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Preface by CATERINA GIOVANNINI (President of Astorestauro Servizi).
The conservation of the Dolmabahçe Palace Clock Tower from the study project to the work site school.
Fine English Paperback. 4to. (25 x 23 cm). In English. 122 p., color and b/w ills. The conservation of the Dolmabahçe Palace Clock Tower from the study project to the work site school. 6 copies in OCLC. OCLC no.: 896872444.
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Prep. by MURAT YALÇIN.
Istanbul sokaklari: 101 yazardan 101 sokak.
Very Good English Paperback. Pbo. Roy. 8vo. (22 x 17 cm). In Turkish. 330 p. Istanbul sokaklari: 101 yazardan 101 sokak.
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Project: NAZAN ERKMEN.
El/le. Marmara University Faculty of Fine Arts Exhibition of Graduation Projects Academic Year, 2005-2006.= El/le. Marmara Üniversitesi Güzel Sanatlar Fakültesi 2005-2006 Akademik Yili Diploma Projeleri Sergisi. [Exhibition catalogue]. Prep. Inci Deniz Ilgin, Begüm Akkoyunlu, Zeynep Ögel.
Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. El/leMarmara University Faculty of Fine Arts Exhibition of Graduation Projects Academic Year, 2005-2006.= El/le. Marmara Üniversitesi Güzel Sanatlar Fakültesi 2005-2006 Akademik Yili Diploma Projeleri Sergisi. [Exhibition catalogue]. Prep. Inci Deniz Ilgin, Begüm Akkoyunlu, Zeynep Ögel. For the artist, there is a particularly productive relationship between the hand and the object. The hand must wield the brush masterfully; its skill must predominate when shaping the mass of clay. The fingers must find the way to elicit the finest sound from the strings of the violin, the keys of the piano. Here the hand searches for thought and feeling; the instant it finds what it has sought - in spite of its appetite - it must rise from the banquet table of sound or colour or form, otherwise, like every other thing that loses its equilibrium, it becomes subject to damage. The hand of the designer takes heed of the relationship between hand and object. Perhaps his relationship with the object develops as it passes through the filter of his relationship with the hand, because in the person-object relationship, holding and using are significantly predominant. But whether we are discussing art or design, if there is no relationship with creative potential in the relationship between matter and product, the hand is nothing more than a useful tool. From this aspect, the hand is the confessor of the heart, the brain and the aggregation that anticipates the creative potential... The collaboration between the Fine Arts Faculty of Marmara University and the Pera Museum was based upon the condition that the ten divisions of this Faculty would be included in the exhibition and that it would be comprised from the works of the graduating class. It was certain that this interdisciplinary exhibition would display an energetic and extremely colourful totality. It was important to present the exhibition within the framework of a shared theme that would unify these varying techniques and disciplines. Ultimately the discussions on this subject led to the choice of the title "el/le", because of the breadth of its meaning. In the "EL/LE" exhibition, painting, sculpture, graphic arts, ceramics, industrial products, interior design, textiles, photography and cinema come together in the opulence generated by the traditional arts of the hand. The "hand" is interpreted by the hands of artists and designers. What aspects of the hand will be beautified through the abundant energy of these creators? This exhibition provided the conclusive answer to that question.
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Quennell, Peter & Hodge, Alan (editors)
History Today : October 1977
No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards and no bumping to corners. 69pp. Periodical magazine with feature articles on Sir John Hawkwood 1320-94 an Anglo-Florentine, Before the Bobbies - the Caroline Riots 1821, Bears in the Bosporus 1833, Roger Ascham - Royal Tutor, Dividing Ireland - Nationalists and Unionists 1912-14, Thomas Morton of Merry Mount 1622-46 a planter, Madame de Genlis and Louis Philippe 1782-90 plus book reviews and letters.
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REY ROMERO.
