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Philippe POT - Romain DE HOOGHE
Les cent nouvelles nouvelles. Suivent les cent nouvelles contenant les cent histoires nouveaux qui sont moult plaisans a raconter en toutes bonnes compagnies; par maniere de joyeuseté
à Cologne: Chez Pierre Gaillard 1736. Fine. Chez Pierre Gaillard à Cologne 1736 9.50 x 15.50 cm relié Reprint by the same publisher of the first edition of 1701 illustrated with a frontispiece and 100 half-page figures by Romain de Hooghe and retouched by Picart le Romain. Rare. Late 18th century binding possibly later in full red Russia leather. Foreign binding perhaps Russian. Spine with raised bands decorated with compartmented tulip tools. Gilt title and volume label. Head and foot rolls. Decorative border on covers. All edges gilt. Headcap of volume 2 partly worn. Corners slightly bumped. A tear to the lower joint of volume 2. Despite minor defects handsome and uncommon binding the set in good condition and well-printed. Les Cent Nouvelles nouvelles is the first collection of French novellas commissioned by the Duke of Burgundy Philip the Good to whom it is dedicated and who received it in 1462. It brings together one hundred very free tales by authors from the Burgundian court satirical and ribald in spirit particularly targeting women and the clergy. Pierre Champion attributes its authorship to Philippe Pot although 36 different storytellers can be identified. Their model of inspiration is clearly Boccaccio's Decameron. Along with La Fontaine's Contes this represents Romain de Hooghe's finest work who captured the spirit of each tale in a lively manner full of fantasy and humor. Chez Pierre Gaillard hardcover
Bookseller reference : 49994
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Philippe PETAIN
Photographie originale de Philippe Pétain qu'il a dédicacée aux élèves en histoire de la Matthew Fontaine Maury High School
Paris: Henri Manuel 1927. Fine. Henri Manuel Paris s. d. circa 1927 9.50 x 13 cm une photographie Original photograph on albumen paper laminated on cardboard and produced by the art gallery Henri Manuel and representing slightly in profile Marshal Philippe Pétain. Vintage print. Autograph signed by Philippe Pétain: ""To the students of the history school. Virginia. Ph. Pétain. This photograph was signed by Philippe Pétain for the students of the Matthew Fontaine Maury high school located in Norfolk in the state of Virginia. We are enclosing a typed letter from Philippe Pétain's orderly officer headed by his office of Inspector General of the Armies and the Vice-Presidency of the Superior War Council indicating that this autographed photograph has been sent. by post handwritten envelope attached. Henri Manuel unknown
Bookseller reference : 69918
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Philippe REGEL
Carte postale phonoscope - Le Pont de la Rivière Kwaï ""Hello.le soleil brille""
Paris: Editions Secitem 1958. Fine. Editions Secitem Paris s. d. 1958 16 x 16 cm une carte postale Phonoscope of the song ""Hello.le soleil brille"" from the film The Bridge on the River Kwai. Phonoscopes were 45 rpm records in postcard format. Very good condition. Editions Secitem unknown
Bookseller reference : 75775
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Philippe ROBRIEUX
L'affaire Manouchian - Vie et mort d'un héros communiste
Paris: Fayard 1986. Fine. Fayard Paris 1986 13.50 x 21.50 cm broché The first edition of which there were no deluxe copies. The plastic film covering the boards peeling at the left margin of the rear board otherwise a handsome copy. Autograph inscription dated and signed by Philippe Robrieux to Christine and Bernard Kouchner: "". cette triste histoire d'appareil secret stalinien que fut hélas l'affaire Manouchian."" "".this sad story of the Stalinist secret apparatus that was unfortunately the Manouchian affair."" Fayard hardcover
Bookseller reference : 87716
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Philippe RENUSSON
Traitez du douaire et de la garde-noble et bourgeoise qu'on appelle bail en plusieurs coutumes
à Paris: par La Compagnie des libraires 1724. Fine. par La Compagnie des libraires à Paris 1724 18.50 x 25.50 cm relié New edition after the original published in 1699. The second part is announced by a half-title. Contemporary speckled brown calf binding. Richly decorated spine with raised bands. Red morocco title label. Various rubbing. Good copy. Renusson devoted several works to family law including this treatise on dower rights which concerns the property that a husband will leave to his wife in case of death. We distinguish customary law thus fixed by custom and contractual law that is to say fixed by contract. Dower is a fundamental element of marriage law under the Ancien Régime. par La Compagnie des libraires hardcover
Bookseller reference : 37118
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Philippe SOUPAULT
"Comment comme je le fis ne pas se révolter Le souvenir de cette révolte surgit en moi en prononçant le nom de Cocteau."" Autograph note of one-page memories concerning the ballet ""Parade"" created during the First World War by Serge Diaghilev of the Ballets Russes company
