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Barnardo, Syrie Louise Elmsie
Memoirs of the Late Dr. Barnardo
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1015937616.G ISBN : 1015937616 9781015937611
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Barnardo, Syrie Louise Elmsie
Memoirs of the Late Dr. Barnardo
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Riferimento per il libraio : 1015932479.G ISBN : 1015932479 9781015932470
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Bartlett, William Henry. Engraved by E. Smith.
[Syria, Holy Land, Asia Minor] Bazzar at Jaffa, the Ancient Joppa (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. C. Bentley.
[Syria, Holy Land, Asia Minor] Approach to Antioch, the Ancient Anathoth, from Aleppo (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some marginal spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. H. Kernot.
[Syria, Holy Land, Asia Minor] Ruins of Soli, or Pompeiopolis - Asia Minor (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. P. Heath.
[Syria, Holy Land, Asia Minor] Castle Near Pambouk (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots, not affecting image.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Redaway.
[Syria, Holy Land, Asia Minor] Turkish Burying Ground at Sidon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Redaway.
[Syria, Holy Land, Asia Minor] Village of Brumhanna, in Mount Lebanon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Light spot or two.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Tingle.
[Syria, Holy Land, Asia Minor] Zarephath or Zarapha, the Ancient Sarepta (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. W. Lowry.
[Syria, Holy Land, Asia Minor] Ferry Over the Orontes (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by R. Dawson.
[Syria, Holy Land, Asia Minor] Djebel Sheich and Mount Hermon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Convent of Mount Carmel (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Encampment at Ras-El-Ain, Near Balbec (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by T. Turnbull.
[Syria, Holy Land, Asia Minor] Seleucia (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. F. Starling.
[Syria, Holy Land, Asia Minor] Castle Near Tripoli, On the River Kadesha (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. Hill.
[Syria, Holy Land, Asia Minor] Halt of a Caravan in the Desert of Girgola, Near Mt. Amanus (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. J. Cooke.
[Syria, Holy Land, Asia Minor] The Ladder of Tyrus - A Pass "On the Sea Coast. Near Tyre" (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Basset; rue Saint Jacques...
L'Entrée du Temple du Soleil dans Palmyre (Syrie); du côté de l'Orient.
paris Basset; rue Saint Jacques vers 1750 1 Une vue d'optique de dimensions 38,5x28 cm; coloriée à la main. Grandes marges.
Riferimento per il libraio : 13576
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BASTID Paul - (Paris 1892 - 1974) - Homme politique français
Lettre Autographe Signée à "Cher Monsieur" -
1 page in8 - en tête de la Chambre des députés - (2 trous de classeurs) -
Riferimento per il libraio : GF21629
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Basset; rue Saint Jacques...
L'Entrée du Temple du Soleil dans Palmyre (Syrie); du côté de l'Orient.
Une vue d'optique de dimensions 38,5x28 cm; coloriée à la main. Grandes marges. Quelques rousseurs. Mais bel état pour ce monumenten péril. Voir photo.
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BAUDOT Victor
Au pays Des Turbans. Grèce, Syrie, Egypte
Lille, Paris, Bruges . Société Saint-Augustin, Desclée, De Brouwer et Cie Grand In-8 Ecu 237 pp, 60 gravures en noir in et hors-texte. Intérieur très correct ; toutes tranches dorées, cartonnage décoré en couleurs et dorures, frotté. Multiples coupures au dos, manques en tête et queue ; dos réparé pour le texte. En l'état.
