‎Collectibles‎

‎Maurice GREIFFENHAGEN‎

‎Lithographie originale en couleurs : ""Illustrated Pall Mall Budget"" - Les Maîtres de l'Affiche - planche 24‎

‎Paris: Les Maîtres de l'Affiche - imprimerie Chaix 1896. Fine. Les Maîtres de l'Affiche - imprimerie Chaix Paris 1896 29 x 39.90 cm une affiche lithographiée sur vélin fin Original color lithograph printed on fine laid paper. Dry stamp of the printer at bottom right of the plate. A few tiny pinholes at the four corners and in the upper margin of the poster without consequence. Superb French monthly publication Maîtres de l'Affiche appeared between 1895 and 1900 on the initiative of Jules Chéret. Each issue of the review includes four posters reproduced in bell format and in chromolithography each presenting a dry stamp of authentication. Very handsome copy of this poster by the English painter Maurice Greiffenhagen for the review Illustrated Pall Mall Budget. Les Maîtres de l'Affiche - imprimerie Chaix unknown‎

Bookseller reference : 73151

‎Maurice HALLE‎

‎Par la grand'route et les chemins creux. Poésies et chansons beauceronnes‎

‎Paris: Les éditions Vita 1933. Fine. Les éditions Vita Paris s. d. circa 1933 14.50 x 19.50 cm broché New edition in the partly original one of 50 numbered copies on Holland paper head of print after 25 Japan. autograph dedication of the author autograph signed and dated by Maurice Hallé: ""To my friend Paul Perrin the representative of the Butte Montmartre the defender of workers and artists with my good friends."" Presentation and Edmond Rock illustrations. A scratch in foot of the first flat. Nice copy. Les éditions Vita unknown‎

Bookseller reference : 55289

‎Maurice JOURDAN‎

‎Le diagnostic des lésions rénales par la séparation intra-vésicale des urines avec l'appareil de Luys 18 observations inédites‎

‎Montpellier: Imp. Gustave FirminMontaneSicardi 1907. Fine. Imp. Gustave Firmin Montane Sicardi Montpellier 1907 16 x 25 cm broché First edition. Autograph inscription by Maurice Jourdan to a colleague. A pale dampstain to the head margin throughout the text block. Imp. Gustave FirminMontaneSicardi unknown‎

Bookseller reference : 23358

‎Maurice LALAU - Emile GEBHART‎

‎Autour d'une tiare‎

‎Paris: Boivin & Cie 1925. Fine. Boivin & Cie Paris 1925 15.50 x 20.50 cm broché New edition with original bistre-colored illustrations within the text by Maurice Lalau one of 970 numbered copies on vélin pur fil paper. A good copy. Boivin & Cie unknown‎

Bookseller reference : 50357

‎Maurice LARROUY‎

‎La caravane sur l'Atlantique‎

‎Paris: Les Editions de France 1926. Fine. Les Editions de France Paris 1926 13.50 x 20.50 cm broché First edition one of 53 numbered copies on ""pur-fil"" paper head print after only 18 Japan. Autograph signature of the author upon justification of the print. Clear marginal traces and without gravity of adhesive paper on the guards small angular tears without consequence at the foot of the first board pleasant copy at all margins. Les Editions de France unknown‎

Bookseller reference : 70148

‎Maurice LALAU - ANONYME‎

‎Les quinze joyes de mariage‎

‎Paris: Jules Meynial 1928. Fine. Jules Meynial Paris 1928 23 x 30 cm en feuilles sous chemise et étui Edition decorated with 37 original color compositions plus one on the cover by Maurice Lalau created for the first time using the graphichromie process invented by the artist including one on the cover a title vignette and 37 in the text. Printing begun in 1926 was completed on November 15 1928. Unique print run limited to 150 numbered copies on vélin Madagascar-Lafuma. Slipcase split at foot joints of the chemise spine with scratches. Our copy includes the complete suite of 37 black illustrations on vellum. Rare and handsome copy. Jules Meynial hardcover‎

