pp.<br/><br/>With printed dedication "Meiner lieben frau und unsern jungen gewidmet" to upper margin of title. <br/><br/>Wrappers somewhat worn and scuffed; spine reinforced with black binder's tape; creases and tears with minor loss. Lightly browned. Several performance markings in pencil. First Edition in this format. TrV 209. Mueller von Asow I p. 335.<br/><br/>The Symphonia Domestica premiered in New York at Carnegie Hall on 12 March 1904 by the Wetzler Symphony Orchestra conducted by the composer. Ed. Bote & G. Bock [PN 15613] unknown books
书商的参考编号 : 34543
|
|
STRAUSS Richard 1864 1949
Lieder-Album
Berlin: Adolph Fürstner PNs A. 5162 F. etc. 1901. Quarto 305 x 235 mm. Original publisher's dark ivory wrappers printed in brown and green publisher's advertisements to verso of lower. 1 title 2-3 texts and translations 25 pp.<br/><br/>Includes:<br/>Op. 47 no. 3. Rückleben<br/>Op. 47 no. 4. Einkehr<br/>Op. 46 no. 2. Gestern war ich Atlas<br/>Op. 48 no. 1. Freundliche vision<br/>Op. 49 no. 7. Wer lieben will muss leiden<br/><br/>Wrappers slightly worn; publisher's handstamp to blank lower margin "Copyright for all countries Fürstner Limited 26-27 Conduit Street London W.1." and small ownership stamp "Hoch" to upper left corner of upper wrapper. Uniformly browned. TrV 199 200 202 204. Adolph Fürstner [PNs A. 5162 F., etc.] unknown books
书商的参考编号 : 34541
|
|
STRAUSS Richard 1864 1949
Op. 53. Symphonia Domestica Piano 4-hands
Berlin: Ed. Bote & G. Bock PN 15615 1904. Folio 330 x 265 mm. Contemporary black cloth boards with original publisher's green wrapper with stylized titling laid down to upper. 1 title 79 pp. 1f. blank.<br/><br/>With printed dedication "Meiner lieben frau und unsern Jungen gewidmet" to head of title. <br/><br/>Binding somewhat worn and scuffed; spine lacking; upper mostly detached; handstamps to upper board title and lower flyleaf "Raabe & Plothow ." Slightly browned; a few minor performance markings in pencil. First Edition of this arrangement. TrV 209. Mueller von Asow I p. 335. Ed. Bote & G. Bock [PN 15615] unknown books
书商的参考编号 : 34526
|
|
STRAUSS Richard 1864 1949
Op. 64. Eine Alpensinfonie. Study score
Leipzig: F.E.C. Leuckart PN 7531 1915. Small octavo 240 x 170 mm. Original publisher's brown printed wrappers publisher's advertisement to verso of lower. 1f. recto title verso blank 1f. recto dedication "Dem Grafen Nicolaus Seebach und der Königlichen Rapell zu Dresden" verso instrumentation 3-162 pp.<br/><br/>Wrappers worn and chipped; upper torn with significant loss; spine partially split. Browned; some signatures split. First Edition. TrV 233.<br/><br/>The Alpensinfonie premiered in Berlin on 28 October 1915.<br/><br/>"Despite its philosophical roots Eine Alpensinfonie is outwardly unphilosophical proclaiming with startling beauty the glories of the natural world. It is unparallelled in Strauss's symphonic output both in terms of duration 50 minutes and size requiring over 140 players including offstage brass. Critical reaction after the October 1915 première was mixed; some went as far as to describe it negatively as 'cinema music' a remarkable claim given that film was still a new medium." Bryan Gilliam and Charles Youmans in Grove Music Online. F.E.C. Leuckart [PN 7531] unknown books
书商的参考编号 : 34549
|
|
STRAUSS Richard 1864 1949 arr
Die Ruinen von Athen Piano vocal score
