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Maurice BLANCHOT
Thomas l'obscur
Paris: Gallimard 1941. Fine. Gallimard Paris 1941 14 x 20.50 cm broché First edition an advance service de presse copy. Handsome fine autograph inscription from Maurice Blanchot to Gaston Gallimard on ffep: ""On ne s'arrête plus aux tables des heureux puisqu'on est mort. Charles Cros / A Gaston Gallimard ce livre destiné à écarter tout lecteur One doesn’t stop any more at the table of the joyous for one is dead. Charles Cros / To Gaston Gallimard this book destined to drive away every reader."" Two repaired tears to head of spine slightly sunned one tiny scratch to head of upper cover paper yellowed at edges of some pages as usual ffep repaired with small lack at foot. Gallimard unknown
Referentie van de boekhandelaar : 44721
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Maurice Blondel/James M Somerville (transl)
Total Commitment: Blondels L'Action
Washington DC: Corpus Books 1968. 1st. Hardcover. Good/Fair. Hardcover in a worn chipped dust jacket Light blue cloth covers with dark blue lettering to spine. 390 pages. Maurice Blondel was a phenomenologist long before the term was used to describe an identifiable movement. His monumental work L'Action 1893. set the stage for an intellectual revolution that is still in progress. It remains a classic effort to demonstrate the integral unity of science metaphysics and the moral life in the light of man's religious aspirations. Name on front fly leaf otherwise clean. Record # 397871 Corpus Books hardcover
Referentie van de boekhandelaar : 397871
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Maurice BLANCHOT
Tradition et surréalisme. Manuscrit autographe et tapuscrit complets Tradition and Surrealism. Complete Autograph Manuscript and Typescript
s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. Paris s. d. 1943 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author of 2 and a half quarto pages published in the December 23 1943 issue of Journal des Débats. Complete manuscript in very dense handwriting with numerous deletions corrections and additions. The complete typescript is included. This article one of the rare pieces to appear on the journal's front page is an audacious critique of the traditionalist vision of Art which arguing for the necessary adequacy between Art and Truth condemns Modernity. With implacable intellectual rigor Blanchot demonstrates how this conception of ""authentic Art"" ""joins exactly that of the surrealists"" and cites one of the major principles of Surrealism as perfect demonstration of Hourticq's remarks. In a France obsessed with rejecting Degenerate Art Blanchot reveals the contradictions of traditionalists: ""they admit that art in general precedes science and it is in the name of past science . that they condemn new movements in art."" Blanchot under the guise of literary criticism once again questions his era: . It would still be good to research whether precisely modern science does not recognize itself in the ""deformed decomposed obsolete universe that art has made familiar to our eyes."" Between April 1941 and August 1944 Maurice Blanchot published in the ""Chronicle of intellectual life"" of Journal des Débats 173 articles on recently published books. In half a newspaper page approximately seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he will later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From the first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of critical thinking that will mark the second half of the 20th century. Transformed by writing and by war Blanchot breaks through thinking exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarity at the very heart of an ""openly Pétainist"" journal: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to singular reflection ever more confident in its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work beginning . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Referentie van de boekhandelaar : 44960
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Maurice Block
Traité Théorique Et Pratique de Statistique
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0483224405.G ISBN : 0483224405 9780483224407
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Maurice Block
Traité Théorique Et Pratique de Statistique Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0483254258.G ISBN : 0483254258 9780483254251
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Maurice BLANCHOT - (Alfred JARRY)
Un roman de Jarry. Manuscrit autographe et tapuscrit signé complets
