‎Collectibles‎

‎Johann Jacob KIRCHHOFF‎

‎Lieder und Fabeln • Songs and Fables‎

‎Leipzig: Edouard Kretzschmar 1844. Fine. Edouard Kretzschmar Leipzig s. d. circa 1840 15 x 22.50 cm relié Illustrated edition with wood engravings by Edouard Kretzschmar. Half red shagreen binding spine with four raised bands decorated with gilt fillets gilt monogram of Alcide de Beauchesne at foot of spine some rubbing to spine marbled paper boards marbled endpapers and pastedowns corners slightly bumped contemporary binding. Foxing. Provenance: from the library of Alcide de Beauchesne with his gilt monograms stamped at foot of spines. Edouard Kretzschmar hardcover‎

书商的参考编号 : 67024

‎Johann Joachim BECHER - Georg Ernst STAHL‎

‎Physica subterranea profundam subterraneorum genesin e principiis hucusque ignotis ostendens. Opus sine pari primum hactenus et princeps edito novissima. . et Specimen Beccherianum fondamentorum documentorum experimentorum subjunxit Georg. Ernestus Stahl D. • Subterranean physics showing the profound genesis of subterranean phenomena from principles hitherto unknown. A work without a peer the first and foremost published most recently. . and Specimen Beccherianum foundational documents experiments supervised by Georg. Ernestus Stahl D.‎

‎Lipsiae Leipzig Leipzig: Ex officina Weidmanniana 1738. Fine. Ex officina Weidmanniana Lipsiae Leipzig Leipzig 1738 18 x 21 cm relié The last edition the first having appeared in Frankfurt in 1669. Very fine engraved allegorical frontispiece. The work has a preface by Georg Ernst Stahl and a second part paginated separately entitled Specimen Beccherianum Fondamentorum Documentorum Experimentorum by the same. The work is in five parts called “Physica Subterranea” “Experimentum Chimicum Novum quo Artificialis et instantanea Metallorum Generatio et Transmutatio ad oculum demonstrator” “In Physicam Subterraneam demontratio philosophica seu Theses Chimica” and “Experimentum novum ac curiosum de Minera Arenaria Perpetua”. Contemporary vellum ink title to head of spine all edges speckled red. A few leaves a little browned or with light dampstaining otherwise a fresh copy. A collection of chemical alchemical and mineralogical texts with a preface by Georg Ernst Stahl a disciple of Johann Becher. A very good copy of the key texts of one of the finest German chemists. Ex officina Weidmanniana hardcover‎

书商的参考编号 : 71716

‎Johann Kaspar LAVATER‎

‎J.K. Lavater's physiognomik. Zur Beforderung der Menschenkenntniss und Menschenliebe • Essays on Physiognomy‎

‎Wien Vienna: Sollinger 1829. Fine. Sollinger Wien Vienna 1829 13.50 x 21.50 cm 3 volumes reliés New edition illustrated with a full-length portrait frontispiece of Lavater by Stober and 30 plates for volume 1 30 for the second volume 30 for the third 29 for volume 4 and 2 facsimiles of his handwriting; all these plates are contained in an atlas. The four volumes are bound in two volumes. Each plate contains 2 to 12 figures. Contemporary 3/4 burgundy shagreen binding spine with false raised bands decorated with gilt and blind fillets marbled paper boards all edges marbled. Bindings skillfully restored. Scattered foxing throughout text. Sollinger hardcover‎

书商的参考编号 : 74506

‎Johann Michael VANSLEB - VANSLEBEN‎

‎Nouvelle relation en forme de journal d'un voyage fait en Egypte. En 1672. & 1673‎

‎à Paris: Chez Estienne Michallet 1677. Fine. Chez Estienne Michallet à Paris 1677 8.50 x 15.50 cm In-12 relié First edition rare and valuable. Contemporary full brown sheep binding. Spine with raised bands gilt tooling. Binding with some surface wear. Losses to the joints at headcap and to the upper joint at tail. One corner rubbed. An important account for Western knowledge of Egypt. Vansleb a German philologist and theologian entered Colbert’s service for a planned voyage to Ethiopia but he never went beyond Egypt where he spent twenty months observing and gathering information undertaking numerous excursions and journeys. Vansleb refrained from repeating descriptions already given by others such as the pyramids conscious of offering his readers entirely new information. If it was not the very first account of Egypt it was the first by a man who had resided in the country for an extended period; in any case one of the earliest and the very first of its kind. The author had already travelled once to Egypt from which he produced a narrative in Italian but at that time he lacked the knowledge of Arabic necessary for contact with the population and he had not remained in the country. Chez Estienne Michallet hardcover‎

