‎Collectibles‎

‎Francois CAVANNA - (inscribed to Regine DEFORGES)‎

‎La belle fille sur le tas d'ordures • The Pretty Girl on the Garbage Heap‎

‎Paris: Presses de la Cité 1984. Fine. Presses de la Cité Paris 1984 14 x 22.50 cm broché First edition of which there were no deluxe copies. Illustrated with drawings by Cabu. Handsome copy complete with its wraparound band: ""Touche pas à ma planète !"" ""Don't touch my planet!"". Precious autograph inscription signed by François Cavanna to his friends Régine Deforges and Wiaz: ""A Régine à Wiaz qui le liront ensemble ou se le raconteront."" ""To Régine to Wiaz who will read it together or tell it to each other."" Provenance: from the library of Régine Deforges. Presses de la Cité unknown‎

Referenz des Buchhändlers : 75782

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les bas-bleus - ""Comment! encore une caricature sur nous.""‎

‎Paris: Chez Aubert 1844. Fine. Chez Aubert Paris s. d. 1844 26.60 x 34.60 cm une feuille Original black and white lithograph third state for Le Charivari printed on heavy paper. Signed on the plate. Delteil 689 Monogrammed stamp ""AB"" from the collection of Dr Albert Bloch on the reverse of the plate. Some pale foxing. Chez Aubert unknown‎

Referenz des Buchhändlers : 74764

‎Honore DAUMIER‎

‎Lithographie originale en couleurs - L'Exposition Universelle - ""Vue prise à la buvette pendant la canicule""‎

‎Paris: Maison Martinet 1855. Fine. Maison Martinet Paris s. d. 1855 25.20 x 33.60 cm une feuille Original lithograph heightened in colors and gummed second state for Le Charivari printed on thick paper. Delteil 1776 Some light foxing. Maison Martinet unknown‎

Referenz des Buchhändlers : 74796

‎Jacques PREVERT‎

‎Choses et autres‎

‎Paris: Gallimard 1972. Fine. Gallimard Paris 1972 14.50 x 20.50 cm broché First edition one of 62 numbered copies on pur fil deluxe copy. Fine copy. Gallimard unknown‎

Referenz des Buchhändlers : 75627

‎Art ROE‎

‎Racheté‎

‎Paris: Calmann Lévy 1895. Fine. Calmann Lévy Paris 1895 12 x 19 cm broché First edition one of 10 numbered copies on imperial Japan paper the only deluxe copies. Rare and handsome copy despite small lacks to spine and traces of corner creases on boards. Calmann Lévy hardcover‎

Referenz des Buchhändlers : 75245

‎Stephane MALLARME - (to Alidor DELZANT) - (James McNeill WHISTLER)‎

‎"j'ai honte d'avoir fui dans ma verdure au moment même où Whistler parlait de mon portrait à faire"" • Signed autograph letter card and signed autograph quatrain addressed to Alidor Delzant‎

‎Valvins 1898. Fine. Valvins 23 juin 1898 8.90 x 11.50 cm une carte recto verso - enveloppe jointe Autograph letter-card signed by Stéphane Mallarmé addressed to Alidor Delzant written in black ink on both sides. With the original envelope. Enclosed with this letter is a quatrain in Mallarmé’s hand: ""Tout en les éternisant / Bracquemond ici fait vivre / Les traits d'Alidor Delzant / A nous ouvert comme un livre."" Alidor Delzant was a lawyer collector and bibliophile. A friend of the Goncourt brothers he devoted a book to them and served as Edmond’s secretary and testamentary executor. A delightful card in which the “poëte ordinaire” refers to the making of his portrait by his friend the painter Whistler: ""j'ai honte d'avoir fui dans ma verdure au moment même où Whistler parlait de mon portrait à faire"". ""On June 1st as he had promised Whistler who in his last letter with an affection verging on tenderness addressed him as ‘mon Mallarmé’ he went to the painter’s studio on the rue Notre-Dame-des-Champs. ‘You will see someone from the woods somewhere between the wild boar and the nightingale’ he had warned playfully in announcing his visit. Painter and poet ended the day dining on the rue du Bac where the all-too-ephemeral Trixie was now absent. In the half-light after dinner Whistler near a lamp seemed to resurrect in appearance the extraordinary Poe. Doubtless he then repeated to Mallarmé his intention of painting him. The next day without waiting for the Monet exhibition soon to be held at Georges Petit the Mallarmés went on to Valvins.” Jean-Luc Steinmetz Stéphane Mallarmé This was most likely the execution of another portrait of Mallarmé of which no trace remains Whistler having already produced one that served as the frontispiece to Vers et Prose in 1893. He also alludes to Bracquemond’s etched portrait of Delzant: ""Je comprends du reste l'eau-forte valant cet exil de Paraÿs . Redites mon affectueuse admiration toujours à Monsieur Bracquemond."" unknown‎