s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. Paris s. d. 1944 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author 2½ pages octavo published in the April 13 1944 issue of the Journal des Débats. Complete recto-verso manuscript in very dense handwriting with numerous deletions corrections and additions. Together with the complete signed typescript. Chronicle published on the occasion of the publication of Jarry's posthumous novel La Dragonne. In this chronicle devoted to Alfred Jarry and Père Ubu Maurice Blanchot was interested in the confusion between one and the other and its consequences: « . on peut penser que Jarry en s'entêtant à être le Père Ubu a pendant sa vie gaspillé une partie de ses ressources d'écrivain et après sa mort égaré le jugement littéraire sur sa véritable valeur. » "". one can think that Jarry by persisting in being Père Ubu wasted during his lifetime part of his resources as a writer and after his death misled literary judgment about his true value."" Yet this confusion testifies to the author's coherence: « Chez Jarry le choix d'un masque aussi peu flatteur a un sens fort clair. Il y a d'abord une volonté de mettre à mal tout sérieux et particulièrement cette volonté même ; il n'est pas question de tracer des frontières au ridicule ; on rit d'abord de soi on en rit parce que ce rire n'est qu'un écho du vide. Et puis ce double grotesque que l'auteur revendique comme une représentation dont il est fier affirme sa complicité pleine de défi avec les travers qu'il caricature. » ""In Jarry the choice of such an unflattering mask has a very clear meaning. There is first a will to undermine all seriousness and particularly this very will; there is no question of drawing boundaries to the ridiculous; one first laughs at oneself one laughs at it because this laughter is only an echo of the void. And then this grotesque double that the author claims as a representation of which he is proud affirms his complicity full of defiance with the flaws he caricatures."" La Dragonne the last work by Ubu's father that Gallimard was then publishing would therefore surprise Blanchot for « le sérieux avec lequel Jarry a accepté son métier de romancier » ""the seriousness with which Jarry accepted his profession as novelist"" who would also praise « les soudains mouvements d'imagination poétique qui dérangent le plan » ""the sudden movements of poetic imagination that disrupt the plan"". The only monographic text devoted by Blanchot to Jarry. Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronique de la vie intellectuelle"" of the Journal des Débats. In half a page of newspaper about seven octavo pages the young author of ""Thomas l'obscur"" took his first steps in the field of literary criticism and thus inaugurated a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From the first articles Blanchot demonstrated an acuity of analysis far exceeding the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he established in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by war Blanchot broke through thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transformed literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""Brûler un livre en écrire sont les deux actes entre lesquels la culture inscrit ses oscillations contraires"" ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. S. n.[ Journal des débats] unknown
Referentie van de boekhandelaar : 82298
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Maurice BLANCHOT - (Alfred JARRY)
Un roman de Jarry. - Manuscrit autographe et tapuscrit signé complets A Novel by Jarry Complete Autograph Manuscript and Signed Typescript
s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. Paris s. d. 1944 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author two and a half pages in octavo published in the issue of April 13 1944 of the Journal des Débats. Complete recto-verso manuscript in a very dense hand with numerous deletions corrections and additions. Accompanied by the complete signed typescript. A review published on the occasion of the posthumous release of Jarrys novel La Dragonne. In this review devoted to Alfred Jarry and Père Ubu Maurice Blanchot examines the confusion between the two and its consequences: « . on peut penser que Jarry en s'entêtant à être le Père Ubu a pendant sa vie gaspillé une partie de ses ressources d'écrivain et après sa mort égaré le jugement littéraire sur sa véritable valeur. » Yet this confusion testifies to the coherence of the author: « Chez Jarry le choix d'un masque aussi peu flatteur a un sens fort clair. Il y a d'abord une volonté de mettre à mal tout sérieux et particulièrement cette volonté même ; il n'est pas question de tracer des frontières au ridicule ; on rit d'abord de soi on en rit parce que ce rire n'est qu'un écho du vide. Et puis ce double grotesque que l'auteur revendique comme une représentation dont il est fier affirme sa complicité pleine de défi avec les travers qu'il caricature. » La Dragonne Jarrys final work then issued by Gallimard would therefore strike Blanchot for « le sérieux avec lequel Jarry a accepté son métier de romancier » while he also praised « les soudains mouvements d'imagination poétique qui dérangent le plan ». The only monographic text Blanchot devoted to Jarry. Between April 1941 and August 1944 Maurice Blanchot published in the ""Chronique de la vie intellectuelle"" of the Journal des Débats 173 articles on newly released books. In a half page of newspaper around seven octavo pages the young author of Thomas l'obscur made his first steps in literary criticism thereby inaugurating the theoretical work he would later develop in numerous essays from La Part du feu to L'Entretien infini and L'Écriture du désastre. From the very first articles Blanchot displayed an acuity of analysis far surpassing the literary news that occasioned his writing. Oscillating between classics and moderns major writers and minor novelists his reviews laid the foundations of a critical thought that would shape the second half of the 20th century. Transformed by writing and by the war Blanchot gradually broke through a thinking exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he turned literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of a newspaper ""ouvertement maréchaliste"": ""Brûler un livre en écrire sont les deux actes entre lesquels la culture inscrit ses oscillations contraires"" Le Livre in Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF gathered under the direction of Christophe Bident all the literary reviews not yet collected in volume form along with this perceptive analysis of Blanchots critical work: ""romans poèmes essais donnent lieu à une réflexion singulière toujours plus sûre de sa propre rhétorique livrée davantage à l'écho de l'impossible ou aux sirènes de la disparition. . Non sans contradictions ni pas de côté et dans la certitude fiévreuse d'une uvre qui commence . ces articles révèlent la généalogie d'un critique qui a transformé l'occasion de la chronique en nécessité de la pensée."" C. Bident. Autograph manuscripts by Maurice Blanchot are of the utmost rarity. S. n.[ Journal des débats] unknown
Referentie van de boekhandelaar : 44930
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Maurice Blondel
Une énigme historique le "Vinculum substantiale" d'après Leibniz et l'ébauche d'un réalisme supérieur
Paris: Beauchesne 1930. Broché. Etat moyen. in-8. 145 pp. Collection "Bibliothèque des archives de philosophie". Rares soulignements au bic. Un nom sur la page de faux-titre. Accrocs sur la couverture. Beauchesne unknown
Referentie van de boekhandelaar : 152430
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Maurice BLANCHOT
Une étude sur l'Apocalypse. Manuscrit autographe et tapuscrit complets
s. l. Paris: S. n. Journal des débats 1945. Fine. S. n. Journal des débats s. l. Paris s. d. 1945 13.50 x 21 cm 4 1/2 pages in-8 Autograph manuscript by the author of 4 and a half pages in-8 published in the issue of November 3 1943 of Journal des Débats. Complete recto-verso manuscript in very dense handwriting with numerous deletions corrections and additions. The complete typescript is included. Chronicle published on the occasion of the publication of L'Apocalypse de St Jean vision chrétienne de l'histoire by Father H.M. Féret. From the outset Maurice Blanchot doing his job as a critic praises the seriousness of the study conducted by Father Féret. But what interests him more than this careful orthodoxy are the powerful echoes of L'Apocalypse in the terrible hours the world was then going through: « Dans les périodes troublées les esprits qui ne supportent pas l'incertitude de l'avenir ont besoin de prophètes. Mais ces prophètes ils les demandent au passé et plus l'oracle est ancien - et redoutable - plus ils y voient des correspondances avec l'histoire qu'ils voudraient connaître. L'Apocalypse de St Jean doit en partie à la sublimité du langage à l'autorité de l'écrivain à l'étendue de la révélation une curiosité que des siècles d'étude n'ont pas réussi à épuiser. Mais elle doit aussi son prestige auprès d'esprits qui ne sont pas toujours pieux à l'antiquité de la réponse et à son caractère terrifiant. Qui n'est pas prêt à croire que la fin des temps est proche et que le pire va être vécu Chacun a le désir secret d'associer sa propre fin qu'il entrevoie à celle du monde dont il est moins sûr. » ""In troubled periods minds that cannot bear the uncertainty of the future need prophets. But these prophets they seek them in the past and the more ancient - and fearsome - the oracle the more they see correspondences with the history they would like to know. The Apocalypse of St. John owes partly to the sublimity of language to the authority of the writer to the extent of the revelation a curiosity that centuries of study have not managed to exhaust. But it also owes its prestige among minds that are not always pious to the antiquity of the answer and to its terrifying character. Who is not ready to believe that the end of times is near and that the worst will be lived Each has the secret desire to associate his own end that he glimpses with that of the world of which he is less certain."" The biblical text thus awakens his interest for its literary and mythological qualities but also in an almost political approach for its sense of History. Furthermore if religion does not of course pose itself in terms of belief for Blanchot it nevertheless reveals his attention to the question of God particularly sensitive through Judaism notably and joins that decisive in his eyes of the writer's interior experience. Finally the analysis of L'Apocalypse that Blanchot delivers here constitutes a first in-depth reflection on the question of Evil: « . ce qui est propre au message inspiré c'est le rôle qu'il fait jouer au démon dans la vie collective et le mouvement de l'histoire. Saint Jean ne dévoile pas l'action du mal dans les âmes ; il se borne à montrer quelle maîtrise les puissances démoniaques peuvent exercer sur les réalités collectives par quelles voies elles agissent . et quelle défaite mettra un terme à leur empire. » "". what is proper to the inspired message is the role it makes the demon play in collective life and the movement of history. Saint John does not unveil the action of evil in souls; he confines himself to showing what mastery demonic powers can exercise over collective realities by what paths they act . and what defeat will put an end to their empire."" These links between the Apocalypse History and Evil would be questioned again by Blanchot in ""L'Apocalypse déçoit"" 1964 and ""Penser l'Apocalypse"" 1988. First foundational text by Blanchot on Evil and History. Between April 1941 and Augus S. n.[ Journal des débats] unknown