书商的参考编号 : 32794

‎Johann Paul Friedrich RICHTER‎

‎Pensées de Jean Paul‎

‎Paris: F.G. Levrault 1836. Fine. F.G. Levrault Paris 1836 13.50 x 22.50 cm broché Second edition with some parts in first edition as it is ""augmented by nearly double"". Small lacks at head and foot of spine slight corner lacks to boards occasional foxing. F.G. Levrault hardcover‎

书商的参考编号 : 23875

‎Johann Peter FRANK‎

‎Curandis hominum morbis epitome. 6. De retentionibus.‎

‎Viennae Vienna: Sumptibus Aloysius Doll 1805. Fine. Sumptibus Aloysius Doll Viennae Vienna 1805 11.50 x 19.50 cm relié First edition produced by Joseph Eyerel. Worn binding in full speckled sheep. Smooth spine decorated with 4 fleurons. Headcaps torn with loss to lower compartment. Joints split with various losses. Title label missing. Corners slightly bumped. Foxing. Extensive manual of curative medicine of which 7 volumes were published from 1792 to 1821 1. De febribus. liber 2. De inflammationibus. liber 3. De exanthematibus. This volume concerns in addition to retention scurvy syphilis and phthisis. Sumptibus Aloysius Doll unknown‎

书商的参考编号 : 55239

‎Johann Peter Theodore LYSER‎

‎Polygamia Triumphatrix‎

‎Londini London Amsterdam: Sumptibus Authoris 1682. Fine. Sumptibus Authoris Londini London • Amsterdam 1682 21.60 x 16.50 cm relié Third and best edition of this apology for polygamy the first dated from 1674 and comprised 96 p. the second was expanded in 1676 to 174 p. this final edition making 565 p. Most major libraries do not possess it such as the BNF. Graesse I 68. Rare. Contemporary full vellum binding title in manuscript. Joint cracked at head. Lyser 1631-1684 devoted his life and fortune in the hope of founding a sect of polygamists he thus visited Europe seeking followers and preaching that polygamy is most often a requirement. The book was condemned and numerous copies were burned. Sumptibus Authoris hardcover‎

书商的参考编号 : 7687

‎Johann Rudolf WYSS - Charles NODIER‎

‎Le Robinson suisse traduit de l'allemand de Wyss par Mme Elise Voiart précédé d'une introduction de M. Charles Nodier‎

‎Paris: Lavigne 1843. Fine. Lavigne Paris 1843 15 x 24 cm relié New edition of the French translation established by Elise Voiart and illustrated with 200 vignettes engraved after drawings by Charles Lemercier. Half cherry red shagreen binding spine with four raised bands set with gilt fillets ornately gilt in triple compartments decorated with gilt typographical motifs minor scratches to foot of spine covers framed with triple gilt fillets on marbled paper boards marbled endpapers and pastedowns two corners damaged marbled edges. Work illustrated with numerous vignettes in the text. Preface by Charles Nodier. Foxing. Lavigne hardcover‎

书商的参考编号 : 47823

‎Johann SCHEFFER‎

‎De Re vehiculari veterum libri duo • On the Vehicles of the Ancients‎

‎Francofurti Frankfurt am Main Francfort Frankfurt am Main: Ex officina Zunneriana typis Johannis Andreae 1671. Fine. Ex officina Zunneriana typis Johannis Andreae Francofurti Frankfurt am Main • Francfort Frankfurt am Main 1671 21.40 x 17.50 cm deux parties reliées en un volume Rare first edition illustrated with 38 woodcuts in the text and 4 half-page copper engravings one repeated. A very fine frontispiece by Hoos. Brunet 29030. Half calf binding with smooth spine decorated with small corners. Green title-label fleurons and wave-pattern fillets. Late 18th-century binding. Two-thirds of the work has browned text often heavily. The second part lacks a title page. Jean Scheffer 1621-1679 was born in Strasbourg he was welcomed to Sweden by Queen Christina and appointed librarian of the academy and obtained through the Queen's protection the chair of eloquence and public law at the University of Uppsala. He also wrote a history of Lapland. The De re vehiculi is one of his most scholarly works on a subject that was not often studied means of transport in antiquity. It is the most complete work on this subject. Brunet 29030. Ex officina Zunneriana typis Johannis Andreae unknown‎