Referenz des Buchhändlers : 75918

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - La Journée du Celibataire - ""8 Heures du matin""‎

‎Paris: Chez Aubert 1839. Fine. Chez Aubert Paris s. d. 1839 27.50 x 36 cm une feuille Original black and white lithograph second state for Le Charivari printed on heavy paper. Signed on the plate. Delteil 1999 Monogrammed stamp ""AB"" from the collection of Dr. Albert Bloch on the verso of the plate. Some light foxing and ink numbering at the head of the plate. Chez Aubert unknown‎

Referenz des Buchhändlers : 74734

‎Paul MARROT‎

‎Le charme. - Lazare. Poésies posthumes‎

‎Paris: Albert Fontemoing 1903. Fine. Albert Fontemoing Paris s. d. circa 1903 13 x 20.50 cm relié First edition one of the rare copies on laid paper of which no mention is made. Full black morocco binding spine with five raised bands place and date gilt at foot cold-stamped roulettes on headcaps marbled paper endpapers and pastedowns frame of double gilt fillets and gilt fleurons in corners of pastedowns covers and spine preserved small tear on second cover top edge gilt contemporary binding signed René Kieffer. Preface by Edmond Frank work illustrated with a portrait of the author as frontispiece drawn and engraved by H. Danger. Our copy is enriched with a double portrait of Paul Marrot as frontispiece and bears an autograph inscription signed by H. Danger to the preface writer of the work Edmond Frank. Fine and rare deluxe copy established in a full morocco binding signed René Kieffer. Albert Fontemoing hardcover‎

Referenz des Buchhändlers : 75341

‎RJ PIERRE R J‎

‎La Russie sous la révolution et la dictature maximaliste‎

‎Bruxelles Brussels & Paris: Société d'édition belgo-russeFélix Alcan 1919. Fine. Société d'édition belgo-russe Félix Alcan Bruxelles Brussels • & Paris 1919 14 x 18 cm broché The first edition of which there were no deluxe copies. Spine sunned handsome interior condition. Preface by M. Lauwick. Société d'édition belgo-russeFélix Alcan unknown‎

Referenz des Buchhändlers : 74404

‎Jean BASEILHAC - (Georges COURTELINE)‎

‎"La soupe à la chambre"" - Lithographie originale sur Japon - L'Estampe Moderne‎

‎Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1898 38 x 27 cm une feuille et une serpente Rare original color lithograph executed by Jean Baseilhac for L'Estampe Moderne series number 17 published in September 1898. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe edition on the verso; engraving preceded by a tissue guard inscribed with the artist's name the title and a text extract. Lithograph inspired by an extract from Train de 8 h. 47 by Georges Courteline reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown‎

Referenz des Buchhändlers : 74579

‎Jules VERNE‎

‎Le Sphinx des glaces‎

‎Paris: Jules Hetzel 1903. Fine. Jules Hetzel Paris 1903-1904 17.50 x 27.50 cm relié Edition illustrated with 68 illustrations by George Roux including 20 large chromolithographs and one map. Catalogue Y in-fine. Publisher's Hetzel binding signed Engel known as ""au globe"" type 4 spine with lighthouse second cover type Engel ""i"" according to Jauzac all edges gilt. Spine lightly faded with minor rubbing and corners rubbed. Endpapers changed and scattered foxing mainly at beginning and end of volume. Le Sphinx des glaces is a fantasy novel intended as a sequel to Edgar Poe's novel - to which it is dedicated - Les Aventures d'Arthur Gordon Pym published in 1838. Copy not recorded by Jauzac. Jules Hetzel unknown‎