Spanish in the Bosphorus: A sociolinguistic study on the Judeo-Spanish dialect spoken in Istanbul.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). Color and b/w ills. 466 p. "In 1492, the Spanish monarchs expelled tens of thousands of Sephardic Jews from the Iberian Peninsula and other territories. Most Sephardim headed eastward and settled in Ottoman lands, where their language, known as Judeo-Spanish, survived and thrived for centuries. This book is the result of fieldwork in the Jewish community of Istanbul. It provides a historical and modern sociolinguistic account of the survival of the Judeo-Spanish dialect after centuries of fragmentation, French bilingualism, "Turkish only" language policies, emigration, and globalization. This work analyzes social patterns on the acquisition and use of Judeo-Spanish in the community as well as linguistic change throughout different generations of Istanbulite Sephardim. Focusing on several grammatical features, these data demonstrate that bilingualism with Turkish and reduced linguistic spaces promote language change. In a world where linguistic diversity is rapidly shrinking, the survival and future of Judeo-Spanish is a testament to the close bond between language, culture, community, and identity".
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REZAZADA SHAFAQ, (Mîrzâ Hâdji Âghâ / Mîrzâ Sâdeq Han Rezâzâde-e Shafak), (1895-1971).
[AUTOGRAPHED COPY / OFFICIAL TRAVELS OF AN IRANIAN LIBERAL TO SWITZERLAND] Yâdigâr-e muusaferet-e Suis. [i.e. Travel memoirs to Switzerland].
Very Good Persian Original wrappers. Roy. 8vo. (21,5 x 18 cm). In Persian. [2], 284 p., b/w plates. Signed and inscribed 'Dr. Rezazadeh Shafaq'. First edition and a rare autographed copy of these official travel memoirs of Switzerland by an Iranian politician from the liberal party in the Pahlavi period, including attractive impressions and descriptions of European culture. Sadeq Rezazadeh Shafaq was one of the activists of the Qajar dynasty and Ph.D. graduate of the University of Berlin who taught the history of Persian literature as well as was a journalist, poet, and politician. Only one copy in OCLC: 949522859 (Bogaziçi University Library). An extremely rare autographed copy.
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RYCAUT (Paul), BRIOT Pierre (trad.),
Histoire de l'état présent de l'empire ottoman contenant les maximes politiques des turcs, les principaux points de la religion mahométane , ses sectes, ses hérésies et ses diverses sortes de religieux, leur discipline militaire … traduit ..par monsieur Briot.
Amsterdam, chez Abraham Wolfgang, 1678. In-12(133x82); 498pp-3ffnch (tables) , relié plein parchemin , dos lisse avec titre manuscrit , illustré d'un frontispice gravé et de 18 planches (17 dépliantes) représentant des figures de la cour , les costumes des ottomans, de la sultane, des militaires et derviche, etc.
Bookseller reference : PHO-1172
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SAFFET EMRE TONGUÇ, (1966-).
Istanbul: A bird's eye view. Photos by Halit Bilen.
New English Original bdg. HC. Small 4to. (26 x 18 cm). Edition in English. 342 p., color ills. Istanbul: A bird's eye view. Photos by Halit Bilen. I wanted to tell a tale of Istanbul. And Istanbul gave me the most magnificent of tales. I wanted to draw its picture - and unexpectedly, it unfolded all its colors generously, with ecstasy. It wasn't easy to describe a city so exultant, always surprising, a city that you can't get enough of exploring and that is sassy with its uniqueness. To describe it, I needed to understand it and to understand, I had to chase after my feelings. I faced 8,500 years of history, as well as the 21st century metropolis. I wrote this book to be worthy of Istanbul's name. As you get lost in the pages, you will see a journey through Istanbul from a viewpoint you haven't seen before, the richness of Istanbul with buildings that have never previously appeared in the same frame. I tell you about an Istanbul. An Istanbul that is multicultural, multicoloured, blending the old and the new, keeping differences side by side in its bosom, reconciling resentments with its beauty, amazing with its history. I held onto the wings of a seagull and wandered around my beloved city. I left room for you too. Trail behind me and watch a journey of Istanbul from another perspective. You will be surprised about how much this tale has yet to unveil.
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SAFFET EMRE TONGUÇ, PAT YALE.
Bosphorus. The ultimate guide.