s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Manuscript note with corrections by Philippe Soupault 22 lines in purple ink on a sheet bearing at the top this inscription: ""p.14 bis"" recalling the creation on May 18 1917 at the Théâtre du Châtelet in Paris of the famous ballet Parade by Sergei Diaghilev's Ballets Russes on a text by Jean Cocteau music by Erik Satie and scenography by Pablo Picasso. This work being inspired by Georges Seurat's painting Circus Sideshow. The co-author with André Breton of the surrealist manifesto ""Les champs magnétiques"" relegates the ballet to the rank of distraction for rear-guard shirkers completely unconscious of the historical stakes of the moment: ""C'était l'année de la bataille de Verdun le Tout-Paris les snobs et les embusqués parlaient d'un ballet ""russe"" intitulé Parade 1 dont Erik Satie disait : ""Picasso a créé les décors et les costumes et j'ai composé la musique et Cocteau a écrit trois lignes. Et Parade est de Cocteau."""" It was the year of the Battle of Verdun all of Paris the snobs and draft dodgers were talking about a ""Russian"" ballet titled Parade 1 of which Erik Satie said: ""Picasso created the sets and costumes and I composed the music and Cocteau wrote three lines. And Parade is by Cocteau."". Philippe Soupault is outraged by such indifference to the fate of the valorous Poilus in the trenches: ""Tandis qu'on applaudissait Parade j'entendais mes voisins revivre leurs cauchemars. On annonçait dans les communiqués des ""duels d'artillerie"". Plus de trois cents mille morts de chaque côté. Comment comme je le fis ne pas se révolter Le souvenir de cette révolte surgit en moi en prononçant le nom de Cocteau."" While they were applauding Parade I heard my neighbors reliving their nightmares. The communiqués announced ""artillery duels"". More than three hundred thousand dead on each side. How as I did not to revolt The memory of this revolt surges in me upon pronouncing Cocteau's name. Fascinating and acerbic memories from the last living historical surrealist concerning the revolutionary ballet ""Parade"" likening it to a preoccupation of idle bourgeois neglecting the hecatombs of the Great War. S. n. unknown
Bookseller reference : 86791
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Philippe SOUPAULT
"En vérité l'amour et ses conséquences jouaient un grand rôle dans notre vie. Les femmes étaient toujours respectées jusqu'à l'adoration."" Autograph note of one-page memories about the loves of the surrealists
s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Autograph note with deletions by Philippe Soupault 18 lines in purple ink on a sheet discussing the different attitudes of his surrealist friends toward love. Some deletions and a cigarette burn hole on the sheet. All the surrealists did not adopt the same behavior regarding the amorous feelings that moved them: ""Nous étions très discrets en ce qui concernait nos expériences amoureuses. Sauf bien entendu Louis qui nous tenait régulièrement au courant de ses amours. . Mes amis Tzara Breton et moi-même nous tenions à garder nos secrets."" ""We were very discreet regarding our amorous experiences. Except of course Louis who regularly kept us informed of his loves. My friends Tzara Breton and myself insisted on keeping our secrets."" He also reveals the importance of feelings in surrealism and the central place of Woman: ""En vérité l'amour et ses conséquences jouaient un grand rôle dans notre vie. Les femmes étaient toujours respectées jusqu'à l'adoration et nul d'entre nous n'aurait osé se moquer de nos inclinations même si elles étaient fugitives."" ""In truth love and its consequences played a great role in our life. Women were always respected to the point of adoration and none of us would have dared mock our inclinations even if they were fleeting."" Interesting memories from the last living historical surrealist concerning the loves of the surrealists and their veneration for Woman. S. n. unknown
Bookseller reference : 86825
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Philippe SOUPAULT
"Il aimait se promener avec Aragon qu'il écoutait parler avec admiration."" Autograph note of one-page memories concerning Jacques Baron
s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Autograph manuscript note by Philippe Soupault 20 lines in purple ink on a leaf bearing at the head this inscription: ""J.B."" drawing the portrait of Jacques Baron. The co-author with André Breton of the surrealist manifesto ""Les champs magnétiques"" shares with us all his sympathy for Jacques Baron one of the most unrecognized figures of surrealism: ""Quand je vis Jacques Baron pour la première fois je fus surpris par sa jeunesse. Il aimait sourire. Un grand naturel et une franchise qui plaisait mais inquiétait parfois. Il avait le sens de la camaraderie et je ne l'ai jamais entendu dire du mal de personne."" When I saw Jacques Baron for the first time I was surprised by his youth. He liked to smile. A great naturalness and frankness that pleased but sometimes worried. He had a sense of camaraderie and I never heard him speak ill of anyone. Philippe Soupault also seems to appreciate Jacques Baron for his detachment and free spirit unlike certain orthodox surrealists who followed the movement unwaveringly: ""Il disparut pendant un certain temps pour devenir marin puis fidèlement retrouva ses amis surréalistes et la poésie."" He disappeared for a certain time to become a sailor then faithfully found his surrealist friends and poetry again. Interesting memories from the last living historical surrealist for once gracious with one of his former companions. S. n. unknown