Berlin: Adolph Fürstner PN 7783 1925. after BEETHOVEN Ludwig van 1770-1827. Original publisher's illustrated wrappers printed in blue dark pink and black titling to upper. 1 title 2 copyright notice 3-4 character and scene lists 80 pp.<br/><br/>Illustration by Stolze of the Parthenon and ruined pillars to upper. <br/><br/>Wrappers worn chipped and detached; spine lacking. Minor browning to edges; several leaves partially detached. First Edition. TrV 249. Mueller von Asow AV190 III p. 1384.<br/><br/>Die Ruinen von Athen premiered in Vienna at the Operntheater on 20 September 1924 conducted by the composer with stage direction by Joseph Turnau choreography by Heinrich Kröller and set and costume designs by Alfred Roller. Adolph Fürstner [PN 7783] unknown books
书商的参考编号 : 34552
|
|
STRAUSS Richard 1864 1949
Op. 7. Serenade Piano four-hands
Leipzig: Jos. Aibl PN R.2514.c 1912. Small folio 310 x 240 mm. Original publisher's printed wrappers publisher's advertisement to verso of lower. 1 title 11 pp. Verso or lower wrapper dated XI November 1912.<br/><br/>With printed dedication "Seinem hochverehrten Lehrer Herrn Fr. W. Meyer königl. bayr. Hof-Kapellmeister" to head of title. <br/><br/>Somewhat worn thumbed and chipped; spine partially split. Handstamp to title "Erich Itor & Frida Kahn Collections." Universal Edition reprint of the first edition of this arrangement. UE 1008. TrV 106. Jos. Aibl [PN R.2514.c] unknown books
书商的参考编号 : 34550
|
|
STRAUSS Richard 1864 1949
Op. 2. Quartett A dur Score
Leipzig: Jos. Aibl PN U.E. 1001. Octavo 275 x 190 mm. Contemporary quarter light tan leather with marbled boards title label laid down to upper. 1f. title 40 pp.<br/><br/>With printed dedication to Benno Walter Michael Steiger Anthon Thoms and Hans Wihan to head of title.<br/><br/>Boards somewhat worn and scuffed; spine stained. Uniform light browning; title slightly trimmed and reinforced with tape at gutter. TrV 95.<br/><br/>The present quartet premiered on 16 March 1881 by the dedicatees. Jos. Aibl [PN U.E. 1001] unknown books
书商的参考编号 : 34544
|
|
STRAUSS Richard 1864 1949
Op. 24. Tod und Verklärung Faksimile-Reproduktion der Handschrift
Wein: Universal 1923. Folio. Original publisher's textured purple boards with printed label to upper. 38 pp. facsimile of the autograph full score 1f. colophon. <br/><br/>Binding slightly worn and browned; head of spine torn; previous owner's name to upper outer corner of front pastedown. Trenner p. 128.<br/><br/>In the series Philharmonia-Facsimiliedrucke number 3.<br/><br/>"The most metaphysical of his tone poems Tod und Verklärung 1888-9 is based not on a literary text but on a narrative of the composer's own conception: a dying artist obsessed by an artistic Ideal is transfigured at death to recognize his Ideal in eternity. A poem by Ritter published in the score postdates the composition though the musical theme for the Ideal may have been inspired by one from Ritter's symphonic waltz Olafs Hochzeitsreigen. In Tod und Verklärung death is less the issue than transfiguration a lifelong fascination for Strauss with its abundant musical possibilities one that manifests itself from Rosenkavalier through to Metamorphosen." Bryan Gilliam and Charles Youmans in Grove Music Online. [Universal] unknown books
书商的参考编号 : 31704
|
|
STRAUSS Johann Jr. 1825 1899
Waldmeister Operette von Gustav Davis. Vollständiger Klavier-Auszug mit Text Pr. M. 12_ netto. Piano-vocal score