Bookseller reference : 72277

‎Maurice LARROUY‎

‎Sirènes et tritons. Le roman du sous-marin‎

‎Paris: Les Editions de France 1927. Fine. Les Editions de France Paris 1927 14 x 21 cm broché Edition one of 65 numbered copies on Holland paper head drawing after 20 Japan. Signing autograph Maurice Larrouy below the justification of the draw. Small marginal tear without gravity in pie back at the witnesses and the slightly angular and insolated boards. Les Editions de France hardcover‎

Bookseller reference : 50055

‎Maurice LEBLANC‎

‎"Je te répèterai répondant ce que je t'ai dit pour ton style."" • Signed autograph letter‎

‎s. l. 1891. Fine. s. l. 5 janvier 1891 14.20 x 19.20 cm 3 pages sur un double feuillet Autograph letter signed by Maurice Leblanc to an unknown recipient; three pages written in black ink on a double leaf. Transverse folds inherent to posting. At the beginning of this year Maurice Leblanc left the Norman coast to spend the winter in Nice: ""Je me souviens un peu tard que je t'avais promis mon adresse à Nice puisque tu ne te la rappelais pas. 18 rue Alberti villa Marie-Louise Nice. Tu m'excuseras aussi si je ne t'ai pas envoyé mes souhaits je travaille énormément le temps est merveilleux on cause autour de moi que te dire "" ""I remember rather late that I had promised you my address in Nice since you couldn't recall it. 18 rue Alberti villa Marie-Louise Nice. You'll also excuse me if I haven't sent you my wishes I'm working enormously the weather is wonderful people are chatting around me what can I tell you"" Though he had then published only one work he gives his opinion to his correspondent on a text the latter had sent him: ""Je te répèterai répondant ce que je t'ai dit pour ton style : il n'est pas assez travaillé tu écris un peu au hasard de ta plume on ne sent pas de nerfs là-dessous d'os de solide c'est du style de journal de lettre mais pas de style littéraire. Pourquoi n'essayes-tu pas de réfléchir sur chaque phrase avant de l'écrire."" ""I'll repeat in response what I told you about your style: it's not worked enough you write somewhat at random with your pen one doesn't feel any sinew underneath bone solidity it's newspaper style letter style but not literary style. Why don't you try to reflect on each sentence before writing it."" unknown‎

Bookseller reference : 80763

‎Maurice LEBLANC‎

‎"Revue Blanche ne paie pas."" • Signed autograph note‎

‎Vaucottes Vattetot-sur-mer 1893. Fine. Vaucottes Vattetot-sur-mer 21 septembre 1893 15.60 x 20.10 cm quelques lignes sur un feuillet Autograph letter signed by Maurice Leblanc to an unknown recipient; a few lines written in black ink on a sheet. Transverse folds inherent to mailing. ""Sitôt ton mot retiré de la poste été Etretat. Trop tard. Natanson parti. 28 jours. Ne sera à Paris qu'en novembre. Alors nous verrons. Revue Blanche ne paie pas. Tempête épouvantable - grêle."" ""As soon as your note was collected from the post office went to Etretat. Too late. Natanson left. 28 days. Won't be in Paris until November. Then we'll see. Revue Blanche doesn't pay. Terrible storm - hail."" unknown‎

Bookseller reference : 80761

‎Maurice LE ROUX‎

‎Claudio Monteverdi‎

‎Paris: Editions du coudrier 1951. Fine. Editions du coudrier Paris 1951 14.50 x 19 cm broché First edition one of 120 numbered copies on Bellegarde laid paper the only deluxe copies. Preface by Roland Manuel. Light scuffs of no consequence to one joint and the boards otherwise a handsome copy. Editions du coudrier hardcover‎

Bookseller reference : 58816

‎Maurice LEVY‎

‎Essai théorique et appliqué sur le mouvement des liquides. Sur une transformation des coordonnées curvilignes orthogonales et sur les coordonnées curvilignes comprenant une famille quelco‎

‎Paris: Gauthier-Villars 1867. Fine. Gauthier-Villars Paris 1867 22 x 26 cm broché First edition of these theses defended to obtain the degree of doctor of science with Mr. Chasles as thesis director. A small tear at the foot of the spine otherwise a handsome copy complete with its folding plate at rear. Rare. Gauthier-Villars unknown‎

