‎Collectibles‎

‎Auguste-Hilarion de KERATRY‎

‎Frédéric Styndall ou la fatale année‎

‎Paris: DelaunayAmbroise DupontLecointe et Durey 1827. Fine. Delaunay Ambroise Dupont Lecointe et Durey Paris 1827 10 x 17.50 cm 5 volumes reliés First edition. Half brown calf binding smooth spines decorated with gilt fillets and dots gilt friezes at head and foot marbled paper boards marbled edges contemporary bindings. Some foxing scratches at head of some joints. DelaunayAmbroise DupontLecointe et Durey hardcover‎

Ссылка продавца : 82192

‎Rene CHAR - Amedeo MODIGLIANI - Marie VASSILLIEFF‎

‎Sagesse Cahiers de Littérature et d'Art N°9‎

‎Paris: Sagesse 1929. Fine. Sagesse Paris Automne 1929 19 x 24 cm broché First edition. Contributions by René Char Ivan Goll Gabriel Audisio Jean Follain ""La création de Pierre Mac Orlan"" René Maublanc ""Jules Romains et son théâtre"". Reproductions of works by Amedeo Modigliani Marie Vassilieff Willy Baumeister. Sagesse unknown‎

Ссылка продавца : 82186

‎William KLEIN‎

‎Hugo Erfurth Preis - Internationaler fotopreis der Stadt Leverkusen und der Agfa Gevaert-Ag Leverkusen • Hugo Erfurth Prize – International photography prize awarded by the City of Leverkusen and Agfa Gevaert-Ag Leverkusen‎

‎Leverkusen: Museum Morsbroich Leverkusen 1993. Fine. Museum Morsbroich Leverkusen Leverkusen 1993 21 x 27 cm broché First edition of the exhibition catalog for the retrospective of photographic works by William Klein Jörg Krichbaum and Anton Corbijn at the Morsbroich Museum in Leverkusen. Richly illustrated. Complete with dust jacket which has a scratch to the lower left corner of the front panel. Autograph inscription signed by William Klein to Thierry Marlat on the dust jacket with William Klein having crossed out the surnames of the two other photographers participating in the exhibition. Museum Morsbroich Leverkusen unknown‎

Ссылка продавца : 82181

‎Edgar FAURE‎

‎12 Mai 1776. La Disgrâce de Turgot‎

‎Paris: Gallimard 1961. Fine. Gallimard Paris 1961 14.50 x 22.50 cm broché First edition on ordinary paper. Handsome copy complete with its wraparound band and cellophane wrapper. Autograph inscription dated and signed by Edgar Faure to Pierre Troillard: "". en très amical souvenir de leur ancien ""contrôleur général""."" "". in very friendly remembrance from their former ""controller general""."" Gallimard unknown‎

Ссылка продавца : 82221

‎Louis-Ferdinand CELINE‎

‎Guerre‎

‎Paris: Gallimard 2022. Fine. Gallimard Paris 2022 14.50 x 21.50 cm broché First edition one of 270 numbered copies on vélin rivoli the only deluxe copies. Edition established by Pascal Fouché with a foreword by François Gibault. Copy in mint condition. Gallimard unknown‎

Ссылка продавца : 81478

‎Edgar FAURE‎

‎Mémoires - Tome I : Avoir toujours raison. c'est un grand tort - Tome II : Si tel doit être mon destin ce soir. Complet en 2 volumes‎

‎Paris: Plon 1983. Fine. Plon Paris 1983-1984 15.50 x 24 cm 2 volumes brochés Later edition published a few months after the original for the first volume first edition for the second. Handsome set for which no deluxe copies were printed with press clippings included. Autograph inscription dated and signed by Edgar Faure to Pierre Troillard on each volume. Plon unknown‎

Ссылка продавца : 82232

‎Claude Emmanuel Lhuillier CHAPELLE - Francois Le Coigneux BACHAUMONT‎

‎Voyage de Chapelle et de Bachaumont suivi de leurs poésies diverses du voyage de Languedoc et de Provence par Lefranc de Pompignan ; de celui d'Eponne par Desmahis et de celui du chevalier de Parny ; précédé de mémoires pour la vie de Chapelle d'un éloge de Bachaumont et d'une préface de Saint-Marc‎

