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Robert de MONTESQUIOU
Lettre autographe signée de Robert de Montesquiou recensant ses donations notamment une statuette de TroubetzKoÿ considéré comme le Rodin russe à diverses institutions
s. l.: S. n. 1921. Fine. S. n. s. l. 11 octobre 1921 17.50 x 21 cm une feuille Autograph letter signed by the dandy count 14 lines written in blue ink addressed to his friend and bibliographer the critic Henri Lapauze notably mentioning a work by Ingres in his possession also thanking his correspondent for his always lucid and benevolent critiques regarding him. ""Cher ami envoyez-moi je vous en prie comme nous en sommes convenus le schéma de ma donation au Petit-Palais de ma grande statuette par TroubetzKoÿ et du portrait par Arthur Chaplin de Mademoiselle Ehrmann artiste lorraine élève d'Hébert morte en 1918 ayant légué le portrait par elle de sa mère au Musée de Nancy et dont le portrait pareillement dû à son pinceau de Mademoiselle Favart figure au Foyer de la Comédie Française. Vous me ferez aussi grand plaisir en m'adressant votre bel article sur d'Annunzio et si vous la retrouvez la note des journaux sur mon don à la Bibliothèque de Versailles. Cher ami j'ai été heureux de vous revoir. RMontesquiou. 11 oct 1921."" ""Dear friend please send me as we agreed the outline of my donation to the Petit-Palais of my large statuette by TroubetzKoÿ and of the portrait by Arthur Chaplin of Mademoiselle Ehrmann Lorraine artist and student of Hébert who died in 1918 having bequeathed the portrait she painted of her mother to the Museum of Nancy and whose portrait similarly by her brush of Mademoiselle Favart is displayed in the Foyer of the Comédie Française. You would also give me great pleasure by sending me your beautiful article on d'Annunzio and if you find it the newspaper note about my gift to the Library of Versailles. Dear friend I was happy to see you again. RMontesquiou. 11 Oct 1921."" Fold marks inherent to postal delivery. S. n. unknown
Riferimento per il libraio : 83348
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Robert de MONTESQUIOU
Lettre autographe signée de Robert de Montesquiou concernant un article qu'il entend faire publier
s. l.: S. n. 1908. Fine. S. n. s. l. 28 juin 1908 31 x 19.50 cm une page Autograph letter signed by the dandy count 40 lines written in black ink on tracing paper addressed probably to his friend and bibliographer the critic Henri Lapauze. ""Neuilly Dear friend the impossibilities that deprived me of your twice precious presence have also deprived you of a moment which I dare believe was one of those that would have moved you. And no doubt all the more I do not say! in revealing to you you sense it well. but in making you better know a character of sentiment curiously associated with the character of verve that you received the other day. If you judge it appropriate and can do so without difficulty would you publish in full the enclosed note having it preceded by a few lines that your good grace and good taste will inspire you I did not think that mention would be made of this intimate ceremony. But since it was not so it pleases me that the names be known to the attendees that I wanted for it. Your friend RMontesquiou."" Creases inherent to folding for mailing. S. n. unknown
Riferimento per il libraio : 83323
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Robert de MONTESQUIOU
Lettre autographe signée adressée au journaliste et critique littéraire du Gaulois Henri Lapauze
s. l.: S. n. 1905. Fine. S. n. s. l. Juin 1905 11 x 14 cm une feuille Signed autograph letter from the dandy count on a sealed pneumatic card of 12 lines written in black ink addressed to his friend and bibliographer the critic Henri Lapauze: ""Cher confrère et ami je viens de vous écrire un mot et mes inquiètudes de garde-malade. Un mot troublé au point de vous adresser je crois au Figaro ce qui devait s'arrêter avant. Cela me donne le plaisir d'inscrire deux fois votre nom apprécié. RM."" ""Dear colleague and friend I have just written you a word and my anxieties as a nurse. A troubled word to the point of addressing you I believe at Le Figaro which should have stopped before. This gives me the pleasure of inscribing your appreciated name twice. RM."" S. n. unknown
Riferimento per il libraio : 83368
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Robert de MONTESQUIOU
Lettre autographe signée adressée à Henri Lapauze évoquant leurs amitiés et inimitiés dans le monde des lettres et des arts : "". Si je n'ai pas lu votre critique de mon livre en revanche j'ai pris connaissance de celle que vous avez consacrée à l'aimable jeune homme qu'il s'agissait de punir pour avoir dit trois fois ; au cours d'un dîner : Marie Murat. peut-être aurait-il suffi de lui donner à copier septante fois sept fois. ""