书商的参考编号 : 7874

‎Johann Wolfgang von GOETHE‎

‎Dernières pages de Goethe expliquant à l'Allemagne les sujets de philosophie naturelle controversés au sein de l'Académie des sciences de Paris‎

‎Paris: Revue encyclopédique 1832. Fine. Revue encyclopédique Paris 1832 14 x 23 cm broché First edition of the French translation printed in a small number of copies of this offprint from the Revue Encyclopédique. An angular tear with lack to the first 8 pages not touching the text. Copy presented in its original state that is to say without covers. Revue encyclopédique unknown‎

书商的参考编号 : 20369

‎Johann Wolfgang von GOETHE‎

‎Goethe's poetische und prosaische werke in zwei banden. • Goethe: The Collected Works‎

‎Stuttgart und Tübingen: J. G. Cotta'sche Buchhandlung 1836. Fine. J. G. Cotta'sche Buchhandlung Stuttgart • und Tübingen 1836 18 x 27 cm 4 volumes reliés Complete works of Goethe comprising his poetry theater novels critical essays and correspondence. Gothic printing in 2 columns. 5 superb steel engravings on thick paper under yellow tissue guards in volume 2 by Kaulbach and Felner in Gothic or classical style and engraved by English engravers 2 engravings in volume 3. One of the first complete works of the author who died in 1833. The same publisher had issued this edition in 55 thin volumes in 1833 here delivering a more compact and manageable version. German contemporary full green shagreen binding. Smooth spine decorated with rococo tools connected by long fillets. Gilt title and volume number. Double fillet frame on boards. Top edge gilt and marbled edges. Beautiful black and orange marbled endpapers. Laid paper of superb freshness completely free of foxing. Spine lightly faded. Traces of rubbing at headcaps small dark stains on spine of volume 2 and on volume 3. Magnificent copy. J. G. Cotta'sche Buchhandlung hardcover‎

书商的参考编号 : 68022

‎Johann Wolfgang von GOETHE‎

‎Reineke fuchs Le roman de Renard‎

‎Stuttgart und Tübingen: J. B. Gotta 1846. Fine. J. B. Gotta Stuttgart • und Tübingen 1846 28 x 34 cm relié First edition illustrated with 36 steel engravings outside the text by Wilhelm Von Kaulbach including 17 engraved by Rudolfe Rahn 17 by Adrian Scheich one by Steifendand and one last unsigned. One engraved half-title. Text within a border. Gothic typeface. Head- and tailpieces. Not only do the engravings approach perfection but Kaulbach's animal compositions are among the finest of their kind. The human personification of the animals is indeed highly developed and perfectly staged one must see the incredible orgy on page 125 the most complete scene of debauchery where intoxication gluttony and eroticism seize upon the most diverse animals. Spectacular publisher's binding in full glazed pink calf. Spine decorated with a large plate of interlaced ornaments. Large plate on the upper cover with Renard in armor at the center conducted on a chariot drawn by griffons and multiple ornaments. White watered endpapers. On the lower cover a central blind medallion and a wide border with learned interlaced ornamental compositions in imitation of the first cover. Spine sunned uniformly lightened. A thin split in the leather at the upper joint at the head extending 0.5cm; the leather is also very narrowly split at the lower joint at the foot extending 3 cm. Traces of rubbing on the edges. Scattered foxing on particularly white paper. This foxing is often concentrated at the location of the tissue guards which remain present. Despite the defects a very handsome copy. Goethe wrote his own version of the romance of Reynard in 1794 a collection of medieval texts featuring Reynard the Fox. The term Renard which became established indeed comes from Reineke. J. B. Gotta hardcover‎

书商的参考编号 : 71651

‎Johanna Bergen (Annetje)‎

‎1786 New York Girl’s Cyphering Book Documenting Early Republic Education & Practical Economics in the Pioneering New Amsterdam Bergen Family‎