Berlin: Ed. Bote & Bock PNs 14331-14354 1895. Small folio. Half contemporary black cloth with black textured paper boards titling gilt to spine. 1 decorative title lithographed by Anst. v. C.G. Röder in Leipzig printed in green 2 cast list table of contents and copyright notice 3-197 i blank pp.<br/><br/>Title with the handstamps of Dr. Felix Sperl in Vienna and the Viennese antiquarian Ludwig Doblinger; printer's note "Stich und Druck von C.G. Röder Leipzig" to lower margin of p. 197. <br/><br/>Boards slightly worn and bumped; gilt titling to spine partially lacking. Slightly browned; light to moderate foxing; outer corners with minor creasing and soiling; partially detached at gutter of pp. 164-165. First Edition of the first version. OCLC no. 15809144.<br/><br/>Waldmeister to a libretto by Gustav Davis was first performed in Vienna at the Theater an der Wien on December 4 1895.<br/><br/>"Brahms who was by no means always an uncritical admirer of his friend Strauss remarked to Hanslick at the première of the operetta Waldmeister 1895 that Strauss's 'splendid' orchestration reminded him of Mozart." Peter Kemp in Grove Music Online. Ed. Bote & Bock [PNs 14331-14354] unknown books
书商的参考编号 : 26179
|
|
STRAUSS Richard 1864 1949
Autograph letter signed to an unidentified male recipient
2 pp. of a bifolium. Octavo. Dated Garmisch July 20 1908. On lined paper. In French with translation. <br/><br/>An important letter in which Strauss discusses the forthcoming Dresden Berlin and Monte Carlo premières of his opera Elektra. <br/><br/>". Tell Raoul Gunsbourgh that I am sure to finish the score for Elektra by September that everything will be printed by the beginning of December and that the French première at Monte Carlo can take place towards the end of February or the beginning of March. I myself will be able to conduct Elektra at Monte Carlo if all circumstances permit. I want to personally assist in the première of Elektra at Dresden at the end of January. "<br/><br/>Very slightly soiled; creased at folds. As promised Strauss completed the score for Elektra on September 22 1908. The opera premièred at the Dresden Hofoper on January 25 1909 followed shortly thereafter by a performance in Berlin on February 15. Although publically announced in newspapers such as the New York Times the Monte Carlo première appears not to have eventuated. The French language première of the opera was actually given by the Manhattan Opera Company on February 1 1910; Strauss accorded the first American performance of Elektra to this fledgling company of Oscar Hammerstein's as something of an act of revenge upon the Metropolitan Opera for banning his previous opera Salome. <br/> <br/>Raoul Gunsbourgh 1860-1955 was the longest-serving director of the Opéra de Monte-Carlo his career there spanning almost six decades. unknown books
书商的参考编号 : 23366
|
|
STRAUSS Johann Sr. 1804 1849
Die Nachtwandler. Walzer für das Piano-Forte. 88tes Werk. Preis 45 x C.M./12 gr
Wien: Tobias Haslinger PN T.H. 6957 1836. Oblong folio. Modern dark blue cloth-backed blue boards. 1f. decorative title with vignette i printed dedication to Nikolaus von Meinau 4-11 i blank pp. Engraved. First Edition. Schönherr & Reinöhl pp. 135-137. Weinmann Strauss p. 18. <br/><br/>"Verve and a fiery spirit lie at the heart of Strauss's compositions. Of his waltzes one contemporary writer colourfully observed: 'In his waltzes a profusion of melodies effervesce and bubble fizz and froth dash and sweep like the five hundred thousand devils in the champagne slipping their bonds and flinging one cork after another into the air'. As a pioneer of the waltz Strauss along with Lanner established the foundations upon which more extended and developed melodic line and ambitious harmony and structure could be built by their successors in the field of dance music." Peter Kemp in Grove Music Online. Tobias Haslinger [PN] T.H. 6957 unknown books
书商的参考编号 : 26800
|
|
STRAUSS Johann Sr. 1804 1849
Rosen-Blätter. Walzer für das Piano-Forte. Zur Erinnerung an die gefeyerte Dlle Caroline Ungher componirt. 115tes Werk. Preis 45 xC.M./12 gr