Artagnan: S. n. 1908. Fine. S. n. Artagnan 1908 20.50 x 26.50 cm 7 feuillets recto Autograph letter signed by the dandy count 68 lines written in black ink on seven folios recto probably addressed to his friend and bibliographer the critic Henri Lapauze: ""Artagnan My dear friend the interesting review which I would very much like to know. has escaped me. Can you send it to me; or at least a date indication that would allow me to find it As for what you write to me about my ""social successes"" you don't think the first word of it fortunately for us! - otherwise you would start by ""not speaking to me"" as Favre used to say; and you would be quite right. Well! in all things one must consider not only the end but the true and the false the good and the bad the authentic and the counterfeit as I believed I could write even about snobbery! When it comes to letters - even more so to ladies of letters on no point does this difference stand out with such clarity. - who knows this better than you No once again we must not and this is very important let the mockeries of what we know how to do prevent us from manifesting ourselves. That would play too well into the hands of the monkeys who already have enough coconut trees as it is. For this reason I believed I should offer the noble Engadin larches the favor of hearing me. And their murmur did not reproach me for it. I am going to write to a certain Lady of letters in the good sense of the term to speak to her about her beautiful book. Your friend and hers Robert de M. Sept 08. Via Vic-Bigorre Hts Pyr. P.S.: urgent Only you can affirm to me with sufficient guarantee that Liem is still alive as I believe and wish to affirm in an article which being in press requires the information without delay. When you are reconciled with an etcher whom you do not like I will offer you for an engraving exhibition a portrait of me by him which at least you will love. If I have not read your critique of my book on the other hand I have taken note of the one you devoted to the amiable young man whom it was necessary to punish for having said three times during a dinner: Marie Murat. perhaps it would have been enough to make him copy seventy times seven times. In any case you will have been harsh. The crime deserved it. Perhaps also one day you will speak ill of me although that seems unlikely to me. But what I can affirm is that. it will not be for that! ."" Fold marks inherent to envelope mailing. S. n. unknown
Riferimento per il libraio : 83382
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Robert de MONTESQUIOU
Lettre autographe signée adressée à un critique littéraire à qui il reproche de ne pas vouloir évoquer son dernier livre par trop réactionnaire et aristocratique : "" L'aristocratie ce n'est tout de même pas madame Moore madame Porgès et Mam ""zell"" Gutman ; pas plus que la littérature n'est Mam ""zell"" Vacaresco et Monsieur de Pomairols. A un borgne bien intentionné qui me disait : ""vous attaquez le monde ! "". j'ai répondu : ""Pardon ! je range le salon de ma grand-mère""
s. l.: S. n. 1911. Fine. S. n. s. l. 1911 27 x 21 cm 6 feuillets recto Signed autograph letter from the dandy count 68 lines written in black ink on six recto leaves probably addressed to his friend and bibliographer the critic Henri Lapauze to whom he almost orders him to review his latest work in one of his upcoming chronicles. The proud Robert de Montesquiou also evokes with complete immodesty his intellectual height and depth qualities cruelly lacking in some of his contemporaries: ""Cher ami avec plaisir je consens à faire partie de votre comité avec d'autant plus de plaisir que sans le vouloir ou peut-être intentionnellement je préfère le croire vous donnez raison à mon dernier livre. Voir page 143 : ""nulle ne serait mieux qualifiée pour ce titre de Présidente. On n'en saurait trouver de plus affable"". Oui cher ami j'en profite pour vous le redire sans plaisanterie - aussi bien que sans amertume vous vous êtes trop de fois montré efficacement sympathique pour que j'en perde si vite ni même jamais le souvenir. - vraiment je ne suis pas du tout de votre avis sur l'impossibilité de parler de mon dernier livre dans votre chronique. Je suis même de l'avis entièrement contraire. D'abord je ne voudrais pas si j'étais critique littéraire qu'il fût dit un jour qu'un tel livre a paru vous savez que je ne suis pas modeste sans que j'en ai fait mention d'une manière ou de l'autre. En outre c'est trop lui donner raison que d'en agir ainsi. Vous voyez que si je suis modeste je ne suis pas moins juste. Oui à votre place j'aurais fait la part de l'auteur et celle du lecteur même récalcitrant comme l'ont fait Robin dans le Herald et Glaser dans le Figaro comme l'ont fait et le feront d'autres. - Quant au bel article de Lucien Daudet dans le Gil Blas je pense que vous l'avez lu. Des personnes d'esprit et d'art comme vous deux ne peuvent se méprendre sur le côté réactionnaire et aristocratique d'un tel écrit dans la bonne acception de ces deux qualificatifs. L'aristocratie ce n'est tout de même pas madame Moore madame Porgès et Mam ""zell"" Gutman ; pas plus que la littérature n'est Mam ""zell"" Vacaresco et Monsieur de Pomairols. A un borgne bien intentionné qui me disait : ""vous attaquez le monde ! "". j'ai répondu : ""Pardon ! je range le salon de ma grand-mère"" Aussi quand je lis dans quelque de vos jolis commentaires trop incertains à certains à propos de je ne sais quel plus ou moins vague bouquin que ""l'auteur"" manie supérieurement l'ironie je m'écris furieusement : ""Eh bien ! et moi ! ."" Alors pour me dédommager et un peu me venger je relis votre carte du 10 octobre : ""Envoyez moi tout de suite cher ami votre insupportable héroïne"". Henry et moi nous voulons la connaître l'aimer la faire aimer. A quoi pensez vous de nous mettre ""l'eau à la bouche pour retirer ensuite ce fruit. que nous espérons défendu."" De ce moment-là je me sens mieux. Et pour vous le prouvre cher ami et que je suis sincère je vous annonce mon intention de publier à l'occasion de votre exposition un nouvel essai sur Ingres lequel vous sera dédié si tel est votre bon plaisir comme il est le mien. Si vous connaissez un coin de revue qui s'accommode de ça faites-le moi savoir et recevez mes amitiés bien dessinées. Robert de Montesquiou Janv. 911."" ""Dear friend with pleasure I consent to be part of your committee with all the more pleasure since without wanting to or perhaps intentionally I prefer to believe so you vindicate my latest book. See page 143: 'none would be better qualified for this title of President. One could not find a more affable one.' Yes dear friend I take this opportunity to tell you again without jest - as well as without bitterness you have shown yourself efficiently sympathetic too many times for me to lose the memory of it so quickly or even ever. - truly I am not at all of your opinion on the impossibility of speaking about my latest book in your chronicle. I am even S. n. unknown
Riferimento per il libraio : 83367
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Robert de MONTESQUIOU
Lettre autographe signée adressée au journaliste et critique littéraire du Gaulois Henri Lapauze
s. l.: S. n. 1900. Fine. S. n. s. l. s. d. circa 1900 11 x 14 cm une feuille Autograph letter signed by the dandy count on a closed pneumatic card of 14 lines written in black ink addressed to his friend and bibliographer the critic Henri Lapauze: ""Cher monsieur il est bien convenu que vous rappelez n'est-ce pas nos fêtes de lundi dans votre numéro de ce soir par un petit entrefilet invitant et signfiant avec l'heure du départ et les attractions etc. Merci et bon sentiment. Cye R.de M."" ""Dear sir it is well understood that you will remind is it not our Monday festivities in your issue this evening with a small inviting and meaningful paragraph with the departure time and attractions etc. Thank you and good feelings. Cye R.de M."" S. n. unknown
Riferimento per il libraio : 83373
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Robert de MONTESQUIOU
Lettre autographe signée adressée à Henri Lapauze et concernant la réédition de l'un de ses ouvrages
s. l.: S. n. 1908. Fine. S. n. s. l. 4 février 1908 21.50 x 28 cm une feuille Autograph letter signed by the dandy count 22 lines written in black ink addressed to his friend and bibliographer the critic Henri Lapauze: ""Neuilly Indeed dear friend you would give me great pleasure by continuing to point out to your readers the faithfulness of word & the good conduct of this edition which encounters more and more the serious reception to which I hope it is entitled by showing more clearly what those titles that have become famous contained a little confidence and which want to deserve to be so after a more mature examination. And if you insist on the poor passiflora of which your wife speaks to me so eloquently and elegantly in a letter that would be a very beautiful 'art criticism' this will delight at the same time a luminous shadow and my chiaroscuro. Robert de M. 4 February 08."" Fold marks inherent to envelope placement. S. n. unknown
Riferimento per il libraio : 83360
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Robert de MONTESQUIOU
Lettre autographe signée adressée à Henri Lapauze sollicitant un article consacré à son dernier ouvrage récemment paru
Paris: S. n. 1900. Fine. S. n. Paris s. d. circa 1910 23 x 18 cm un feuillet Autograph letter signed by the dandy count 27 lines written in violet ink addressed to his friend and bibliographer the critic Henri Lapauze: ""14 avenue Bosquet Cher monsieur et ami j'ai le plaisir de vous envoyer mon livre que je l'espère vous aimerez assez pour lui concéder la gracieuse faveur que je vous demande. Quelques lignes un alinéa en première page rappelant à vos lecteurs son apparition avec un bout de commentaire que vous tracerez je le sais obligeamment et savamment seront pour dédommager et peut-être récompenser le poète qui s'entête à chanter en ces époques troublée. Un compte-rendu de M. Perret m'a été promis mais il viendra en son temps que la politique peut retarder ; et votre bienveillant et incisif rappel agirait à cette heure fort élégamment et éloquemment sur les voyageurs au débotté et sur les parisiens en partance. Merci avant pendant après de votre sincère affectionné Robert de Montesquiou. 22 juin."" ""14 avenue Bosquet Dear sir and friend I have the pleasure of sending you my book which I hope you will like enough to grant it the gracious favor I ask of you. A few lines a paragraph on the first page reminding your readers of its appearance with a bit of commentary that you will write I know obligingly and learnedly will compensate and perhaps reward the poet who persists in singing in these troubled times. A review by M. Perret has been promised to me but it will come in its time which politics may delay; and your benevolent and incisive reminder would act at this hour most elegantly and eloquently on travelers upon arrival and on Parisians departing. Thank you before during after from your sincere affectionate Robert de Montesquiou. June 22."" Small pinhole marks that held the two sheets together. S. n. unknown
