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Judith GAUTIER
"Je pensais à la cuisine qui va être très noire et à la fenêtre bouchée"" Signed autograph letter addressed to Francis Chrétien
Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 16.30 x 20.90 cm 3 pages sur un double feuillet Autograph letter signed by Judith Gautier addressed to Francis Chrétien the husband of her maid Céleste. Three pages written in violet ink on a double sheet with letterhead from 30 rue Washington. Transverse folds inherent to mailing. Judith Gautier sends Francis some instructions regarding the renovation of her house in Dinard le Pré aux oiseaux: ""Je pensais à la cuisine qui va être très noire et à la fenêtre bouchée qui est du côté du jardin sous la fenêtre de la salle à manger. Il me semble qu'elle rendrait du jour et même du soleil si elle était débouchée et bien disposée."" ""I was thinking about the kitchen which will be very dark and the blocked window which is on the garden side under the dining room window. It seems to me that it would provide light and even sunlight if it were unblocked and well arranged."" unknown
书商的参考编号 : 80881
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Judith GAUTIER
"Je viens vous annoncer aujourd'hui qu'un jeune homme de mes amis va venir s'installer samedi prochain dans la maison pour le mois de juin."" Signed autograph letter addressed to Céleste Chrétien
Alger Algiers 1914. Fine. Alger Algiers s. d. ca 1914 13.70 x 18 cm 4 pages sur un double feuillet Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her maid. Four pages written in black ink on a double sheet. Transverse folds inherent to mailing. Judith announces the upcoming visit of a friend to Dinard: ""I come to announce to you today that a young man who is my friend will come to settle in the house next Saturday for the month of June. He wants to be there all alone to finish some urgent musical work. You will give him my room with the dressing room and the room next to it the ground floor in order and the piano well polished."" unknown
书商的参考编号 : 80878
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Judith GAUTIER
"Je voudrais savoir si Francis pourrait se charger de rafraîchir ma maison et de repeindre les moulures de bois et les persiennes."" Signed autograph letter addressed to Céleste Chrétien
Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 13.40 x 18 cm 4 pages sur un double feuillet Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her maid. Four pages written in black ink on a double sheet. Transverse folds inherent to mailing last page soiled in lower margin without hindrance to reading. Judith Gautier asks her maid if the latter's husband can do work in her house at Pré aux oiseaux in Dinard: ""Je voudrais savoir si Francis pourrait se charger de rafraîchir ma maison et de repeindre les moulures de bois et les persiennes. Il s'agit de refaire un peu les fausses briques . et aussi les fenêtres lucarnes rondes du 2eme étage du côté de la mer qui sont à jour et qu'il faudra boucher avec du coton. On pourrait aussi reblanchir la cuisine qui n'a été faite qu'à peu près et le plafond de la salle à manger qui est très sale. ."" ""I would like to know if Francis could take care of refreshing my house and repainting the wood moldings and shutters. It's about redoing a bit the false bricks . and also the round dormer windows on the 2nd floor on the sea side which are open and will need to be plugged with cotton. We could also rewhiten the kitchen which was only roughly done and the ceiling of the dining room which is very dirty. ."" unknown
书商的参考编号 : 80820
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Judith GAUTIER
"Je vous enverrai les 3 mètres de taffetas pour la guipure."" Signed autograph card addressed to Celeste Chrétien
Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 13 x 7.20 cm une carte Autograph card signed by Judith Gautier addressed to Céleste Chrétien her maid written on both sides in black ink. Judith Gautier did not only employ Céleste for her domestic tasks but also called upon her talents as a seamstress: ""I will send you the 3 meters of taffeta for the guipure. I am hesitating about the color. The dress fits well I wear it over black taffeta undergarments."" unknown
书商的参考编号 : 80815
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Judith GAUTIER
"Je vous enverrai d'autres étoffes si vous avez du temps."" Signed autograph letter addressed to Céleste Chrétien
Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 12.90 x 17 cm 4 pages sur un double feuillet Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her maid. Four pages written in black ink on a double sheet. Transverse folds inherent to mailing. Judith Gautier frequently called upon the seamstress talents of her housekeeper: ""J'ai été contente de votre envoi tout allait bien sauf la robe en crêpe de Chine mauve qui était trop courte devant d'au moins 20 centimètres. On peut l'arranger en descendant les lés et en mettant un empiècement. Je vous enverrai d'autres étoffes si vous avez du temps. Mais je cherche un modèle un peu plus nouveau à adopter."" ""I was pleased with your shipment everything was fine except the mauve crepe de Chine dress which was too short in front by at least 20 centimeters. It can be fixed by lowering the panels and adding a yoke. I will send you other fabrics if you have time. But I am looking for a somewhat newer pattern to adopt."" unknown