New English Paperback. Cr. 8vov (20 x 14 cm). In English. 348 p., color ills. Bosphorus. The ultimate guide. This book is among the most accurate and elaborative work about the Bosphorus. Alongside the exclusive, unseen photos from the most famous waterside mansions, it provides up-to-date information about the Bosphorus from one side to another. Asian and European sides being the two main chapters of the book, it takes you on a step by step Bosphorus tour that covers not only the touristic spots, but also the hidden treasures of the city only known by the locals. The 348 page guidebook written by Saffet Emre Tonguc and Pat Yale after months of preparation is an excellent work devoted to the Bosphorus with the unforgettable stories of the historical buildings, the photos of the monuments bearing the glamour of the Bosphorus and the authentic, magical sight-seeing routes.
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SAKIR ECZACIBASI, (1929-2010).
Sakir Eczacibasi. Sokaklardan [= From the streets]. [Exhibition catalogue]. May 29 - June 22, 1996. Curated by Amelie Edgü. Text by Talat Halman.
New English Paperback. Folio. (32 x 23 cm). In English and Turkish. 32 p., fully color photos. One of 500 copies. This book is published on the occasion of Sakir Eczacibasi Photography Exhibition held between May 29 - June 22, 1996 at Milli Reasürans Art Gallery. Sair Sakir = Sakirotype, Talat Halman.; Catalogue including 30 color photographs.; Özgeçmis = Biography.
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SALÂH BIRSEL.
Sergüzest-i Nono Bey ve elmas Bogaziçi.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 11 cm). In Turkish. [4], 352 p., full page b/w plates. Sergüzest-i Nono Bey ve elmas Bogaziçi.
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SARKIS BAHAROGLU.
Eyewitness.= Görgü tanigi. Getronagan Lisesi 100. kurulus yildonumu anisina.= In memoriam Getronagan Lycee, 1866-1986.
Very Good English Paperback. Oblong large 8vo. (22 x 23 cm). In English, Turkish, and Armenian. [36] p., b/w photos. Eyewitness.= Görgü tanigi. Getronagan Lisesi 100. kurulus yildonumu anisina.= In memoriam Getronagan Lycee, 1866-1986.
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SCHROEDER J. [ DESSIN et GRAVURE ]
CONSTANTINOPLE , VUE du BOSPHORE [ TURQUIE ]
Paris . Dufour , Mulat et Boulanger éditeur / Imprimerie Gilquin et Dupain . Vers 1858 - Eau forte 27,5 x 18 cm [ 15,5 x 10,5 cm de Gravure ] - Vers 1858 - SCHROEDER J. [ DESSIN et GRAVURE ]
Bookseller reference : 26217
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SCHLUMBERGER Gustave
l’épopée Byzantine à la fin du dixième siècle
Guerres contre les russes, les arabes, les allemands, les bulgares, luttes civiles contre les deux Bardas, Jean Tzimiscès, les jeunes années de BasileII le tueur de bulgares. Fort in 4 demi chagrin rouge à nerfs et à coins, titre doré, filets à froid sur les plats ; Carte de l’Empire Byzantin, en couleurs, sous serpente, faux-titre, titre,, 799 pages, non rogné, tête dorée, illustrations dans et hors-texte (un dépliant) Hachette & Cie 1896. Rousseurs plus ou moins fortes, éparses, plus concentrées en début et fin de volume,
Bookseller reference : 11364
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SCHRANZ Joseph
VUE GENERALE DU BOSPHORE, DE ROUMELI-HISSARI A LA MER NOIRE (PRISE D'ASIE).
Dessin d'aprs nature par J. Schranz. Lith. par L. Sabatier et Schranz. Schranz et Percheron, Constantinople, ca. 1855. Magnifico panorama con vista generale del Bosforo, da Roumeli-Hissari al Mar Nero, disegnato e litografato da Schranz, con fine coloritura d'epoca. E' composto da 4 sezioni in sequenza a formare un prezioso pannello di cm. 25,1 x 170,3 (con il bordo a stampa di cm. 33x179,5), con grande vista sulle flotte francesi e inglesi; al margine inferiore sono indicate le localit illustrate: Beikos - Kandili - Mer de Marmara - Roumeli Hissari - Yeni Keui - Calender - Thrapia - Palais de France - Palais d'Engleterre - Kiretch Bournou - Prairie de Buyuk-Dr - Yeni-Mahall - Roumeli-Kavak - Fanaraki d'Europe - Iles Cyannes - Chateau des Gnois - Mer Noir.Lo splendido panorama porta in primo piano una lussureggiante vegetazione, scene di gente del luogo che socializza, animali che pascolano, viaggiatori a cavallo, e numerose sono le navi che solcano le acque del Bosforo.Cfr. Benezit,XII, p. 524: Jean ou Johann Schranz, allemand, n en 1794 Minorque, mort en 1882 Malte, peintre, aquarelliste, dessinateur. Il s'est avec son pre Anton spcialis dans la peinture de paysages et de marines. Due macchie al marg. super. bianco e restauri su due angoli di una sezione; al marg. infer. strappi restaurati, ma complessivam. buon esemplare. Estremamente raro.