‎Paris: Constant Letellier et fils 1826. Fine. Constant Letellier et fils Paris 1826 13.50 x 22.50 cm relié New edition illustrated with an engraved portrait frontispiece. Half brown glazed calf binding with corners spine with four raised bands decorated with gilt garlands and black fleurons a small scratch at foot of spine gilt friezes at head and foot of spine gilt fillets framing the marbled paper boards marbled endpapers and pastedowns contemporary Romantic binding. a small tear to the upper corner of the first board light surface wear to margins of boards. Handsome copy attractively bound in contemporary Romantic binding. Constant Letellier et fils hardcover‎

Ссылка продавца : 82217

‎Cosme DE LA TORRIENTE‎

‎La liga de los naciones trabajos de la secunda asamblea‎

‎Habana Havana: Imprenta y papeleria de Ramble Bouza y Ca 1922. Fine. Imprenta y papeleria de Ramble Bouza y Ca Habana Havana 1922 17 x 25.50 cm relié First edition. Copy with a folding photographic frontispiece. Half brown shagreen binding lightened spine with five raised bands set with black fillets gilt date at foot marbled paper boards marbled endpapers and pastedowns top edge gilt original wrappers preserved. Autograph inscription dated and signed by Cosme de La Torriente in Spanish to the Cuban French-language poet Armand Godoy. Imprenta y papeleria de Ramble, Bouza y Ca hardcover‎

Ссылка продавца : 82345

‎(Nicolas de STAEL)‎

‎Ensemble de 8 photographies de famille : Nicolas de Staël sa compagne Jeannine Guillou et leur fille Anne‎

‎Paris 1944. Fine. Paris s. d. circa 1944 formats divers 10 feuilles Set of 8 photographs of Nicolas de Staël's family circa 1942-1944 in original silver gelatin prints. The photographs were taken around 1944 two years after the birth of Anne de Stäel daughter of the painter and his companion the artist Jeannine Guillou. In September 1943 the family consisting of Anne and young Antek future writer known under the name Antoine Tudal son from Jeannine Guillou's previous marriage arrived in Paris and settled thanks to the friendship of gallerist Jeanne Bucher at 54 rue Nollet in the private mansion of architect Pierre Chareau. Staël transformed the large ground-floor salon into a studio where he devoted himself entirely to abstraction characterized by interlaced geometric lines rhythming a dark canvas. - Portrait of the complete family Nicolas de Staël Jeannine Guillou holding Anne in her arms Antek Teslar aged 14 in front of the private mansion on rue Nollet - Jeannine Guillou and Anne in the garden of the private mansion on rue Nollet - Jeannine smiling holding Anne in her arms rue Nollet. - Jeannine smiling holding Anne in her arms in front of a Moroccan decor rue Nollet. - Reproduction of Jeannine Guillou's identity photograph in profile. - View of the interior facade of the private mansion on rue Nollet. - Jeannine Guillou in beach costume - Contact sheet with two of the previous photographs as well as two others showing Antek Teslar studying in the attic of the private mansion 25.2x20.4cm. unknown‎

Ссылка продавца : 82368

‎Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]‎

‎Aquarelle originale signée et adressée à son grand ami Carlo Rim‎

‎s. l. 1925. Fine. s. l. s. d. circa 1925 25 x 16 cm une feuille encollée sur un carton Original signed watercolor addressed to his great friend Carlo Rim depicting during the Hundred Years' War two knights in armor conversing peacefully in a plain overlooked by two fortified castles one of the two questioning the other in these terms: ""Do you believe my dear fellow that we shall have a winter campaign"" A manuscript note in blue pencil in the lower right corner of the watercolor: 2 vol. the watercolor is mounted on blue-gray cardboard. Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown‎

Ссылка продавца : 82347

‎Carlo RIM‎

‎Dessin original au crayon de papier rehaussé au feutre noir représentant son grand ami le poète André Salmon‎