‎<p>On offer is the original 1786 manuscript cyphering book of Johanna Bergen great-great-granddaughter of foundational New Amsterdam settlers whose family landholdings helped lay the groundwork for Williamsburg Wallabout Bay parts of Brooklyn. The manuscript is also a rare surviving record of early post-Revolutionary education preserving the practical arithmetic and penmanship training of a ten-year-old girl in the new republic.</p><p>Johanna "Annetje" Bergen 1776–1833 was the great-great-granddaughter of Hans Hansen Bergen 1610–1653 and Sarah Rapelje 1625–1685. The Bergens were among historic New York's foundational colonial families closely tied to the early settlement landholding and civic development of Brooklyn and New York. Hans Hansen Bergen a Norwegian-born shipwright and early Manhattan tobacco cultivator became a significant Wallabout Bay landholder establishing a Bergen family line deeply connected to Brooklyn Williamsburg the Brooklyn Navy Yard area Long Island and New Jersey. His wife Sarah Rapelje is widely recognized as the first female child of European descent born in New Netherland the Dutch colony later ceded to the English in 1664 and renamed the Province of New York.</p><p>Johanna Bergen's biography full lineage and connection to Hans Hansen Bergen and Sarah Rapelje can be found in the biographical notes at the end of this listing.</p><p>Johanna Bergen grew up in Kings County New York during a period of profound social disruption. Born on October 2 1776 just over a month after the devastating Battle of Long Island her early childhood unfolded during the British military occupation of New York and the post-Revolutionary rebuilding that followed. As the daughter of a prominent Dutch-American family her 1780s education would have reflected her family's heritage faith social position and the expectations placed upon young women in early American households.</p><p>Begun on October 11 1786 just days after Johanna Bergen's tenth birthday this cyphering book documents the formal arithmetic education of a young woman from one of Kings County's leading Dutch-American families. Its carefully ruled pages move through numeration money division compound multiplication land cloth liquid dry Winchester apothecaries' avoirdupois and troy measures showing that Bergen received structured instruction in the practical mathematics of trade household management land goods and account keeping.</p><p>The book does not name her school or teacher but its format is consistent with the local post-Revolutionary Kings County school world most likely instruction by a private schoolmaster tutor or local academy-style teacher serving Dutch-American families in Brooklyn Flatbush Gowanus or the surrounding communities.</p><p>A small later notation at the back names Johanna Bergen's niece Sarah Conover spelled "Connover" in the manuscript adding an important layer of family provenance. Sarah Conover was the daughter of Rachel Bergen Conover Johanna's sister and a fellow daughter of Tunis Bergen and Annetie Stoothoff. The inscription therefore firmly places the cyphering book within the extended Bergen family and the broader Bergen-Rapalje lineage of early New Netherland.</p><p><strong>Condition: </strong>The book measures approximately 13.5 x 12 inches and contains 41 complete pages with writing on the recto and verso of most leaves. The protective boards are rubbed the text block is loose from the boards and the pages show brittleness light chipping and some splitting. The manuscript text remains clean bright legible and substantially intact written throughout in a lovely period hand. Overall better than fair.</p><p><strong>Biographical Notes:</strong></p><p>Johanna Bergen was born in New Utrecht Kings County New York on October 2 1776 in the opening months of the American Revolution. She stood at a symbolic crossroads in New York history: a great-great-granddaughter of New Amsterdam pioneer Hans Hansen Bergen she represented one of the old Dutch colonial families entering the new American era.</p><p>On March 15 1798 she married Stephen Samuel Stryker 1776–1851 and together they had at least six children: Maria 1798–1875 Tunis 1800–1852 Samuel 1803–1876 Johanna 1807–1837 Anna 1809–1869 and Sarah 1814–1865. They lived on Stryker's farm located between Gravesend and New Utrecht. Johanna Bergen died on June 22 1833 in Gravesend Kings County Long Island New York.</p><p><em><strong>Line of Descent: Johanna Bergen</strong></em></p><p>I. Hans Hansen Bergen 1610–1653 m. Sarah Rapalje 1625–1685<br />The founding generation. Bergen arrived in New Amsterdam in 1633. His wife Sarah Rapalje is widely recorded as the first female child of European descent born in the New Netherland colony.</p><p>II. Michael Hansen Bergen 1646–1732 m. Femmetje Theunise Denyse 1650–1715<br />Son of Hans Hansen Bergen and Sarah Rapalje.</p><p>III. Hans Michael Bergen 1689–1731 m. Rachel Dirck Bensen 1689–1752<br />Son of Michael Hansen Bergen and Femmetje Theunise Denyse.</p><p>IV. Tunis / Teunis Bergen 1730–1807 m. Annetie / Johanna Stoothoff 1743–1819<br />Son of Hans Michael Bergen and Rachel Dirck Bensen.</p><p>V. Johanna "Annetje" Bergen 1776–1833<br />Daughter of Tunis Bergen and Annetie Stoothoff.</p><p>Hans Hansen Bergen arrived at Fort Amsterdam in 1633 as a Norwegian shipwright aboard the Dutch West India Company's de Zoutberg becoming an important figure in the multi-ethnic origins of colonial New York. His 1639 marriage to Sarah Rapalje widely celebrated as the first female child of European descent born in New Netherland tied the Bergen family directly to the colony's earliest European-born generation. Bergen later moved from maritime carpentry into early Manhattan tobacco cultivation and in 1647 secured a substantial patent at Wallabout Bay land historically associated with the later development of Williamsburg and the Brooklyn Navy Yard area.</p><p>For institutional researchers and private collectors surviving manuscripts and ephemera from the Bergen lineage are desirable because they offer a direct material link to the formation of Kings County and early New York. These documents do more than trace the descent of a prominent family whose name remains visible in Brooklyn's geography; they help illuminate early colonial landholding Dutch-American family networks women's education and the economic development of New York from the New Netherland period into the early republic.</p>‎