Bookseller reference : 86763
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Philippe SOUPAULT
"Je ne pouvais m'empêcher de penser que les ""dormeurs"" ne craignaient pas de simuler pour se rendre intéressant."" Autograph note of one-page memories regarding the experience of surreal sleeps
s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Manuscript note by Philippe Soupault 22 lines in mauve ink on a sheet headed with this inscription: ""Les séances"" devoted to the famous ""sleep"" sessions conducted in André Breton's studio consisting of oneiric writings or texts dictated by a dreamer. The manuscript notes contain three deletions and corrections. Philippe Soupault considers his attempts questionable and even labels them as imposture distancing himself from any active participation in these practices: ""Neither Aragon nor I participated actively in the experiments called sleep sessions while Breton accepted with great interest Crevel's suggestion to engage in experiments he had discovered among friends. One had to fall asleep and recount what 'one saw'."" He recalls the results that were not always convincing: ""Crevel Desnos and Péret 'fell asleep' and despite his efforts Breton could not manage to fall asleep. Listening to the accounts of these sessions I could not help thinking that the 'sleepers' did not hesitate to simulate in order to make themselves interesting."" to such an extent that the intransigent leader of surrealism interrupted them: ""Breton realized the danger of one-upmanship and especially of Desnos's exaltation. He ceased attempting new sleep experiments."" Interesting recollections from the last living historical surrealist often harsh toward his former or new companions. S. n. unknown
Bookseller reference : 86753
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Philippe SOUPAULT
"Lors du procès Maurice Barrès il accepta le rôle ingrat et dangereux du soldat inconnu venu témoigner en allemand."" Autograph note of one-page memories concerning Benjamin Péret
s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Manuscript note with crossed-out passages by Philippe Soupault 22 lines in purple ink on a sheet bearing at the top this inscription: ""B.P."" narrating Benjamin Péret's encounter with surrealism. The co-author with André Breton of the surrealist manifesto ""Les champs magnétiques"" tells us with a touch of nostalgia of Benjamin Péret's arrival in the surrealist adventure: ""André Breton fut bien étonné de recevoir la visite d'une 'dame' qui lui tendit un n° de la revue Littérature. Elle lui demanda d'aider son fils Benjamin qui voulait venir à Paris pour devenir écrivain. Quelques temps après cette démarche Benjamin Péret arriva à Paris et fut accueilli par Breton."" André Breton was quite astonished to receive a visit from a 'lady' who handed him an issue of the journal Littérature. She asked him to help her son Benjamin who wanted to come to Paris to become a writer. Some time after this approach Benjamin Péret arrived in Paris and was welcomed by Breton. He depicts the character of the newcomer: ""A cette époque Péret était timide inquiet et dévoué. Il admirait sans réserves et respectueusement André Breton et ses amis. Il était obéissant."" At that time Péret was shy anxious and devoted. He admired unreservedly and respectfully André Breton and his friends. He was obedient. and emphasizes his devotion to the group of disrespectful and disruptive surrealists: ""Lors du procès Maurice Barrès il accepta le rôle ingrat et dangereux du soldat inconnu venu témoigner en allemand."" During the Maurice Barrès trial he accepted the thankless and dangerous role of the unknown soldier who came to testify in German. Interesting recollections from the last living historical surrealist reminiscing tenderly about one of his former companions. S. n. unknown
Bookseller reference : 86790
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Philippe SOUPAULT
"On m'a volé et détruit toutes les lettres que m'avait adressées l'auteur de Mont de Piété."" Autograph note of one-page memories concerning André Breton and his numerous correspondence