书商的参考编号 : 80880
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Judith GAUTIER
"Le travail est-il commencé au Pré aux Oiseaux "" Signed autograph letter addressed to Céleste Chrétien
Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 10.50 x 16.50 cm 1 page sur un double feuillet Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her housekeeper. One page written in violet ink on a double sheet. Transverse folds inherent to the mailing. ""I receive this letter from Mr Lemoine and I don't know what to reply to him not knowing your reasons. Tell me what I should do. Has the work begun at Pré aux Oiseaux"" unknown
书商的参考编号 : 80834
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Judith GAUTIER
"Mr Clifton est un très jeune américain tout à fait charmant et qui a l'air d'une demoiselle. Soignez-le bien."" Signed autograph letter addressed to Céleste Chrétien
Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 13.70 x 18 cm 4 pages sur un double feuillet Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her housekeeper. Four pages written in black ink on a double sheet. Transverse folds inherent to mailing. Judith Gautier here discusses the visit of her friend the musician Chalmers Clifton - whom she liked to nickname Charmeur - to Dinard: ""Voici les dernières instructions : le voyageur arrivera dimanche soir à 7 heures 20. Il faudra le prendre à la gare vous ou Francis et le conduire tout droit à la maison qu'il ne connait pas. Il apporte des draps au cas où il n'y en aurait pas. Il les donnera pour qu'on fasse le lit et on le conduira tout de suite à Michelet pour dîner il faudra prévenir pour qu'on garde un dîner. . Mr Clifton est un très jeune américain tout à fait charmant et qui a l'air d'une demoiselle. Soignez-le bien."" ""Here are the final instructions: the traveler will arrive Sunday evening at 7:20. You or Francis will need to meet him at the station and take him straight to the house which he doesn't know. He is bringing sheets in case there aren't any. He will give them so the bed can be made and he will be taken immediately to Michelet for dinner you must warn them to save a dinner. . Mr. Clifton is a very young American who is quite charming and looks like a young lady. Take good care of him."" unknown
书商的参考编号 : 80835
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Judith GAUTIER
"On va jouer Tristane avec les marionnettes."" Signed autograph letter addressed to Céleste Chrétien
Alger Algiers 1912. Fine. Alger Algiers 14 mars 1912 11.30 x 15.20 cm 4 pages sur un feuillet double Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her maid; four pages written in black ink on a double sheet. This letter mentions the visit of Francis a carpenter by profession and Céleste Chrétien's husband to Paris: ""Does Francis still want to come and spend a few days in Paris Can he do so without harming his work They are going to perform Tristane with marionettes. I would like to have him to help me and I think it would amuse him. I would send him a first-class railway pass he would sleep and eat at my place so as not to incur any expenses. The performance takes place Saturday the 23rd at 4 o'clock; and there will be a dress rehearsal the day before or two days before."" It was in 1910 that Judith Gautier published in La Revue de Paris a triptych in verse entitled Tristane which she had performed in her Little marionette theatre inaugurated in May 1897 at 4 rue Charras in Paris. This theatre which contained about a hundred seats was quickly allocated a subsidy by the Ministry of Fine Arts. unknown
书商的参考编号 : 80804
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Judith GAUTIER
Dupleix
Vincennes: Les arts graphiques 1912. Fine. Les arts graphiques Vincennes 1912 14.50 x 20.50 cm reliure cartonnée de l'éditeur First edition. Publisher's full red paper boards smooth spine front cover illustrated with an image of Dupleix in combat shaded endpapers. Work illustrated with 12 illustrations. Handsome copy. Les arts graphiques hardcover
书商的参考编号 : 21338
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Judith MASEFIELD
Mary's spinning
Worcester: Stanbrook abbey press 1970. Fine. Stanbrook abbey press Worcester 1970 11.50 x 15 cm broché Printed in a limited edition of 180 numbered copies on Japon Kozu-shi Handsome copy with the Japanese Ogura paper covers well preserved. Stanbrook abbey press unknown
书商的参考编号 : 68751
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Judt, Bill; Rodd, John; McGeachan, Tom; Gardiner, Tom; Cranford, Peter; Howe, Bill; Sykes, Michael
