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Kaminski, Gerd und Else Unterrieder
Von Österreichern und Chinesen.
Wien, Europaverlag, (1980). 1084 S. mit zahlr. teils ganzseit. Textabb. Gr.-8°. OLwd. (gering bestoßen).
Riferimento per il libraio : 11745
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Kaminski, Gerd und Else Unterrieder
Wäre ich Chinese, so wäre ich Boxer
Wien Europaverlag, 1989. 163 S. Gr. 8° Groß-Oktav Kart.
Riferimento per il libraio : 11018
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KANTOR Philippe
"Le chinois sans peine; tome 1. Méthode quotidienne Assimil."
France, Assimil, 1981. 12 x 18, 394 pp., reliure d'édition carton imprimé, bon état (quelques soulignages et annotations au crayon).
Riferimento per il libraio : 80954 ISBN : 270050089
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KANSTEINER (Sascha)
Ancient Metalworks from the Black Sea to China in the Borowski Collection.
Ruhpolding und Mainz, Franz Philipp Rutzen, 2011. In-4, rel. éd. pleine-toile grise sous jaquette ill., 186 pp., portrait au front., 5 cartes en coul., 245 ill. photogr. en coul. commentées en anglais, texte sur 2 colonnes, abréviations, bibliographie.
Riferimento per il libraio : 607206
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KANN Réginald.-
Journal d'un Correspondant de Guerre en Extrême-Orient.-
Japon, Mandchourie, Corée. Calmann-Lévy. (1905). In-12 dos lisse, chagrin noir filets or, 374pp. 2 plans dépliants h.-t. et 26 photos h.-t. (Combat de Chiouchanpou et et carte de la Mandchourie). Cachets de 2 bibliothèques, qq. rousseurs mais assez bon exemplaire.
Riferimento per il libraio : ORD-5559
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KANG JIAN FEI
Kang Jian Fei.
Beijing: 2005 in-4 oblong, 108 pages, illustrations. Broché, couv. à rabats, très bon état. Artiste et graveur chinois né en 1973. Texte chinois. SIGNE PAR L'ARTISTE.
Riferimento per il libraio : 13982467
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KANTOR Philippe Calligraphie de Huang Zun.
L'écriture chinoise. (Les idéogrammes trait par trait).
Couverture rigide. Cartonnage de l'éditeur. 295 pages.
Riferimento per il libraio : 148898
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KANTOR Philippe Illustrations de J.-L. Goussé.
Le chinois sans peine. (Tome 1 seul). Méthode quotidienne Assimil.
Couverture rigide. Cartonnage de l'éditeur. 394 pages.
Riferimento per il libraio : 148899
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Kangxi
Tableau des 214 Clefs Chinoises- Chine
1920 Imp. CARION - Vers 1920 - Tableau cartonné avec dessins: Liste exhaustive des 214 radicaux de Kangxi, publiés en 1716 dans le dictionnaire de caractères de Kangxi. Ils sont classés par nombre de traits - Propre - Réf. 49384
Riferimento per il libraio : 49384
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Kandel, Barbara
Wen Tzu - Ein Beitrag zur Problematik und zum Verständnis eines taoistischen Textes (= Würzburger Sino-Japonica, Band 1).
Bern bzw. Frankfurt am Main, Herbert Lang bzw. Peter Lang, 1974. VII, 362 S. Orig.-Broschur. Ein gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
Riferimento per il libraio : 008733
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Kandel, Jochen [Hrsg.]
Das chinesische Brevier vom weinseligen Leben. Heitere Gedichte, beschwingte Lieder und trunkene Balladen der grossen Poeten aus dem Reich der Mitte.
Bern / München / Wien, Scherz, 1985. 8°. 288 S. OPp. OUmschl., 1 1. Aufl. Kopfschnitt fleckig. Oberkante eingedrückt.
