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Louis SALEMBIER
Le grand schisme d'occident
Paris: Victor Lecoffre 1902. Fine. Victor Lecoffre Paris 1902 12 x 19 cm broché Fourth edition. Light worming to front cover some interior foxing. Victor Lecoffre unknown
Riferimento per il libraio : 33396
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Louis SAVOT
Discours sur les medalles antiques. Divisé en quatre parties. Esquelles il est traicté si les medalles antiques estoient monnoyes : de leur matiere : de leur poids : de leur prix : de la valeur .
à Paris: Chez Sebastien Cramoisy 1627. Fine. Chez Sebastien Cramoisy à Paris 1627 16.50 x 24 cm relié The rare first edition. Printer's device on title page. Contemporary glazed blonde calf binding. Richly ornamented raised spine. Red morocco title label. Triple gilt fillet frame on boards. Roulette on edges and turn-ins. Gilt edges. Cracked joints with various lacks at head and tail. Worn headcaps. Lacks between raised band and title label. Pages fairly yellowed. Corners slightly bumped. Quality binding with numerous defects but still of handsome appearance. A highly interesting study which distinguishes itself in this field through its focus on the material and value of medals and coins whereas the great majority of studies deal essentially with effigies and figures. It becomes very precise and erudite on the various alloys of lead and tin and gold among the Romans in particular on the use of coins and the system on which they rest. The approach of the work is therefore much more archaeological than most works in the field comparing and reconstructing both from different known coins and from literature in the field. Chez Sebastien Cramoisy hardcover
Riferimento per il libraio : 37892
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Louis SCUTENAIRE
La fidélité des images. - René Magritte. - Le cinématographe et la photographie
Bruxelles Brussels: Editions Lebeer Hossmann 1976. Fine. Editions Lebeer Hossmann Bruxelles Brussels 1976 14 x 19 cm broché First edition. Illustrated with photographs. Handsome copy. Editions Lebeer Hossmann unknown
Riferimento per il libraio : 58341
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Louis SCUTENAIRE
Le monument de la guenon - In Temps mêlés N°56
Verviers: Temps mêlés 1962. Fine. Temps mêlés Verviers 1962 11.50 x 16.50 cm broché First edition one of 300 copies the only printing after 25 numbered copies. Spine faded and unlettered otherwise a handsome copy complete with its supplement leaf. Temps mêlés unknown
Riferimento per il libraio : 58163
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Louis SCUTENAIRE
Les degrés
Paris: Fontaine 1945. Fine. Fontaine Paris 1945 11.50 x 14 cm broché First edition one of 25 hors commerce copies on green paper deluxe issue with 25 Arches. Cover illustrated by Mario Prassinos. Margins very slightly and marginally lightened without consequence. Fontaine unknown
Riferimento per il libraio : 20561
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Louis SIMOND
Voyage en Italie et en Sicile
Paris: A. Sautelet et Compagnie 1828. Fine. A. Sautelet et Compagnie Paris 1828 13.50 x 21.50 cm 2 tomes en un volume relié First edition illustrated with 2 in-text figures and two hors-texte repeated as well as a table population movement in the city of Rome. Contemporary half-calf binding in glazed hazelnut. Spine with false raised bands decorated with thick and thin fillets in blind and gilt roulette at head and foot. Black shagreen title label. Signs of rubbing. Scattered browning notably on title page then mainly in margins but erratically. Small lack to lower joint at foot. Handsome copy. Journey that begins at Lake Maggiore in Duomo d'Ossola a small town on the Italian border in 1817 and ends in 1818 at Suse near Turin. Beyond the interest of the journey to Sicily and Etna to Pompeii and Herculaneum the entire journey shines with certain political resonances since it was made in the aftermath of the Empire and at the dawn of the Italian revolutions. Numerous descriptions relating to the fine arts interest in the picturesque and anecdote chapter on beggars and highwaymen in Italy. A. Sautelet et Compagnie hardcover
Riferimento per il libraio : 58681
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Louis SOULAJON
Les cohortes de la Légion d'Honneur 1802-1809. Législation monographies
Paris: Librairie militaire de L. Baudoin & Cie 1890. Fine. Librairie militaire de L. Baudoin & Cie Paris 1890 15.50 x 24.50 cm relié First edition. Half burgundy sheep binding smooth spine faded and lightened decorated with double gilt fillets with minor scratches of no consequence marbled paper boards marbled endpapers and pastedowns three tears to the leading edges contemporary binding. Some foxing gift inscription in ink by a previous owner on an endpaper. Librairie militaire de L. Baudoin & Cie hardcover