Bookseller reference : 13627

‎Maurice LEBLANC‎

‎L'image de la femme nue‎

‎Paris: Flammarion 1934. Fine. Flammarion Paris 1934 12 x 19 cm broché First edition on ordinary paper. Skillful restorations to spine handsome copy. Rare autograph inscription signed by Maurice Leblanc to Jean Guéhenno: ""A Mr le directeur d'Europe hommage empressé. Maurice Leblanc."" Flammarion unknown‎

Bookseller reference : 86099

‎Maurice LEVY‎

‎La navigation intérieure‎

‎Paris: Asso. amicale des anciens élèves de l'Ecole Centrale 1889. Fine. Asso. amicale des anciens élèves de l'Ecole Centrale Paris 1889 14 x 21 cm broché First edition published in a small number of copies of this conference-visit to the Universal Exhibition of 1889. Light corner losses to the covers handsome interior condition. Asso. amicale des anciens élèves de l'Ecole Centrale unknown‎

Bookseller reference : 14137

‎Maurice LEROY‎

‎La Poisson d'argent pl.26 La Gazette du Bon ton 1920 n°4‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Mai 1920 18 x 24 cm une feuille Original color print printed on laid paper signed at upper left of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full flowering of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""addressed bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they used a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the technique of metal stencil heightened in colors and for some highlighted in gold or palladium. The adventure began in 1912 when Lucien Vogel a man of society and fashion - he had already participated in the magazine Femina - decided to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observed there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success was immediate not only in France but also in the United States and South America. Originally Vogel therefore assembled a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who were George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly joined the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel called upon them would later become emblematic and sought-after artistic figures. These same illustrators created the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provided exclusive models for each issue. Nevertheless some of the illustrations show no real model but only the idea that the illustrator had of the fashion of the day. La Gazette du bon ton was a decisive step in the history of fashion. Combining aesthetic excellence and plastic unity it brought together for the first time the great talents of the worlds of arts letters and fashion and imposed through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Acquired in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""little dying journal"" that Nast had purchased a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown‎

Bookseller reference : 57597

‎Maurice LEBRUN‎

‎La soudure électrique à l'arc et la soudure à l'hydrogène atomique‎

‎Paris: Bibliothèque de l'office central de l'acétylène et de la soudure autogène 1935. Fine. Bibliothèque de l'office central de l'acétylène et de la soudure autogène Paris 1935 16 x 24 cm broché First edition. Work illustrated with 135 figures. Slight tear to head of spine otherwise handsome copy. Bibliothèque de l'office central de l'acétylène et de la soudure autogène unknown‎

Bookseller reference : 15229

‎Maurice LEMAITRE‎

‎Le lettrisme devant Dada et les nécrophages de Dada !‎

‎Paris: Centre de créativité 1967. Fine. Centre de créativité Paris 1967 14.50 x 22.50 cm broché Maurice LEMAÎTRE Le Lettrisme devant Dada et les nécrophages de Dada ! Centre de créativité Paris 1967 14.5 x 22.5 cm original wrappers First edition one of 50 numbered copies on Arches paper this one not justified the tirage de tête. Handsome autograph inscription signed by Maurice Lemaître to Eric Losfeld below the justification: “Spécialement réalisé pour Eric Losfeld quinze ans d'amitié sans nuage mais pas grande efficacité specially made for Eric Losfeld fifteen years of uninterrupted friendship but not great efficiency. Lemaître 67.” This copy retains the original drawing by Maurice Lemaître accompanying the 50 copies of the tirage de tête on Arches. A very good and rare copy. Centre de créativité unknown‎

Bookseller reference : 56060

‎Maurice LEROY‎

‎Le Poisson d'argent La Gazette du Bon ton n°4. Année 1920 - Planche 26‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper the signature does not let identify the artist. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Bookseller reference : 39029

‎Maurice LELOIR - Gustave TOUDOUZE‎

‎Le roy soleil‎

‎Paris: Boivin & Cie 1931. Fine. Boivin & Cie Paris 1931 30 x 37 cm reliure de l'éditeur New edition illustrated with 40 magnificent watercolors by Maurice Leloir including 34 full-page and 2 double-page illustrations printed in chromotypography. Title page in blue and gold with the arms of Louis XIV and his cipher. All leaves are mounted. Publisher's binding in full royal blue cloth smooth spine with gilt title front cover decorated with a large polychrome and gilt plate on the upper cover depicting Louis XIV on horseback gilt edges binding signed Engel. Handsome copy almost entirely free from foxing. Boivin & Cie hardcover‎