Referentie van de boekhandelaar : 44925
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Maurice Blot
Van-Dyck Museum Etching Museum Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Referentie van de boekhandelaar : 590944
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Maurice Blot
Van-Dyck Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Referentie van de boekhandelaar : 590941
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Maurice Blot
Van-Dyck Photo Rag Bright White Premium Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Referentie van de boekhandelaar : 590943
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Maurice Blot
Van-Dyck Photo Matt Fibre A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Referentie van de boekhandelaar : 590942
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Maurice Bloomfield
Vedic Variants V2: Phonetics
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781258015381 ISBN : 1258015382 9781258015381
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Maurice Bloomfield
Vedic Variants V1: The Verb
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781258125974 ISBN : 1258125978 9781258125974
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Maurice Bloomfield
Vedic Variants V2: Phonetics
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781258126858 ISBN : 1258126850 9781258126858
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Maurice Bloomfield
Vedic Variants V1: The Verb
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781258015374 ISBN : 1258015374 9781258015374
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Maurice Bloomfield
Vedic Variants V2: Phonetics
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781258015381 ISBN : 1258015382 9781258015381
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Maurice Bloomfield
Vedic Variants V1: The Verb
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781258125974 ISBN : 1258125978 9781258125974
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Maurice Bloomfield
Vedic Variants V2: Phonetics
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781258126858 ISBN : 1258126850 9781258126858
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Maurice Bloomfield
Vedic Variants V1: The Verb
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781258015374 ISBN : 1258015374 9781258015374
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Maurice BLANCHOT
Voyages de Montesquieu. Manuscrit autographe et tapuscrit complets. Montesquieus Travels. Complete autograph manuscript and typescript
s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. Paris s. d. 1943 13.50 x 21.50 cm 4 1/2 pages in-8 Autograph manuscript by the author of 4½ pages in-8 published in the September 8 1943 issue of Journal des Débats. Complete manuscript with very dense handwriting containing numerous deletions corrections and additions. The complete typescript is included. Literary chronicle published on the occasion of the publication of Les Voyages de Montesquieu prefaced by Marcel Arland. This artificial collection of Montesquieu's travel notebooks gives Blanchot the opportunity to praise a form of ""natural"" writing ""pure of all concern for readership"". These intimate notes indeed testify to an art of ""concision which delivers facts to us naked pressed by the meaning that illuminates them"" and which from ""considerable material drew only a small book discreetly reduced to the essential."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronique de la vie intellectuelle"" of Journal des Débats. In half a newspaper page about seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From his first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by the war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection ever more sure of its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Referentie van de boekhandelaar : 44963
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Maurice Blanchot Gabriel Bounoure Albert Camus Georges Mounin Gaetan Picon Rene Menard and James Wright Rene Char
Rene Char's Poetry: Studies by .
Italy: Editions de Luca 1956. First edition. Paperback. Good. Paperbound book with essays on the writings of poet Rene Char. 133 pp. Some general soiling to covers. A good copy in simple printed bound wrappers. Some papges still uncut. Includes an early work by poet James Wright entitled Meditations on Rene Char. Editions de Luca paperback books
Referentie van de boekhandelaar : 27649
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Maurice Boy de la Tour
A Propos du Séjour de Jean-Jacques Rousseau A Motiers Et de Ses Amis Neuchâtelois Vol. 5: Extrait du ""Musée Neuchâtelois"" No. 5 Septembre-Octobre 1912 Classic Reprint French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0282129871.G ISBN : 0282129871 9780282129873
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Maurice Boy de la Tour
A Propos du Séjour de Jean-Jacques Rousseau A Motiers Et de Ses Amis Neuchâtelois Vol. 5: Extrait du ""Musée Neuchâtelois"" No. 5 Septembre-Octobre 1912 Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 066640061X.G ISBN : 066640061X 9780666400611
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Maurice Boucher
Alberle Magnard.
