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Lucien GERSCHEL
Autour des comptes à crédit ou 'al longue crôye' notes comparatives
Liège: Musée de la vie wallonne 1959. Fine. Musée de la vie wallonne Liège 1959 15 x 22.50 cm broché First edition. Brochure decorated with 4 illustrations. Nice copy rare. Musée de la vie wallonne unknown
书商的参考编号 : 13994
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Lucien GUITRY - (to Nadia CHARLANE)
Carte postale autographe signée de Lucien Guitry à Nadia Koudrine dit Charlane
Bruxelles Brussels 1922. Fine. Bruxelles Brussels 3 novembre 1922 9 x 14 cm une carte postale Signed autograph postcard of Lucien Guitry to Nadia Koudrine known as Charlane written in black ink. Photo of Edward VI's portrait of the Brussels Museum on the back. Lucien Guitry's signature at the bottom of the letter. Lucien Guitry sends this letter to the actress from Brussels. He complains that he has not heard from him. unknown
书商的参考编号 : 62640
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Lucien Hector MONOD - (Henri de REGNIER)
"La voix des sources"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille et une serpente Rare original color lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on the verso; engraving preceded by a tissue guard captioned with the artist's name the title and text. Lithograph inspired by an extract from a work by Henri de Régnier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
书商的参考编号 : 74833
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Lucien Hector MONOD - (Henri de REGNIER)
"La voix des sources"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille Rare original lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso some foxing. Lithograph inspired by an extract from a work by Henri de Régnier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
书商的参考编号 : 74834
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Lucien JACQUES
Momeries
Saint-Paul: Cahiers du Contadour 1938. Fine. Cahiers du Contadour Saint-Paul 1938 16.50 x 21.50 cm broché First edition one of 500 numbered copies on antique laid paper the only issue after 2 Japan and 5 Lafuma. Worming to head and foot of front cover. Work illustrated with 4 drawings by Lucien Jacques. Autograph inscription dated and signed by Lucien Jacques to Daniel Hirsch and his wife. Cahiers du Contadour unknown
书商的参考编号 : 78352
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Lucien JACQUES - Jean GIONO
Provence
Manosque: Antoine Rico 1957. Fine. Antoine Rico Manosque 1957 10.50 x 17.50 cm en feuilles sous chemise et étui ENGLISH DESCRIPTION ON DEMAND Edition originale collective un des 25 exemplaires lettrés et nominatifs sur arches tirage de tête. Signature manuscrite de Jean Giono au colophon. Envoi autographe daté et signé de Jean Giono à monsieur Lachant. Ouvrage illustré de 23 reproductions in et hors-texte et ainsi que de lettrines en couleurs par Lucien Jacques. Notre exemplaire à l'instar des 25 arches comporte bien le dessin original de Lucien Jacques une page du manuscrit de l'ouvrage une suite en noir des illustrations. Dos de la chemise insolé bel et rare exemplaire. Antoine Rico unknown
书商的参考编号 : 87835
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Lucien JACQUES
Vingt et Une Chansons de Shakespeare & de son temps
Manosque: Chez l'auteur 1953. Fine. Chez l'auteur Manosque 1953 12.50 x 16.50 cm en feuilles First edition of the adaptation established by Lucien Jacques printed in 200 numbered copies on alfa paper. Handsome copy. Work illustrated with 20 linocuts by Lucien Jacques. Chez l'auteur unknown
书商的参考编号 : 78914
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Lucien JEAN
Parmi les hommes
Paris: Mercure de France 1910. Fine. Mercure de France Paris 1910 12 x 19 cm broché First edition one of the numbered copies of the first issue numbered at press. Foreword by G. Valois. One repaired tear to head of spine two small stains of no consequence to first cover otherwise a rare and handsome copy. Mercure de France unknown
书商的参考编号 : 5778
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Lucien JEAN
Parmi les hommes
Paris: Mercure de France 1910. Fine. Mercure de France Paris 1910 14 x 19 cm broché Second edition one of the rare copies on Holland paper which is not mentioned in the statement of edition. Notice by Georges Valois. Rare and handsome full-margined copy. Mercure de France unknown
书商的参考编号 : 9149
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Lucien JEAN