Referenz des Buchhändlers : 74212

‎(Ivan TOURGUENIEV) - Etienne CARJAT‎

‎Photographie Portrait photographique de Ivan Tourgueniev‎

‎Paris: Legré et Bergeron 1865. Fine. Legré et Bergeron Paris 1865 6 x 10.20 cm une photographie Rare original albumen photograph mounted on card by Carjat. From 1865 Carjat sold his studio to Legré and Bergeron who thereafter exploited his collection. Photograph mounted on card. On verso: Photographie Legré et Bergeron anciens associés succrs de Carjat & Cie 56 rue Lafitte Paris. In pencil: Tourgueneff. The photographic session which presumably took place at Carjat's studio of Turgenev at around 47 years of age produced several negatives one of which is in the Carnavalet Museum. This other photograph shows him in the same attire no longer facing forward but in profile. We have been unable to locate any other copy in public collections. Handsome print representing the writer with a dark and grave expression. Legré et Bergeron unknown‎

Referenz des Buchhändlers : 75138

‎Paul ADAM‎

‎Lettres de Malaisie‎

‎Paris: Editions de La revue blanche 1898. Fine. Editions de La revue blanche Paris 1898 12.50 x 18.50 cm relié First edition of which there were no deluxe copies. Bradel binding in half brick brown cloth with corners smooth spine decorated with gilt floral motif double gilt fillet at foot turquoise shagreen title label pebbled paper boards endpapers and pastedowns with floral motifs covers and spine preserved contemporary binding. Small black ink stains on top edge and on lower corners. Rare and handsome copy of this literary utopia. Editions de La revue blanche hardcover‎

Referenz des Buchhändlers : 74977

‎Paul MONTAVON‎

‎L'apprêt des tissus traité contenant un recueil des méthodes et des procédés d'apprêt concernant la généralité des étoffes mais plus particulièrement les tissus en fibres végétales‎

‎Paris: A. Davy et fils ainé 1924. Fine. A. Davy et fils ainé Paris 1924 15.50 x 24.50 cm relié First edition. Handsome copy. Half brown shagreen binding faded and lightened spine with five raised bands set with gilt garlands and decorated with gilt floral motifs red cardboard boards decorated with blind fillets endpapers and pastedowns of marbled paper. Work illustrated with 211 figures in and out of text. A. Davy et fils ainé hardcover‎

Referenz des Buchhändlers : 75675

‎A YANK - (Leo DESMARAIS)‎

‎"La femme au perroquet"" - Lithographie originale sur Japon - L'Estampe Moderne‎

‎Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Novembre 1898 17 x 34.50 cm une feuille et une serpente Rare original lithograph in colors executed by A. Yank for L'Estampe Moderne series number 19 published in November 1898. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature and date in the plate publisher's dry stamp representing a child's profile in the lower margin numbered luxury edition stamp on verso; lithograph preceded by a tissue guard inscribed with the artist's name title and an extract from a work. Lithograph inspired by an extract from Miroirs by Léo Desmarais reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other journals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the journal. Thus 100 prints appeared in total covering the major artistic currents of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and displayed in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy of incredible modernity in composition and colors. Imprimerie Champenoispour CH. MassonH. Piazza unknown‎

Referenz des Buchhändlers : 74605

‎Marcel AYME‎

‎Louisiane • Louisiana‎

‎Paris: Gallimard 1961. Fine. Gallimard Paris 1961 12 x 18.50 cm broché First edition one of 25 numbered copies on Holland paper the deluxe issue. A pleasant copy. Gallimard unknown‎

Referenz des Buchhändlers : 75801

‎Charles GUERIN - (Henri de REGNIER)‎

‎"Sirène"" - Lithographie originale sur Chine - L'Estampe Moderne‎

‎Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1899 22 x 26 cm une feuille Rare original lithograph executed by Charles Guérin for L'Estampe Moderne series number 21 published in January 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse some foxing. Lithograph inspired by an extract from Jeux rustiques et divins by Henri de Régnier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown‎

Referenz des Buchhändlers : 74622

‎Pierre Jean JOUVE‎

‎Poésie. Diadème - Ode - Langue‎

‎Paris: Mercure de France 1966. Fine. Mercure de France Paris 1966 14.50 x 21 cm broché First collected edition one of 20 numbered copies on pure wove paper the only deluxe copies with a few hors commerce. First cover very lightly and marginally sunned spine creased at foot handsome copy of the third volume of the complete works of Pierre Jean Jouve. Precious autograph inscription dated and signed by Pierre Jean Jouve: ""A André Malraux en amitié admiration - fidélité. Pierre Jean Jouve. 1966"" ""To André Malraux in friendship admiration - loyalty. Pierre Jean Jouve. 1966"" Mercure de France unknown‎