s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Manuscript note by Philippe Soupault 24 lines in mauve ink on a sheet headed with this inscription: ""Note p.57"" concerning André Breton and the numerous letters he received. The co-author with André Breton of the surrealist manifesto ""Les champs magnétiques"" shows little kindness toward those who seized upon and hastened to publish part of his deceased friend's correspondence: ""At the end of his life Breton agreed to let M. Sanouillet who published a university thesis 'Dada à Paris' a questionable thesis illustrated with numerous errors publish the letters he had addressed to Tzara and Picabia enthusiastic letters which may surprise admirers of the correspondents."" even betraying the wishes of the pope of surrealism: ""Breton demanded that his correspondence very voluminous should only be consulted and published fifty years after his death."" Philippe Soupault faithful to the author of Nadja will not be confronted with this situation: ""As for myself I think this requirement will have no consequences since all the letters the author of Mont de Piété had addressed to me were stolen and destroyed."" Interesting recollections from the last living historical surrealist often harsh toward his former or new companions. S. n. unknown
Bookseller reference : 86752
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Philippe SOUPAULT
A la dérive
Paris: J. Ferenczi & fils 1923. Fine. J. Ferenczi & fils Paris 1923 12 x 19 cm broché First edition one of the copies on Alfa paper. Autograph dedication signed by Philippe Soupault to Dominique Braga. Back slightly insolated as generally. J. Ferenczi & fils unknown
Bookseller reference : 61535
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Philippe SOUPAULT - (inscribed to Rene CREVEL)
A la dérive - Exemplaire de René Crevel
Paris: J. Ferenczi & fils 1923. Fine. J. Ferenczi & fils Paris 1923 12 x 19 cm broché First edition printed on alfa paper. A small tear at the foot of one joint discreetly restored a pleasant copy. Precious autograph inscription signed by Philippe Soupault to René Crevel in pencil. J. Ferenczi & fils unknown
Bookseller reference : 30815
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Philippe SOLLERS
Billet autographe signé adressé à Jani Brun
s. l. 1975. Fine. s. l. s. d. circa 1975 10 x 13.50 cm une feuille une enveloppe Autograph note signed by Philippe Sollers addressed to his friend Jani Brun 6 lines in blue ink informing him that he is overwhelmed: "". pas mal de contre-temps etc."" "". quite a few setbacks etc."" but suggesting the possibility of an appointment for the weekend in which case he will not fail to notify her: "". si oui je te fais signe samedi matin. Excuse-moi."" "". if so I'll let you know Saturday morning. Forgive me."" Envelope included on which Philippe Sollers has simply indicated the surname and first name of his correspondent a date indicated in pencil probably that of the receipt of the note by Jani Brun. Central fold inherent to the envelope. unknown
Bookseller reference : 74456
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Philippe SOLLERS
Billet autographe signé adressé à Jani Brun
s. l. 1977. Fine. s. l. s. d. Août 1977 10 x 13.50 cm une feuille une enveloppe Autograph signed note from Philippe Sollers addressed to his friend Jani Brun 7 lines in black ink informing her that his health is not good: "". je ne vais pas très bien en ce moment."" "". I am not doing very well at the moment."" but that he will let her know when he feels better. Envelope included on which Philippe Sollers has simply indicated the surname and first name of his correspondent with a date noted in pencil probably that of the receipt of the note by Jani Brun. Central fold inherent to being placed in the envelope. unknown
Bookseller reference : 74455
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Philippe SOLLERS
Billet autographe signé adressé à Jani Brun à propos d'ouvrages de Samuel Beckett
s. l. 1977. Fine. s. l. s. d. circa 1977 10 x 13.50 cm une feuille une enveloppe Autograph letter signed by Philippe Sollers addressed to his friend Jani Brun 8 lines in black ink advising her on works by Samuel Beckett: "". Il faut prendre Molloy je crois si tu veux un ""personnage"" et montrer comment tout va vers l'Innommable plus de ""personnage"" ça parle et reparle et déparle tout seul pour toujours."" "". You should take Molloy I think if you want a 'character' and show how everything moves toward The Unnamable no more 'character' it speaks and speaks again and speaks away by itself forever."" Envelope included on which Philippe Sollers simply indicated the surname and first name of his correspondent a date indicated in pencil probably that of the receipt of the note by Jani Brun. Central fold inherent to the mailing. unknown
Bookseller reference : 74473
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Philippe SOLLERS
Drame
Paris: Gallimard 1990. Fine. Gallimard Paris 1990 12.50 x 19 cm broché New edition. Spine slightly yellowed otherwise a handsome copy. Dated autograph inscription signed by Philippe Sollers to Ulrike Bergweiler who was Antoine Gallimard's secretary. Gallimard unknown
Bookseller reference : 78992
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Philippe SOLLERS
Drame
Paris: Seuil 1965. Fine. Seuil Paris 1965 13.50 x 19.50 cm broché First edition one of 55 numbered copies on vélin neige the only large paper copies. A good copy. Seuil unknown
Bookseller reference : 51314
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Philippe SOUPAULT
En joue!