Riferimento per il libraio : 14900
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BAUER Hans
Entzifferung der Keilschrifttafeln von Ras Schamra [Shamra]
Halle/Saale, Max Niemeyer Verlag 1930 viii + 79pp., original 1930-edition, 30cm., softcover (spine bit repaired at upper end, well protected by an extra cover in transparent cristal paper), text and interior in very good condition, X99930
Riferimento per il libraio : X99930
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Baudoin,Savigny
Explication sommaire des planches d'oiseaux de l'Egypte et de la Syrie et exposé des caractère naturels des genres, avec la distinction des espèces.Les oiseaux du Nil et de Syrie (tiré de Description de l'Egypte). 14 planches sous chemise, procédé Jacomet
Le jardin de Flore Coups de coeur d'Alexandra, Sélection Abraxas-libris Planches sous chemise 1979 "In-plano (58 x 77,5 cm.), 14 planches couleurs sous chemise cartonnée en toile bleue-grise, accompagnées de cahiers de description sous emboîtage cartonné noir in-4 (22,5 x 33,5 cm.) / de la page 256 à la page 318, ""cet ouvrage est le 17e publié par Le Jardin de Flore (une tentative ambitieuse pour repenser et renouveler l'édition de livres rares et précieux). Consacré aux oiseaux du Nil et de la Syrie, ce recueil de gravures faisait partie de la monumentale ""Description de l'Égypte"" née de l'expédition napoléonienne dans ce pays. C'est Daniel Jacomet, imprimeur d'art à Montrouge qui a reproduit les 14 planches de cette suite et procédé, entièrement à la main, à la mise en couleurs des oiseaux. Ceux-ci au nombre de 44, sont représentés grandeur nature. L'ensemble à été tiré à 250 exemplaires numérotés sur un papier Chiffon du Moulin du Gué. Le texte a été tiré par Francis Mérat, imprimeur à Paris"" (exemplaire n°91), mise en couleurs avec l'aide de Jean-Marie Le Danois ; cahiers de description en très bon état / menus incidents à la chemise, chemise et planches: coiffes et coins frottés, quelques traces aux plats un peu piqués, quelques rousseurs au 1er contreplat, planches en excellent état, superbes couleurs, très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Riferimento per il libraio : af75
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BAUER Hans
Entzifferung der Keilschrifttafeln von Ras Schamra [Shamra]
viii + 79pp., original 1930-edition, 30cm., softcover (spine bit damaged and repaired at upper end), text and interior in very good condition, X99930
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Beauchamp (Alphonse de ; 1767-1832) :
Mémoires secrets et inédits, pour servir à l'histoire contemporaine, sur l'expédition d'Egypte, par M. J. Michel de Niello Sargy ; sur l'expédition de Russie, par le comte de Beauvollier ; sur l'exil et les infortunes des princes de la Maison Royale, par le vicomte d'H... (Hardouineau) aide de camp de Louis XVIII ; sur les différentes missions royalistes de Madame la vicomtesse Turpin de Crissé, etc., recueillis et mis en ordre par M. Alphonse de Beauchamp.
Paris, Vernarel et Tenon (imp. de Lebel), 1825 ; 2 tomes in-8, demi veau blond glacé, dos à quatre nerfs plats encadrant les pièces rouges de titre et de tomaison, dos décoré de roulettes dorées et fleurons à froid, tranches marbrées (Beranger) ; XVI, 433, (2) pp. ; XXVII, 363 pp.
Riferimento per il libraio : 17472
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BEAUFORT EMILY
Egyptian Sepulchres and Syrian Shrines including some stay in the Lebanon, at Palmyra, and in Western Turkey…
Two Vols. Cm. 19; pp. IX, (3), 412; (8), 484. Contemporary half leather. Complete with 6 Chromolithographies and a map. Well preserved. First edition. (Midlle East, Egypt, Syrian) 1395/P
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BELON (Pierre).
Les Observations de plusieurs singularitez et choses mémorables, trouvées en Grèce, Asie, Judée, Égypte, Arabie et autres pays étranges… Reveuës de nouveau et augmentées de figures.
Paris, Hierosme de Marnes & la Veuve Guillaume Cavellat, 1588. Petit in-4 (21,6 × 15,5 cm), [12] ff., 468 pp., [1] f. (achevé d’imprimer, marque de l’imprimeur au verso). Basane fauve mouchetée du XVIIe siècle, dos à cinq nerfs orné, titre doré, tranches mouchetées, reliure un peu usée, frottements et épidermures, petit manque au dos, charnière fendillée, très légères rousseurs, infimes trous de vers marginaux.
Riferimento per il libraio : PHO-2120
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BELGIOJOSO (M.me La Princesse de)
ASIE MINEURE ET SYRIE. Souvenirs de Voyages.
In-8 gr. (mm. 215x129), mz. pelle coeva, dorso a cordoni con fregi e tit. oro, pp. (4),427. Edizione originale. “Les harems, les Patriarches et les Derviches, les Arméniennes de Césarée - Les montagnes du Giaour - Le harem de Mustuk-Bey - Les femmes turques - Le touriste européen dans l’Orient Arabe - Les Européens a Jérusalem - La Turquie et le Koran”. Solo alc. lieviss. fioriture, altrimenti esempl. ben conservato.
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BELL Gertrude
Syria. The Desert and the Sown. Introduced by Dawn Chatty. Photographs by the Author. FINE COPY IN PUBLISHER'S SLIP-CASE
8vo., First Edition thus, with coloured frontispiece, numerous monochrome photographs throughout, and fold-out map in its own case; patterned cloth, backstrip lettered on orange, a fine copy in publisher's board slip-case.
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Bell,Gertude Lowthian
The Desert and the Sown
A travel classic of the Near East, facsimile of the edition published by Heinemann 1907 with a new introduction by Sarah Graham-Brown. 347p. illus map. Book
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BENASSAR
Anatomie d'une guerre et d'une occupation. Evénements du Liban de 1975 à 1978.