Riferimento per il libraio : 62916
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Louis SOULLIE
Les ventes de tableaux dessins et objets d'art au XIXème siècle essai de bibliographie
Paris: Librairie des catalogues de ventes L. Soullié 1896. Fine. Librairie des catalogues de ventes L. Soullié Paris 1896 14.50 x 22.50 cm broché The first edition published in a small number of copies. A lack at head of spine otherwise a handsome and rare copy. Librairie des catalogues de ventes L. Soullié unknown
Riferimento per il libraio : 11673
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Louis STRIMPL
L'Encens le cinname et la myrrhe pl.1 La Gazette du Bon ton 1914 n°1
Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Janvier 1914 36.50 x 24 cm une feuille Original double color print heightened with gold printed on laid paper signed at bottom left of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""addressed bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and for some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I therefore thought of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the fashion of the day. La Gazette du bon ton is a decisive step in fashion history. Combining aesthetic demands and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""small dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
Riferimento per il libraio : 84689
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Louis STRIMPL
L'Encens le cinname et la myrrhe pl.1 La Gazette du Bon ton 1914 n°1
Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Janvier 1914 36.50 x 24 cm une feuille Double original color print heightened with gold printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: 'In 1910' he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France.' Un grand éditeur d'art. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Riferimento per il libraio : 54615
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Louis STRIMPL - (John REDFERN)
La Fumée noire. Robe du soir de Redfern pl.29 La Gazette du Bon ton 1914 n°3
Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Mars 1914 19 x 24.50 cm une feuille Original color print on laid paper signed at the bottom right of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists during the flourishing of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is notably illustrated with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""s'adressent aux bibliophiles et aux mondains esthètes"" ""address themselves to bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some highlighted in gold or palladium. The adventure begins in 1912 when Lucien Vogel a man of the world and of fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"" ""Art fashion and frivolities"". Georges Charensol reports the editor-in-chief's words: ""En 1910 observe-t-il il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes . J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France."" ""In 1910 he observes there was no truly artistic fashion journal representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Initially Vogel brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly join the team: Guy Arnoux Léon Bakst Benito Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the illustrator's idea of the fashion of the day. La Gazette du bon ton is a decisive stage in the history of fashion. Combining aesthetic demands and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and establishes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton will largely inspire the new compo Lucien Vogel éditeur unknown
Riferimento per il libraio : 84695
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Louis STRIMPL
Le Bel été. Robe de lingerie pour la campagne. La Gazette du Bon ton n°9. Année 1913 - Planche III
Paris: Lucien Vogel éditeur 1913. Fine. Lucien Vogel éditeur Paris 1913 19.50 x 25 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Riferimento per il libraio : 43190
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Louis TERNIER
La sauvagine en France
1922. Fine. 1922 17 x 25.50 cm broché New edition illustrated with 125 engravings after nature. Contributions by E. Thivier and M. Moisand. A small tear at the foot of the spine traces of angular creases on the boards handsome copy. hardcover
Riferimento per il libraio : 52129
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Louis THOMAS
L'esprit de Oscar Wilde
Paris: G. Crès & Cie 1920. Fine. G. Crès & Cie Paris 1920 13.50 x 19.50 cm broché First edition one of 550 copies on pure laid paper the only deluxe copies. Joints slightly cracked at head and foot with tiny lacks minor worming to first endpaper a full-margined copy. G. Crès & Cie unknown
Riferimento per il libraio : 36827
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Louis THOMAS