Riferimento per il libraio : 10638CB
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Kander's
Fine chinese ceramics, jadeite jewellery and works of art. Taipei, Thursday, December 28, 1989.
Taipei, Kander's, 1989. 27 x 21 cm. Ca. 150 pp with 198 items. Wrapped (as new).
Riferimento per il libraio : 132688
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Kang Chao
The Economic Development of Manchuria: The Rise of a Frontier Economy
8vo vii + 127pp, bibliography, wrappers trifle soiled. Michigan Papers in Chinese Studies No.43. "An interim research report, a summary and preliminary analysis of findings based on a larger study" which was not completed, and published here are the materials which are referred to in the above-mentioned article. (Author's preface).
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Kang, Minsoo Editor and Translator
The Story of Hong Gildong
16mo, br. ed. The Story of Hong Gildong is arguably the single most important work of classic Korean fiction. Like its English counterpart, Robin Hood, it has been adapted into countless movies, television shows, novels and comics. Its memorable lines are known to virtually every Korean by heart. Until now, this incredible 19th century fable has been all but inaccessible to English readers. Hong Gildong, the brilliant but illegitimate son of a government minister, cannot advance in society due to his secondary status, so he leaves home to become the leader of a band of outlaws who rob the rich to give to the poor. On the way to building his own empire and gaining acceptance from his family, Hong Gildong vanquishes assassins, battles monsters, and conquers kingdoms. Minsoo Kang's expressive and animated new translation finally makes the original text of this classic available in English, re-introducing a noble and righteous outlaw and sharing a beloved hallmark of Korean culture. Half fairy tale, half social protest novel, The Story of Hong Gildong is nothing less than the story of modern Korea itself (Washington Post) L'autore Minsoo Kang is an associate professor of European history at University of Missouri-St. Louis. He is the author of Sublime Dreams of Living Machines: The Automaton in the European Imagination and co-editor of Visions of the Industrial Age, 1830 - 1914: Modernity and the Anxiety of Representation in Europe.
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KANGXI Emperor of China
Yu shi bi shu shan zhuang shi or ji Imperial Poems on the Mountain Estate to Escape the Heat
17 of 36 folding black & white woodcut plates each with fine contemporary hand-coloring. Printed in red & black zhu mo tao yin ben. 51; 50 folding leaves. Two vols. 8vo 265 x 166 mm. modern brown wrappers new stitching. Beijing: Wu ying dian the Imperial Printing House Preface dated 1711 Afterword dated 1712 completed 1713. First edition Chinese issue of this famous and beautifully illustrated book ordered by and overseen by Kangxi 1654-1722 Emperor of China. It was printed in 400 copies on superior paper 200 in Manchu and 200 in Chinese. The Chinese edition is quite remarkable for having been printed in both black and red ink zhu mo tao yin ben an invention from the Yuan Dynasty requiring two runs through the press. The book is a collection of poems written about 36 remarkable sites which include gardens landscapes and buildings at the emperor's summer palace a mountain estate in Rehe now Chengde Hebei; it is today a UNESCO World Heritage Site. For each poem a magnificent folding woodcut plate is provided depicting the associated site. While our copy has 17 of the 36 folding plates they have been beautifully hand-colored at what appears to be an early date and have large margins at the bottom. The difference between the black & white plates and those hand-colored is remarkable and dramatic. In each case the plates - which are extremely fragile - have been expertly backed with new paper margins strengthened and reinserted into the volumes on stubs. The plates clearly come from another copy. On several of the plates there is some small loss of image. Our copy has plates 2 3 7 8 9 11 14 15 16 19 21 24 25 27 29 32 and 35 as established by Whiteman see below. The result is a perfect match of poetry and landscape painting with strong literary and artistic characteristics. Kangxi's own Preface dated 1711 is followed by the impressions in red of his two seals: Ti yuan zhu ren his style name used on his seals and Wan ji yu xia "Brief leisure". This work "offers a virtual tour framed by images and the emperor's own poetry the garden placed in the palms of one's hands. Created in parallel painted which no longer survives woodblock printed our first edition and copperplate engraved versions the album's multiple iterations resonated with each other and with the park itself."