Bookseller reference : 138461
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SCHRANZ Joseph
VUE GENERALE DU BOSPHORE, DE ROUMELI-HISSARI A LA MER NOIRE (PRISE D’ASIE). Dessiné d’après nature par J. Schranz. Lith. par L. Sabatier et Schranz.
Magnifico panorama con vista generale del Bosforo, da Roumeli-Hissari al Mar Nero, disegnato e litografato da Schranz, con fine coloritura d’epoca. E’ composto da 4 sezioni in sequenza a formare un prezioso pannello di cm. 25,1 x 170,3 (con il bordo a stampa è di cm. 33x179,5), con grande vista sulle flotte francesi e inglesi; al margine inferiore sono indicate le località illustrate: Beikos - Kandili - Mer de Marmara - Roumeli Hissari - Yeni Keui - Calender - Thérapia - Palais de France - Palais d’Engleterre - Kiretch Bournou - Prairie de Buyuk-Déré - Yeni-Mahallé - Roumeli-Kavak - Fanaraki d’Europe - Iles Cyannées - Chateau des Génois - Mer Noir. Lo splendido panorama porta in primo piano una lussureggiante vegetazione, scene di gente del luogo che socializza, animali che pascolano, viaggiatori a cavallo, e numerose sono le navi che solcano le acque del Bosforo. Cfr. Benezit,XII, p. 524: “Jean ou Johann Schranz, allemand, né en 1794 à Minorque, mort en 1882 à Malte, peintre, aquarelliste, dessinateur. Il s’est avec son père Anton spécialisé dans la peinture de paysages et de marines”. Due macchie al marg. super. bianco e restauri su due angoli di una sezione; al marg. infer. strappi restaurati, ma complessivam. buon esemplare. Estremamente raro.
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SEDAD HAKKI ELDEM
Reminiscences of the Bosphorus. Tome I: Istanbul Anilari. Tome II: Bogaziçi Anilari. (2 volumes)
1979 Alarko Egitim Tesisleri - 1979 - 2 volumes in-4, cartonnage avec titre et nom de l'auteur en doré sur le 1er plat et le dos - 343 p. + 398 p. - Très riche iconographie hors texte et pleine page en N&B - Ouvrage bilingue turc / anglais
Bookseller reference : 113063
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SEDAD HAKKI ELDEM, (1908-1988).
[RELIEFS OF ELDEM] Rölöve. 2 volumes set. Vol. 1: Istanbul Bogaziçi köyleri yerlesmesi, resmî kültürel tas binalar, Istanbul ve Anadolu evleri, çesmeler ve selsebiller. Vol. 2: Birgi Çagir Aga Konagi.
Very Good Turkish Paperback. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (70 p.; 64 p.). Eldem was a Turkish architect and one of the pioneers of nationalized modern architecture in Turkey. He was born in Istanbul (1908). He graduated from the Academy of Fine Arts (Department of Architecture). Between 1931 and 1932 he traveled to France, England, and Germany with a scholarship from the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts, and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented the Turkish Republic at the International Union of Architects in Lozan (1948) after Second World War. Also in the same year, Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th-century palaces, and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of the Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of the Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing Modern Architecture. He basically thought that International Style in architecture should not be applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known for the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach to projects. This final period started in 1962 and lasted until his death in 1988. (Wikipedia).
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SEDAD HAKKI ELDEM, (1908-1988).
Le Yali de Köçeoglu à Bebek sur le Bosphore.= Köçeoglu Yalisi, Bebek, Bogaziçi.