Wien: Tobias Haslinger PN T.H. 8001 1840. Oblong folio. Modern plain wrappers. 1f. title printed in red and black on decorative green ground 3-10 pp.; 1f. blank. Engraved. <br/><br/>Wrappers worn. Some offsetting; outer margin of final leaf slightly stained. First Edition. Schönherr & Reinöhl p. 179. Weinmann Strauss p. 22. Weinmann Senefelder-Steiner-Haslinger 2 p. 114.<br/><br/>Caroline Ungher or Unger 1803-1877 was an Austrian mezzo soprano. She left Vienna for Italy in 1840. Tobias Haslinger [PN T.H. 8001] unknown books
书商的参考编号 : 26798
|
|
STRAUSS Richard 1864 1949
Op. 60 iii. Der Bürger als Edelmann Komödie mit Tänzen von Molière Freie Bühnenbearbeitung in drei Aufzügen. Arrangement von Otto Singer. Vollständiger Klavier-Auszug mit deutschem Text Preis M. 12._netto. Piano-vocal score
Berlin W. - Paris: Adolph Fürstner PN A.7352.F. et al. 1918. Large folio. Original decorative wrappers printed in dark green and red. 1 title 2 performing rights notice 3 printed dedication by Strauss and Hofmannsthal to Max Reinhardt 4 blank 5 cast i blank 7-125 i blank pp. Prefatory matter in facsimile of the copyist's manuscript. Note to lower right corner of final page of music: "Stich und Druck von C.G. Röder Leipzig."<br/><br/>The basic plate number is 7352. Much of the first two acts has the double plate number 6303.7352 or triple number 6303.6332.7352.; p. 93 act 3 has the odd plate number 7385 only.<br/><br/>Wrappers frayed at edges and spine with some loss to spine. Slightly browned; final signature detached; smudge to p. 42. First Edition of the second version. Trenner 228b. Müller von Asow II p. 599.<br/><br/>Incidental music. First performance of this version at Deutsches Theater Berlin on April 9 1918.<br/><br/>The plates with the numbers 6303 and 6332 are carried over from the original 1912 edition see Müller von Asow II p. 532 which included both the incidental music to Der Bürger als Edelmann and the opera Ariadne auf Naxos first version two works conceived as a double bill and premiered as such at the Kleines Haus in Stuttgart on October 25 1912.<br/><br/>"After Der Rosenkavalier Hugo von Hofmannsthal remained preoccupied with the stylized world of the 17th and 18th centuries especially the work of Molière which had partly inspired the Rosenkavalier libretto. The immediate result was Ariadne auf Naxos 1911-12 a theatrical hybrid combining spoken theatre - a German adaptation of Molière's Le bourgeois gentilhomme Der Bürger als Edelmann with incidental music - and opera. The work first performed in Stuttgart in 1912 fell short of critical acclaim and was revised to greater success four years later when Strauss and Hofmannsthal replaced the play with a lively operatic prologue." Bryan Gilliam in Grove Music Online.<br/><br/>The revised Ariadne of Naxos became a repertory piece; the incidental music to Der Bürger als Edelmann is however rarely performed. Adolph Fürstner [PN A.7352.F. et al.] unknown books
书商的参考编号 : 27094
|
|
STRAUSS Richard 1864 1949
Op. 59. Der Rosenkavalier Komödie für Musik von Hugo von Hofmannsthal. Op. 59 Arrangement von Otto Singer. Vollständiger Klavier-Auszug mit deutschem Text. Piano-vocal score