-Stephen H. Whiteman Where Dragon Veins Meet. The Kangxi Emperor and His Estate at Rehe 2020 p. 6-& see the entirety of this wonderful and beautiful book especially pp. 151-88. The scenes of the imperial gardens and landscapes offered in this book allowed unprecedented access to the private life of the emperor. In 1702 Kangxi ordered the construction of the palace and landscaping of the considerable parklands at Rehe in order to support his annual tours north amongst the court's Inner Mongolian allies. The palace served as a second capital at which Kangxi resided from late spring to early autumn. When in residence the emperor oversaw garden tours banquets and entertainments all of which celebrated his rule. In 1711 Emperor Kangxi conceived of a project to celebrate his 60th birthday and 50th year of his reign. He selected 36 major scenic sites within the extensive property and gardens surrounding the summer palace. One poem for each site was written with the emperor's involvement and one painting of each site was created by the court artist Shen Yu b. 1649. The writings and accompanying illustrations were meant to demonstrate the harmony between heaven and humankind through natural landscapes and related architecture. They also served as propaganda: this represents the first time imperial spaces were depicted during the Kangxi court. The collection of poems was annotated by Kui Xu Li Tingyi and others upon the imperial order and prefaced by Emperor Kangxi himself in 1711. Two of the court's most talented woodblock artists Zhu Gui ca. 1644-1717 and Mei Yufeng active ca. 1696-1713 were engaged to prepare the woodblocks from Shen Yu's designs. "Whether derived from or simply correlated to the unique album now lost the woodblock-printed book functions as a surrogate for the paintings. It imitates the album's arrangement and mode of engagement with the landscape pairing image and text in an intimately scaled format. The style of the images evokes Wang Yuanqi but also and more significant the emperor's most important artist thereby marking the book as a work of the court's highest echelon of cultural production and an object clearly commissioned and owned by the emperor. "Kangxi was intimately involved in the minutiae of the book's production from the selection of a specific type of high-quality paper to reviewing and editing the printing proofs to inspecting samples of the finished work. He was kept closely informed about the progress of the project including difficulties in curing the datewood blocks Zhu Gui and Mei Yufeng used as well as the need for more artisans given the scale and intricacy of the work. The order for four hundred copies two hundred in Chinese and another two hundred in Manchu came directly from the throne. In comparison to other contemporary projects with print runs of one thousand or more this number suggests that the emperor had a clear sense of the exclusive audience he intended to reach. "There is no record of the deadline against which the block-cutters printers and binders all labored. Given the timing of the project and the flurry of reports around printing and binding that appear from the intercalary fifth through the seventh months of 1713 however it seems most likely that the volumes were meant as gifts for the emperor's sixtieth birthday celebrations that year. The scale and lavishness of production accords with this hypothesis as four hundred copies indicated intended distribution among a relatively small circle of imperial clansmen steppe elites senior officials and others close to the throne."-ibid. pp. 182-83. Shortly thereafter in the years 1712-14 another edition was produced with engravings instead of woodcuts. It was overseen by the Jesuit Matteo Ripa and two Qing artists. In fine and fresh condition. Minor worming to text leaves but not the plates. Preserved in a chitsu. unknown books
Riferimento per il libraio : 6981
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KANGXI, Emperor of China
Ma. Han-i araha alin-i tokso de halhÅ«n be jailaha Å¡i Ch. Yuzhi bishu shanzhuang shi 御製é¿æš‘山莊詩; Imperial Poems on the Mountain Estate to Escape the Heat