WoodCuts Wood Cuts - A Woodworking Journal Magazine Winter 1993 Issue 6
Canada: Algrove Publishing Limited 1993. Book. Very Good. Single Issue Magazine. First Edition. 4to - over 9¾" - 12" tall. 40 pages. Features: Initial Camber - Stabilizing Wood for Relief Woodcarving; New Works in Wood by Bayot Heer Gerald Johnston Tom McKenzie and Doug Haslam; Gothic Tracery; Dovetail Jig; Screws; Macrojoinery in the Maritimes; Making a Wooden Hand Plane the Fast Way; Armando's Story - Armando de Gobbo misspelled as de Gobo of Kingston Ontario is a blind woodworker; Indexes to Woodworking Magazines and Newspapers; The Carvers' Quilt; Great photo of Farm Mechanics Students at the Prov. School of Technology and Art Calgary Jan. 25 1926; Woodworking Incunabula; XceL multiple head wrenches Nod and Shake goggles and the Lunkenheimer "Universal" Glass Body Oil Pump are featured on back cover. Clean bright and unmarked with light wear. A lovely copy of this fine Canadian woodworking publication. Algrove Publishing Limited Paperback
书商的参考编号 : 302G3133
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Juffermans, Jan (Dick van Luijn)
Het Grafisch Werk van Dick van Luijn catalogue raisonne of the prints
Utrecht and Amsterdam: Elite-Editions 1985. The standard catalogue raisonne of the the prints. Hundreds of items fully described and illustrated in black and white. Several well-produced color plates. Edition limited to 1700 numbered copies. Laid in is an original woodcut executed in 1927 "Harmonicaspeler" cat. no. 26 printed on fine laid paper. Large 4to. Publisher's cloth and celluloid dj. About fine. <br/><br/> Utrecht and Amsterdam: Elite-Editions, 1985 hardcover
书商的参考编号 : 1021 ???????? : 9069730014 9789069730011
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Jules BARBEY D'AUREVILLY
"Vous savez que je vous appartiens tête coeur et main & que toutes les différences d'opinion rendent l'amitié plus vive comme les contrastes passionnent l'amour."" Autograph letter dated and signed addressed to his friend Jean-Marie Dargaud
s. l. 1852. Fine. s. l. 22 Mars 1852 13.50 x 20.50 cm une feuille Fine autograph letter dated and signed by Jules Barbey d'Aurevilly addressed to historian Jean-Marie Dargaud 13 lines in black ink. Creases inherent to folding for posting. Jules Barbey d'Aurevilly shows great tact towards his friend also expressing all his affection: ""Je veux vous épargner en allant sous peu de jours vous voir chez vous une course longue et peut-être inutile. On ne me voit que le matin et encore les trois premiers jours de la semaine. J'irai donc vous voir."" ""I want to spare you by going to see you at your home in a few days a long and perhaps unnecessary journey. I can only be seen in the morning and only on the first three days of the week. I will therefore come to see you."" unknown
书商的参考编号 : 84884
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Jules BARBEY D'AUREVILLY
Amaïdée
Paris: Alphonse Lemerre 1890. Fine. Alphonse Lemerre Paris 1890 12 x 19 cm broché First edition. Worming to front cover small corner loss at foot of rear cover. Alphonse Lemerre unknown
书商的参考编号 : 12132
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Jules BARBEY D'AUREVILLY
Ce qui ne meurt pas
Paris: Alphonse Lemerre 1884. Fine. Alphonse Lemerre Paris 1884 12 x 19 cm broché First edition on ordinary paper; only a few copies were printed on China and Holland paper as deluxe copies. One joint cracked at foot then reglued a small marginal tear restored to the front cover occasional foxing. Alphonse Lemerre unknown
书商的参考编号 : 24355
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Jules BARBEY D'AUREVILLY
Deuxième memorandum 1838 et quelques pages de 1864
Paris: P.V. Stock 1906. Fine. P.V. Stock Paris 1906 12 x 19 cm relié Edition with some parts in first edition. Bradel binding in half marbled boards smooth spine attractively decorated with gilt cartouches and typographical motifs marbled paper boards tear-drop pattern endpapers and pastedowns original wrappers preserved. Two fold marks at head and foot of pages 207 and 208. Handsome copy. P.V. Stock hardcover
书商的参考编号 : 81239
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Jules BARBEY D'AUREVILLY
Du dandysme et de G. Brummell On Dandyism and George Brummell
Caen: B. Mancel 1845. Fine. B. Mancel Caen 1845 12 x 16 cm relié First edition printed in a small number of copies Contemporary Bradel binding in half light brown morocco over marbled paper boards spine slightly discolored with gilt fleuron gilt date at foot marbled pastedowns and endpapers covers with à l'adresse de Ledoyen libraire à Paris 1845 preserved ex libris pasted onto one endpaper A little light occasional spotting A very good and rare copy in a good binding. B. Mancel hardcover
书商的参考编号 : 43068
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Jules BARBEY D'AUREVILLY
Du dandysme et de G. Brummell