Very Good French Paperback. 4to. (34 x 24 cm). In French and Turkish. 112, [1] p., b/w plts. Le Yali de Köçeoglu à Bebek sur le Bosphore.= Köçeoglu Yalisi, Bebek, Bogaziçi.
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SEDAD HAKKI ELDEM.
A survey of Turkish kiosks and pavilions.= Köskler ve kasirlar. 2 volumes.
Fine Turkish In modern clothes. 4to. (33 x 24 cm). In English and Turkish. 2 volumes set: (xvii, [3], 357 p.; [8], 447 p.), b/w and color plates. Sedad Hakki Eldem was a Turkish Architect. One of the pioneers of nationalized modern architecture in Turkey. He was born in Constantinople (1908). He graduated from the Academy of Fine Arts (department of Architecture). Between 1931 and 1932 he travelled to France, England and Germany with a scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lausanne (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing the Modern Architecture. He basically thought that International Style in architecture should not applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known by the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach on projects.This final period started in 1962, and lasted until his death in 1988. (Source: Wikipedia). Extremely rare.
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SEMA AKKOYUN ÖZBAY.
Waterfront residences and mansions of Istanbul.= Istanbul'un yalilari ve köskleri.
New English Paperback. Roy. 8vo. (23 x 16,5 cm). In English and Turkish. 344 p., ills. Waterfront residences and mansions of Istanbul.= Istanbul'un yalilari ve köskleri. What makes Istanbul a favorite city is its magnificent waterfront residences along the Bosphorus and the sumptuous mansions spreaded into the different points of the city. The stories of these buildings that shine like jewels with their design, colors, outbuildings, gardens and peripheral arrangements have become legendary. "Waterfront Residences and Mansions of Istanbul" harks back to the past by conveying knowledge about these mysterious and enchanting structures.
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SEMAVI EYICE, (1922-2018).
Galatada Arab camii.
Very Good Turkish Paperback. 4to. (26 x 19 cm). In Turkish. 27 p., b/w ills. Galatada Arab camii. Extremely rare separatum on Arab Mosque in Galata.
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SEMAVI EYICE.
Bizans devrinde Bogaziçi.
New Turkish Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 134 p., 77 color and b/w plates, 2 maps. The Bosphorus in the period of Byzantine Empire. Bizans devrinde Bogaziçi.
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SEMAVI EYICE.
Bizans devrinde Bogaziçi.
Very Good Turkish Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 184 p., b/w plts. 1350 copies were printed. First Edition. Bizans devrinde Bogaziçi. The Bosphorus in the period of Byzantium.
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SEMAVI EYICE.
Le baptistere de Sainte Sophie d'Istanbul. (Estratto da Atti del IX Congresso Internazionale di Archeologia Cristiana. Roma, 21-27 Settembre 1975).
Very Good French Paperback. 4to. (27 x 19 cm). In French. 257-273 pp., 11 numerous b/w plates. Le baptistere de Sainte Sophie d'Istanbul. (Estratto da Atti del IX Congresso Internazionale di Archeologia Cristiana. Roma, 21-27 Settembre 1975).
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SEMAVI EYICE.
Ortaköy. Tarih - sosyal ve mimari doku.
Fine Turkish Paperback. Oblong large 8vo. (14 x 20 cm). In Turkish. 31 p., b/w ills. Ortaköy. Tarih - sosyal ve mimari doku.
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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists.
Very Good English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists. [HC Edition].
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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Siegreich Türckenfeind [Ps.von Germanus Adlerhold]
Neue und accurate Vorstellung des großen Ottomannischen Oder Türckischen Reichs/ Dessen Grösse/ Landschaften/ Städte/ Vestungen/ Insulen/ und Meer-Häfen usw. Nebst einen Anhang Türckischer aus den besten Autoribus zusammen-getragener Prophezeyhungen. [Ohne Kupfer].
Nürnberg, Johann Leonhard Buggel, 1717. Pergamenteinband, 8°, [9], 574 [18] S.; -Deckel berieben, Bindung etwas lose, Titelblatt gestempelt, gutes Exemplar, ohne Kupfer. [4 Warenabbildungen]
Bookseller reference : 13493
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Signor di Saint - Ange (COSTANTINOPOLI - BOSFORO)
Generale descrizione topografica dello stretto dei Dardanelli, del Mar di Marmara, del Bosforo e di tutte le coste del Mar Nero del Signor di Saint - Ange.