36 folding black & white woodcut plates. 88 folding leaves. Two debtelin in one vol. 8vo 265 x 166 mm. pink wrappers orig. block-printed title-slip on yellow silk on upper cover early stitching. Beijing: Wuying dian æ¦è‹±æ®¿ Postscript dated 1712.<br /> <BR> <BR> First edition of the Kangxi Emperor’s r. 1661-1722 poetic cycle for the 36 scenic sights within the Rehe summer estate each accompanied by a stunning double-page woodcut illustration. Printed under the emperor’s direct supervision on superior paper and using woodblocks carved by two of the finest artisans in the palace workshop this celebrated album had an initial print run of only 400 copies 200 in Manchu our copy and 200 in Chinese. As Stephen H. Whiteman writes in Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe 2020 these exclusive royal albums were most likely gifts from the Kangxi Emperor to “a relatively small circle of imperial clansmen steppe elites senior officials and others close to the throne†on the occasion of his 60th birthday in 1713 and their presentation was meant to “generate a particular bond of loyalty between the emperor and those he favored with this rare gift†pp. 183 224.<br /> <BR> <BR> First constructed in 1703 and enlarged over the next century the Rehe summer estate located beyond the Great Wall in present-day Chengde about 175 kilometers northeast of Beijing played an important role throughout the Qing empire’s political history. It is today a UNESCO World Heritage Site. When the Kangxi Emperor ordered its initial construction in 1702 after half a century of expansionary war the summer estate was to become “the most substantial in a network of traveling palaces Ch. xinggong 行宮 that supported his annual tours north among the court’s Inner Mongolian allies.†But its significance quickly expanded. The Mountain Estate to Escape the Heat as the site would eventually be named effectively served as a secondary capital the emperor residing there from late spring through early autumn each year over the last decade of his life. <br /> <BR> <BR> “Yet it was also decidedly not the capital. Freed from the architectonic constraints of the Forbidden City Kangxi employed imperial parks and gardens as alternative spaces of rulership. Like his almost exact contemporaries in Europe and South Asia Aurangzeb r. 1658-1707 Louis XIV r. 1643-1715 and Peter the Great r. 1682-1725 Kangxi made designed landscapes central to his performance of authority…Kangxi’s Mountain Estate was substantially a site of rituals of intimacy and exchange that performed a temporary elision of social difference between emperor and subject: roaming in the gardens banqueting entertainments and gift givingâ€â€“ibid. pp. 4-5.<br /> <BR> <BR> “In 1711 the Kangxi emperor formally initiated a project that sought to interweave the physical and sensory experiences of the Mountain Estate with his ideology of rulership and personal biography. Imperial Poems on the Mountain Estate to Escape the Heat presented the thirty-six scenes of the park-palace through a combination of imperially composed texts and images created by artists of the court. Produced almost simultaneously in three different mediums the work was part of a coordinated multifaceted effort to articulate a vision of Qing imperial rule through the links between landscape technology and the emperor himselfâ€â€“ibid. 151.<br /> <BR> <BR> Our edition is the first to contain woodcuts; it was the second of many installments of the album — including a later one with copperplate engravings made by the Italian missionary Matteo Ripa 1682-1746 — and the earliest that survives. It opens with the emperor’s “Record of the Mountain Estate†Ma. Han-i araha alin-i tokso de halhÅ«n be jailaha gi bithe dated Kangxi 50 1711 followed by the impressions in red of his personal seals: Ti yuan zhu ren 體元主人 and Wan ji yu xia è¬å¹¾é¤˜æš‡; the latter which means “a brief leisure†was reserved for the emperor’s own calligraphic and literary works. The emperor briefly introduces each of the 36 scenic poems in prose as if guiding the reader through a personal tour of the summer estate. The fold-out woodcut illustrations drawn by the court artist Shen Yu 沈崳 b. 1649 and carved by the artisans Zhu Gui æœ±åœ ca. 1644-1717 and Mei Yufeng 梅裕鳳 fl. ca. 1696-1713 follow each poem. The album concludes with the Postscript signed by four palace officials who supervised its production dated Kangxi 51 1712.