Caen: B. Mancel 1845. Fine. B. Mancel Caen 1845 11.50 x 15 cm relié First edition one of the extremely rare copies on Hollande fort paper the only large paper copies of which a few are on colored paper. Contemporary half black shagreen with black paper boards spine in five compartments with black fillets corners a little rubbed. With an autograph inscription from Trebutien to Georges Lesnard. A little light foxing to endpapers. In his Annales de Normandie Jean-Luc Piré gives an analysis of the importance of the collaboration between Barbey and Trebutien devoting an entire paragraph to Dandysme to underline the importance of Trebutien's contribution to this little work among the rarest and most sought-after by Barbey. We are familiar with the monumental correspondence Barbey maintained monkishly with his friend over the course of twenty-six years
The presence of Trebutien is almost constant in the Aurevillian universe. The Sagittarius was not far off when he wrote to his correspondent: Your name interwoven with mine is as well known as my own
Whoever says d'Aurevilly says Trebutien. Even in the very midst of Dandysme Barbey pays homage to his publisher and friend: I ask the thirty or forty people who will read this their leave to introduce M. Trebutien as a friend whose merit is greater than my own and whose imagination and knowledge often separate but united in him need no personal friendship to impress those who appreciate such things. The story of Dandysme more than any other of Barbey's books is tied to his publisher friend and active collaborator. Initially conceived simply as an article on Brummel who had died three years previously Du Dandysme was to take on book form thanks to a number of documents provided by Trebutien who served to provide Barbey with documentary material: as for Brummell I've literally followed all your advice. I've read everything you recommended. Having received two rejections for the article from the Revue des Deux Mondes and the Journal des Débats d'Aubervilly gave Trebutien the green light for publication. Barbey was to take this book to heart: the exchange of proofs and corrections was incessant. In October he decided to add notes. The collaboration with Trebutien took on particular meaning: You have taught me to love Brummell once more. Without you I would have thrown him on the dust-heap to repay the disappointments he caused
But you have given me back the taste for him and so urged on by you here I am immersed in the cult of detail of little dots and shaded lines of all those corrections that make up a finished work for which I haven't the strength being a man of immediate passions a brutal and rapid artist animalistically reduced by his passions! When in 1850 Trebutien suggested publishing Prophètes du Passé Barbey agreed in the following terms: We'll correct the proofs like those for Brummell won't we my friend I like that way of working it is so inspiring. If a thought a note a little change should come to me I can send it on to you. Whereas the first edition strengthened the friendship between the poet and his publisher J-L. Piré notes that the reprinting of the work was on the contrary a source of friction: Barbey suggested to his friend on the 2nd July 1858 that they let Poulet-Malassis reprint the work on Brummell
: if you authorize me to deal with the sour Poulet lit.: chicken. We'll divide equally what he gives us for the Brummell and its reprint. But Trebutien despised Poulet-Malassis: a socialist of the worst kind
he was the editor of one of the basest newspapers of the time
He established in Paris a bookshop where he reprints all the impure and impious works of the 18th century. Piré Jean-Luc in: Hors-série des Annales de Normandie. G.S. Trebutien Préface par J.-Cl. Polet 1985 pp. 3-198. An exceptional copy printed on large Holland paper in a sober contemporary binding. B. Mancel hardcover
书商的参考编号 : 43067
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Jules BARBEY D'AUREVILLY
Du dandysme et de G. Brummell. - Memoranda
Paris: Alphonse Lemerre 1887. Fine. Alphonse Lemerre Paris 1887 9.50 x 16.50 cm broché Later edition. Autograph inscription from Jules Barbey D'Aurevilly to Madame Salomon : "". parce qu'il est plus moi que mes autres livres je vous l'offre.since it is more like me than my other books I give it to you…"" What an inscription! With a frontispiece portrait of the author by Martinez. The front free endpaper with the inscription very slightly and partially faded. Autograph inscriptions by Barbey d'Aurevilly on this work are rare and much sought after. Alphonse Lemerre unknown
书商的参考编号 : 48033
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Jules BARBEY D'AUREVILLY
Fragment à mettre en tête du Joseph Delorme que je dois donner à.
Paris: Lemerre 1912. Fine. Lemerre Paris 1912 9.50 x 16 cm broché First edition of which there were no deluxe copies. Light marginal foxing to boards otherwise a handsome copy. Lemerre hardcover
书商的参考编号 : 65800
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Jules BARBEY D'AUREVILLY
Fragment à mettre en tête du Joseph Delorme que je dois donner à.