Parmi les hommes
Paris: Mercure de France 1910. Fine. Mercure de France Paris 1910 13.50 x 19 cm relié First edition one of the rare copies on Holland paper of which no mention is made. Half-shagreen binding in tête-de-nègre spine with five raised bands showing traces of rubbing joints rubbed marbled paper boards marbled endpapers and pastedowns covers preserved top edge gilt retaining its deckled edges contemporary binding. Notice by Georges Valois. Mercure de France hardcover
书商的参考编号 : 23886
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Lucien JONAS
Verdun Mars-Avril 1916
Paris: Dorbon-ainé 1916. Fine. Dorbon-ainé Paris 1916 24.50 x 32 cm reliure de l'éditeur First edition of this third sketchbook of war by painter Lucien Jonas one of 50 copies numbered by Lucien Jonas and hand-colored by the painter. Publisher's full cream cloth binding title and date on the front cover inscribed by Lucien Jonas's hand complete with its cloth lace recalling the shoulder strap of the Poilus' knapsacks. Handsome and rare copy. Work illustrated with 53 sketches by Lucien Jonas which he colored and captioned as clearly stipulated in the justification page. Dorbon-ainé hardcover
书商的参考编号 : 66063
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Lucien LAFORGE
Le film 1914
Paris: Clarté 1922. Fine. Clarté Paris 1922 27.50 x 25 cm agrafé First edition and first printing of Lucien Laforges pacifist illustrations one of 400 deluxe copies on special matte red paper from the Barthélémy paper mills the only deluxe issue announced. Some light wear otherwise a very good copy of this fierce anti-militarist pamphlet in which runs ""comme le grésillement du fer rouge marquant à vif la chair pâle et grasse du Bourgeois repu de morts"" Paul Vaillant-Couturier in L'Humanité. Clarté unknown
书商的参考编号 : 82430
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Lucien LEGRAIN
La retraite nationale des vieux travailleurs
Paris: Lib. sociale & économique 1939. Fine. Lib. sociale & économique Paris 1939 16.50 x 25 cm broché First edition of this thesis defended to obtain the degree of doctor of law at the University of Paris. A small loss at head of spine otherwise handsome copy. Lib. sociale & économique unknown
书商的参考编号 : 17819
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Lucien LEVY-DHURMER - (BACHAUMONT)
"Belle d'antan"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 22.50 x 34.50 cm une feuille et une serpente Rare original lithograph in sanguine manner executed by Lucien Lévy-Dhurmer for L'Estampe Moderne series number 8 published in December 1897. One of 50 deluxe proofs printed on Japan paper with large margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe edition on the reverse; engraving preceded by a tissue guard inscribed with the artist's name title and text trace of an angular fold; blank tissue guard. Lithograph inspired by an extract from Bachaumont which is reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were specially created by each artist for the periodical. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with large margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
书商的参考编号 : 74009
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Lucien LEVY-DHURMER
"Belle d'antan"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 22.50 x 34.50 cm une feuille Rare original lithograph executed by Jacques Wely for L'Estampe Moderne series number 8 published in December 1897. One of 50 deluxe proofs printed on China paper with wide margins laid paper mounted on China artist's signature in the plate publisher's blind stamp representing a child's profile in lower margin mounted on a sheet of vellum paper with numbered stamp of the deluxe edition on verso pale marginal foxing. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" ""Malgré toutes ses qualités le papier de Chine trop inconsistant doit sa réputation non pas à sa propre beauté mais bien à ses affinités particulières avec l'encre d'impression. Son tissu lisse et mou tout ensemble est plus apte qu'aucun autre à recevoir un beau tirage. Cette propriété fait rechercher le papier de Chine pour le tirage des gravures."" Anatole France. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral support became precious and devoted to conservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza hardcover
书商的参考编号 : 74010
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Lucien LEVY-BRUHL