<br /> <BR> <BR> “Whether derived from or simply correlated to the unique album now lost the woodblock-printed book functions as a surrogate for the paintings. It imitates the album’s arrangement and mode of engagement with the landscape pairing image and text in an intimately scaled format. The style of the images evokes Wang Yuanqi but also and more significant the emperor’s most important artist thereby marking the book as a work of the court’s highest echelon of cultural production and an object clearly commissioned and owned by the emperor…<br /> <BR> <BR> “Kangxi was intimately involved in the minutiae of the book’s production from the selection of a specific type of high-quality paper to reviewing and editing the printing proofs to inspecting samples of the finished work. He was kept closely informed about the progress of the project including difficulties in curing the datewood blocks Zhu Gui and Mei Yufeng used as well as the need for more artisans given the scale and intricacy of the work. The order for four hundred copies two hundred in Chinese and another two hundred in Manchu came directly from the throne. In comparison to other contemporary projects with print runs of one thousand or more this number suggests that the emperor had a clear sense of the exclusive audience he intended to reach.â€â€“ibid. pp. 182-83.<br /> <BR> <BR> A monument of artistic production under imperial patronage the album of 36 sites has been the topic of extensive scholarly research. Comparing the woodcut edition to earlier traditions of royal literature and garden illustration in China the art historian Ma Yazhen 馬雅貞 of National Tsinghua University points out that many aspects of this album were unprecedented. For example she observes that the album is likely the first use of a fold-out illustration in a Chinese book — a detail that has long been overlooked. The wide fields of vision printed without frames the absence of persons within the buildings and corridors and the visual presentation of imperial poetry alongside official commentaries are only some of the album’s many fascinating features that being unusual and sometimes unprecedented continue to generate new scholarly interpretation and debate.<br /> <BR> <BR> Interest in the album has only grown in recent decades following the publication of court archives that shed light on the process of its production. We know now for example that the Kangxi Emperor personally specified the layout choice of paper number of copies and even the thickness of brushstrokes of the Manchu issue and that its printing was carried out in batches in the year 1713 rather than 1712 date of Postscript. Some of the idiosyncrasies of the Manchu issue which survives less well than its Chinese counterpart nevertheless remain under-explored by researchers who have generally focused on the Chinese-language editions of the album. We find little scholarly discussion for example on the emperor’s choice to exclude from the Manchu issue the extensive commentaries for his poetry compiled by palace officials a decision that surely gave the album a different — perhaps more personal than belletristic — tone of voice a voice reserved exclusively for its Manchu-speaking recipients.<br /> <BR> <BR> As mentioned above the Manchu issue has survived less well than the Chinese issue. Of the Manchu issue we locate copies at BnF Columbia LC SBBerlin Cambridge Harvard and SOAS in WorldCat.<br /> <BR> <BR> In fine and fresh condition preserved in yellow silk-covered folder and slipcase. The plates are fine and clean. The fold in each plate has been very carefully strengthened on the verso. A few minor marginal tears and paper flaws. Several other minor and skillful repairs.<br /> <BR> <BR> ⧠Philippe Forêt Mapping Chengde: the Qing Landscape Enterprise University of Hawai‘i Press 2000; 馬雅貞 “皇苑圖繪的新典範：康熙《御製é¿æš‘山莊詩》的製作åŠå…¶æ„義†故宮å¸è¡“å£åˆŠ 32 No. 2 2014 pp. 39-80. <br /> <br> <br> James A. Millward et al. eds. New Qing Imperial History: the Making of Inner Asian Empire at Qing Chengde Routledge 2004. <br /> <br> <br> Stephen H. Whiteman “Creating the Kangxi Landscape: Bishu shanzhuang and the Mediation of Qing Imperial Identity†PhD dissertation Stanford 2011; idem. Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe University of Washington Press 2020. unknown
Riferimento per il libraio : 11361
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Kangxi, Emperor of China
The Sacred Edict: Containing Sixteen Maxims of the Emperor Kang-Hi Amplified by His Son the Emperor Yoong-Ching; Together With a Paraphrase on the Whole by a Mandarin Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Riferimento per il libraio : 0331278146.G ISBN : 0331278146 9780331278149
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KANN E
Illustrated Catalog of Chinese Coins. Vol 3
Ishi Press, 2018. In-8 broché de 476 pages illustrées. Bon état
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Kanniah, Kasturi Yu, Le (Tsinghua University, Beijing, China)
Geospatial Technology For Sustainable Oil Palm Industry
Taylor & Francis Ltd 2026. Paperback. New. 282 pages. 6.14x0.68x9.21 inches. Taylor & Francis Ltd paperback
Riferimento per il libraio : x-1032729589 ISBN : 1032729589 9781032729589
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KAO CHUNG JU (Bernard).