Riferimento per il libraio : 83374
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Robert de MONTESQUIOU
Lettre autographe signée de Robert de Montesquiou adressée à Henri Lapauze
s. l.: S. n. 1920. Fine. S. n. s. l. s. d. circa 1920 25.50 x 20 cm une feuille Autograph letter signed by the dandy count 27 lines written in blue ink addressed to his friend and bibliographer the critic Henri Lapauze: ""Neuilly Dear friend thank you for your note. I am going to see Coppée again. When you speak again you of my book you will please me of course if this accords with your views first by recalling that it is dedicated to Barrès then by observing if not admiring what is rare in the spectacle shall we say the example given by an artist who has proven himself and publishes his eleventh volume books in which there are things without ever having cared about anything other than the esteem of those who please him; by a man who below this list of works which is requested of him by a recent questionnaire then encountering the word rewards followed by a question mark has the happiness and perhaps the honor of having to leave this useless line blank or at least to populate it with this word from Flaubert: ""One must be quite modest to be able to be honored"" Your proud friend RMontesquiou. 10 June."" Traces of folds inherent to the envelope. S. n. unknown
Riferimento per il libraio : 83358
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Robert de MONTESQUIOU
Majeurs et mineurs
Paris: Sansot 1917. Fine. Sansot Paris 1917 12 x 19 cm broché First edition on ordinary paper with only 12 Japan and 15 Holland deluxe copies printed. First cover restored and reattached. Sansot unknown
Riferimento per il libraio : 10696
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Robert de BERMINGHAM
Myrmillo histoire d'une fourmi rousse de la forêt
Paris: E. Basset & Cie 1913. Fine. E. Basset & Cie Paris 1913 12 x 19 cm broché First edition on ordinary paper no mention is made of deluxe copies. Rare inscription from Robert de Bermingham to Henry Bataille. Spine and covers marginally faded worming to covers occasional light foxing. Rare. E. Basset & Cie unknown
Riferimento per il libraio : 16614
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Robert de MONTESQUIOU
Poème autographe inédit daté et signé de Robert de Montesquiou intitulé ""A la mémoire de Jean Carriès""
s. l.: S. n. 1904. Fine. S. n. s. l. Novembre 1904 33.50 x 40.50 cm une page Autograph poem dated and signed in four stanzas of alexandrines by the dandy count 18 lines written in black ink on watermarked tracing paper. Traces of folds inherent to the folding of the missive. Very fine poem appearing to be unpublished although it resembles the text he devoted to Jean-Joseph-Marie Carriès talented sculptor-ceramist artist in his work ""Autels Privilégiés"" published by Charpentier in 1898. ""Nous qui l'avons connu sous son charmant visage Avec son rire enfant sa jeunesse de coeur Nous sommes les heureux de le savoir vainqueur Après qu'il a des jours traversé le paysage. . Beaux vases versez sous le conseil d'être forts Songeant que nous aussi bientôt nous seron morts Et qu'il nous faut laisser quelque chose qui reste."" We who knew him under his charming face With his childlike laughter his youthful heart We are the fortunate ones to know him victorious After he has through the days crossed the landscape. . Beautiful vases pour forth under the counsel to be strong Thinking that we too soon shall be dead And that we must leave something that remains. S. n. unknown
Riferimento per il libraio : 87767
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Robert de MONTESQUIOU
Sabliers et lacrymatoires
Paris: Sansot & Cie 1917. Fine. Sansot & Cie Paris 1917 12 x 19 cm broché First edition on ordinary paper only 15 Japan and 20 Arches deluxe copies were printed. Work illustrated with a photographic frontispiece of a work by A. Rodin. Three stains on spine and first cover. Light foxing affecting endpapers otherwise handsome copy. Sansot & Cie unknown
Riferimento per il libraio : 10859
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Robert de MONTESQUIOU
Têtes couronnées
Paris: E. Sansot 1916. Fine. E. Sansot Paris 1916 14.50 x 19.50 cm broché First edition one of 30 numbered copies on Hollande paper the only deluxe copies after 20 Japan. Some deckled edges and the final endpaper marginally and partially shaded some minor foxing. Manuscript thought by Robert de Montesquiou on the entirely shaded half-title page: ""L'abeille porte en soi la piqûre & le miel."" ""The bee carries within itself both the sting and the honey."" E. Sansot unknown