Les cris du solitaire
Paris: Éditions de Psyché 1906. Fine. Éditions de Psyché Paris 1906 15 x 23 cm broché First edition printed in 400 copies on laid paper. Covers soiled dampstain at head marginally affecting covers and some leaves. Inscribed by the author to the illustrator Ciokolwsky. A press cutting pasted on the half-title page. Éditions de Psyché unknown
Riferimento per il libraio : 28494
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Louis TOUCHAGUES - George Noel Gordon BYRON LORD
Le pèlerinage de Childe-Harold
Paris: M.-P. Trémois 1930. Fine. M.-P. Trémois Paris 1930 26 x 33.50 cm en feuilles Edition illustrated with a title vignette repeated on the cover 8 in-text drawings as well as 8 original hors-texte etchings hand-colored with pochoir by Touchagues one of 169 numbered copies on Arches laid paper the only issue with 9 Japan and 22 Holland copies. Our copy is expanded with 5 study plates at rear. A small tear at head of spine which also has a lack at foot endpapers lightly shaded handsome interior condition. M.-P. Trémois unknown
Riferimento per il libraio : 47904
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Louis TRUC
Avec rime et raison
Paris 1968. Fine. Paris 1968 16.50 x 25.50 cm en feuilles First edition one of 300 numbered copies the only deluxe copies. Fine autograph inscription signed by Louis Truc. Work illustrated with original illustrations by Pierre Fève. Rare and handsome copy. unknown
Riferimento per il libraio : 42654
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Louis TUETEY
Un général de l'armée d'Italie : Sérurier 1742-1819 A General of the Army of Italy: Sérurier 17421819
Paris & Nancy: Berger-Levrault 1899. Fine. Berger-Levrault Paris & Nancy 1899 14 x 22.50 cm relié First edition. Bradel binding in half Sienna earth cloth smooth spine decorated with gilt fleuron double gilt fillets at tail navy blue shagreen title-label marbled paper boards contemporary binding. Scattered foxing gift inscription in ink from a previous owner on an endpaper edges lightly dusty. Work illustrated with a frontispiece portrait of General Sérurier as well as a folding facsimile 3 folding maps and another hors-texte portrait of General Sérurier. Rare. Berger-Levrault hardcover
Riferimento per il libraio : 62872
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Louis ULBACH
Françoise
Paris: Charpentier 1862. Fine. Charpentier Paris 1862 11 x 18.50 cm relié First edition one of the rare copies printed on laid paper of which no mention is made the only deluxe copies. Full navy blue shagreen binding spine with five raised bands set with black fillets decorated with double blind compartments enhanced at their centers with gilt fleurons gilt roulettes on the headcaps boards struck at their centers with a gilt mandorla enriched with mosaicked navy blue interlace double gilt fillets on the leading edges wide gilt dentelle on the pastedowns marbled endpapers and pastedowns all edges gilt superb contemporary binding signed by Simier. Provenance: from the library of the author Louis Ulbach with his bookplate and a library shelf marking. A very handsome copy perfectly executed by Simier. Charpentier hardcover
Riferimento per il libraio : 46248
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Louis ULBACH
Le jardin du chanoine
Paris: A. Lacroix Verboeckhoven & Cie 1866. Fine. A. Lacroix Verboeckhoven & Cie Paris 1866 16 x 25 cm relié First edition one of the rare copies on laid paper of which no mention is made. Half navy blue shagreen binding with corners spine with five raised bands decorated with gilt floral motifs showing slight traces of rubbing date at foot joints rubbed at head covers preserved top edge gilt on deckled edges corners slightly bumped. Autograph inscription signed by Louis Ulbach. Some light foxing affecting mainly the edges. A. Lacroix, Verboeckhoven & Cie hardcover
Riferimento per il libraio : 13305
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Louis VACHERON
Une grande famille du Bourbonnais
Paris: Alphonse Lemerre 1900. Fine. Alphonse Lemerre Paris 1900 12.50 x 18.50 cm broché First edition. Signed autograph inscription from Louis Vacheron. Copy in plain temporary wrappers. Rare. Alphonse Lemerre unknown
Riferimento per il libraio : 35617
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Louis VAGNE
Alphabet des fillettes
Imagerie de Pont à Mousson 1900. Fine. Imagerie de Pont à Mousson s. d. ca 1900 24.80 x 31.40 cm cartonnage de l'éditeur Fine album from the Imagerie de Pont à Mousson decorated with six full-page colored illustrations including two double-page spreads depicting children's games with toys intended for the education of young girls. The lithographs are the work of Louis Vagné who took over the great imagery printing house of Haguenthal. Publisher's polychrome illustrated boards upper board illustrated in color lower board decorated with a children's games scene in black and white. Joints fragile. [Imagerie de Pont à Mousson] hardcover