Paris: Grasset 1925. Fine. Grasset Paris 1925 12 x 19 cm broché First edition one of 56 numbered copy on Hollande paper the tirage de tête after 13 on China paper and 25 on Japan paper. Endpapers uniformly and slightly faded. Grasset unknown
Bookseller reference : 46739
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Philippe SOLLERS
H
Paris: Seuil 1973. Fine. Seuil Paris 1973 14 x 20.50 cm broché Edition of wich no leading copies exists. Signed autograph of Philippe Sollers to Professor Georges Blin. Back slightly insolated and with small light spots. Seuil unknown
Bookseller reference : 53653
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Philippe SOLLERS
Illuminations à travers les textes sacrés
Paris: Robert Laffont 2003. Fine. Robert Laffont Paris 2003 13.50 x 21.50 cm broché First edition on ordinary paper. Handsome copy iconography. Signed autograph inscription from Philippe Sollers to Catherine David. Novelist essayist literary critic pianist Catherine David was a pioneer of intellectual journalism at Le Nouvel Observateur. Laurent Joffrin former director of the newspaper offered this beautiful funeral eulogy in the January 4 2023 issue: "". Her passions were eclectic from music to tai chi chuan from philosophy to hybrid disciplines at the boundaries of science and spirituality. Her books bear this mark: a brilliant variation on movement la Beauté du geste an essay on Simone Signoret a spirited biography of Pico della Mirandola the man of all knowledge and several volumes of interviews with Stephen Jay Gould Jean Delumeau Hubert Reeves or Christiane Desroches Noblecourt. Such a path could have composed an irritating character Saint-Germain-des-Prés style floating above ordinary mortals in the limbo of thought and intellectual-chic worldliness. Catherine was quite the opposite a good friend living with simplicity and camaraderie cultivating the art of being a grandmother with laughter and vigilant attention."" Robert Laffont unknown
Bookseller reference : 84177
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Philippe SOLLERS
L'école du mystère
Paris: Gallimard 2015. Fine. Gallimard Paris 2015 14 x 20.50 cm broché First edition on current paper. Nice copy. Autograph dedication signed by Philippe Sollers to his close friend Georges Raillard. Gallimard unknown
Bookseller reference : 65409
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Philippe SOUPAULT
Lautréamont
Paris: Editions des Cahiers Libres 1927. Fine. Editions des Cahiers Libres Paris 1927 14.50 x 19.50 cm broché First edition one of 900 numbered copies on alfa paper. Two small lacks at head and foot of spine otherwise handsome copy. Editions des Cahiers Libres unknown
Bookseller reference : 38967
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Philippe SOUPAULT
Le bon apôtre
Paris: Editions du Sagittaire 1923. Fine. Editions du Sagittaire Paris 1923 13 x 18 cm broché First edition on ordinary paper falsely stated seventh edition. Handsome autograph inscription from Philippe Soupault to Jacques Decour : "". en lui souhaitant un séjour agréable en Allemagne que le bon apôtre a connu en 1913"". Small tears in the margins without lack not serious to the covers. Editions du Sagittaire unknown
Bookseller reference : 48498
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Philippe SOLLERS
Le Coeur absolu
Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14 x 20.50 cm broché First edition on ordinary paper. Handsome copy retaining publisher's wraparound band. Signed and inscribed copy from Philippe Sollers to Ulrike Bergweiler who was Antoine Gallimard's secretary. Gallimard unknown
Bookseller reference : 78738
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Philippe SOLLERS
Le coeur absolu
Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14.50 x 21.50 cm broché First edition one of 40 numbered copies on vélin de Rives the only deluxe copies. Bookplates pasted on an endpaper. Handsome copy. . Gallimard unknown
Bookseller reference : 59043
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Philippe SOUPAULT
Le coeur d'or
Paris: Grasset 1927. Fine. Grasset Paris 1927 13.50 x 20.50 cm broché First edition one of 98 numbered copies on pur fil paper the only deluxe copies with 10 Madagascar and 25 Arches. Minor marginal tears without gravity at foot of spine and on boards a full-margined copy. Grasset hardcover
Bookseller reference : 19783
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Philippe SOLLERS
Le Lys d'Or
Paris: Gallimard 1989. Fine. Gallimard Paris 1989 14 x 20.50 cm broché First edition on ordinary paper. Spine yellowed otherwise a handsome copy. Dated autograph inscription signed by Philippe Sollers to Ulrike Bergweiler who was Antoine Gallimard's secretary. Gallimard unknown
Bookseller reference : 78991
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Philippe SOUPAULT - Alexandre ALEXEIEFF
Le roi de la vie