书商的参考编号 : 0002009

‎Johannes Biermannus‎

‎Moses en Christus of Tafereel der voornaamste voorbeelden des Ouden Testaments uit Moses wet en allerley Joodsche oudheden wydlopig t'samengesteld en op Christus en syn kerke geestelyk Toegepast‎

‎Rotterdam Holland: JOHANNES ROTTERDAM Bookverkoper. Good. 1735. Original Vellum. Moses en Christus of Tafereel der voornaamste voorbeelden des Ouden Testaments uit Moses wet en allerley Joodsche oudheden wydlopig t'samengesteld en op Christus en syn kerke geestelyk toegepast / door Johannes Bierman. Good copy with usual general ageing of ancient vellum covers. Some number of pages loose but overall a very pleasing copy of this rare tome. Included is a mysterious small handwritten manuscript not found being used as a marker.; Dutch; 8vo - over 7¾" - 9¾" tall; CHRISTIANITY BIBLE STUDIES CHRISTIAN JESUS WAY OF THE CROSS CRUXIFICTION CHRIST VIA DOLOROSA HANDWRITTEN HAND WRITTEN MANUSCRIPT JOURNAL LEDGER DIARY PERSONAL CATHOLIC CATHOLICISM ECCLESIASTIC RELIGION FAITH JOSEPH AND MARY SON OF GOD RESURRECTION APOSTLES JUDAS PETER PAUL SAINTSJUDAISM JEWISH STUDIES YIDDISHKEIT ISRAEL MOSES TENACH HEBREW STUDIES TEN COMMANDMENTS antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito papel. . JOHANNES ROTTERDAM, Bookverkoper hardcover‎

书商的参考编号 : 000648

‎Johannes HUBNER - (Maurice BLANCHOT)‎

‎Lettre manuscrite adressée à Maurice Blanchot et enveloppe‎

‎1962. Fine. 9 mai 1962 - en feuilles Unpublished manuscript letter of one page from Blanchot's German translator addressed to Blanchot in 1962 after reading L'attente l'oubli which would motivate Hubner's first translation. This is undoubtedly one of the first letters from the German writer addressed to Maurice Blanchot. He expresses his wonder at Blanchot's writing four works of which he would subsequently translate. Éditions Kimé recently published the correspondence between the two writers from 1963 onwards and Hubner's translation work on L'attente l'oubli. This first letter has remained unpublished until today. unknown‎

书商的参考编号 : 48327

‎Johannes JOERGENSEN‎

‎Le livre de la route‎

‎Paris: Perrin & Cie 1912. Fine. Perrin & Cie Paris 1912 13 x 20.50 cm relié First edition of the French translation established by Théodore de Wyzewa for which no deluxe copies are mentioned. Bradel binding in half brown cloth with corners smooth spine decorated with a gilt fleuron date and double gilt fillet at foot red shagreen title label with some scratches marbled paper boards bookplate pasted on a pastedown contemporary binding signed Alfred Farez. Some minor foxing of no consequence. Work illustrated with 8 engravings outside the text including a frontispiece. Perrin & Cie hardcover‎