Riferimento per il libraio : 75749
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Robert Defalco; Carole G Hibel
Handel Lamps: Painted Shades and Glassware
Staten Island NY: H & D Press. First edition "Limited Edition". Hard cover in dust jacket. Published Staten Island NY: H & D Press 1986. Folio 9 1/2" x 12 1/2" 256pp. lavishly illustrated with ful color plates. Black cloth with black titles and cover design black endpapers and silk ribbon marker. Near fine in near fine dust jacket. . Near Fine. Hard. 1st. 1986. H & D Press unknown
Riferimento per il libraio : 007990 ISBN : 0961422300 9780961422301
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Robert DELAUNAY - Henry de MONTHERLANT
La relève du matin
Paris: Editions Spes 1928. Fine. Editions Spes Paris 1928 17.50 x 27.50 cm broché With 10 original lithographs by Robert Delaunay one of 465 numbered copies on pur fil paper. A very good copy. Editions Spes unknown
Riferimento per il libraio : 47998
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Robert DENOEL
Catalogue des éditions Denoël
Paris: Denoël 1937. Fine. Denoël Paris s. d. circa 1937 14 x 22 cm broché sous chemise et étui First edition. Rare copy presented in a full sand-colored cloth chemise with a brown elastic band allowing closure of the chemise at the right margin of the covers. Bookplate of a Céline bibliophile pasted on a pastedown. Denoël hardcover
Riferimento per il libraio : 82066
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Robert DESNOS
Corps et biens Body and Soul
Paris: Nrf 1930. Fine. Nrf Paris 1930 12 x 19 cm broché First edition one of 647 numbered copies on ""pur-fil"" paper only leading copies after 109 reimposed. Two small traces of marginal folds at the bottom of the first board that also has two tiny gaps. Beautiful autograph signed by Robert Desnos to Pierre Berger: ""To Pierre Berger with my condolences Desnos September 25 1941. or the expression of my highest consideration or assurance of my best feelings or good morning. "" Nrf unknown
Riferimento per il libraio : 66749
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Robert DESNOS
Corps et biens
Paris: Nrf 1930. Fine. Nrf Paris 1930 12 x 19 cm broché First edition an advance service de presse copy Handsome autograph inscription from Robert Desnos to Janine and Raymond Queneau : "". devant qui j'ai repassé le conseil de revision who were my council of review"" enriched with a drawing showing a little elephant holding up Robert Desnos' name in its trunk One joint very slightly cracked at foot. Nrf unknown
Riferimento per il libraio : 48215
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Robert DESNOS
Corps et biens Flesh and Blood
Paris: Gallimard 1930. Fine. Gallimard Paris 1930 12 x 19 cm relié First edition an advance service de presse copy. Half mustard-colored morocco over marbled paper boards by P. Goy & C. Vilaine spine in six compartments brown paper endpapers and pastedowns covers and spine sunned preserved top edge gilt. Handsome autograph inscription signed by Robert Desnos to Colette Clément whose name he plays on: ""A Madame Colette Clément / Clément Marot non Jacques Clément ces mots barrés / non / hommage de l'auteur Robert Macaire."" Ex libris of recipient pasted in underneath justification. Gallimard hardcover
Riferimento per il libraio : 53186
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Robert DESNOS
Deuil pour deuil
Paris: Editions du Sagittaire 1924. Fine. Editions du Sagittaire Paris 1924 11.50 x 16 cm broché First edition one of 700 numbered copies on Rives this one not justified the only printing along with 50 Japon. Handsome and rare autograph inscription from Robert Desnos to Gabriel Reuillard "".admirons l'absurdité des choses."" A good copy. Editions du Sagittaire unknown
Riferimento per il libraio : 42525
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Robert DESNOS
Fortunes
Paris: Gallimard 1942. Fine. Gallimard Paris 1942 12 x 19 cm broché The first edition of which there were no deluxe copies. Spine sunned boards lightly soiled. Gallimard hardcover
Riferimento per il libraio : 87440
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Robert DESNOS
Fortunes
Paris: Gallimard 1942. Fine. Gallimard Paris 1942 12 x 19 cm broché First collected edition of which there were no grand papier deluxe copies an advance service de presse copy. A nice copy despite a tiny tear to foot of upper cover. Rare autograph inscription signed by Robert Desnos to Pierre Berger: "" ces feuilles déjà bien vieilles."" Gallimard unknown
Riferimento per il libraio : 66314
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Robert DESNOS
Fortunes
Paris: Gallimard 1942. Fine. Gallimard Paris 1942 12 x 19 cm broché Collective first edition for which it was not drawn from great papers one of the review copies service. Back insolated some traces. Rare and beautiful autograph signed by Robert Desnos Jean Galtier-Boissière: ""To Jean Galtier-Boissière this book is not worth a good glass of good wine but better than a kick in the ass. Desnos to his wife in terms less raw Desnos "" Gallimard unknown
Riferimento per il libraio : 66748