Paris: Les éditions des cahiers libres 1928. Fine. Les éditions des cahiers libres Paris 1928 14.50 x 19.50 cm broché First edition one of 600 numbered copies on vellum the only deluxe copies after 20 Japan and with some hors commerce copies. Work illustrated with a frontispiece portrait of Philippe Soupault by Alexandre Alexeieff. Minor tears of no consequence at head and foot of spine otherwise a handsome copy. Les éditions des cahiers libres hardcover
Bookseller reference : 59242
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Philippe SOLLERS
Les folies françaises
Paris: Gallimard 1988. Fine. Gallimard Paris 1988 14.50 x 22 cm broché First edition one of 40 numbered copies on pure rag vellum the only deluxe copies. Bookplates pasted on an endpaper. A handsome copy. . Gallimard hardcover
Bookseller reference : 59056
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Philippe SOUPAULT
Les frères Durandeau
Paris: Grasset 1924. Fine. Grasset Paris 1924 13.50 x 20.50 cm broché First edition one of 50 numbered copies on Hollande paper. Spine sunned light marginal foxing to the front cover. A full-margined copy. Grasset unknown
Bookseller reference : 59244
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Philippe SOLLERS
Lettre autographe signée adressée à Jani Brun
s. l. 1975. Fine. s. l. s. d. circa 1975 13.50 x 21 cm une feuille Autograph letter signed by Philippe Sollers addressed to his friend Jani Brun 9 lines in blue ink apologizing for having been unavailable for health reasons: "". la vérité c'est que j'ai été supper-grippé à 40°. à plus tenir debout ni rien avaler."" "". the truth is that I've been super-sick with flu at 40°. couldn't stand up or swallow anything."" but that he will not fail to let him know when he feels better soon as he is still convalescing. Central fold inherent to the envelope. unknown
Bookseller reference : 74457
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Philippe SOLLERS
Lettre autographe signée adressée à Jani Brun
s. l. 1974. Fine. s. l. s. d. Décembre 1974 13.50 x 21 cm une feuille une enveloppe Autograph letter signed by Philippe Sollers addressed to his friend Jani Brun 7 lines in blue ink apologizing for having to cancel their appointment: "".ça ne marche pas malheureusement pour ce soir."" "".it doesn't work out unfortunately for tonight."" but that he will not fail to let her know when he is back in Paris: "". je pars sans doute quelques jours. Je te fais signe à mon retour."" "".I'm probably leaving for a few days. I'll get in touch when I return."" Central fold inherent to the envelope preparation. Envelope included on which Philippe Sollers has simply indicated the surname and first name of his correspondent a date indicated in pencil probably that of the receipt of the note by Jani Brun. unknown
Bookseller reference : 74458
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Philippe SOLLERS
Lois
Paris: Seuil 1972. Fine. Seuil Paris 1972 14 x 20.50 cm broché Edition of wich no leading copies exists. Signed autograph of Philippe Sollers to Professor Georges Blin. Insolated back slightly a small flat head in the first spot. Seuil unknown
Bookseller reference : 53325
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Philippe SOLLERS
Portrait du Joueur
Paris: Gallimard 1984. Fine. Gallimard Paris 1984 14 x 20.50 cm broché First edition on ordinary paper. Handsome copy complete with its dust jacket. Signed and inscribed copy from Philippe Sollers to Ulrike Bergweiler who was Antoine Gallimard's secretary. Gallimard unknown
Bookseller reference : 78739
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Philippe SOLLERS
Portrait du joueur
Paris: Gallimard 1984. Fine. Gallimard Paris 1984 14 x 20.50 cm broché first edition on plain paper. Autograph signed by Philippe Sollers to Pierre Dumayet. Complete copy of his jacket. Gallimard unknown
Bookseller reference : 60326
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Philippe SOUPAULT
Sans phrases précédé d'un entretien en guise de préface avec Raphaël Cluzel
Paris: OsmoseEditions Gizard 1953. Fine. Osmose Editions Gizard Paris 1953 13 x 16.50 cm broché First Edition one of 26 copies literate on vellum Bellegarde. Our copy is complete as it is stipulated in the lustification of the print of a manuscript poem by Philippe Soupault contained in this collection ours being the poem entitled ""Petrification"". A small hitch in the foot of the back. OsmoseEditions Gizard hardcover
Bookseller reference : 61536
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Philippe SOLLERS
Studio
Paris: Gallimard 1997. Fine. Gallimard Paris 1997 14 x 20.50 cm broché first edition on plain paper. Autograph signed by Philippe Sollers to Paul Camons. Pleasant copy. Gallimard unknown
Bookseller reference : 60893
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Philippe SOUPAULT
Voyage d'Horace Pirouelle
Paris: Simon Kra 1925. Fine. Simon Kra Paris 1925 12 x 16 cm broché First edition one of 950 numbered copies on Rives the only issue with 50 Japan. Spine and boards lightly and partially faded handsome interior condition. Simon Kra hardcover
Bookseller reference : 59239
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Philippe SOUPAULT
Voyage d'Horace Pirouelle