书商的参考编号 : 73015

‎Johannes STRADANUS‎

‎Chasse des Loutres‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. s. d. circa 1590 34.50 x 26 cm une feuille Authentic original engraving executed in burin after a 16th-century painting by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artist's signature in the plate. Latin caption in the lower part of the engraving. Old manuscript translation below the plate mark: ""Ainsi se chassent les loutres dans des barques en châne creux. Elles sont frappées dans l'eau avec un trident crochu"" ""Thus otters are hunted in boats made of hollow oak. They are struck in the water with a hooked trident"". Watermark visible by transparency. The engraving has been mounted and restored with small pieces of old laid paper glued to the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: in France then in Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and for that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of the great Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. S. n. unknown‎

书商的参考编号 : 31031

‎Johannes STRADANUS - [Claes Jansz VISSCHER attributed]‎

‎In Macedum terris ad maenia nota Philippi Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis ait bachata puella Doctorem verique Dei Paulum esse ministrum. Acto. 16.14. Gravure originale du XVIIe siècle‎

‎s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. • Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original engraving executed with burin by Claes Jansz Visscher called the Piscator after a 16th century painting by Johannes Stradanus. Proof on watermarked laid paper early 17th century work.This illustrates a passage from Acts of the Apostles 16.12-14: ""From there we traveled to Philippi a Roman colony and the leading city of that district of Macedonia. And we stayed there several days. On the Sabbath we went outside the city gate to the river where we expected to find a place of prayer. We sat down and began to speak to the women who had gathered there. One of those listening was a woman from the city of Thyatira named Lydia a dealer in purple cloth. She was a worshiper of God. The Lord opened her heart to respond to Paul's message."".Latin caption in the lower portion of the engraving.Artists' signatures in the plate.Numbered reference ""27"" in the lower right corner within the engraving.Manuscript notation ""160"" in margin in the upper right corner of the plate.An old manuscript annotation in Greek characters below the plate mark.Crown watermark visible by transparency.Very rare and discrete marginal foxing a skillful restoration using a small piece of transparent filmoplast on the verso otherwise fine condition for this extremely rare engraving of great freshness.Johannes Stradanus called Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following his death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria S. n. hardcover‎

书商的参考编号 : 29931

‎Johannes STRADANUS - Philippe GALLE‎

‎L'entrainement des chiens à la chasse aux cerfs‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin legend in the lower part of the engraving. Manuscript translation in old handwriting under the plate mark: ""Des chasseurs par le commandement du roi de France cherchent beaucoup de fientes de cerfs et donnent les crottes des jeunes cerfs aux chiens afin que par l'odeur ils apprennent à connaitre l'âge des cerfs."" ""Hunters by command of the king of France search for much deer dung and give the droppings of young deer to the dogs so that by scent they learn to know the age of the deer"". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper pasted to the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a free master in the guild of Antwerp painters. He then began a journey through Europe: in France then in Italy where he first stayed in Venice before settling in Florence. He worked there for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and for that of the Clement VII hall of the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of great Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 is a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing engraving commerce publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on projects by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Franz Floris Lot's Daughters and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown‎

书商的参考编号 : 32520

‎Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT‎

‎La chasse aux chameaux‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Impression on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures within the plate. Latin caption in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""On dit que la Barbarie produit de très bons chameaux que chassent les soldats de la marine pressés par la faim. Cette viande quoique très dure les rassasie."" ""It is said that Barbary produces very good camels which are hunted by sailors pressed by hunger. This meat although very tough satisfies them."". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper pasted along the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus called Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the guild of Antwerp painters. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decorations planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 is a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works based on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin work. S. n. unknown‎

书商的参考编号 : 32521

‎Johannes STRADANUS - Philippe GALLE‎

‎La chasse aux lions par le feu‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""Ceux qui s'occupent à surprendre les lions dans des filets portent une torche de la main gauche et un bouclier de la droite pour se garantir du feu: les lions fuyant les flammes se jettent dans les filets qu'on lui a tendu."" ""Those who busy themselves with surprising lions in nets carry a torch in the left hand and a shield in the right to protect themselves from fire: the lions fleeing the flames throw themselves into the nets that have been set for them."". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown‎

书商的参考编号 : 32502

‎Johannes STRADANUS - Adrian COLLAERT‎

‎La chasse aux porcs-épics‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""In winter the porcupine is taken by dogs or in nets or when it flees to hide in dark holes hunters pursue them with rakes and hoes"". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: in France then in Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and for that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decor planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin. S. n. unknown‎