Riferimento per il libraio : 85612
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Louis VALLAS
In mémoriam
s. l.: S. n. 1911. Fine. S. n. s. l. s. d. circa 1911 14.50 x 20 cm broché First edition of this booklet printed in a very small number. Autograph inscription signed by the author to the poet Alexandre de Saint-Léger. A very small insignificant stain on the first cover otherwise a rare and handsome copy. S. n. unknown
Riferimento per il libraio : 19348
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Louis VALLON
L'anti De Gaulle
Paris: Seuil 1969. Fine. Seuil Paris 1969 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vellum paper the only deluxe copies. Handsome copy. Seuil hardcover
Riferimento per il libraio : 72968
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Louis VAUXCELLES
Ben Silbert
Paris: Galerie Charles-Auguste Girard 1928. Fine. Galerie Charles-Auguste Girard Paris 1928 23 x 28.50 cm broché First edition one of 300 numbered copies on vellum the only printing after 100 copies on Arches vellum. Work illustrated with 24 reproductions of works by Ben Silbert. Handsome copy despite small lacks to headcaps. Autograph inscription dated and signed by Ben Silbert to a couple of his friends: ""To my ""sister"" Andrée and my friend Linzeler as a souvenir of their visit to my studio from Ben Silbert. Paris Sept. 1933"" Galerie Charles-Auguste Girard hardcover
Riferimento per il libraio : 72808
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Louis VEUILLOT
Keepsake chrétien 1840. Les pèlerinages de Suisse. Einsiedlen Sachslen Maria-Stein
Paris: A. CanuetI. Rousset 1938. Fine. A. Canuet I. Rousset Paris 1938 13.50 x 20 cm reliure de l'éditeur First edition illustrated with 13 lithographs including one in color on the half-title page. Some light dampstaining to margins of leaves in the second half of the work. Publisher's full black shagreen binding smooth spine richly decorated with gilt romantic arabesques headcaps lightly rubbed without significance covers stamped at their centers with large gilt decoration yellow paper endpapers and pastedowns scratches to corners edges gilt. A. CanuetI. Rousset unknown
Riferimento per il libraio : 68000
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Louis VEUILLOT
Le Pape et la diplomatie
Paris: Gaulme frères J. Duprey 1861. Fine. Gaulme frères J. Duprey Paris 1861 16 x 24.50 cm broché First edition. Spine slightly warped small marginal tears to boards handsome interior condition. Gaulme frères, J. Duprey hardcover
Riferimento per il libraio : 36013
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Louis VEUILLOT
Les pélerinages de Suisse
s. l.: Tournay 1839. Fine. Tournay s. l. 1839 11.50 x 20 cm broché First edition. Light foxing to first cover very slight lacks to head and foot of spine otherwise a handsome copy in original wrappers as issued. Tournay unknown
Riferimento per il libraio : 4683
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Louis VEUILLOT
Pierre Saintive
Paris: O. Fulgence 1840. Fine. O. Fulgence Paris 1840 12 x 19 cm broché First edition. Spine split and reglued with a small loss at foot scattered foxing. O. Fulgence unknown
Riferimento per il libraio : 10840
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Louis VEUILLOT
Waterloo
Paris: Gaume frères J. Duprey 1861. Fine. Gaume frères J. Duprey Paris 1861 16.50 x 24.50 cm broché First edition. Small marginal tears of no significance to front cover very faint dampstain of no significance to head of first two pages otherwise handsome copy. Rare. Gaume frères, J. Duprey unknown
Riferimento per il libraio : 36472
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Louis VIGNON
La France dans l'Afrique du nord : Algérie et Tunisie
Paris: Guillaumin & Cie 1887. Fine. Guillaumin & Cie Paris 1887 14.50 x 23 cm broché First edition. Spine restored some light foxing. Rare copy complete with its colored map at rear. Guillaumin & Cie unknown
Riferimento per il libraio : 8196
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Louis VITET
La ligue scènes historiques. Première partie : Les barricades
Paris: H. Fournier jeune 1830. Fine. H. Fournier jeune Paris 1830 13 x 21.50 cm relié First edition. Half black shagreen binding spine with four raised bands decorated with triple blind-stamped compartments light traces of rubbing to spine marbled paper boards marbled endpapers and pastedowns. Some foxing. H. Fournier jeune hardcover
Riferimento per il libraio : 37364
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Louis VITET
La mort de Henri III Août 1589 scènes historiques faisant suite aux Barricades et aux Etats de Blois