Bologna, Marsigli e Rocchi, 1854. In 8vo (cm. 22); brossura originale stampata, pp. 42. ... Costantinopoli e il Bosforo. L’antica Bisanzio. La città di Costantino... Tened, Basika, Lemnos, Ingresso dei Dardanelli... La Crimea, Sebastopoli... Axs
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SINAN SÜMBÜL, SELÇUK AYDIN.
Beykoz bibliyografyasi.
New Turkish Paperback. 4to. (30 x 21 cm). In Turkish. 113, [7] p., color and b/w ills. Beykoz bibliyografyasi. Beicos bibliography.
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SIR GALAHAD
Byzance.
1937 Payot, Bibliothèque Historique, 1937, 333 pages, in 8 broché, état d'usage, papier jauni, insolé, quelques usures et frottements sur les bords des plats, légèrement sali.
Bookseller reference : 15206
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Spoerry, Heinrich
Eine Frühlingsfahrt nach dem nahen Orient
Wald, Buchdruckerei W. Hess, 1935, Auflage: 1. Leinen, gebunden; grau melierter, schwarz geprägter Einband, Farbkopfschnitt, Frakturschrift / Anz. Seiten: 238 / 16 x 22 cm / mit zahlreichen Schwarzweisstafeln und Karten / Zustand: gut, geringe bis leichte Gebrauchsspuren; Einband und Papier leicht gebräunt, Schnitt gering fleckig
Bookseller reference : 63788
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Sr. D'ANVILLE
L'ASIE MINEURE ET LE BOSPHORE. Pour l'Histoire Ancienne de Mr. ROLLIN.
Gravée par P. Bourgoin sur Papier à la Cuve. Octobre 1740.
Bookseller reference : CART011M
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SUDI YENIGÜN.
Bogazin incileri: Yalilar. 2 volumes set. Vol. 1: Asya yakasi Bogaz yalilari. Vol. 2: Avrupa yakasi Bogaz yalilari.
New English Original bdg. HC. 4to. (33 x 24 cm). In Turkish. 2 volumes set (255 p.; 165 p.), color ills. Bogazin incileri: Yalilar. 2 volumes set. Vol. 1: Asya yakasi Bogaz yalilari. Vol. 2: Avrupa yakasi Bogaz yalilari.
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SÂHABEDDIN SÜLEYMAN, (Turkish / Ottoman writer, member of Fecr-i Âtî movement), (1885-1921).
The Bosphorus steamers of the Sirket-i Hayriye.= Sirket-i Hayriye'nin Bogaziçi vapurlari.
New New English Original bdg. Dust wrapper. Oblong folio. (23 x 33 cm). In English and Turkish. 207 p., B / w and color ills. The Bosphorus steamers of the Sirket-i Hayriye. = Sirket-i Hayriye'nin Bogaziçi vapurlari. The Bosphorus has always been a subject that occupied an extraordinary place both in the Turkish and in the World literatures. With its natural...
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SÂMIHA AYVERDI.
Bogaziçi'nde tarih.
Fine English Paperback. Demy 8vo. (21 x 15 cm). In Turkish. 406, [2] p. Bogaziçi'nde tarih.
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SÜLEYMAN BERK, SINASI ACAR.
Istanbul'un 100 hattati. Edited by Esra Erkal, Ömer Osmanoglu.
New New English Paperback. Pbo. Dust wrapper. Roy. 8vo. (24 x 16 cm). In Turkish. 180, [7] p. Ills. 100 important calligraphers from Istanbul. Istanbul'un 100 hattati. Edited by Esra Erkal, Ömer Osmanoglu.
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SÜLEYMAN SEYDI.
The Turkish straits and the great powers: From the Montreux Convention to the early Cold War, 1936-1947.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 256 p. The Turkish straits and the great powers: From the Montreux Convention to the early Cold War, 1936-1947.
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Text by HILMI TÜRKMEN.
Üsküdar in engravings.= Gravürlerde Üsküdar.