Le Mouvement intellectuel en Chine et son rôle dans la révolution chinoise (entre 1898 et 1937). (Thèse).
Aix-en-Provence, Saint-Thomas, 1957, in-8°, 210 pp, biblio, broché, bon état
Riferimento per il libraio : 127233
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KAO LOU - [PEKIN] [OBSERVATOIRE CENTRAL]
Le Passé et l'Avenir de l'Observatoire Central de Pékin - With english and chine texts
Pékin, Publication de l'Observatoire Central de Pékin, Peiyang Press, Tientsin-Peking, sans date (1920) 1 volume in-8, oblong, couvertures cartonnées, 21-20-22 pp., enrichi de nombreuses illustrations, très bon état.
Riferimento per il libraio : 13450
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KAO YU-PAO.-
Mon enfance.
Pékin, Editions en Langues Etrangères, 1974, in 8° broché, II-267 pages ; illusttrations hors-texte ; couverture illustrée en couleurs (avec quelques piqûres).
Riferimento per il libraio : 30454
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KAO YU-PAO
Une société si différente. Six reportages.
Couverture rigide. Broché. 154 pages.
Riferimento per il libraio : 79380
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Kao Yu-pao
Kao Yu-Pao: Story of a Peasant Boy
paperback 136pp Illustrated with black and white photographs.as new,
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Kao Yu-pao
Une Societe Si Differente Six Reportages
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KAPTCHUK, Ted J.
Comprendre la médecine chinoise. La toile sans tisserand.
1993 Editions Satas - 1993 - In-8 broché, couverture illustrée - XXI-343 pages
Riferimento per il libraio : 126818
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Kaplan Robert D.
The Return of Marco Polo's World: War, Strategy, and American Interests in the Twenty-first Century
8vo, hrdcover in dj, 280pp. A bracing assessment of U.S. foreign policy and world disorder over the past two decades from the bestselling author of The Revenge of Geography and The Coming Anarchy “[Kaplan] has emerged not only as an eloquent defender of foreign-policy realism but as a grand strategist to whom the Pentagon turns for a tour d’horizon.”—The Wall Street Journal In the late thirteenth century, Marco Polo began a decades-long trek from Venice to China along the trade route between Europe and Asia known as the Silk Road—a foundation of Kublai Khan’s sprawling empire. Now, in the early twenty-first century, the Chinese regime has proposed a land-and-maritime Silk Road that duplicates exactly the route Marco Polo traveled. Drawing on decades of firsthand experience as a foreign correspondent and military embed for The Atlantic, Robert D. Kaplan outlines the timeless principles that should shape America’s role in a turbulent world that encompasses the Chinese challenge. From Kaplan’s immediate thoughts on President Trump to a frank examination of what will happen in the event of war with North Korea, these essays are a vigorous reckoning with the difficult choices the United States will face in the years ahead. Praise for The Return of Marco Polo’s World “Elegant and humane . . . [a] prophecy from an observer with a depressingly accurate record of predictions.”—Bret Stephens, The New York Times Book Review “These essays constitute a truly pathbreaking, brilliant synthesis and analysis of geographic, political, technological, and economic trends with far-reaching consequences. The Return of Marco Polo’s World is another work by Robert D. Kaplan that will be regarded as a classic.”