Paris: Lemerre 1912. Fine. Lemerre Paris 1912 9.50 x 16 cm broché First edition of which there were no deluxe copies. Light marginal worming to the boards otherwise a handsome copy. Lemerre hardcover
书商的参考编号 : 21660
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Jules BARBEY D'AUREVILLY
L'amour impossible Impossible Love
Paris: Imprimerie de E.B. Delanchy 1841. Fine. Imprimerie de E.B. Delanchy Paris 1841 13.50 x 21.50 cm relié sous étui First edition very rare of the first novel of Jules Barbey d'Aurevilly see Clouzot. Occasional rare spotting. Half sheep very light traces of repair on the spine covers marbled contemporary binding. A very nice copy. Imprimerie de E.B. Delanchy unknown
书商的参考编号 : 62213
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Jules BARBEY D'AUREVILLY
Le chevalier Des Touches
Paris: Jouaust Librairie des Bibliophiles 1886. Fine. Jouaust Librairie des Bibliophiles Paris 1886 13.50 x 21 cm relié Edition illustrated by Julien Le Blant with 7 hors-texte etchings and a portrait of the author as frontispiece. Small print run on vellum. Fine engravings engraved by Champollion. Ornaments initials headpieces. by Giacomelli. Copy with the monogram G. A. unidentified. Interlaced English initials. Contemporary full tender green morocco binding signed at bottom of front pastedown Bonleu. Smooth spine decorated with a fleuron at head and a special tool the whole within elegant frames. Triple fillet frame on boards. Monogram at center of upper board. Wide inner decorative border. Top edge gilt. Light traces of rubbing. Spine having turned uniformly to light brown. Copy very fresh except for 2 pages with scattered micro spotting. Handsome copy. Jouaust, Librairie des Bibliophiles hardcover
书商的参考编号 : 85882
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Jules BARBEY D'AUREVILLY
Le théâtre contemporain
Paris: L. Frinzine 1887. Fine. L. Frinzine Paris 1887 11.50 x 19 cm relié First edition of which there were no grand papier deluxe copies. Half shagreen contemporary binding. Autograph inscription signed by Jules Barbey D'Aurevilly to Charlotte Amélie de Musset sister of Alfred de Musset. Rare foxing. L. Frinzine unknown
书商的参考编号 : 59977
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Jules BARBEY D'AUREVILLY
Le théâtre contemporain
Paris: L. Frinzine 1887. Fine. L. Frinzine Paris 1887 11.50 x 19 cm relié First edition of which there were no large paper copies. Elegant pastiche binding by P. Goy & C. Vilaine in half copper-colored calf over marbled paper boards spine with double gilt fillets and date in gilt at foot marbled pastedowns and endpapers covers preserved. Autograph inscription from Jules Barbey D'Aurevilly to his friend Eugène Yung director of the La revue bleue in pink ink. A few spots mostly to final leaves. L. Frinzine hardcover
书商的参考编号 : 47351
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Jules BARBEY D'AUREVILLY
Les Bas bleus
Paris & Bruxelles Brussels: Victor PalméG. Lebrocquy 1878. Fine. Victor Palmé G. Lebrocquy Paris & Bruxelles Brussels 1878 12 x 18.50 cm relié First edition. Half mustard yellow shagreen binding with corners spine with five raised bands decorated with blind-tooled compartments black morocco title and volume labels gilt date at foot gilt fillets on marbled paper boards combed paper endpapers and pastedowns top edge gilt on deckled edges. Some very slight rubbing to headcaps corners and on title and volume labels. Reading marks in blue pencil in margins of the last three pages. Autograph inscription signed by Jules Barbey d'Aurevilly ""à Monsieur Charles Buet / écriture déguisée pour cette plume moderne mais sentiment vrai toujours"". Provenance: from the library of P. Tissot with his stamp as bookplate on the title page. The writer and journalist Charles Buet held a literary salon on avenue de Breteuil where he received notably Barbey d'Aurevilly but also Léon Bloy François Coppée Joris-Karl Huysmans Jean Lorrain Laurent Tailhade Jean Moréas Stanislas de Guaïta and Félix Fénéon. Signed autograph inscriptions by the author on this title are of exceptional rarity. Victor PalméG. Lebrocquy hardcover
书商的参考编号 : 73577
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Jules BARBEY D'AUREVILLY
Les diaboliques The She-Devils
Paris: E. Dentu 1874. Fine. E. Dentu Paris 1874 12 x 18.50 cm relié First edition of which there were no large paper copies. Near contemporary red half morocco over marbled paper boards by P. Ruban spine in six compartments raised bands bounded by black fillets date gilt at foot of spine marbled endpapers and pastedowns covers preserved top edge gilt. Attractive ex libris engraved by Provost-Blondel on pastedown representing a helmet with a feather medallion and a strip with the motto Tojours en face. The ex libris belonged to Victor Coué a 2nd Lieutenant killed in the First World War. This copy has two frontispieces: one lithograph heightened by Félicien Rops showing a caricature of Barbey d'Aurevilly with the caption Il n'a pour page que son ombre. TS his page is none other than his shadow and a portrait of the author engraved by Paul-Adolphe Rajon 