New English Paperback. 4to. (30 x 21 cm). Text in English and Turkish. 40 reprint engraving plates (sizes: 28x20 cm) and 3 panoramic engravings in special pockets (sizes: -oblong- 27,5x58 cm). Üsküdar in engravings.= Gravürlerde Üsküdar. "Most of Western voyagers and artists produced their engravings in Istanbul. Between Istanbul engravings those of Üsküdar have a special place. Üsküdar was the break point for tthe Eastern voyagers going to the west and westerns voyagers going to Jerusalem or Asia. It was a place to see its own beauties witth the possibility to see the other side also and it became a zone for the engraving masters. We prepared a very beautiful exhibition following this art and history. During five hundred years since the beginning of the engraving until our days, we prepared some documents of engraving which brought to us the daily life of Üsküdar in ancient times and we collected them by the title of Üsküdar. [.]".
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Texts by MAGGIE PINAR-QUIGLEY.
Istanbul: Gateway to splendour. A journey through Turkish architecture. Photos by: Ahmet Ertug. Architectural drawings: Sedad Hakki Eldem, Feridun Akozan
Fine English Original bdg. in original dust wrapper. In original and special slip-case. Large 4to. (36 x 26 cm). Color and b/w ills. 224 p. An introduction to the Ottoman architectural heritage in Istanbul. Large format interior and exterior views of Ottoman mosques, Topkapi Palace, and Bosporus villas are accompanied by informative text. Many original architectural line drawings (plans, sections and elevations) by the noted architect Sedad Hakki Eldem are also included.
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TOTT, Baron François De
Mémoires du Baron de Tott, sur les turcs et les tartares,
Amsterdam, s.n., 1784, 3 tomes, in-8, lvj, 274 ; 301 ; 252-208pp. ,relié plein cuir moucheté , dos lisse orné avec pièces de titre et tomaison , frise dorée sur les plats , tranches marbrées, coins usés , frottements ,petites rousseurs , Joli cachet de l'École d'artillerie de la garde impériale »
Bookseller reference : PHO-1112
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TOTT, Baron François De
Mémoires du Baron de Tott, sur les turcs et les tartares,
Amsterdam, s.n., 1784, 4 parties en 2 volumes , in-8, xl, 203 ; 220 ; 180-152pp. ,relié plein cuir marbré , dos à nerfs orné avec pièces de titre et tomaison , tranches marbrées, coins et coiffes usés , frottements ,ex-libris manuscrit barré aux titres (1 et 3)
Bookseller reference : PHO-1205
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Tristal Géo - Léojac - Alberty Pierre
Partition de la chanson : Ame d'Orient
Molinier 1929 approx.
Bookseller reference : 13091
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TUNCAY CENGIZ GÖLCÜ.
Dolmabahçe Sarayi: Insa süreci, mekân ve teskilati.
New Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. 316 p., color ills. Dolmabahçe Sarayi: Insa süreci, mekân ve teskilati. A comprehensive study on Dolmabahçe Palace: Its process of construction, architectural and historical place and organization.
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UGUR GENÇ.
Haliç zinciri.
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. [vi], 251 p., 47 numerous b/w and color ills., 96 numerous color photos, 4 color plts. of miniatures. Haliç zinciri. 1000 copies were printed.
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VERASIMOS STEPHANE , ARA GULER et SAMIR RIFAT
Turkish style.
1992 Archipelagos press1992, 223 pages, in 4 reliure cartonnée toilée bleue, titres or très bon état, avec jaquette en état d'usage.Nombreuses illustrations et photographies.
Bookseller reference : 14404
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VILLARI Luigi -
Gli stretti.
Milano, 1942, stralcio con copertina posticcia muta, pp. 281/290 con illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
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VIMERCATI
Constantinople et l’Egypte(traduit de l’italien)troisième édition revue et corrigée.Par Charles HERTZ.
In 8 demi-cuir vert,titre doré,filets à froid,faux-titre, frontispice illustré et gravé(massacre des Janissaires) titre,374 pages,une carte dépliante en couleurs (Basse-Egypte et Syrie)Charles Noblet 1856.Une mouillure angle inférieur droit en marge jusqu’à la page 93,rousseurs habituelles.Le frontispice et la page de titre ont été placés par erreur,par le relieur,après la page 16(?)
Bookseller reference : 3835
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