La mythologie primitive - Le monde mythique des Australiens et des Papous
Paris: Félix Alcan 1935. Fine. Félix Alcan Paris 1935 12.50 x 20.50 cm broché New illustrated edition with 4 photographic plates hors-texte. Two lacks to head and foot of spine one tear to foot of joint. Autograph inscription signed by Silvina Ocampo to the Union rationaliste. Félix Alcan unknown
书商的参考编号 : 80865
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Lucien LOUIS-LANDE
Camaron. Episode de la guerre du Mexique. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1878. Fine. Extrait de La Revue des deux mondes s. l. Paris 1878 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 17528
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Lucien LOUIS-LANDE
L'état moral et politique de l'Espagne. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1880. Fine. Extrait de La Revue des deux mondes s. l. Paris 1880 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 17689
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Lucien LOUIS-LANDE
La question cubaine. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1874. Fine. Extrait de La Revue des deux mondes s. l. Paris 1874 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 18647
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Lucien LOUIS-LANDE
La Sicile pendant les dernières années. La situation politique. Le Malandrinaggio
Paris: Extrait de la Revue des deux mondes 1874. Fine. Extrait de la Revue des deux mondes Paris 1874 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de la Revue des deux mondes unknown
书商的参考编号 : 20666
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Lucien LOUIS-LANDE
Le voyageur français dans l'Ethiopie méridionale. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1878. Fine. Extrait de La Revue des deux mondes s. l. Paris 1878 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 17512
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Lucien LOUIS-LANDE
Les fusiliers marins au siège de Paris. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1871. Fine. Extrait de La Revue des deux mondes s. l. Paris 1871 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 18770
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Lucien LOUIS-LANDE
Trois mois de voyage dans le pays Basque. II. L'Alava
Paris: La Revue des deux mondes 1877. Fine. La Revue des deux mondes Paris 1877 15.50 x 25 cm agrafé Extract from the Revue des deux mondes. First edition. In blank wrappers. Rare. La Revue des deux mondes unknown
书商的参考编号 : 20069
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Lucien LOUIS-LANDE
Un poète lyrique espagnol. Don Gaspar Nunez de Arce. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1880. Fine. Extrait de La Revue des deux mondes s. l. Paris 1880 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 17700
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Lucien MADRASSI - (Honore de BALZAC) - Marcel BOUTERON
La véritable image de madame Hanska
Paris: Editions Lapina 1929. Fine. Editions Lapina Paris 1929 14.50 x 19.50 cm broché sous étui First edition one of 1000 numbered copies on B.F.K. de Rives laid paper. Work illustrated with a frontispiece portrait of the author by Madrassi. Some minor tears to the slipcase of no consequence handsome copy. Editions Lapina unknown
书商的参考编号 : 50356
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Lucien MADRASSI - Rene BOYLESVE
Un dernier mot sur l'amour
Paris: Editions Lapina 1926. Fine. Editions Lapina Paris 1926 16.50 x 22.50 cm broché First edition illustrated with 6 original drypoints by Lucien Madrassi one of 50 copies reimposed and numbered on Japon imperial. As stipulated in the justification page our copy contains both states of the drypoints and a suite of the cancelled plates. Handsome copy with a bookplate pasted on an endpaper. Editions Lapina unknown
书商的参考编号 : 75188
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Lucien METIVET
Jean-qui-lit et Snobinet
Paris: Henri Laurens 1909. Fine. Henri Laurens Paris s. d. 1909 21 x 27 cm broché First edition and first printing of the 142 illustrations by Lucien Métivet one of 20 numbered copies on Japan paper printed specially for the A. Melet bookshop the only deluxe copies. Handsome copy Henri Laurens unknown
书商的参考编号 : 60094
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Lucien PEREY - Gaston MAUGRAS
La jeunesse de madame d'Epinay d'après des documents inédits par Lucien Perey et Gaston Maugras