London W.1 . Berlin-Grunewald: Fürstner Limited. Johannes Oertel PN A. 5903 F. et al. 1938. Large folio. Original decorative wrappers. i title i performing rights notice 1 printed dedication to the Pschorr family Strauss's mother's family i blank 3 cast 4 blank 5-442 pp. Prefatory matter and p. 58 in facsimile of the copyist's manuscript. Note to lower right corner of final page of music: "Stich und Druck C.G. Röder Leipzig." Note to foot of title: "Copyright 1910 by Adolph Fürstner - renewed 1938 by Fürstner Limited."<br/><br/>The basic plate number is 5903; several pages carry a second plate number 5929 5931 5932 6000. <br/><br/>Bookplate "ExLibris Reuben Jacobi" to verso of upper wrapper. <br/><br/>Wrappers slightly frayed at edges; spine torn with significant loss and tape repairs to head and tail. Slightly browned; minimally foxed. First Edition later issue. Trenner 227. Müller von Asow p. 468. First issue was 1910. The plate number 6000 refers to the piano-vocal score with French text the other extra numbers to offprints.<br/><br/>In 1933 Otto Fürstner 1886-1958 son of the company's founder emigrated to England and sold the German share of his company to his long-term deputy Johannes Oertel 1879-1961 while continuing his old business from London. Oertel continued used the Fürstner name until ca. 1938 and his own thereafter. Fürstner Limited... Johannes Oertel [PN A. 5903 F. et al.] unknown books
书商的参考编号 : 27099
|
|
STRAUSS Richard 1864 1949
Op. 83. Die Liebe der Danae Heitere Mythologie in drei Akten von Joseph Gregor. Op. 83 Klavierauszug mit Text von Ernst Gernot Klussmann. Piano-vocal score
Berlin-Grunewald: Johannes Oertel PN 8403 1944. Large folio. Original orange printed wrappers with decorative titling. 1 title 2 performing rights notice 3 cast 4 blank 5-336 pp. Date of composition printed at conclusion of music: "Garmisch 28. Juni 1940." <br/><br/>Printed dedication to head of title to Heinz Tietjen. <br/><br/>Wrappers slightly worn and soiled; spine slightly frayed. Browned. First Edition. Trenner 278. Müller von Asow p. 1015. <br/><br/>The last opera of Richard Strauss to be produced but not composed. The premiere was planned for the Salzburg Festival 1944 but all theatrical performances were canceled by Goebbels in response to war-time developments. A dress rehearsal with an invited audience including Strauss was held on August 16 1944. The premiere was delayed until August 14 195 again at the Salzburg Festival with the same conductor Clemens Krauss but a different cast.<br/><br/>"As far back as 1920 Strauss's great collaborator Hofmannsthal had proposed Danae as the heroine of a mythological opera. After the writer's untimely death in 1929 the composer. asked Joseph Gregor in 1936 to develop the Danae idea. There was long painful rewriting and as usual the composer wounded his subservient partner by taking outside advice. and thrusting it upon him. The score was finished in June 1940. Strauss was reluctant to see this 'oeuvre posthume' staged during his lifetime and after the 1944 première meant to celebrate his 80th birthday was aborted by Goebbels when the Allies' Second Front threatened he never sanctioned another performance." David Murray in Grove Music Online. Johannes Oertel [PN 8403] unknown books
书商的参考编号 : 27105
|
|
STRAUSS Richard 1864 1949
Op. 80. Die schweigsame Frau Komische Oper in drei Aufzügen Frei nach Ben Jonson von Stefan Zweig. Opus 80 Klavierauszug mit Text von Felix Wolfes. A. 8303 F. Piano-vocal score
Berlin: Adolph Fürstner PN A. 8303 F.; A. 8303.8308 F. 1935. Large folio. Modern blue cloth with original wrappers printed in dark red and olive green bound in. i title i copyright notice 1f. cast list 460 pp. <br/><br/>The plate number "A. 8303.8308 F." is found on the pages corresponding to the orchestral prelude entitled "Potpourri" pp. 5-16. Printer's note "Stich u. Druck v. Oscar Brandstetter Leipzig-Berlin" to lower margin of final page.<br/><br/>Binding very slightly bumped; wrappers browned. Slightly foxed. First Edition. Trenner no. 265 p. 307. Mueller von Asow IIk p. 922. OCLC no. 5186816.