书商的参考编号 : 32497

‎Johannes STRADANUS - Philippe GALLE‎

‎Le combat des oiseaux et des couleuvres‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin legend in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""Le désert d'Appulie nourrit de couleuvres les grues et aussi les cigognes attaquent leurs nichées. Elles engagent le combat avec vigueur de leurs becs et les mordent. Le spectacle est très divertissant pour les colons"" ""The desert of Apulia feeds cranes with snakes and also storks attack their broods. They engage in combat vigorously with their beaks and bite them. The spectacle is very entertaining for the colonists"". Watermark visible by transparency. The margins of the engraving have been reinforced with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII hall in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under Giorgio Vasari's direction with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing the print trade publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he had his own workshop which would be frequented by his sons Theodoor and Cornelis as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Frans Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown‎

书商的参考编号 : 32524

‎Johansson, Eric J‎

‎Pickelhauben Spiked Helmets : the Glittering Age : German Headdress from the Seventeenth to the Twentieth Century 1650-1918 Signed‎

‎Independence MO: H. S. M. Publications 1982. 180 pages of illustrations and identifications in full color. A fascinating book. This copy is numbered 749 and signed in the special limitation area. Very scarce - worldwide. Limited Numbered and Signed 1st Edition. DJ has light wear. Previous owner bookplate inside cover. Book clean. Signed by Author. First Edition. Hard Cover. Near Fine/Very Good. 4to - over 9¾" - 12" tall. H. S. M. Publications Hardcover‎

书商的参考编号 : 012602

‎JOHN [JACK] I LASHWAY‎

‎1966 ORIGINAL MANUSCRIPT DIARY PHOTO ALBUM AND SCRAPBOOK OF TWO 2 BIG GAME HUNTING TRIPS BY A WILDLIFE ARTIST STALKING MOOSE AND CARIBOU IN CANADA AND ANTELOPE IN WYOMING‎

‎CORNERBROOK NEWFOUNDLAND CANADA WYOMING USA. Good. 1966. On offer is a substantial original fascinating 80 page photo album diary and scrapbook of John I. Lashway sometimes Jack a Pleasant Valley New York hunter who extensively details a pair of disparate trips in 1966: caribou and moose in Newfoundland Canada and antelope in Wyoming. BIO NOTE: Research suggests that this is almost undoubtedly Jack Lashway a noted wildlife artist. The trip to Newfoundland about 60% 58 pages of the very large 14 x 11 x 2.5 inch album mostly in the Cornerbrook area hosted by Bill Newell Guide and Outfitters whose services he is quite enamored of is the more detailed trip as the photos are almost all original and Jack has written 20 pages in a diary like manner as if to be readied for publication. The Wyoming trip about 32 pages has postcards rather than original photos and no manuscript narrative. Filled with 80 or so black and white photos some missing as evidenced by empty corner mounts 60 postcards and quite a few ephemeral items such as non-resident hunting licenses and tags hunting regulation booklets brochures maps letters from the Government of Newfoundland and Labrador Department of Mines Agriculture and Resources about obtaining hunting permits plus many handwritten pages of his recalled accounts and details of his road trip. He writes a very detailed account his daily activities including mileage places he stayed hotels motels camps people he met along and problems he had along the way making for very interesting reading. Most of the brochures and booklets have been tipped in. Overall VG.; Manuscript; Folio - over 12" - 15" tall; KEYWORDS: HISTORY OF JOHN JACK I. LASHWAY CORNERBROOK NEWFOUNDLAND LABRADOR WYOMING HUNTERS HUNTING BIG GAME HUNTING MOOSE CARIBOU ANTELOPE BIG SKY COUNTRY EQUALITY STATE COWBOY STATE CANADIANA AMERICANAHANDWRITTEN MANUSCRIPT AUTOGRAPHED AUTHORS DOCUMENT LETTER AUTOGRAPH KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY ARCHIVE DIARY DIARIES JOURNAL LOG PRIMARY SOURCE FIRST HAND ACCOUNT SOCIAL HISTORY PERSONAL STORIES LIVING HISTORY ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPELBIOGRAPHY BIOGRAPHICAL AUTOBIOGRAPHICAL AUTOBIOGRAPHY PERSONAL NARRATIVES . unknown‎

书商的参考编号 : 0002334