1843-1888. This copy is further enriched with the eponymous series of engravings by Félicien Rops done between 1882 and 1886 with a view to a new edition by Alphonse Lemerre. The meeting of these two major works of literature and history of art from the end of the 19th century makes for an exceptional and unique copy since contrary to what is generally thought Rops' prints never actually accompanied Barbey's text in a genuine illustrated edition. The series is composed of three frontispiece plates: La Femme et la folie dominant le monde I et II Woman and Madness Ruling the World I and II Le Sphinx The Sphinx and six others referring respectively to six of Barbey's short stories and figuring at the beginning of each: Le Rideau Cramoisi The Cramoisi Curtain Le Plus Bel Amour de Don Juan Don Juan's Finest Affair Le Dessous de cartes d'une partie de whist The Undersides of the Cards in a Game of Whist à un dîner d'athées At an Atheists' Dinner Le Bonheur dans le Crime The Joy of the Crime and La Vengeance d'une femme A Woman's Revenge. A very good copy in a practically contemporary binding. E. Dentu hardcover
书商的参考编号 : 51011
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Jules BARBEY D'AUREVILLY
Les oeuvres et les hommes : Les philosophes et les écrivains religieux. - Les historiens politiques et littéraires
Paris: Amyot 1851. Fine. Amyot Paris 1851 12 x 19 cm 2 volumes brochés First edition pour each volume there was no mention of large paper copies. Rare autograph inscription from Jules Barbey D'Aurevilly in pencil to a close friend : ""à Hervé/ Inoubliable - inoublié"" in the first volume. Spine of first volume cracked a joint fragile ex-dono in ink to head of upper cover of the second volume a few small spots. Amyot unknown
书商的参考编号 : 25248
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Jules BARBEY D'AUREVILLY
Les prophètes du passé
Paris: Louis Hervé 1851. Fine. Louis Hervé Paris 1851 12.50 x 16.50 cm broché First edition. Publisher's yellow cover this copy uncut retains the handsome portrait of the author as frontispiece.notre exemplaire non rogné est complet du très beau portrait gravé de l'auteur en frontispice. Large but pale foxing to almost every leaf. Louis Hervé unknown
书商的参考编号 : 16221
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Jules BARBEY D'AUREVILLY
Memoranda
Paris: E. Rouveyre & G. Blond 1883. Fine. E. Rouveyre & G. Blond Paris 1883 12.50 x 19 cm relié New edition with some parts in first edition printed in a small number of copies on laid paper. Half brown shagreen binding spine with four raised bands decorated with double gilt cartouche ornamented with gilt and blind typographical motifs dark green shagreen title-label headcaps worn joints rubbed gilt fillet on moiré paper boards moiré paper endpapers and pastedowns bookplate pasted to verso of front board original wrappers preserved top edge gilt. Preface by Paul Bourget. Frontispiece portrait of the author engraved by Abot as an etching. E. Rouveyre & G. Blond hardcover
书商的参考编号 : 38065
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Jules BARBEY D'AUREVILLY
Notice sur J.M. Audin auteur des histoires de Luther de Calvin de Léon X et de Henri VIII
Paris: Lib. de L. Maison 1856. Fine. Lib. de L. Maison Paris 1856 14 x 22.50 cm broché First edition printed in a small number of copies. With a frontispiece portrait of J.M. Audin by A. Salmon. Slight spotting on the upper cover small scattered foxing. Rare. Lib. de L. Maison unknown
书商的参考编号 : 18016
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Jules BARBEY D'AUREVILLY
Oeuvres
Paris: Alphonse Lemerre 1899. Fine. Alphonse Lemerre Paris 1899 9 x 16 cm 10 volumes reliés New editions. Only the poetry volume contains the date of 1899. The other volumes based on the address of the printer and publisher Lemerre appeared approximately at this date. Contemporary half red shagreen binding with corners. Decorated spine with raised bands gilt titles. Ce qui ne meurt pas 2 volumes; Un prêtre marié 2 volumes; Une histoire sans nom une page d'histoire; L'amour impossible La bague d'Annibal; Les diaboliques; Une vieille maîtresse 2 volumes; Poussières Rythmes oubliés Amaïdée. Alphonse Lemerre hardcover
书商的参考编号 : 76550
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Jules BARBEY D'AUREVILLY
Philosophes et écrivains religieux et politiques
Paris: Alphonse Lemerre 1889. Fine. Alphonse Lemerre Paris 1889 12 x 19 cm broché First edition on ordinary paper. Tiny loss at head of spine with slight tear at foot without loss handsome copy. Alphonse Lemerre unknown
书商的参考编号 : 23471
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Jules BARBEY D'AUREVILLY
Rhythmes oubliés
Paris: Alphonse Lemerre 1897. Fine. Alphonse Lemerre Paris 1897 14 x 21 cm broché First edition one of 510 copies numbered and initialed by the publisher ours on Holland paper. Two traces of restorations and a lack to spine some foxing. Alphonse Lemerre unknown
书商的参考编号 : 72634
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Jules BARBEY D'AUREVILLY
Un prêtre marié