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Robert DESNOS
Fortunes
Paris: Gallimard 1942. Fine. Gallimard Paris 1942 12 x 19 cm relié Collective first edition for which it was not drawn from great papers one of the review copies service. Binding in half red old morocco back with five nerves date tail plates of paper in the bowl covers and back preserved gilded head binding signed Goy & Vilaine. Rare autograph signed by Robert Desnos Hélène Weïand: ""With all the affection of Robert and Youki ."". Nice copy pleasantly established. Gallimard unknown
Riferimento per il libraio : 46908
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Robert DESNOS
Félix Labisse
Paris: Sequana 1945. Fine. Sequana Paris 1945 12.50 x 16 cm broché First edition. A small lack at head of spine which also has a slight tear at foot three tiny corner lacks to boards. Iconography. Sequana hardcover
Riferimento per il libraio : 17176
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Robert DESMONS
L'hydravion
Paris: Librairie aéronautique E. Chiron 1920. Fine. Librairie aéronautique E. Chiron Paris 1920 16.50 x 25.50 cm broché First edition. Two lacks at head and foot of spine boards uniformly faded. Rare. Illustrated with 38 text figures and 15 photographic plates. Librairie aéronautique E. Chiron hardcover
Riferimento per il libraio : 69627
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Robert DODSLEY - John GAY
Choix de petites pieces du théatre anglois traduites des originaux
à Paris: Chez Prault 1756. Fine. Chez Prault à Paris 1756 9.50 x 16.20 cm 2 tomes en un volume relié First edition of this translation by Claude Pierre Patu. Attribution according to Barbier. Contemporary full glazed blonde calf binding. Smooth spine decorated. Red morocco title-label. Light rubbing. Fine copy very fresh. The first volume brings together 4 plays by Robert Dodsley: The Toy Shop satirical comedy 1735; The King and the Miller of Mansfield 1736 farce; The Blind Beggar of Bethnal Green and The Devil to Pay. The second volume contains three plays by John Gay including the famous The Beggar's Opera 1728 which Berthold Brecht would later adapt as The Threepenny Opera What D'ye Call It and Tragi-comi-pastoral. Gay's plays are preceded by his introductions and prefaces. This editorial project was intended for the knowledge of English comedy. Chez Prault unknown
Riferimento per il libraio : 50759
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Robert DODSLEY
Le Bramine inspiré traduit de l'anglais par Mr. L'Escallier
Berlin: Chez Etienne de Bourdeaux 1751. Fine. Chez Etienne de Bourdeaux Berlin 1751 11 x 18 cm broché Edition published the same year as the first French translation without publisher's name. In original wrappers. Under 18th-century pink floral paper. Spine lacking. Actually translated by the actor Desormes from Robert Dodsley's book: ""The economy of human life"". A series of maxims and wisdom. Chez Etienne de Bourdeaux unknown
Riferimento per il libraio : 20004
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Robert DREYFUS
Alexandre Weill ou le prophète du faubourg Saint-Honoré
Paris: Librairie Durlacher 1907. Fine. Librairie Durlacher Paris 1907 16.50 x 25 cm broché First edition of this lecture given to the Society of Jewish Studies on March 23 1907 no deluxe copies are mentioned. Rare copy. Cracked joint with small lacks Librairie Durlacher unknown
Riferimento per il libraio : 5941
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Robert du PONTAVICE DE HEUSSEY
L'inimitable Boz. Etude historique et anecdotique sur la vie et l'oeuvre de Charles Dickens
Paris: Maison Quantin 1889. Fine. Maison Quantin Paris 1889 16 x 25 cm relié New edition one of 25 numbered copies on Japan paper the only deluxe copies. Half chocolate brown morocco binding spine with five raised bands showing slight scuffs marbled paper boards pebbled paper endpapers and pastedowns original wrappers and spine preserved top edge gilt with deckled edges scuffs with lacks to marbled paper on lower edges. Work illustrated with a portrait of Charles Dickens as frontispiece. Handsome copy. Maison Quantin hardcover
Riferimento per il libraio : 72354
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Robert ENGELS - (Edmond PILON)
"Le passant"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1898 24 x 35 cm une feuille Rare original lithograph executed by Robert Engels for L'Estampe Moderne series number 11 published in March 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on the verso pale marginal foxing. Lithograph inspired by a poem by Edmond Pilon. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""poster mania"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Fine example in the style of the Deutscher Werkbund the equivalent of Art Nouveau in Germany. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Riferimento per il libraio : 74364
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Robert ENGELS - (Edmond PILON)