‎s. l. 1960. Fine. s. l. s. d. circa 1960 21 x 28 cm une feuille Original drawing in pencil heightened with black felt-tip pen depicting in profile his great friend the writer and poet André Salmon with the sleeves of his turtleneck sweater rolled up. The drawing was made on tracing paper and mounted on a sheet the drawing is captioned in red felt-tip pen: ""André Salmon"". Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown‎

Ссылка продавца : 82372

‎Alain-Rene LESAGE‎

‎Histoire de Gil Blas de Santillane‎

‎à Paris: Chez la veuve Ribou 1732. Fine. Chez la veuve Ribou à Paris 1732 - 1735 9 x 16.80 cm 4 volumes reliés Fourth edition statement for volumes 1 to 3 and first edition of the fourth volume which appeared for the first time in 1735 published by Pierre-Jacques Ribou. The first 2 volumes were initially published in 1715. Editions of Gil Blas are rare before 1750. The edition is illustrated with a frontispiece portrait and 26 unsigned figures 8 in volume 1 10 in volume 2 and 8 in volume 3 there are none in volume 4 in its first edition. Contemporary full glazed and speckled brown sheep binding. Spine with raised bands richly decorated. Red morocco title labels brown morocco volume labels. Headcaps of volumes II and III worn revealing the headbands. pp. 163 to 168 in volume IV 3 brown spots in outer margin. Signs of rubbing. Some corners slightly bumped. It is now perfectly established that one cannot accuse Lesage's immortal masterpiece of plagiarism the last baroque flame of the picaresque novel; if Lesage drew his material from elsewhere it remains nonetheless that Gil Blas is an original and personal work. We find the misadventures of a picaro as roguish as possible who through his multiple encounters creates a satirical portrait of contemporary society. Two influences mark the novel's inspiration: the picaresque inspiration that Lesage diverts since his hero will succeed in climbing the social ladder and ancient inspiration whose division into 12 books recalls that of the Aeneid. The work would occupy the author for 20 years. ""In writing Gil Blas in endowing his work with the qualities that assured it extensive and lasting success Lesage was therefore on one hand the heir of Mateo Alemán of Cervantes of Espinel of Quevedo and through them of Apuleius; but on the other hand he preserved the flexibility I dare say the 'polyvalence' indispensable to an art form that would be illustrated by the Balzac of the Human Comedy the Stendhal of the Charterhouse of Parma the Thackeray of Vanity Fair and Zola and Tolstoy and many others after them."" Jules Romain. Chez la veuve Ribou hardcover‎

Ссылка продавца : 82158

‎Heinrich HARRER‎

‎Sept ans d'aventures au Tibet‎

‎Paris: Arthaud 1953. Fine. Arthaud Paris 1953 14.50 x 20.50 cm reliure de l'éditeur First edition in French. Publisher's full grey cloth binding smooth spine front board decorated with chiseled vignettes black paper endpapers and pastedowns. Work illustrated with 40 heliogravures. Small stains on verso of first endpaper and on the following page. Rare autograph signature of Heinrich Harrer in Tibetan and Roman characters on the endpaper. Arthaud hardcover‎

Ссылка продавца : 82274

‎Martin Luther KING‎

‎La Force d'aimer‎

‎Paris: Casterman 1964. Fine. Casterman Paris 1964 13.50 x 19 cm broché First edition of the French translation of which there were no deluxe copies. Handsome copy. Casterman unknown‎

Ссылка продавца : 82370

‎Francois-Marie BANIER‎

‎Vivre‎

‎Sao Paulo São Paulo & Rio de Janeiro: Pinacoteca do EstadoMuseu de Arte Moderna 1999. Fine. Pinacoteca do Estado Museu de Arte Moderna Sao Paulo São Paulo • & Rio de Janeiro 1999 22 x 33 cm broché First edition of this exhibition catalogue of the painted works and photographs of François-Marie Banier. Handsome copy rich iconography. Dated autograph inscription signed by François-Marie Banier to Ulrike Bergweiler expanded with an original multicolored double-page composition. Pinacoteca do EstadoMuseu de Arte Moderna unknown‎