Paris: Librairie de Achille Faure 1865. Fine. Librairie de Achille Faure Paris 1865 11 x 18.20 cm 2 volumes reliés First edition on ordinary paper. Copy bearing the author's signature as befits it. 2 copies were printed on China paper and a few copies on Holland paper. Rare like almost all of the author's works. Contemporary half red shagreen sheep binding. Smooth spine decorated with a fleuron and fillets. Traces of rubbing. Some scratches on the boards. P. 96 and 94 a foxing stain in the lower margin. Handsome copy perfectly fresh with very white paper. Librairie de Achille Faure hardcover
书商的参考编号 : 81505
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Jules BAUX
Histoire de l'église de Brou
Lyon: Bauchu 1854. Fine. Bauchu Lyon 1854 15.50 x 23.50 cm relié Second edition with some parts in first edition as revised and expanded. Half hazel sheep binding smooth spine faded decorated with triple gilt fillets and blind typographical motifs rubbing traces and bookworm damage not affecting text at foot of spine marbled paper boards. Work illustrated with two color portraits and 4 hors-texte engravings. Occasional foxing a history of the church typewritten has been pasted at head of the work. Bauchu hardcover
书商的参考编号 : 30956
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Jules BAUX
Nobiliaire du département de l'Ain XVIIe et XVIIIe siècles. Bugey et Pays de Gex
Bourg-en-Bresse: Francisque Martin-Bottier 1864. Fine. Francisque Martin-Bottier Bourg-en-Bresse 1864 - relié First edition signed by the publisher on the page facing the title page. Contemporary half brown shagreen binding spine with four raised bands decorated with fleurons gilt compartments and fillets blind compartments marbled paper boards marbled endpapers and pastedowns all edges speckled. Some rubbing at head and foot as well as some scratches on the spine which also shows some dampstains. Some foxing at beginning and end of volume otherwise good copy. Francisque Martin-Bottier hardcover
书商的参考编号 : 67075
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Jules BERTAUT
La Vie aventureuse de Louis XIII
Paris: Lardanchet 1949. Fine. Lardanchet Paris 1949 14 x 23 cm broché First edition one of 65 numbered copies on vélin alfa paper reserved for the bibliophilic association ""Amis des Beaux Livres"" the only deluxe copies along with 300 other vélin alfa copies. Fine full-margined copy. Lardanchet unknown
书商的参考编号 : 76670
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Jules BERTAUT
Marie-Louise femme de Napoléon Ier 1791-1847
Paris: Amiot-Dumont 1952. Fine. Amiot-Dumont Paris 1952 14.50 x 23 cm relié First edition one of 15 numbered copies on alfa mousse paper the only deluxe copies. Half red shagreen binding with corners lightened spine with five raised bands set with blind fillets marbled paper boards endpapers and pastedowns original wrappers and spine preserved top edge gilt retaining its deckled edges. A handsomely bound copy. Amiot-Dumont hardcover
书商的参考编号 : 77223
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Jules BERTAUT
Villégiatures romantiques
Paris: Le Goupy 1927. Fine. Le Goupy Paris 1927 17 x 24 cm broché First edition one of 50 numbered copies on Arches laid paper after only 20 Japan and 30 Holland. Work illustrated with 15 plates hors-texte as well as numerous in-text vignettes. Light worming on endpapers handsome copy. Le Goupy unknown
书商的参考编号 : 40538
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Jules BLANCARD
Le rêve d'une nuit d'hiver
Montélimar: Imp. Chevet & fils 1875. Fine. Imp. Chevet & fils Montélimar s. d. circa 1875 13.50 x 20.50 cm broché First edition of this poem-tribute to Helvetia for its hospitality towards the French army of 1870-1871. Inscription from Jules Blancard to General Baron Friant. Spine and boards marginally faded minor corner lacks of no significance to the boards handsome interior condition without foxing. Rare. Imp. Chevet & fils hardcover
书商的参考编号 : 19410
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Jules BOIS
L'amour doux et cruel
Paris: Eugène Figuière 1903. Fine. Eugène Figuière Paris 1903 11.50 x 18.50 cm relié first edition on current paper second edition mention press service punch at the foot of the first cover. Bindery in half fir tree green fir smooth back discolored and illuminated back decorated with nets and golden fleurons piece of title of shagreen red plates marbled paper guards and counterplates of paper to the vat copuvertures illustrated conserved binding of l 'time. Autographed by Jules Bois to Charles Bernard. Eugène Figuière unknown
书商的参考编号 : 60142
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Jules BOIS
Le couple futur
Paris: Librairie des Annales 1912. Fine. Librairie des Annales Paris 1912 12 x 19 cm relié first edition on the current paper. Binding to bradel half gray calico smooth back with a gold floral motif double golden tail thread marbled paper boards contemporary binding. Signed autograph Jules to Mr. and Mrs. Schmökel. Nice copy. Librairie des Annales hardcover
书商的参考编号 : 55488
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Jules BOIS
Le mystère et la volupté