<br/><br/>Die Schweigsame Frau to a libretto by Stefan Zweig after Ben Jonson's play Epicoene was first performed at the Staatsoper in Dresden on June 24 1935. "Despite a notable cast Karl Böhm conducted Cebotari's Aminta the 61-year-old Plaschke's Morosus Martin Kremer's Henry and Matthieu Ahlersmeyer's Barber the opera had a fraught première. Even in 1935 Strauss had to battle with Nazi officialdom to get his Jewish librettist acknowledged on the Dresden Opera handbills whereupon Hitler and Goebbels decided not to attend." The opera was banned after only four performances. David Murray and Bryan Gilliam in Grove Music Online. Adolph Fürstner [PN A. 8303 F.; A. 8303.8308 F.] unknown books
书商的参考编号 : 26092
|
|
STRAUSS Josef 1827 1870
Op. 61. Wiener Kinder. Walzer für das Pianoforte. 61s Werk. Piano score
Wien: Carl Haslinger qm. Tobias PN 12196 1858. Oblong folio. Disbound. 1f. title 3-11 pp. Music engraved; title lithographed. <br/><br/>Slightly worn browned and foxed; trimmed with some loss to publisher's names to lower margins; signatures detached; small handstamps of former owner M. C. v. Ameyden v. Duym and Dutch music library to title. First Edition with "Ausgabe zu vier Händen" to title. Weinmann: Josef und Eduard Strauss p. 96. Carl Haslinger qm. Tobias [PN 12196] unknown books
书商的参考编号 : 25793
|
|
STRAUSS Johann Jr. 1825 1899
Op. 99. Fraunkäferln. Walzer für das Piano-Forte. 99tes Werk. Piano score
Wien: Carl Haslinger quondam Tobias PN C.H. 11385 1851. Oblong folio. Unbound as issued. 1 title 2-10 pp. Engraved. <br/><br/>Outer bifolium detached; slightly foxed; lacking lower blank leaf. First Edition. Weinmann p. 75. Scheider SEV p. 142. Carl Haslinger quondam Tobias [PN C.H. 11,385] unknown books
书商的参考编号 : 25790
|
|
STRAUSS Johann Jr. 1825 1899
Op. 155. Haute volée-Polka für das Piano-Forte. 155tes Werk. Piano score
Wien: Carl Haslinger quondam Tobias PN C.H. 11695 1855. Folio. Unbound as issued. 1 title 2-3 pp. Engraved. <br/><br/>Somewhat worn soiled torn and creased; some tears to edges repaired; reinforced with tape at spine. First Edition. Weinmann p. 80. Schneider SEV p. 228. Carl Haslinger quondam Tobias [PN C.H. 11695] unknown books
书商的参考编号 : 25792
|
|
STRAUSS Richard 1864 1949
Op. 53. Symphonia Domestica für grosses Orchester. Op. 53. Partitur. Study score
Berlin: Bote & Bock PN 15613 1904. Large octavo. Full leather with titling gilt. i title within decorative border printed in sepia 2 list of orchestral instruments 3-123 i blank pp. <br/><br/>Printed note to foot of title: "In die "Universal-Edition" aufgenommen." No plate number to p. 42.<br/><br/>Former owner's signature in pencil to upper right corner of title: "Paul Weinberg September 1919." <br/><br/>Closely trimmed with loss to plate number on p. 39. First signature partly detached. Slightly browned. First Edition of the study score issued simultaneously with the conductor's score. Trenner 209. Mueller von Asow p. 335. <br/><br/>Composed in 1902-1903; first performed in New York with Strauss conducting on March 21st 1904. "The Symphonia domestica inspired at first even more controversy than Ein Heldenleben. Originally titled Mein Heim: ein sinfonisches Selbst- und Familienporträt the work was always referred to by Strauss as a symphony or symphonic poem and there are indeed four sections that correspond loosely to symphonic movements: introduction presentation of major characters and their themes scherzando child at play his parents' happiness cradle song and Adagio child is put to bed thereafter a parental love scene and finale in the form of a double fugue a new day begins with quarrelling and happy reconciliation." Bryan Gilliam in Grove Music Online. Bote & Bock [PN 15613] unknown books
书商的参考编号 : 24642
|
|