Ссылка продавца : 82250

‎Roger MARTIN DU GARD‎

‎". Il neige à Lyon. Ici nous déjeunons encore dehors sous les stores ensoleillés. Plus d'autos plus de poussière plus de phonos plus de sirènes entre deux vagues. C'est le beau clair et silencieux Cassis authentique où rien ne gêne le travail."" • Foodie and fun signed autograph letter addressed to her friend Alice Rim‎

‎Cassis: S. n. 1933. Fine. S. n. Cassis 2 Novembre 1933 13.50 x 21.50 cm une feuille Fine and amusing signed manuscript letter from Roger Martin du Gard addressed from Cassis to Alice Rim 3 and a half pages 54 lines in black ink in which he lyrically praises the benefits of the delicious Parisian confections that his correspondent sends him: "". Et quelles sucreries ! Si Dieu pouvait goûter ce que Boissier fabrique avec ses fruits comme il serait honteux des grossiers produits de ses arbres et comme il aurait envie de recommencer sa création."" "". And what confections! If God could taste what Boissier makes with his fruits how ashamed he would be of the crude products of his trees and how he would want to begin his creation anew."" He also praises the tranquility of Cassis without summer visitors: ""Plus d'autos plus de poussière plus de phonos plus de sirènes entre deux vagues. C'est le beau clair et silencieux Cassis authentique où rien ne gêne le travail."" ""No more cars no more dust no more phonographs no more sirens between two waves. This is the beautiful clear and silent authentic Cassis where nothing disturbs work.""and the pleasure of reading ""Voilà"" a magazine in which Carlo Rim collaborates as an illustrator: "". pas un moucheron de Cassis qui ne s'imagine avoir collaboré avec Carlo Rim et son livre sera ici une oeuvre collective nationale."" "". not a single gnat in Cassis who doesn't imagine having collaborated with Carlo Rim and his book will be here a collective national work.""a pleasure shared by all the residents of Cassis: "". je ne sais comment réagissent les puissants de Marseille qu'il égratigne si gaillardement. Mais ici ce ne sont que sourires quand on parle de ""Carlo"". Et j'imagine qu'un jour la population déboulonnera le Calendal de la jetée pour hisser sur le socle un Carlo Rim de granit ou un M. Virgule en ciment armé."" "". I don't know how the powerful people of Marseille react to his spirited scratches. But here there are only smiles when we speak of ""Carlo"". And I imagine that one day the population will unbolt the Calendal from the pier to hoist on the pedestal a Carlo Rim in granite or a M. Virgule in reinforced cement."" In a final gourmand flourish Roger Martin du Gard thanks Alice Rim: ""Veuillez agréer chère madame l'hommage de ma gourmandise reconnaissante."" ""Please accept dear madam the tribute of my grateful gluttony."" Crease mark inherent to envelope folding. S. n. unknown‎

Ссылка продавца : 82348

‎Carlo RIM‎

‎Dessin original au feutre noir représentant Paul Carbone dit Venture le célèbre bandit corse ayant régné sur la pègre marseillaise‎

‎s. l. 1934. Fine. s. l. 1934 14.50 x 19.50 cm une feuille Original drawing dated and signed in black felt-tip pen by Carlo Rim depicting Paul Carbone known as Venture sketching a strained smile and wearing dark glasses. The drawing is signed in black felt-tip pen Carlo Rim and is captioned ""Paul Carbone dit Venture Carbone 1934. Paul Carbone famous Corsican bandit and grand patriarch of the Marseille underworld was the first to connect organized crime and the political world. Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown‎

Ссылка продавца : 82349

‎COLLECTIF‎

‎La ligne de coeur N°3‎

‎Nantes: La ligne de coeur 1926. Fine. La ligne de coeur Nantes 1er Février 1926 14.50 x 20.50 cm broché First edition. Contents: Marc Boasson ""Lettres septembre 1916 et Octobre 1917"" Julien Lanoë ""Hilaire discours illustré sur le coeur"" Roger Lesbats ""Un musicien d'extrême-orient : E.C. Grassi"". Light marginal worming to front cover. La ligne de coeur unknown‎

Ссылка продавца : 82292

‎Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]‎

‎Humoristique lettre autographe signée à son grand ami Carlo Rim enrichie de trois dessins originaux en couleurs‎