Paris: H. Fournier jeune 1829. Fine. H. Fournier jeune Paris 1829 13 x 21.50 cm relié Second edition. Half black shagreen binding spine with four raised bands decorated with triple blind-stamped compartments light traces of rubbing to spine marbled paper boards marbled endpapers and pastedowns. Some foxing. H. Fournier jeune hardcover
Riferimento per il libraio : 37363
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Louis VITET
Les Etats de Blois ou la mort de M. De Guise scènes historiques Décembre 1588
Paris: Ponthieu & Cie 1827. Fine. Ponthieu & Cie Paris 1827 12.50 x 21.50 cm relié First edition. Half black shagreen binding spine with four raised bands decorated with triple blind-tooled compartments light rubbing to spine marbled paper boards marbled endpapers and pastedowns. Occasional minor foxing. Ponthieu & Cie hardcover
Riferimento per il libraio : 37362
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Louis VITET
Marc Antoine Raimondi. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1853. Fine. Extrait de La Revue des deux mondes s. l. Paris 1853 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Riferimento per il libraio : 16013
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Louis VITET
Une année d'agitation en Pologne. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1862. Fine. Extrait de La Revue des deux mondes s. l. Paris 1862 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Riferimento per il libraio : 15310
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Louis WODON
Sur quelques erreurs de méthode dans l'étude de l'homme primitif
Paris & Bruxelles Brussels & Leipzig: V. Giard & E. BrièreMisch et Thron 1906. Fine. V. Giard & E. Brière Misch et Thron Paris & Bruxelles Brussels & Leipzig 1906 18 x 26.50 cm reliure de l'éditeur First edition. Publisher's flexible two-tone cardboard binding spine lacking small marginal tears with lacks to covers handsome interior condition. Rare. V. Giard & E. BrièreMisch et Thron unknown
Riferimento per il libraio : 29451
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Louis WOLOWSKI
De la monnaie
Paris: Hachette & Cie 1866. Fine. Hachette & Cie Paris s. d. 1866 9.50 x 15.50 cm broché First edition. Small tears in the margins not serious to the covers. Hachette & Cie unknown
Riferimento per il libraio : 53996
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Louis WOLOWSKI
Mémoire sur le cours de politique constitutionnelle de Benjamin Constant
Paris: Guillaumin 1862. Fine. Guillaumin Paris 1862 14.50 x 23 cm broché First edition. Lacking spine light foxing to interior. Rare. Library stamps to half-title page. Guillaumin unknown
Riferimento per il libraio : 16988
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Louis WOLOWSKI
Notions générales d'économie politique
Paris: Hachette & Cie 1868. Fine. Hachette & Cie Paris 1868 9.50 x 15.50 cm broché First edition. Small tears in the margins not serious to the covers. Hachette & Cie unknown
Riferimento per il libraio : 53997
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Louis WUARIN
Le socialisme anglo Saxon et son nouveau prophète. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1886. Fine. Extrait de La Revue des deux mondes s. l. Paris 1886 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Riferimento per il libraio : 18664
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LOUIS XIV
Déclaration du Roy contre les usurpateurs de noblesse en interpretation de celle du huictième février mil six cent soixante-un
à Paris: Par les imprimeurs & libraires ordinaires du roy 1664. Fine. Par les imprimeurs & libraires ordinaires du roy à Paris 1664 21.50 x 16.50 cm broché First edition. In original wrappers under chemise. Establishment of a commission against usurpers and obligation for the nobility to provide justifications for their titles since 1550. Those who will not be capable of doing so will be declared commoners and subject to a fine and tax. This declaration comes as a counterpoint to that of 1661. Par les imprimeurs & libraires ordinaires du roy unknown
Riferimento per il libraio : 13972
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LOUIS XIV
Edit du roy portant creation des greffiers des Insinuations ecclésiastiques 9 autres édits sur le même sujets