1978 Editions Galilée - 1978 - In-8, broché, couverture illustrée - 213 p.
Riferimento per il libraio : 111719
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BENOIT (François).
L'Architecture. Antiquité. Ouvrage illustré de 148 gravures, de 13 cartes et de 997 dessins schématiques par l'auteur.
P., Librairie Renouard, H. Laurens éditeur, 1911, gr. in-8°, vii-575 pp, richement illustré, biblio, index monumental, des architectes, des références artistiques, des références historiques et géographiques, reliure pleine toile grise ornée de l'éditeur, titrée en rouge au 1er plat et au dos, tête dorée, bon état (Coll. Manuels d'histoire de l'Art)
Riferimento per il libraio : 111527
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BENOIST-MÉCHIN (Jacques).
Lawrence d'Arabie, ou le rêve fracassé.
Lausanne, Clairefontaine, 1961, in-8°, 277 pp, 8 pl. de photos en héliogravure et une carte dépliante hors texte, chronologie, généalogie, biblio, broché, couv. illustrée à rabats, bon état
Riferimento per il libraio : 7624
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BENOIT Pierre, de l'Académie Française - F. BABOULET, C. LE BRETON,A. BRENET, L.M. BAYLE, A. DORE, H. BAILLE, VAN ROMPACY, T. CSERNUS, VARLA
Oeuvres romanesques - Edition définitive avec préfaces inédites et 20 illustrations originales - Oeuvres diverses(Le Métier d'écrire - Figures, Portraits, Médaillons - Reportages, Voyages, Paysages - En marge des grands reportages - Paysages de france - Paysages littéraires- Les cinq Plaisirs de l'Homme cultivé - L'auto - - Quelques variétés - Vautrin - une gerbe de poèmes - Diadumène- Les Suppliantes - Pastiches - Poèmes inédits)
PARIS, Albin Michel - 1970 - In-8 Reliure,imitation cuir rouge, dos orné et titre dorés, Sous emboîtage - -Sur papier Bible supérieur - 1372 pages - llustrations originales pleines pages en couleurs- Très propre.
Riferimento per il libraio : 3033
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BENOIT, Pierre (Préface de) - N. BAMMATE - A.-J. CHANDERLI - Edmond FLEG - M.-H. LELONG - Frédéric MÉGRET - Tibor MENDE - Illustrations de Pierre BELVÉS - G. JACQUEMOT - Jacques LIOZU - Pierre NOÉL.
Terres saintes - Israël, Jordanie, Syrie, Liban - Un portrait en couleurs.
Paris, Odé - 1956 - . In-12 carré - Cartonnage éditeur avec jaquette illustrée couleurs - gardes illustrées en couleurs - 300 illustrations, photographies et cartes en couleurs, certaines PP de Pierre Belvès, G. Jacquemont, Jacques Liozu, Pierre Noël - 385 pages - bon exemplaire.
Riferimento per il libraio : 6526
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BENOIST-MECHIN
Un printemps arabe.
Couverture souple. Broché. 596 pages. Jaquette. Non coupé. Cachets.
Riferimento per il libraio : 97826
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BENOIST-MECHIN.-
Un printemps arabe.
P., Albin Michel, 1959, in 8° broché, 596 pages ; jaquette illustrée.
Riferimento per il libraio : 12372
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Ben Jelloun, Tahar
È Questo l'Islam Che Fa Paura
Mm 100x165 Brossura editoriale con bandelle, pp. 218. Opera in ottime condizioni.
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BENOIST-MECHIN
Un printemps arabe. Envoi de l'auteur.
Broch?. 596 pages.
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BENOIT Pierre, de l'Académie Française - F. BABOULET, C. LE BRETON,A. BRENET, L.M. BAYLE, A. DORE, H. BAILLE, VAN ROMPACY, T. CSERNUS, VARLA
Oeuvres romanesques - Edition définitive avec préfaces inédites et 20 illustrations originales - Oeuvres diverses (Le Métier d'écrire - Figures, Portraits, Médaillons - Reportages, Voyages, Paysages - En marge des grands reportages - Paysages de france - Paysages littéraires- Les cinq Plaisirs de l'Homme cultivé - L'auto - - Quelques variétés - Vautrin - une gerbe de poèmes - Diadumène- Les Suppliantes - Pastiches - Poèmes inédits)
PARIS, Albin Michel - 1970 - In-8 Reliure,imitation cuir rouge, dos orné et titre dorés, Sous emboîtage - -Sur papier Bible supérieur - 1372 pages - llustrations originales pleines pages en couleurs- Très propre.