Paris: Paul Ollendorff 1901. Fine. Paul Ollendorff Paris 1901 11.50 x 18 cm relié First edition with statement of third edition. Bradel binding in half cardboard resembling vellum smooth spine decorated with a red and green floral frieze red shagreen title-label gilt date at foot marbled paper boards contemporary binding. First endpaper shaded otherwise handsome copy. Paul Ollendorff hardcover
书商的参考编号 : 57230
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Jules BOIS
Le mystère et la volupté
Paris: Paul Ollendorff 1901. Fine. Paul Ollendorff Paris 1901 12 x 19 cm relié First edition with third edition statement. Bradel binding in half olive green cloth smooth spine decorated with a gilt fleuron red shagreen title-label with minor marginal scratches gilt date and double fillet at foot marbled paper boards corners slightly bumped contemporary binding. Paul Ollendorff hardcover
书商的参考编号 : 57400
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Jules BOISSIERE
Propos d'un intoxiqué Remarks of an Intoxicated Man
Paris: Société des éditions Louis Michaud 1912. Fine. Société des éditions Louis Michaud Paris s. d. 1912 14 x 21 cm broché Posthumous first edition one of 120 copies reimposed and numbered on Dutch laid paper the only copies on deluxe paper. A very handsome copy uncut enriched with an original watercolour depicting an Annamite soldier signed Linh-Tap. Preface by Jean Ajalbert. Attractive illustrated cover by Géo Dorival with a second state of the illustrated cover supplied on a separate leaf. Manuscript signature of Marie-Thérèse Boissière beneath the limitation statement. Société des éditions Louis Michaud unknown
书商的参考编号 : 73189
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Jules BRETON
"Aujourd'hui on rit et demain on pleure ainsi va la vie"" Signed autograph letter
1894. Fine. 1894 11.50 x 17.40 cm une feuille Signed autograph letter from the painter Jules Breton one folded sheet a marginal tear. Academically trained a realist then naturalist painter Jules Breton was one of the first artists of the peasant world. The painter addresses a childhood friend of his daughter the artist painter Virginie Demont-Breton: ""Thank you for your kind letter of congratulations about Virginie's decoration your former little companion who has kept such affectionate memories of you. I can still see you playing on the sand of Douarnenez during that horrible war . My wife . has just lost her youngest brother whom we loved tenderly. Today one laughs and tomorrow one cries such is life ."" unknown
书商的参考编号 : 71479
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Jules BRETON
"nous ne faisions pas mauvaise figure dans notre salle"" Autograph letter card signed to the painter William Bouguereau about the Salon
Wissant 1886. Fine. Wissant s. d. 11.60 x 9 cm une feuille Autograph signed postcard from painter Jules Breton to painter William Bouguereau regarding the loss of his son and his visit to the Salon des artistes indépendants: "". Quoique vieux jeunes tous les deux j'ai remarqué samedi matin lors d'une première visite au Salon que nous ne faisions pas mauvaise figure dans notre salle. Et il ya 50 ans que nous y luttons. Ceux qui vivront dans 50 ans verront beaucoup de nos triomphateurs à bon marché. ."" ""Though we are both old yet young I noticed on Saturday morning during a first visit to the Salon that we did not cut a poor figure in our room. And we have been struggling there for 50 years. Those who live in 50 years' time will see many of our cheap triumphers."". One postcard. Academically trained a realist then naturalist painter Jules Breton was one of the first artists of rural life and a poet member of the Parnasse admired notably by Van Gogh. unknown
书商的参考编号 : 71531
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Jules BRETON
"Votre remarquable publication sur les Académiciens"" Signed autograph letter
1866. Fine. 15 avril 1866 13.30 x 21 cm une feuille Signed autograph letter from painter Jules Breton congratulating a historian on his latest work and requesting the sending of the second volume. One folded sheet. Academically trained a realist then naturalist painter Jules Breton was one of the first artists to depict the rural world. unknown
书商的参考编号 : 71485
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Jules BRETON
Carte-lettre autographe signée à un journaliste à propos de l'une de ses toiles et l'un de ses poèmes
Wissant 1885. Fine. Wissant s.d. ca 1885 11.50 x 9 cm une feuille Autograph letter signed by the painter Jules Breton to a colleague thanking him for his laudatory article concerning his latest painting: ""J'ai été heureux de lire l'éloge que vous faites de mon tableau dans la Vie moderne d'y trouver mon sonnet favorablement cité par un poète que j'aime entre tous."" ""I was happy to read the praise you give my painting in La Vie moderne to find my sonnet favorably quoted by a poet whom I love above all others."" Academically trained first a realist then naturalist painter Jules Breton was one of the first artists of the peasant world and a poet member of the Parnasse admired notably by Van Gogh. unknown
书商的参考编号 : 88083
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