Referenz des Buchhändlers : 75524

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - L'annonce et la reclame - ""En fait-on avaler a ce pauvre public!!""‎

‎Paris: Chez Aubert 1839. Fine. Chez Aubert Paris s. d. 1839 26 x 34.50 cm une feuille Original black and white lithograph third state for La Caricature printed on heavy paper. Signed in the plate. Delteil 326 Plate entirely affected by worming and slight tear in the lower right margin. Chez Aubert unknown‎

Referenz des Buchhändlers : 74756

‎Francis CARCO - Andre PICARD‎

‎Mon homme‎

‎Paris: Ferenczi 1921. Fine. Ferenczi Paris 1921 12.50 x 19 cm broché First edition one of 15 numbered copies on pur fil the only deluxe paper issue. A minute tear without loss at the foot of the spine otherwise a rare and very handsome copy. Illustrated wrappers. Ferenczi unknown‎

Referenz des Buchhändlers : 75745

‎Felician MYRBACH - Luigi ROSSI - Alphonse DAUDET‎

‎Sapho‎

‎Paris: Marpon & Flammarion 1887. Fine. Marpon & Flammarion Paris 1887 12.50 x 18.50 cm relié New edition with illustrations by Luigi Rossi and Felician Myrbach one of 50 copies on Japan paper deluxe copy. Half tawny morocco binding with corners spine with five raised bands set with gilt dots decorated with double gilt compartments enhanced with gilt typographical motifs gilt date at foot gilt fillet on pebbled paper boards combed paper endpapers and pastedowns top edge gilt retaining deckled edges covers and spine preserved contemporary binding signed Kraft. A description label from an English bookseller pasted on an endpaper light scratches of no consequence to headcaps occasional worming. Provenance: from the Robert Hoe library with his bookplate pasted on a pastedown. Marpon & Flammarion hardcover‎

Referenz des Buchhändlers : 75053

‎Paul MORAND‎

‎Les extravagants‎

‎Paris: Nrf 1936. Fine. Nrf Paris 1936 12 x 19 cm broché First edition a Service de Presse advance copy. Handsome copy. Autograph inscription signed by Paul Morand to René Laporte: "". heureux de son succès."" "".happy with his success."" Nrf unknown‎

Referenz des Buchhändlers : 75071

‎Henri QUEFFELEC‎

‎Frères de la brume‎

‎Paris: Les Presses de la Cité 1960. Fine. Les Presses de la Cité Paris 1960 14.50 x 22.50 cm en feuilles sous double chemise et étui First edition one of 100 numbered copies on deluxe paper the only deluxe copies. Handsome copy presented in sheets under double chemise and wine-colored slipcase. A tear with split to one joint of the slipcase handsome copy. Beautiful autograph inscription dated and signed by Henri Queffelec to Doctor Henri Moreau: "". grand connaisseur et grand ami de la mer en espérant qu'il trouve ici un peu d'aliment pour la nostalgie maritime dont il doit souffrir à Paris - bien qu'il soit docteur !."" "".great connoisseur and great friend of the sea hoping that he finds here some nourishment for the maritime nostalgia from which he must suffer in Paris - although he is a doctor!."" Les Presses de la Cité unknown‎

Referenz des Buchhändlers : 75390

‎Alfons MUCHA‎

‎Couverture de L'Estampe Moderne n°9 janvier 1898‎

‎Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the celebrated monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the magazine was entrusted offered ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown‎

Referenz des Buchhändlers : 74326

‎Alexandre LUNOIS‎

‎Un cas de jalousie‎

‎Paris: Librairie L. Conquet 1896. Fine. Librairie L. Conquet Paris 1896 16 x 24.50 cm relié First edition illustrated with 19 original lithographs by Alexandre Lunois one of 140 numbered copies on Japan paper the only printing with 60 other Japan copies containing the separate suite of illustrations. Half salmon morocco binding with corners smooth spine decorated with gilt cartouches gilt double fillets framing the marbled paper boards pebbled paper endpapers and pastedowns original wrappers preserved bookplate pasted to one pastedown top edge gilt elegant contemporary binding. Handsome copy in perfect condition. Librairie L. Conquet hardcover‎

Referenz des Buchhändlers : 74974