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BENOIT, Pierre (Préface de) - N. BAMMATE - A.-J. CHANDERLI - Edmond FLEG - M.-H. LELONG - Frédéric MÉGRET - Tibor MENDE - Illustrations de Pierre BELVÉS - G. JACQUEMOT - Jacques LIOZU - Pierre NOÉL.
Terres saintes - Israël, Jordanie, Syrie, Liban - Un portrait en couleurs.
Paris, Odé - 1956 - . In-12 carré - Cartonnage éditeur avec jaquette illustrée couleurs - gardes illustrées en couleurs - 300 illustrations, photographies et cartes en couleurs, certaines PP de Pierre Belvès, G. Jacquemont, Jacques Liozu, Pierre Noël - 385 pages - bon exemplaire.
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BERNOVILLE (Raphaël).
Dix jours en Palmyrène.
Paris, Typographie A. Lainé et J. Havard, 1868. In-8, brochage éditeur, 3ff-166pp., illustrations en fin d’ouvrage, hommage de l’auteur, non rogné, dos fragile, coins cornés.
Riferimento per il libraio : PHO-1528
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Bernard Noël / Hugues Fontaine
Euphrate, pays perdu
Actes Sud, 2000. Format à l'italienne, 32x22 cm, non paginé. Reliure éditeur sous jaquette illustrée. Très bon état.
Riferimento per il libraio : 50059
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Bernard BAUDOUIN
La FANTASTIQUE EPOPEE des CROISADES - 1096-1291
Un ouvrage de 158 pages, format 175 x 250 mm, illustré, relié cartonnage couleurs, publié en 2003, Editions de Vecchi, très bon état
Riferimento per il libraio : LFA00b90
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Bermant, Chaim and Weitzman, Michael
Ebla: a Revelation in Archaeology
244p., illus. Hardcover Very good condition good
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Bertoldi Micaela
Tra Turchia e Siria. Lune e mezzelune in terre di confine
br. Un viaggio realizzato nel giugno 2011 nel sud-est dell'Anatolia, ovvero in territori di mezzo, da viaggiare, per imparare il confine tra idee e culture, tra certezze e dubbi che attraversano la vita. Queste le tappe: Diyarbakir, città curda dalle possenti mura di pietra nera; Mardin, città prossima al confine tra tre Stati (Turchia, Iraq e Siria) che guarda dall'alto verso l'antica Mesopotamia, Sanliurfa, l'antica Edessa, Gaziantep, la gloriosa; poi l'Hatay con Antakja e infine Tarso e Adana. Ogni luogo dà lo spunto per interpretare geografia e storia di quelle regioni sulla base di riferimenti al passato, di suggestioni letterarie e accadimenti del presente: già erano in corso sommovimenti lungo il confine e migrazioni di siriani, in cerca di riparo dalla guerra incombente. Poi il taccuino di viaggio si trasforma in un percorso che si snoda tra cronaca, spunti letterari e riflessioni sul crescendo di ostilità, di migrazioni, di attentati, di morti, di guerra e di attacchi terroristici.
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BESSON Joseph
La Syrie et la Terre Sainte au XVIIe siècle. Nouvelle édition
Poitiers et Paris, Oudin et Palmé 1862 In-8 demi-chagrin vert ép., dos à nerfs orné, caissons à froid, tranches dorées, X- 461 pp. Dos frotté.
Riferimento per il libraio : 94279
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Bianchi Bandinelli Ranuccio
ROMA La fine dell'arte antica L'arte dell'Impero romano da Settimio Severo a Teodosio I
Il mondo della figura, Collezione diretta da Andr? Malraux e Andr? Parrot - Premessa - Introduzione - Parte prima: Roma e l'Occidente -- Parte seconda: Il Mediterraneo e l'Oriente - Parte terza: Documentazione generale: Documentazione complementare illustrata, Monete e medaglie - Piante - Tavole cronologiche - Bibliografia - Documentazione iconografica - Indice-sommario - Carte geografiche - Colophon 1 27x21 cm., legatura in piena tela rossa, titoli in bianco, in frontespizio Moneta di Massimo Daia, pp. IX (3), 462 (11), 429 illustrazioni nel testo, bianconero e colori,vari formati, anche pagine doppie piegate, prima edizione italiana buone condizioni. RARA
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BIDOU Henry
L'Arm?e fran?aise au Levant. Article illustr? (7 pages) dans Match du 25 mai 1940.
Num?ro complet.
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BIKERMAN Elie Elias Joseph Bickerman, USA 1897-1981)
Sur la CHRONOLOGIE de la Sixième GUERRE de SYRIE. Estr. orig. da: Chronique d'Egypte, a. 17, n. 54, 1952.
"In-8° (cm. 25), pp. 9 (da p. 395 a p. 403), bross. edit. Antioco IV Epifane, Tolomeo V, Phoilometor, Evergete ecc.
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