‎Collectibles‎

‎Pierre MAC ORLAN‎

‎La Vénus internationale‎

‎Paris: Nrf 1923. Fine. Nrf Paris 1923 12 x 19 cm broché First edition one of 790 numbered copies on pur fil paper the only large paper copies after 108 reimposed. A good copy. Nrf unknown‎

Referencia librero : 56873

‎Auguste DESPLACES‎

‎Une voix de plus‎

‎Paris: Librairie de Charles Gosselin 1839. Fine. Librairie de Charles Gosselin Paris 1839 11 x 16 cm relié First edition. Binding in half blue Russia morocco smooth spine richly decorated with gilt cartouches fleurons and arabesques marbled paper boards marbled endpapers and pastedowns bookplate pasted on one pastedown. Rare and handsome copy despite some light foxing. Librairie de Charles Gosselin hardcover‎

Referencia librero : 56386

‎Joseph CONRAD‎

‎Entre terre et mer • Between Land and Sea‎

‎Paris: Nrf 1929. Fine. Nrf Paris 1929 16.50 x 21.50 cm broché First edition of the French translation one of 109 numbered copies on Lafuma-Navarre laid paper reimposed in quarto tellière format tête de tirage. Spine slightly sunned a pleasing copy. Nrf unknown‎

Referencia librero : 56829

‎COLLECTIF - Guillaume APOLLINAIRE - Tristan TZARA‎

‎Les feuilles libres N°42 de la 6ème année‎

‎Paris: Les feuilles libres 1926. Fine. Les feuilles libres Paris Janvier-Février 1926 19 x 22.50 cm broché First edition. Missing plate. Literary contributions by G. Apollinaire T. Tzara R. Crevel J. Delteil E. Berl. Issue illustrated with 10 drawings by E. Josephson and a calligramme by G. Apollinaire. Spine slightly sunned otherwise handsome copy. Les feuilles libres unknown‎

Referencia librero : 56991

‎Lise DEHARME‎

‎Eve la blonde‎

‎Paris: Gallimard 1954. Fine. Gallimard Paris 1954 12 x 19 cm broché First edition one of 84 numbered copies on pure thread paper the only deluxe copies after 1 Chamois reserved for the author. Spine slightly sunned. Gallimard unknown‎

Referencia librero : 58006

‎Etienne DRIAN - (Gustave BEER)‎

‎La Dame à la cape. Ensemble pour le soir de Beer pl.23 La Gazette du Bon ton 1921 n°3‎

‎Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille original print in color printed on laid paper signed lower right of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referencia librero : 57542

‎Andre PIEYRE DE MANDIARGUES‎

‎Isabella Morra‎

‎Paris: Gallimard 1973. Fine. Gallimard Paris 1973 12 x 18.50 cm broché First edition review copy. Precious autograph signed by André Pieyre Mandiargues to Charles Le Quintrec. Nice copy. Gallimard unknown‎

Referencia librero : 56602

‎Christian MEGRET‎

‎Danaé‎

‎Paris: René Julliard 1953. Fine. René Julliard Paris 1953 14 x 22.50 cm broché First edition one of 30 numbered copies on vélin alfa paper the only large paper copies. A trace of fold to foot of upper cover otherwise a good copy. René Julliard unknown‎

Referencia librero : 56623

‎Louis-Jean LEVESQUE DE POUILLY‎

‎Théorie des sentimens agréables‎

‎à Paris: Chez de Bure père 1774. Fine. Chez de Bure père à Paris 1774 10.50 x 17 cm relié Fifth and best edition expanded with the eulogy of M. de Pouilly lieutenant general of the presidial court of the city of Reims which Levesque de Pouilly endeavored to embellish by Abbé de Saulx the text that would be engraved on a fountain erected in his honor the 2 speeches he delivered in Reims on March 6 1748 and February 17 1750 and the description of a monument discovered in the city in 1738. This edition is illustrated with a frontispiece two folding plates at the end of the work three title vignettes and a title headpiece all designed by De Seve and engraved by J. Robert. This is the finest edition of this text. Full red straight-grained morocco binding Russia leather slightly later. Smooth spine decorated in grotesque style with two different motifs. 2 scratches on lower board. Darker areas on upper board. Some pale scattered foxing. Very handsome copy. ""Esteemed work"" according to Brunet this work takes up the philosophers' theories on feelings. From a science of sentiment the author strives to derive a morality concerning love and friendship. Interesting edition as it provides information about the author. Chez de Bure père hardcover‎

Referencia librero : 57757

‎Fernand SIMEON‎

‎Costumes parisiens. Tailleur de velours blanc frappé garni de loutre et de passementerie pl.28 Journal des Dames et des Modes 1912 n°15‎

‎Paris: S. n. 1912. Fine. S. n. Paris 1912 14 x 22.50 cm une feuille original print in color printed on laid paper signed lower left of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn to 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown‎

Referencia librero : 57636

‎Pierre BRISSAUD - (Jeanne LANVIN)‎

‎A l'opéra. Manteau et robe pour le soir de Jeanne Lanvin pl.77 La Gazette du Bon ton 1920 n°10‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille original print in color printed on laid paper signed lower left of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referencia librero : 57577