1691. Fine. 1691- 1704 18 x 25 cm relié First editions of these 8 edicts details as follows: 1. Edit du roy portant creation des greffiers des Insinuations ecclésiastiques du mois de decembre 1691. begins at leaf Aij without title page or half-title. 8vo 13x20.5cm 2. Edit du roy portant creation de quatre cent greffiers des domaines de gens de main-morte. Chez Estienne Michallet 1692. 4to 18x23.5cm. 3. Edit du roy portant creation de notaires royaux & apostoliques. Donné à Versailles au mois de decembre 1691. 4. Edit du roy portant creation d'oeconomes sequestres dans tous les dioceses du royaume. Donné à Versailles au mois de decembre 1691. Chez Guillaume Deprez. 1692. 4to 17.5x25cm. 5. Arrest du conseil d'etat du roy concernant les benefices tombez en economat ou sequestre. Du 26 mars 1697. No place date or imprint. 4to 17.5x25cm. 6. Arrest du conseil d'estat du roy concernant les greffiers des domaines des gens de main-morte. Du 18 mars 1692. No place date or imprint. 4to 17.5x25cm. 7. Edit du roy portant creation des offices de controlleurs des oeconomes seuqestres des greffiers des Insinuations ecllesiastiques & des domaines de gens de main-morte. Donné à Fontainebleau au mois d'octobre 1703. Chez la veuve François Muguet. 1703. 4to 17.5x25cm. 8. Arrest du conseil d'estat du roy. Vente des offices des greffiers des domaines des gens de main-morte & des insinuations ecllesiastiques & des economes sequestres du temporel des archevechez evechez abbayes. Du 9 octobre 1703. No place date or imprint. 4to 17.5x25cm. 9. Declaration du roy en faveur des acquereurs des offices de controlleurs des oeconomes sequestres & autres créez par edit du mois d'octobre 1703. Donnée à Versailles le 6 may 1704. Contemporary limp vellum binding. Smooth spine unlettered. Title in manuscript on upper cover dated 1764. Tears to headcaps with loose headcaps. Stains on covers and dampstain to margin at upper right corner of several leaves. hardcover
Riferimento per il libraio : 74507
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LOUIS XVI
Constitution française. Recueil de 287 lois édits proclamations etc pour l'année 1790
Auch: Chez J. G. Duprat 1790. Fine. Chez J. G. Duprat Auch 1790 15.50 x 20.50 cm relié First editions of these 287 edicts royal proclamations letters patent from January 1790 to November 1790. Contemporary cream paper binding. Title in red and black on cover: Constitution française tome 2. One lack to spine. Set trimmed short. Chez J. G. Duprat unknown
Riferimento per il libraio : 75421
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LOUIS XVIII - Etienne-Leon, baron de LAMOTHE-LANGON
Mémoires de Louis XVIII recueillis et mis en ordre par M. le Duc de D
Paris: Mame-DelaunayThoisnier-Desplaces 1832. Fine. Mame-Delaunay Thoisnier-Desplaces Paris 1832 -1833 12.50 x 20.50 cm 12 volumes reliés First edition. Contemporary green half sheep bindings blue marbled boards. False raised band spines decorated with fillets roll tooling at head and tail. Gilt titles and volume numbers. Some rubbing. Boards rubbed. A brown ink or water stain affecting the lower margin of the title page of volume 6 and the first 5 leaves fading gradually all within 2 cm. Paper generally fresh throughout. Lamothe-Langon accomplished remarkable editorial work in organizing these outstanding memoirs of a little-known period following the Napoleonic Empire from the king's papers and manuscript documents. These are not merely political and historical memoirs but also cultural and intimate ones which reveal the complex personality of this king. NB: This work is available at the bookstore upon request within 48 hours. Mame-DelaunayThoisnier-Desplaces hardcover
Riferimento per il libraio : 62471
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LOUIS XVIII
Relation d'un voyage à Bruxelles et à Coblentz 1791
Paris: Baudouin frères 1823. Fine. Baudouin frères Paris 1823 12.50 x 20 cm broché Published the same year as the first edition. Spine and covers lacking occasional foxing. Baudouin frères unknown
Riferimento per il libraio : 23905
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Louis, Chevalier de SADE
Ensemble complet des archives du Chevalier de Sade The Complete manuscript archives of Louis Chevalier de Sade
s. l. Londres London Paris Toulon. 1791. Fine. s. l. Londres London Paris Toulon. 1791-1832 12 000 feuillets de divers formats en feuilles Unpublished political scientific and historical archives The complete manuscript unpublished papers of Louis Chevalier de Sade 1753-1832 author of the Lexicon politique and cousin of the famous Marquis. The important geopolitical historical and scientific archives of a learned aristocrat a privileged witness of the end of the Ancien Régime the French Revolution the Consulate Empire and Restoration. A unique fund of research on the implementation of a constitutional monarchy. Exceptional collection of the Chevalier Louis de Sade's personal archives the cousin of the Marquis de Sade representing 12000 handwritten pages including several thousand unpublished and written by his hand. The Chevalier shows a thought system that he describes as «holistic» including historical political and scientific reflections. Louis Chevalier de SADE If we take the French Revolution as the birth of an experiment both secular and political the Chevalier de Sade was without doubt one of its early critics. Not only of the Revolution which had many other detractors but of its political ideology which would go on profoundly to impact the two hundred years that