—General David Petraeus (U.S. Army, Ret.) “Thoughtful, unsettling, but not apocalyptic analyses of world affairs flow steadily off the presses, and this is a superior example. . . . Presented with enough verve and insight to tempt readers to set it aside to reread in a few years.”—Kirkus Review (starred review) “An astute, powerfully stated, and bracing presentation.”—Booklist “This volume compiles sixteen major essays on America’s foreign policy from national security commentator Kaplan. . . . An overview of thoughtful, multilayered positions and perspectives evolving through changing circumstances.”—Publishers Weekly
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Kaplan, Frederic M.; Sobin, Julian M.; Andors, Stephen
Encyclopedia of China Today
Ex-Lib. Sticker to spine, inside cover and FEP. Stamps to FEP and pageblock. Text is clean, tight and bright. DJ is plastic protected but plastic is a bit baggy. Ex-Library
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Kaptchuk, Ted J
Das große Buch der chinesischen Medizin.
Bern ; München ; Wien : Barth (Heilkundliches Wissen), 1993. Die Medizin von Yin und Yang in Theorie und Praxis 456 S.; 22 cm Paperback / kartoniert
Riferimento per il libraio : 4835
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KARLGREN Bernhard
Analytic dictionary of Chinese and Sino-Japanese
Taipei, Ch'eng-Wen Publishing Company 1975 436pp., 27cm., cloth, few foxing, [bilingual: Chinese-English], G, X69040
Riferimento per il libraio : X69040
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KARLGREN (Bernhard)
Analytic of Chinese and Sino-Japanese
Paris, Librairie Orientaliste Geuthner, 1923, reprinted by Ch'eng-wen Publishing Co, Taipei, 1975. 1 volume in-4, 436 pp., blue hard cover, very good condition, as new.
Riferimento per il libraio : 782
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KARLGREN (Bernhard)
Analytic dictionary of chinese and sino-japanese.
Paris, Paul Geuthner, 1923. Grand in-8, rel. d'éd. demi-perc. noire à coins, [4]ff.-436 pp., index. 2 ex-libris manuscrits.
Riferimento per il libraio : 605937
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KARLGREN Bernhard
Grammata Serica. Script and phonetics in Chinese and Sino-Japanese
Taipei, Ch'eng-Wen Publishing Company 1978 471pp., 22cm., rare Taipei-imprint, reprint from "The Museum of Far Eastern Antiquities, Stockholm" vol.12 (1940), cloth, [bilingual: Chinese (archaic, ancient and Mandarin form) - English], VG, X69036
Riferimento per il libraio : X69036
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KARLGREN (Bernhard)
Grammata Serica, Script and Phonetics in Chinese and Sino-Japanese
Gothenburg, 1940. Reprinted from The Bulletin of the Museum of Far Eatern Antiquities No. 12, Stockholm 1940. 1 volume in-4, 371 pp., reliure toile rouge, dos défraîchi, bon état général.
Riferimento per il libraio : 2551
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KAROLE KS.
LA DEUXIEME REVOLUTION CHINOISE.
LAFFONT ROBERT.. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 563 pages. Couverture rempliée.. . . . Classification Dewey : 951-Chine
Riferimento per il libraio : R150148561
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KAROL K.S.
LA CHINE DE MAO - L'AUTRE COMMUNISME / COLLECTION L'HISTOIRE QUE NOUS VIVONS
LAFFONT ROBERT. 1966. In-8. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur frais. 483 pages - nombreuses photos en noir et blanc hors texte - couverture contre-pliée.. . . . Classification Dewey : 951-Chine
Riferimento per il libraio : RO20206821
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KAROL K.S.