"Le passant"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1898 23.50 x 34.50 cm une feuille et une serpente Rare original color lithograph executed by Robert Engels for L'Estampe Moderne series number 11 published in March 1898. One of 50 deluxe proofs printed on Japan paper with full margins artist's signature in the plate publisher's dry stamp showing a child's profile in the lower margin numbered luxury edition stamp on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by a poem by Edmond Pilon reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other journals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the journal. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with full margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satin and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the style of the Deutscher Werkbund the German equivalent of Art Nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Riferimento per il libraio : 74363
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Robert F Kennedy Jr
The Real Anthony Fauci Signed Limited Edition 2-Volume Set
<p>Skyhorse 2023. Limited Edition. No significant wear. As New.</p><p>Limited edition boxed set. The books and custom slipcase are in as new condition with no significant wear. One of 3500 copies printed. Volume 1 signed by Kennedy. Includes a framable photo of the author. 832 pages with added citations full index larger print and wider margins. Pharma-funded mainstream media has convinced millions of Americans that Dr. Anthony Fauci is a hero. He is anything but. The Real Anthony Fauci details how Fauci Gates and their cohorts use their control of media outlets scientific journals key government and quasi-governmental agencies global intelligence agencies and influential scientists and physicians to flood the public with fearful propaganda about COVID-19 virulence and pathogenesis and to muzzle debate and ruthlessly censor dissent. Weight: 2.8KG.</p><p>832 pp.</p> Skyhorse hardcover
Riferimento per il libraio : 5815 ISBN : 1510774114 9781510774117
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Robert GAILLARD
Sortilèges des mers du sud
Paris: Les éditions universelles 1945. Fine. Les éditions universelles Paris 1945 15 x 20 cm broché sous étui Edition with original illustrations by Pierre Leroy and printed in 520 copies on Rives laid paper. A small lack to foot of spine spine and covers marginally sunned handsome interior condition. Copy complete with its slipcase split at head and with some tears. Les éditions universelles unknown
Riferimento per il libraio : 37287
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Robert GANZO
Du dancing ou le danseur sentimental
Paris: Editions Lemarget 1930. Fine. Editions Lemarget Paris 1930 15 x 21 cm broché First edition one of 270 numbered copies on Rives vellum the only deluxe copies after 15 Japan and 20 Holland. Work illustrated with an original frontispiece and headpiece by Marcel Vertès. Our copy is enriched with the duplicate state of the frontispiece and headpiece. Signed autograph inscription from Robert Ganzo to André Lecoeur. Handsome copy. Editions Lemarget hardcover
Riferimento per il libraio : 39634
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Robert GANZO - Otto D'SOLA
En ce nouveau monde
Paris: S. n. 1948. Fine. S. n. Paris 1948 17 x 23 cm broché First edition of the French translation established by Robert Ganzo one of 400 numbered copies on Marais paper the only issue. Autograph inscription signed by Robert Ganzo to a couple of his friends. Preface by Jean Cassou. Handsome copy. S. n. unknown
Riferimento per il libraio : 39640
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Robert GANZO
Histoire avant Sumer
Paris: Chez l'auteur 1963. Fine. Chez l'auteur Paris 1963 21 x 27 cm broché First edition on ordinary paper. Signed and inscribed by the author to a friend. Work illustrated with original photographs by the author. Spine and covers lightly and marginally sunned without consequence handsome copy. Chez l'auteur unknown
Riferimento per il libraio : 39636
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Robert GANZO
L'oeuvre poétique
Paris: Grasset 1956. Fine. Grasset Paris 1956 13 x 20 cm broché Collective first edition one of the copies on white helium. Nice copy. Signed autograph of Robert Ganzo to José Corti. Grasset unknown
Riferimento per il libraio : 65607
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Robert GANZO
Le génie prisonnier
Paris: Au vice impuni 1928. Fine. Au vice impuni Paris 1928 15.50 x 20.50 cm broché First edition one of 156 numbered copies on Holland paper deluxe copy. Signed autograph inscription from Robert Ganzo to a close friend André Lecoeur. A small and light dampstain at foot of spine which also has a tiny tear of no consequence. Handsome full-margined copy. Au vice impuni unknown
Riferimento per il libraio : 39633
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Robert GANZO
Poèmes
Paris: Gallimard 1942. Fine. Gallimard Paris 1942 12.50 x 19 cm broché The first collected edition a Service de Presse advance copy. Handsome copy complete with publisher's advertising slip. Autograph inscription signed by Robert Ganzo to Pierre Mac Orlan. Gallimard unknown
Riferimento per il libraio : 86337
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Robert GANZO
Rivière