Paris: Simon Kra 1925. Fine. Simon Kra Paris 1925 12 x 16 cm broché First edition one of 950 numbered copies on Rives paper the only issue with 50 Japan copies. Spine slightly warped discreet gift inscription at head of first endpaper. Simon Kra unknown
Bookseller reference : 28764
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Philippe SOUPAULT
Westwego poème 1917-1922
Paris: Editions de la librairie Six 1922. Fine. Editions de la librairie Six Paris 1922 16.50 x 23.50 cm broché First edition one of 300 numbered copies on laid paper ours not justified only print with 3 Japan and 15 Holland paper. A very small spot without gravity at the head of the second board otherwise pleasant copy. Rare. Editions de la librairie Six unknown
Bookseller reference : 22502
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Philippe TORRETON
Mémé
Paris: L'iconoclaste 2013. Fine. L'iconoclaste Paris 2013 13.50 x 18.50 cm broché First edition. Covers slightly and marginally sunned otherwise handsome copy complete with its wraparound band and publisher's slip. Autograph inscription dated by Philippe Torreton. L'iconoclaste unknown
Bookseller reference : 81656
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Philippe, Joseph
Le Val Saint Lambert. Ses cristalleries et l'art du verre en Belgique
Liege Belgium : Librarie Halbart 1974. This is a very good hardcover copy in a very good dustjacket with light wear to the edges. Completely clean inside and out. Text in French with English summaries foreword table of contents and descriptions of illustrations. Illustrated throughout in black & white with some color. 260 black & white 40 color plates. Pages of facsimile signatures. 12" high X 9" wide 349 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . First Edition. Hard Cover. Very Good/Very Good. Librarie Halbart Hardcover
Bookseller reference : 012577
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Philippe-Auguste de Sainte-Foix, Chevalier d' ARCQ
Histoire générale des guerres. Tome premier contenant l'histoire de la Grande Arménie . Tome second contenant l'histoire des peuples de la Basse Asie
à Paris: Imprimerie Royale 1756. Fine. Imprimerie Royale à Paris 1756 - 1758 20 x 26 cm 2 volumes reliés The rare first edition of these two volumes published two years apart the continuation of which would never see the light of day. With one frontispiece and one large folding genealogical chart. Copy with the arms of Louis XV stamped on the boards and his cipher repeated on the spine a presentation copy. Contemporary full marbled brown calf bindings. Spine with raised bands decorated with Louis XV's cipher repeated four times with angular fleurs-de-lys. Red morocco title and volume labels. Armorial boards. Triple gilt fillet frame on boards. Headcaps restored. Several splits along the upper joint of volume I and volume II. Corners and certain areas of the leading edges restored. Lacking the right corner of the first endpaper. Very faint dampstain trace in margin extending onto text from page 217 to the end; from page viiij to xxxviij in margin; similarly on the rear endpapers of volume II. Despite the mentioned defects a rare copy with the arms and cipher of Louis XV. The work contains a long introduction that clarifies Chevalier d'Arcq's project as a historian. His critical method of examining texts is scrupulous he rejects what is not proven and openly aligns himself with the most reliable hypotheses. This method and his work were praised by Le Journal des scavants which reviewed the first book in 1756 then the second in 1758 with numerous compliments notably on the author's elegant style and his way of creating a vividly colored narrative from stark facts. Beyond history and geography the author seeks the essentially military aspect and shows how wars between victories and defeats have shaped the geography of peoples and precipitated the end and birth of kingdoms. Volume I deals with Greater and Lesser Armenia Cappadocia etc. the second with the kingdoms around Pontus Phrygia Paphlagonia Heraclea Pergamon. Although the work treats a rare ancient history and its reading is fascinating the book did not meet with success and the editorial project was not carried through to completion. Imprimerie Royale hardcover
Bookseller reference : 58799
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Philippe-Auguste de Sainte-Foix, Chevalier d' ARCQ
Le palais du silence. Conte philosophique
à Amsterdam Paris: S. n. 1754. Fine. S. n. à Amsterdam Paris 1754 10 x 17 cm relié Rare first edition of this literary hoax spuriously attributed by the translator to Cadmus of Miletus in a lengthy explanatory preface. Illustrated with a frontispiece after Cochin. Contemporary full blond calf binding. Spine gilt-tooled between raised bands. Red morocco title label. Headcap partly worn and upper joint split at the head. Surface abrasions to the boards. The volume opens with a preface on the attribution of the tale to Cadmus of Miletus followed by a well-documented chapter on the establishment of Greek colonies in Asia Minor. The tale recounts the life of a young prince son of the king of the Dorides servingwithin the tradition of the philosophical taleas a pretext for the unveiling of certain truths. Chevalier d'Arcq 1721-1795 the natural son of the Count of Toulouse played a significant role in the intellectual life of the eighteenth century notably through his close interest in economic and social issues. More conventionally in this tale the author addresses human passions and the nature of power. S. n. hardcover