‎Alphonse DAUDET‎

‎Robert Helmont. Etudes et paysages‎

‎Paris: E. Dentu 1874. Fine. E. Dentu Paris 1874 11 x 18 cm relié First edition of which there were no large paper copies. Contemporary half beige cloth Bradel binding over marbled paper boards gilt floral motif to spine browned date to foot black shagreen title-piece small tear to edge of upper cover marbled endpapers and pastedowns top edge red engraved ex libris of Théodore de Banville laid down on one pastedown. Handsome autograph inscription signed by Alphonse Daudet : ""A mon cher maître Théodore de Banville To my dear maître Théodore de Banville"". A little light spotting fading to one endpaper as a result of inserted bookseller’s catalogue slip. E. Dentu hardcover‎

Referencia librero : 56347

‎Pierre Jean JOUVE‎

‎Processionnal de la force anglaise‎

‎Genève Geneva: Egloff 1944. Fine. Egloff Genève Geneva 1944 16.50 x 22.50 cm broché First edition on ordinary paper. Handsome copy despite the spine and covers being marginally sunned. Egloff unknown‎

Referencia librero : 58038

‎Henri PICHETTE‎

‎Odes à chacun‎

‎Paris: Gallimard 1961. Fine. Gallimard Paris 1961 18.50 x 23.50 cm broché First edition one of 40 numbered copies on vélin pur fil paper the only large paper copies. Spine very slightly sunned not serious a good copy. Gallimard unknown‎

Referencia librero : 57086

‎Georges ROBERT‎

‎Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours pl.106 Journal des Dames et des Modes 1913 n°47‎

‎Paris: S. n. 1913. Fine. S. n. Paris 1913 14 x 22.50 cm une feuille original print finely enhanced color to gold printed on laid paper signed lower left of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn in 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown‎

Referencia librero : 57772

‎Jean de BOSSCHERE‎

‎La sculpture anversoise aux XVe et XVIème siècles‎

‎Bruxelles Brussels: Librairie nationale d'art et d'histoire G. Van Oest & Cie 1909. Fine. Librairie nationale d'art et d'histoire G. Van Oest & Cie Bruxelles Brussels 1909 15.50 x 21 cm broché First edition. Iconography. Small tears repaired at head of spine black stains on back cover handsome interior condition. Librairie nationale d'art et d'histoire G. Van Oest & Cie unknown‎

Referencia librero : 57435

‎Charles SAROLEA‎

‎Henrik Ibsen‎

‎Paris: Librairie Nilsson 1891. Fine. Librairie Nilsson Paris 1891 13 x 20 cm relié First edition for which no deluxe copies are mentioned. Bradel binding in half almond green cloth smooth spine decorated with gilt floral motif double gilt fillet black shagreen title label marbled paper boards corners slightly bumped contemporary binding. Work illustrated with a portrait of Henrik Ibsen as frontispiece. Librairie Nilsson hardcover‎

Referencia librero : 57331

‎Maurice LEROY‎

‎Remords. Costume de chasse pl.41 La Gazette du Bon ton 1920 n°6‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Juillet 1920 18 x 24 cm une feuille original print in color printed on laid paper signed upper left of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referencia librero : 57518

‎Roger FRENE‎

‎Guy Lavaud‎

‎Paris: Les marges 1928. Fine. Les marges Paris 1928 11.50 x 18.50 cm agrafé The first edition of which there were no deluxe copies. Rare and handsome copy. Les marges unknown‎

Referencia librero : 57874

‎Joe BOUSQUET‎

‎Lettres à Jean Cassou‎

‎Limoges: Rougerie 1970. Fine. Rougerie Limoges 1970 14 x 22.50 cm broché First edition one of 125 numbered copies on alfa paper the only large paper copies. A very good copy. Rougerie unknown‎

Referencia librero : 56355

‎Louis DOUCET‎

‎Une année d'amour‎

‎Paris: Eric Losfeld 1969. Fine. Eric Losfeld Paris 1969 21 x 27 cm broché Edition of wich no leading copies exists. Signed autograph of Louis Hubert Doucet in June: "". the evidence that reality will always exceed affection ."" A slight hitch minor on the back nice copy. Eric Losfeld unknown‎

Referencia librero : 56676

‎Federico GARCIA LORCA‎

‎Yerma‎

‎Paris: Les Cahiers du Journal des Poètes 1939. Fine. Les Cahiers du Journal des Poètes Paris 1939 14 x 19 cm broché First edition of the French translation one of 50 numbered copies on Featherweight the tirage de tête. Illustrated with a photograph of the poet and his mother. A nice and rare copy printed colportage stamp on half-title page. Les Cahiers du Journal des Poètes unknown‎

Referencia librero : 57285

‎Claudine CHONEZ‎

‎L'ascenseur‎

‎Paris: Albin Michel 1963. Fine. Albin Michel Paris 1963 12 x 19 cm broché Edition for which he was not drawn large paper a copy of the press service. Signed autograph Claudine Chonez to a friend. Nice full copy of his prayer to insert. Albin Michel unknown‎

Referencia librero : 57828

‎Alain LE YAOUANC‎

‎Derrière le miroir N°188 Le Yaouanc‎

‎Paris: Galerie A. Maeght 1970. Fine. Galerie A. Maeght Paris Décembre 1970 28 x 38.50 cm en feuilles First edition. Issue illustrated with 4 original color lithographs at double or full page as well as 20 reproductions of works by Alain Le Yaouanc. Handsome copy. Galerie A. Maeght unknown‎

Referencia librero : 58190

‎Marcel JOUHANDEAU‎

‎Un monde‎

‎Paris: Gallimard 1950. Fine. Gallimard Paris 1950 12 x 19 cm broché First edition review copy. Precious autograph signed Marcel Jouhandeau Roger Caillois. Yellowed paper. Gallimard unknown‎

Referencia librero : 56569