Paris: Calmann-Lévy 1883. Fine. Calmann-Lévy Paris 1883 14.50 x 23 cm relié Fourth edition. Half navy blue shagreen binding with corners faded spine with five raised bands set with gilt dots and showing light rubbing double gilt fillets at head and foot marbled paper boards marbled endpapers and pastedowns top edge gilt. Some small foxing mainly marginal. Frontispiece portrait of Madame d'Epinay. Calmann-Lévy hardcover
书商的参考编号 : 33538
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Lucien PEREY - Gaston MAUGRAS
Une femme du monde au XVIIIème siècle. Dernières années de Madame d'Epinay. Son salon et ses amis d'après des lettres et des documents inédits
Paris: Calmann Lévy 1883. Fine. Calmann Lévy Paris 1883 14 x 23 cm relié First edition. Bradel binding in half blue cloth smooth spine title-label and authors' names in black shagreen gilt date at foot gilt monogram at head marbled paper boards original wrappers preserved. Amusing bookplate of Jules Couët librarian archivist of the Comédie-Française pasted on a pastedown: ""Ex-libris du cabinet d'un vieux bibliophile"". Autograph inscription signed by Lucien Perey to Maurice Tourneur-Souverain enriched with the signature of Gaston Maugras. Calmann Lévy hardcover
书商的参考编号 : 72202
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Lucien PEREY - Gaston MAUGRAS
Une femme du monde au XVIIIème siècle. La jeunesse de Madame d'Epinay d'après des lettres et des documents inédits
Paris: Calmann Lévy 1882. Fine. Calmann Lévy Paris 1882 14 x 23 cm relié First edition. Bradel binding in half blue cloth smooth spine black shagreen title-label and authors' names gilt date at foot gilt monogram at head marbled paper boards front cover preserved the back cover with a significant lack filled in. Work illustrated with a portrait of Louise d'Epinay as frontispiece. Charming bookplate of Jules Couët librarian-archivist of the Comédie-Française pasted on a pastedown: ""Ex-libris du cabinet d'un vieux bibliophile"". Signed autograph inscription from Lucien Perey to Maurice Tourneur enhanced with Gaston Maugras's signature. Calmann Lévy hardcover
书商的参考编号 : 72203
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Lucien PINVERT
Mérimée et le combat de Schwardino le vrai enlèvement de ""La redoute""
Paris: Alphonse Picard & fils 1914. Fine. Alphonse Picard & fils Paris Mai-Juin 1914 16.50 x 25 cm relié First edition published in a small number of copies of this offprint from the Revue des études historiques. Half red shagreen binding spine slightly browned with three raised bands decorated with the gilt paraph of the great bibliophile Roger de Cormenin repeated three times spine and covers bearing traces of black wax marbled paper boards marbled endpapers and pastedowns top edge gilt contemporary unsigned binding. Autograph inscription signed by Lucien Pinvert to Roger de Cormenin. Provenance: from the library of Roger de Cormenin son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert. Alphonse Picard & fils hardcover
书商的参考编号 : 48943
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Lucien PINVERT
Sur Mérimée. Notices bibliographiques et critiques
Paris: Librairie Henri Leclerc 1908. Fine. Librairie Henri Leclerc Paris 1908 16.50 x 25.50 cm relié First edition decorated with 7 illustrations in and outside the text including 1 frontispiece. Half lemon morocco binding spine slightly browned with five raised bands decorated with the gilt monogram of the great bibliophile Roger de Cormenin repeated five times turquoise morocco title-label marbled paper boards marbled endpapers and pastedowns top edge gilt handsome unsigned contemporary binding Provenance: from the library of Roger de Cormenin son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert. Handsome copy handsomely bound. Librairie Henri Leclerc hardcover
书商的参考编号 : 48920
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Lucien PINVERT
Un post-scriptum sur Mérimée
Paris: Librairie Henri Leclerc 1911. Fine. Librairie Henri Leclerc Paris 1911 16.50 x 25.50 cm relié First edition printed in a small number of copies on laid paper. Half caramel shagreen binding lightened spine with five raised bands decorated with the gilt monogram of the great bibliophile Roger de Cormenin repeated five times faded turquoise morocco title label gilt date at foot tiny lack at foot of one joint marbled paper boards marbled endpapers and pastedowns top edge gilt contemporary unsigned binding but attributable to Franz. Signed autograph inscription from Lucien Pivert to vicomte Roger de Cormenin. Work illustrated with a frontispiece portrait of Prosper Mérimée. Provenance: from the library of Roger de Cormenin son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert. Handsome copy. Librairie Henri Leclerc hardcover