Bookseller reference : 22566
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Philippe-Antoine MERLIN
Rapport fait au nom des Comités de Salut Public et de Sûreté générale sur les évènemens des 11 12 13 et 14 Vendémiaire de l'an quatrième de la République française
Paris: Imprimerie Nationale 1795. Fine. Imprimerie Nationale Paris 1795 12 x 19.50 cm broché First edition of this speech delivered by Philippe-Antoine Merlin elected representative from Douai to the National Convention assembly. Handsome copy presented in its original wrappers of this report made the day after the royalist insurrection and which names the generals who crushed it with in first place the people's representative Barras designated general-in-chief of the army of the interior while omitting and ignoring any mention of Bonaparte. The role of Bonaparte soon nicknamed ""General Vendémiaire"" would only be recognized later in a report of 30 Vendémiaire by Barras himself who attributed all the merits of suppressing the uprising to himself and who cited ""Buonaparte"" only as ""second in command"". Imprimerie Nationale unknown
Bookseller reference : 83680
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Philippe-Francois-Nazaire FABRE D'EGLANTINE - Nepomucene Louis LEMERCIER
Comédies. Le présomptueux ou l'heureux imaginaire Ensemble Le convalescent de qualité ou l'aristocrate Ensemble Le collatéral ou l'amour et l'intérêt Ensemble L'intrigue épistolaire Ensemble Les précepteurs Ensemble Le Philinte de Molière Ensemble Isule et Orovèze.
à Paris à Avignon: Chez PraultBarbaCercle SocialHuetGarrigan 1791. Fine. Chez Prault Barba Cercle Social Huet Garrigan à Paris à Avignon 1791-1803 12.50 x 20.50 cm relié Some of these plays are first editions. Only the last play is by Lemercier. The work brings together the author's best plays notably Le Philinte de Molière a Revolutionary play which had considerable success. Contemporary full sheep binding. Smooth spine with fleurons and roulettes. Red morocco title label. Roulette frame on boards. 2 corners slightly bumped. A lack of leather at the top of the upper joint. Rubbing to joints edges. Fabre d'Églantine 1750-1794 was a strange character first an itinerant actor then writer of comedies he became Danton's secretary then deputy to the Convention to end up guillotined in 1794 for forgery and use of forgeries alongside Danton whom he had principally contributed to having executed. Chez PraultBarbaCercle SocialHuetGarrigan hardcover
Bookseller reference : 18387
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Philippi Chieffletii
Sacrosancti et Oecumenici Concilii Tidentini Paulo III Julio III
Coloniae Agrippinae: Wilhelmum Friessem 1704. Gebunden. Wilhelmum Friessem unknown
Bookseller reference : 29112
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Philippus FERRARIUS
Lexicon geographicum. In quo universi orbis Urbes Provinciae Regna Maria & Flumina recensentur
Lutetiae Parisiorum Paris Paris: Apud Franciscum Muguet François MUGUET 1670. Fine. Apud Franciscum Muguet François MUGUET Lutetiae Parisiorum Paris Paris 1670 23.50 x 39 cm 2 volumes reliés First edition. Large printer's vignette depicting the adoration of the Magi. Epistle to Colbert with a headpiece by Chauveau and a large initial. Printed in two columns. Contemporary full vellum binding. Jansenist spine with raised bands. Title and volume number in black ink. Part of the upper headcap of volume I missing. Lower headcap of volume II split. Upper joint of volume I cracked across three compartments. Worming to spine of volume II sometimes quite extensive. Wormholes to spines of both volumes. Paper often yellowed. Vast geographical repertoire composed in dictionary form by Ferrarius expanded and revised by Michel Antoine Baudrand the scholarly editor. The work catalogues not only cities but also lakes and rivers. Alongside the Latin nomenclature terms are given in the vernacular language and often in several languages when necessary; the dictionary therefore constitutes an important source for Latin origins especially as it contains even the smallest village and the smallest stream then known in the world. At the end of the work a table of longitudes and latitudes. Apud Franciscum Muguet [François MUGUET] hardcover
Bookseller reference : 28543
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Phillipps, Sir Thomas
Catalogue of some of the manuscripts in the publick library of Basle in Switzerland
Middle Hill: Middle Hill Press 1824 Book. Fair. Disbound. Pages 5-8 complete as issued. Heavily spotted. Holzenberg 29. Dated from Lowndes. [Middle Hill Press] unknown
Bookseller reference : MH188a
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