followed. What he calls «positive politics» is «based on reasoning and experience». «The theory did have some attractions for me; I studied it with care I savored its principles. Now I see their value only in terms of the impact of their implementation what we've seen them produce in the peoples of which history has given me knowledge. This is my method; I know that it is all in all the opposite of the methods utilized by the men who have governed us and written our constitutions to this very day without deviation. This continuous divergence between what has been done and what should never have been done increased my confidence in the path to be followed and at the same time fortified my determination to keep to the views I had adopted of judging laws by the historic consequences they entail rather than by the lyrical supposedly conclusive metaphysical arguments with which these innovators continually and still to this day assault us.» The Chevalier de Sade who saw the world in terms of his own time and place could be nothing other than a Royalist. There were practically no examples of democracy in the history known to the Chevalier apart from the Classical democracies of Greece and Rome which had been experiments only in very elitist forms of democracy. These were very well known to this political scientist whose papers contain 7000 pages dedicated to the history of the Classical world. The republic ushered in by the Revolution was more than just a political system it was the realization of a philosophical political ideal. And while most of those opposed to the new regime saw in it above all a threat to their personal situations their religious beliefs or even more simply their habits the writings of the Chevalier de Sade show no such dogmatic influence; or at least he never uses dogma to justify his arguments. Louis de Sade a gentleman without a fortune and without significant ties was conservative through philosophical and historical conviction and not out of interest. It is with this perfect intellectual honesty that he studies the essays memoirs and political or theoretical works of his contemporaries. Running counter to Enlightenment thought the Chevalier's view of society owed very little to philosophy. Though he puts together a serious theoretical history of the development of Man from the condition of «savages» to the forging of various societies he does not posit Man's ideal nature as some of his contemporaries did. Rather the Chevalier examines the gap between nature and the civilized being without passing moral or philosophical judgment as was the fashion at the time. «The political error that damned Europe in the 18th unknown
Riferimento per il libraio : 67693
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Louis, lieutenant-colonel BARATIER
A travers l'Afrique
Paris: Perrin & Cie 1912. Fine. Perrin & Cie Paris 1912 11.50 x 18.50 cm relié Definitive edition decorated with 8 portraits and 6 folding maps. Full almond-green cloth binding smooth spine marbled paper endpapers and pastedowns modest contemporary binding. Handsome copy. Autograph inscription signed by Louis Baratier to Léon Daudet. Perrin & Cie hardcover
Riferimento per il libraio : 85766
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Louis, vicomte de BONALD
Démonstration philosophique du principe constitutif de la société suivie de méditations politiques tirées de l'Evangile
Paris: Adrien Leclère & Cie 1830. Fine. Adrien Leclère & Cie Paris 1830 12.50 x 20.50 cm relié Edition published in the author's complete works. Half navy blue sheep binding smooth spine lightly browned decorated with gilt arabesque gilt frieze at foot of spine which also features two fleurons stamped in blind at head and foot marbled paper boards bookplate pasted on pastedown speckled edges contemporary binding. Foxing a paper flaw at foot of table of contents page not touching text. Adrien Leclère & Cie hardcover
Riferimento per il libraio : 72456
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Louis, vicomte de BONALD
Législation primitive considérée dans les derniers temps par les seules lumières de la raison suivie de divers traités et discours politiques
Paris: Adrien Leclère 1817. Fine. Adrien Leclère Paris 1817 12.50 x 20.50 cm 3 volumes reliés Second edition published in the author's complete works and first edition in part as revised by the author. Half navy blue sheep bindings smooth spines slightly darkened decorated with gilt arabesque gilt friezes at foot of spines which also feature two cold-stamped fleurons at head and foot marbled paper boards bookplates pasted on pastedowns speckled edges contemporary bindings. Some foxing mainly at beginning and end of volume a scratch on the spine of the last volume. Adrien Leclère hardcover
Riferimento per il libraio : 86209
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