Lyon France: Maison des Deux-Collines 1919. 12mo. Wraps with protective Glassine Dust Jacket. 60 pp. Some Pages Uncut. Very Good. En Francais. Scarce. Lyon, France: Maison des Deux-Collines, 1919. paperback
Referentie van de boekhandelaar : 68-8064
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Maurice Boucher
Albéric Magnard Classic Reprint French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0259573302.G ISBN : 0259573302 9780259573302
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Maurice Bourges Publisher
Annales de La Societe Historique Et Archeologique Du Gatinais V16-17 1898
New. unknown
Referentie van de boekhandelaar : A9781167734168 ISBN : 1167734165 9781167734168
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Maurice Bourges Publisher
Annales de La Societe Historique Et Archeologique Du Gatinais V17 1899
New. unknown
Referentie van de boekhandelaar : B9781167651885 ISBN : 116765188x 9781167651885
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Maurice Bourges Publisher
Annales de La Societe Historique Et Archeologique Du Gatinais V16-17 1898
New. unknown
Referentie van de boekhandelaar : B9781167734168 ISBN : 1167734165 9781167734168
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Maurice Bourges Publisher
Annales De La Societe Historique Et Archeologique Du Gatinais V17 1899 French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1160040494.G ISBN : 1160040494 9781160040495
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Maurice Bourges Publisher
Annales De La Societe Historique Et Archeologique Du Gatinais V16-17 1898 French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1160040486.G ISBN : 1160040486 9781160040488
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Maurice Bourges Publisher
Annales De La Societe Historique Et Archeologique Du Gatinais V16-17 1898 French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1167734165.G ISBN : 1167734165 9781167734168
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Maurice Bourges Publisher
Annales De La Societe Historique Et Archeologique Du Gatinais V17 1899 French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 116765188X.G ISBN : 116765188X 9781167651885
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Maurice Bouvier-Ajam
Attila biciul lui Dumnezeu
Used. For more details please contact me unknown
Referentie van de boekhandelaar : 145204
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Maurice Borden ( Hilarion ) Cooke
Body Signs
Marcus Books 1982. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Marcus Books paperback
Referentie van de boekhandelaar : GB000HYMXE0I4N00
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Maurice Bouysset
Bone and Joint Disorders of the Foot and Ankle : A Rheumatological Approach
Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book presents the essential anatomic and radiological data discussing new and refined techniques of imaging such that readers may rely on their interpretation. The chapters on pathology are approached in a clinical context accomp paperback
Referentie van de boekhandelaar : ria9783662061343_inp ISBN : 3662061341 9783662061343
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Maurice Bouysset
Bone and Joint Disorders of the Foot and Ankle
Springer pp. 380 . Papeback. New. Springer unknown
Referentie van de boekhandelaar : 6128203973 ISBN : 3662061341 9783662061343
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Maurice Bouysset
Bone and Joint Disorders of the Foot and Ankle: A Rheumatological Approach
Springer 2013. Paperback. New. reprint edition. 357 pages. 10.50x8.00x0.75 inches. Springer paperback
Referentie van de boekhandelaar : x-3662061341 ISBN : 3662061341 9783662061343
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Maurice Boucher and Nigel Penn (Editors)
Britain at the Cape 1795 to 1803
The Brenthurst Press 1992. The 9th from the 2nd series one of a 1000 copies in the standard edition. A fine copy in a fine DJ jacket with brodart cover. The Brenthurst Press unknown
Referentie van de boekhandelaar : 29958
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Maurice Boutet de Monvel
Chansons de France pour les petits Francais French Edition
EDL 2016-02-03. hardcover. New. 8.86x0.35x10.51. Buy with confidence. Excellent Customer Service & Return policy. EDL hardcover
Referentie van de boekhandelaar : DADAX2211094767 ISBN : 2211094767 9782211094764
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Maurice Boukay
Chansons Rouges Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0666895384.G ISBN : 0666895384 9780666895387
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MAURICE BOUCHOR
Chants Populaires pour les Écoles
Librairie hachette. Sans date. Bon état Librairie hachette unknown
Referentie van de boekhandelaar : 500037832
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Maurice Bouchor
Chants Populaires pour les Écoles Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0332266400.G ISBN : 0332266400 9780332266404
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Maurice Bouchor
Chants Populaires pour les Écoles Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0428837999.G ISBN : 0428837999 9780428837990
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Maurice Boniface
Clarisse Arbois: Comédie en Trois Actes Classic Reprint French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0243227930.G ISBN : 0243227930 9780243227938
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Maurice Boniface
Clarisse Arbois: Comédie en Trois Actes Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0267827695.G ISBN : 0267827695 9780267827695
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Maurice BOUTET DE MONVEL
Claude et sa soeur. Pelisse et Douillette pl.10 La Gazette du Bon ton 1912-1913 n°2
Paris 1912. Fine. Paris 1912-1913 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower left. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day.   The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown
Referentie van de boekhandelaar : 89492
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Maurice BOUTET DE MONVEL
Claude et sa soeur. Pelisse et Douillette pl.10 La Gazette du Bon ton 1912-1913 n°2
Paris: Lucien Vogel éditeur 1912. Fine. Lucien Vogel éditeur Paris 1912-1913 19 x 24.50 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Referentie van de boekhandelaar : 54491
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Maurice Bonjean
Congrès International de la Protection de l'Enfance Tenu au Palais du Trocadéro les 15 16 18 19 20 21 22 Et 23 Juin 1883 Vol. 2: Compte-Rendu . Et Annexes Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0428324940.G ISBN : 0428324940 9780428324940
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