LA CHINE DE MAO - L'AUTRE COMMUNISME
ROBERT LAFFONT. 1967. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 483 Pages - Quelques planches photos et cartes en noir et blanc - Couverture contre pliée. . . . Classification Dewey : 951-Chine
Riferimento per il libraio : R160179479
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KAROL K.S.
LA DEUXIEME REVOLUTION CHINOISE
ROBERT LAFFONT. 1973. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 563 Pages + Un flyer publicitaire de l'éditeur - Couverture contre pliée. . . . Classification Dewey : 951-Chine
Riferimento per il libraio : R160179481
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KAROL K. S..
La deuxième révolution chinoise.
Paris, Robert Laffont, 1973, broché, couverture à rabats illustrée en couleurs, 15,5x24 cm, 563 pages.
Riferimento per il libraio : 4038
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KAROL K.S.
La Chine de Mao - L'autre communisme.
Paris, Robert Laffont, collection L'histoire que nous vivons, 1966, in-8 broché, couverture rempliée, 483 pp, 32 pages de photos de Marc Riboud. AUTRES TITRES DISPONIBLES du même auteur. Bon état.
Riferimento per il libraio : 10630
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KAROL (K. S.).
La Deuxième révolution chinoise.
Laffont, 1973, gr. in-8°, 563 pp, annexes, index, broché, couv. illustrée à rabats, état correct
Riferimento per il libraio : 28060
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KAROL (K. S.).
La Chine de Mao. L'autre communisme.
Laffont, 1967, gr. in-8°, 483 pp, 32 pl. de photos par Marc Riboud, chronologie, annexes, index, broché, couv. illustrée à rabats, bon état
Riferimento per il libraio : 64668
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KARDELJ, Eduard:
Le socialisme et la Guerre. Au sujet de la critique chinoise de la politique de coexistence. Traduit par Augustine Mijovic.
Beograd, Revue de la Politique Internationale, 1960, pt. in-8°, 220 p., cachet sur page de titre, reliure en toile originale.
Riferimento per il libraio : 37866aaf
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Karlsson, Kim. - Murck, Alfreda. - Matteini, Michele (hrsg).
Luo Ping. Visionen eines Exzentrikers (1733-1799).
Zürich, Museum Rietberg 2009, 305x245mm, 303Seiten, Verlegereinband. Sehr schönes Exemplar.
Riferimento per il libraio : 94888
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KARLGREN Bernhard
Sound and Symbol in Chinese
Hong Kong, Hong Kong University Press 1962 99pp., softcover, 18cm., in the series "Chinese Companion Series" vol. 1, VG, X63219
Riferimento per il libraio : X63219
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Karamatullah Khan Ghori
China Doll
Trade Paperback. Good/No Jacket. Not Listed. 12mo - over 6¾" - 7¾" tall. Stories written for readers of Urdu published in popular Urdu magazines in Pakistan and India.
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Karazine
Le pays où l'on se battra Voyages dans l'Asie Centrale
in-12, br orig. 281 pages tres bon état. (les campements de l'Issik-Koul - la contrée du Bas-Amou - le vieux Kachkaral). (en gros le Turkestan au nord de l'Afghanistan).
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KARLGREN Bernhard
Analytic dictionary of Chinese and Sino-Japanese
436pp., 27cm., cloth, few foxing, [bilingual: Chinese-English], G, X69040
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KARLGREN Bernhard
Grammata Serica. Script and phonetics in Chinese and Sino-Japanese
471pp., 22cm., rare Taipei-imprint, reprint from "The Museum of Far Eastern Antiquities, Stockholm" vol.12 (1940), cloth, [bilingual: Chinese (archaic, ancient and Mandarin form) - English], VG, X69036
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KARLGREN Bernhard
Sound and Symbol in Chinese
99pp., softcover, 18cm., in the series "Chinese Companion Series" vol. 1, VG, X63219
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