Paris: S. n. 1941. Fine. S. n. Paris 1941 14 x 21 cm en feuilles First edition one of 40 numbered copies on Japan paper the only printing with 3 on Auvergne paper. Autograph inscription from Robert Ganzo to a friend. A rare and good copy. S. n. unknown
Riferimento per il libraio : 39631
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Robert GARNIER
Les tragedies de Robert Garnier
à Paris: Par Jean Fuzy 1607. Fine. Par Jean Fuzy à Paris 1607 In-12 relié New collective edition rare of the author's eight plays after the first complete collective edition in 1585. Printed in italics. Contemporary full brown sheep binding. Decorated raised spine. Red morocco title label. Corners and headcaps skillfully restored by a professional. Foxing. Paper yellowed. Upper joint finely cracked. Good copy. Garnier 1545-1590 is undoubtedly the first great French tragedian. Most of his subjects are drawn from Antiquity but his last two plays are on one hand a Christian tragedy and on the other a tragedy inspired by Ariosto. Friend of the Pléiade poets who openly celebrated him the tragedies contain in their preliminary pieces poems by Ronsard and Belleau Baïf or even poetry signed by all three he was less appreciated by the court. His sense of tragedy is inherited from Seneca and Euripides where the tragic sense depends less on action than on sovereign speech. On the upper cover in gilt letters: ""Club des Arcades."" Par Jean Fuzy unknown
Riferimento per il libraio : 56625
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Robert GARNIER
Les tragedies de Robert Garnier
à Paris: Par Jean Fuzy 1607. Fine. Par Jean Fuzy à Paris 1607 8 x 14.70 cm relié New edition. Binding splendid in full morocco mosaic lemon eighteenth in the way Padeloup. Back smooth decorated with small irons small nets curves and angular mosaic suns red central lozenge and quatrefoil hit a flagship red mosaic tail points and nets. Gilt title. boards decorated with small irons component rich garland framing mosaic of red in the spandrels and a decorated central motif of various jewels and petis irons. Lace on cups and interior. The copy was possibly réemboîté suggesting that domestic boards. Sumptuous mosaic binding unsigned master undoubtedly very rare. Par Jean Fuzy hardcover
Riferimento per il libraio : 50084
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Robert GASTOU
La théorie de l'aviation - Son application à l'aéroplane
Paris: Librairie des sciences aéronautiques F. Louis Vivien 1905. Fine. Librairie des sciences aéronautiques F. Louis Vivien Paris s. d. circa 1905 15.50 x 24 cm agrafé First edition. Light marginal stains to covers with some minor creasing. Preface by Maurice Farman. Rare pamphlet. Librairie des sciences aéronautiques F. Louis Vivien unknown
Riferimento per il libraio : 82899
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Robert GUIETTE
L'allumeur de rêves
Ostende Ostend & Bruges: Editions de la Flandre littéraire 1927. Fine. Editions de la Flandre littéraire Ostende Ostend & Bruges 1927 16.50 x 25 cm agrafé First edition published in a small number of copies of this offprint from la Flandre littéraire. Autograph inscription from Robert Guiette to André Salmon. Work illustrated with a frontispiece by James Ensor. Preface by Franz Hellens. Light marginal worming to the first cover. Rare. Editions de la Flandre littéraire unknown
Riferimento per il libraio : 27206
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Robert GUILLEMARD
Mémoires de Robert Guillemard sergent en retraite suivis de documens historiques la plupart inédits de 1805 à 1823
Paris: DelaforestBossangeBaudouin frères 1826. Fine. Delaforest Bossange Baudouin frères Paris 1826 13.50 x 21.50 cm 2 volumes reliés First edition. Bradel bindings in half sienna cloth smooth spines decorated with gilt fleurons at foot marbled paper boards. Some minor foxing gift inscriptions from a previous owner on the half-title pages of the volumes. Work illustrated with a map which has a small lack at border without affecting its integrity at the end of the second volume. DelaforestBossangeBaudouin frères hardcover
Riferimento per il libraio : 63024
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Robert GUIETTE
Rencontres
Paris: André de Rache 1973. Fine. André de Rache Paris 1973 16.50 x 25.50 cm broché First edition one of 10 numbered copies on Dutch laid paper deluxe copy. Handsome copy. André de Rache unknown
Riferimento per il libraio : 62256
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Robert H Balderson; House of Collectibles Staff
The Official Guide to Gunmarks
Random House Information Group 1996. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Random House Information Group paperback
Riferimento per il libraio : G0676600395I5N00 ISBN : 0676600395 9780676600391
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Robert H Balderson; House of Collectibles Staff
The Official Guide to Gunmarks
Random House Information Group 1996. Paperback. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Random House Information Group paperback
Riferimento per il libraio : G0676600395I3N00 ISBN : 0676600395 9780676600391
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