书商的参考编号 : 48762
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Lucien POINCARE
La physique moderne son évolution
Paris: Flammarion 1911. Fine. Flammarion Paris 1911 12 x 19 cm broché New edition based on the first 1906 printing with a false statement of edition thirteenth thousand. Rare and appealing copy. Flammarion unknown
书商的参考编号 : 42658
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Lucien POJOLAT
Modifications imprimées aux laryngites par les diathèses
Paris: A. Parent 1870. Fine. A. Parent Paris 1870 14.50 x 23 cm broché First edition of this thesis submitted for the degree of doctor of medicine. Autograph inscription from L. Dr Pojolat Dampstaining with water damage affecting the first pages marginal dampstaining more lightly affecting the following leaves. Rare. A. Parent unknown
书商的参考编号 : 15645
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Lucien REBATET
". qui a travaillé pour nous et qui est du pays."" Autograph business card addressed to a second-hand bookseller on the Quai de Conti recommending a friend who wants to sell books
Neuilly-sur-Seine 1960. Fine. Neuilly-sur-Seine s. d. ca 1960 9 x 5 cm une carte de visite une enveloppe Printed calling card of Lucien Rebatet on which he has added on the front these few words for a bookseller of his acquaintance located quai de Conti: ""Cher ami Je vous envoie une excellente dame qui a travaillé pour nous et qui esr du pays. Tachez de lui donner un bon tuyau et si elle veut vendre quelque chose que ce soit dans les meilleures conditions. Lucien Rebatet having added on the back of the card in pencil: ""Cette dame a des livres de médecine à vendre. pouvez-vous lui donner un renseignement à ce sujet A bientôt."" Envelope included on which the author of ""Deux étendards"" has inscribed: Monsieur Blin bouqiniste devant l'Institut. ""Dear friend I am sending you an excellent lady who has worked for us and who is from the country. Try to give her a good tip and if she wants to sell something let it be on the best terms."" / ""This lady has medical books to sell. Can you give her information on this subject See you soon."" / Mr Blin bookseller in front of the Institut. unknown
书商的参考编号 : 86655
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Lucien REBATET - Ralph SOUPAULT
Le diable à l'hôtel Matignon
Paris: Editions littéraires de France 1936. Fine. Editions littéraires de France Paris s. d. circa 1936 20.50 x 27 cm en feuilles sous chemise à rabats First edition. Work illustrated with original illustrations by Ralph Soupault. Handsome copy despite a light stain at the foot of the second cover of the chemise. Editions littéraires de France unknown
书商的参考编号 : 69793
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Lucien REBATET
Les mémoires d'un fasciste II 1941-1947
Paris: Jean-Jacques Pauvert 1976. Fine. Jean-Jacques Pauvert Paris 1976 15 x 24 cm broché First edition one of 50 numbered copies on Japon mat the tirage de tête. A very nice copy. Jean-Jacques Pauvert unknown
书商的参考编号 : 64949
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Lucien REBATET
Les épis mûrs
Paris: Gallimard 1954. Fine. Gallimard Paris 1954 12 x 19 cm broché First edition one of 160 numbered copies on pur fil paper the only deluxe copies after 25 on Holland paper. Handsome copy. Gallimard unknown
书商的参考编号 : 87001
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Lucien REBATET
Les épis mûrs The Ripe Ears of Wheat
Paris: Gallimard 1954. Fine. Gallimard Paris 1954 12.50 x 19 cm broché First edition one of 25 numbered copies on Hollande this copy one of some hors commerce the tirage de tête. A very nice copy with edges preserved. Gallimard unknown
书商的参考编号 : 66820
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Lucien REBATET
Les épis mûrs
Paris: Gallimard 1954. Fine. Gallimard Paris 1954 12 x 19 cm broché First edition on ordinary paper. Handsome autograph inscription from Lucien Rebatet to Henri Béraud and his wife Germaine. Spine skillfully repaired a few light spots to endpapers. Gallimard unknown
书商的参考编号 : 53834
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Lucien REBATET
Une histoire de la musique