Bookseller reference : 86239

‎Maurice LEROY - COLLECTIF‎

‎Les atrocités allemandes en France. Reproduction intégrale des rapports officiels des 17 Décembre 1914 et 8 Mars 1915‎

‎Paris: D.A. Longuet 1915. Fine. D.A. Longuet Paris s. d. 1915 24 x 25.50 cm reliure de l'éditeur First edition printed on laid paper. Publisher's oblong format binding in full raspberry and sand cloth smooth spine top edge red. Autograph inscription signed by the publisher to Marcel Dentu of the S.P.A. Work illustrated with original compositions by Maurice Leroy as well as photographic views. Boards marginally sunned at head otherwise handsome copy. D.A. Longuet hardcover‎

Bookseller reference : 45247

‎Maurice LELOIR - Jean-Jacques ROUSSEAU‎

‎Les confessions‎

‎Paris: H. Launette & Cie 1889. Fine. H. Launette & Cie Paris 1889 22 x 32 cm 2 volumes reliés Edition illustrated with 96 original compositions by Maurice Leloir engraved as etchings. Full red morocco bindings spine with five raised bands dates gilt at foot gilt rolls on headcaps frame of gilt dentelle on pastedowns marbled endpapers and pastedowns double gilt fillets on leading edges all edges gilt superb contemporary bindings signed by Garidel. Preface by Jules Clarétie. Fine copy perfectly established. H. Launette & Cie hardcover‎

Bookseller reference : 87670

‎Maurice LEBLANC‎

‎Les confidences d'Arsène Lupin‎

‎Paris: Pierre Laffitte & Cie 1913. Fine. Pierre Laffitte & Cie Paris 1913 12 x 19 cm broché First edition with no mention of copies on deluxe paper. Spine slightly creased at the foot a minor stain at the lower margin of the final leaves not affecting the text. A pleasing and rare copy given the fragility of this work. Pierre Laffitte & Cie unknown‎

Bookseller reference : 88169

‎Maurice LEROY‎

‎Les Neiges. Costume pour les sports d'hiver en ""agnella"" de Rodier pl.65 La Gazette du Bon ton 1920 n°9‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille original print in color printed on laid paper signed lower right of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Bookseller reference : 57532

‎Maurice LEBLANC‎

‎Lettre autographe signée adressée à un ami prenommé Louis le chargeant de deux démarches à effectuer pour lui‎

‎s. l. 1905. Fine. s. l. s. d. ca 1905 11.50 x 18 cm 5 pages sur un double feuillet Autograph letter signed by Maurice Leblanc to a friend from Rouen named Louis asking him to perform several services as he lacks the time to handle them himself. Maurice Leblanc entrusts his friend with two commissions: first to collect some furniture reserved by one of his friends at an antique dealer's: ""Go to a man named Chassaigne antique dealer 20 rue St Romain.He sold 6 chairs to the Prats two months ago. . apparently he refused to accept a deposit. No response. Let him say frankly that he has sold everything. The bench was for me 40 francs and I would very much like to have it."" the second concerning an administrative matter: ""Go to the registry of the civil court. and request an extract of my birth certificate and an extract of my parents' death certificates. It's for a marriage."" unknown‎

Bookseller reference : 86168

‎Maurice LEROY‎

‎Remords. Costume de chasse pl.41 La Gazette du Bon ton 1920 n°6‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Juillet 1920 18 x 24 cm une feuille original print in color printed on laid paper signed upper left of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Bookseller reference : 57518

‎Maurice LEVY‎

‎Réponse à une note de M. Kirchhoff sur la théorie des plaques élastiques‎

‎Paris: Gauthier-Villars 1877. Fine. Gauthier-Villars Paris 1877 23 x 28.50 cm broché First edition. A rare and good copy. Gauthier-Villars unknown‎

Bookseller reference : 13565