Paris: Robert LaffontRaymond Bourgine 1969. Fine. Robert Laffont Raymond Bourgine Paris 1969 15.50 x 25 cm reliure de l'éditeur First edition one of 500 numbered copies on Cleopatra laid paper the only deluxe copies. Publisher's red cloth Bradel binding smooth spine black paper endpapers and pastedowns. Handsome copy. Robert LaffontRaymond Bourgine hardcover
书商的参考编号 : 71020
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Lucien RIP - Henri RUDAUX
1915. Revue de guerre en deux actes
Paris: Paul Ollendorff 1915. Fine. Paul Ollendorff Paris 1915 14.50 x 20.50 cm broché First edition one of 10 numbered copies on Holland paper the only deluxe copies. Work illustrated by Rip and Henri Rudaux. Small marginal lacks to boards some foxing affecting mainly the endpapers. A full-margined copy. Paul Ollendorff hardcover
书商的参考编号 : 63990
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Lucien ROLMER
L'hôtel de Sainte-Agnès et des célibataires
Paris: Paul Ollendorff 1907. Fine. Paul Ollendorff Paris 1907 12 x 19 cm broché First edition on ordinary paper only 10 Holland deluxe copies were printed. Autograph inscription signed by Lucien Rolmer to Charles-Henri Hirsch. Cover pastedowns and back cover discolored. Paul Ollendorff unknown
书商的参考编号 : 20848
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Lucien SIMON
"Les marguilliers"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 35 x 27.50 cm une feuille et une serpente Rare original color lithograph executed by Lucien Simon for L'Estampe Moderne series number 8 published in December 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's blind stamp representing a child's profile in lower margin numbered stamp of the deluxe edition on verso; print preceded by a tissue guard captioned with the artist's name title and presentation text; blank tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral support became precious and devoted to conservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
书商的参考编号 : 74013
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Lucien SIMON
"Les marguilliers"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 35 x 27.50 cm une feuille Rare original lithograph executed by Lucien Simon for L'Estampe Moderne series number 8 published in December 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a very limited deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right equal to the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
书商的参考编号 : 74014
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LUCIEN-GRAUX DR
La comtesse de Luçay dame d'atouts de l'impératrice Marie-Louise tome 1 seul
Paris: Honoré Champion 1930. Fine. Honoré Champion Paris 1930 21.50 x 29 cm broché First edition one of 120 numbered copies on vergé de Hollande paper. Handsome copy illustrated with a frontispiece. Honoré Champion unknown
书商的参考编号 : 38905
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LUCIEN-GRAUX
La messe avant l'aube
Paris: Arthème Fayard et Cie 1931. Fine. Arthème Fayard et Cie Paris 1931 12 x 19 cm relié First edition one of 20 numbered copies on Madagascar paper. Half navy blue shagreen binding with corners spine with five raised bands date gilt at foot marbled paper boards marbled endpapers and pastedowns top edge gilt covers and spine preserved. Handsome copy. Arthème Fayard et Cie hardcover
书商的参考编号 : 68831
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LUCIEN-GRAUX DOCTEUR
Les factures de la Dame aux camélias
Paris: Pour les amis du docteur Lucien-Graux 1934. Fine. Pour les amis du docteur Lucien-Graux Paris 1934 20.50 x 26.50 cm broché first edition printed 250 numbered copies on vellum ours unjustified. Signed autograph Dr. Lucien-Graux Dr. E. Weil enriched with a second mailing humorous way drawn on a ordonnace his header and the prescribing doctor Weil and his children bibliophile remedies. Book illustrated frontispiece a portrait of Marie Duplessis. Nice copy. Pour les amis du docteur Lucien-Graux hardcover
书商的参考编号 : 53765
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LUCIEN-GRAUX
Saturnin le saturnien
Paris: Georges Crès & Cie 1924. Fine. Georges Crès & Cie Paris 1924 13.50 x 21 cm broché First edition one of 55 numbered copies on Hollande paper the only deluxe copies. A slight tear at the foot of the deckled edges otherwise a handsome and rare full-margined copy. Georges Crès & Cie unknown
书商的参考编号 : 20741
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