‎s. l. 1923. Fine. s. l. 22 Juin 1923 15 x 20 cm une feuille Humorous autograph letter signed to his great friend Carlo Rim enriched with three original color drawings in the form of rebuses 32 lines in black ink. In this letter Henry-Paul Gassier gently mocks his friend Carlo Rim: ""Carlo Rim loved rebuses too much. but Carlo Rim didn't know how to translate rebuses."" and ""Carlo Rim claims to have gone mad trying to decipher rebuses that H.P.G. had made to test his strength. Carlo Rim is a damned liar."" "". but Carlo Rim has great mental laziness. And if that's not true then Carlo Rim is perfectly idiotic."" Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown‎

Ссылка продавца : 82275

‎Tristan BERNARD‎

‎Humoristique carte postale photographique manuscrite signée adressée à Carlo Rim‎

‎s. l. 1942. Fine. s. l. s. d. circa 1942 7.50 x 12 cm une feuille Handwritten signed photographic postcard from Tristan Bernard addressed to his friend the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of André Salmon and Max Jacob 21 lines in black ink on Hotel Windsor letterhead in Cannes. A small pinhole at the head of the photograph showing all the affection that Carlo Rim had for his venerable friend Tristan Bernard having certainly hung this postcard in his home. The postcard shows Tristan Bernard facing forward with his handsome and imposing beard. On the verso he added: ""Le monsieur du verso c'est évident c'est sûr. c'est le plus beau vieillard de la Côte d'Azur. Je vous embrasse bien affectueusement chère Alice et cher Carlo. Tristan Bernard."" ""The gentleman on the back it's obvious it's certain. he's the most handsome old man on the Côte d'Azur. I embrace you both very affectionately dear Alice and dear Carlo. Tristan Bernard."" During the Occupation Tristan Bernard took refuge in Cannes and resided at the Hotel Windsor while his friend Carlo Rim offered in vain for him to stay at his home so that he would be safe from denunciation or arrest; to which Tristan Bernard never short of witticisms replied: ""At my age one no longer sleeps away from home!"" adding: ""Do you know that I appear in the Petit Larousse They don't arrest someone who appears in the Petit Larousse."" He was nevertheless arrested in September 1943 as a Jew and interned with his wife at Drancy then released through the intervention of Sacha Guitry and Arletty the following month. His grandson François-René was also arrested as a Resistance member and deported to Mauthausen where he died. unknown‎

Ссылка продавца : 82261

‎Jean GENET‎

‎Fragments. et autres textes‎

‎Paris: Gallimard 1990. Fine. Gallimard Paris 1990 12.50 x 20 cm broché Edition with some parts in first edition one of 35 numbered copies on pur fil paper the only deluxe copies. Iconography. One marginal tear without loss affecting the half-title page otherwise a handsome copy. Gallimard unknown‎

Ссылка продавца : 82319

‎COLETTE‎

‎L'entrave‎

‎Paris: Lib. des lettres 1913. Fine. Lib. des lettres Paris 1913 16.50 x 25.50 cm relié First edition one of 20 numbered copies on Arches paper reserved for the society of bibliophiles of ""XX"" deluxe copies with 10 copies on Van Gelder reimposed. Full red morocco binding spine with five raised bands with a minor insignificant nick in the middle date at tail gilt roulettes on headcaps double gilt fillets on edges frame of gilt fillet on khaki morocco endpapers red silk doublure original covers and spine preserved top edge gilt slipcase bordered with red morocco with beige felt interior very elegant binding signed by Canape. Autograph signature of the author on the justification page. Bookplate pasted on verso of first silk endpaper. Very handsome copy superbly bound in a doublure binding signed by Canape. Lib. des lettres hardcover‎

Ссылка продавца : 82308

‎Jean CALVIN - Theodore de BEZE‎

‎Ioannis Caluini in viginti prima Ezechielis Prophetae capita Praelectiones Ioannis Budaei & Caroli Ionuillaei labore & industria exceptae. Com Praefatione Theodori Bazae ad generosis. Gasparem Colignio Gallia Amiralium. • John Calvin’s Lectures on the First Twenty-One Chapters of the Prophet Ezekiel taken down by Jean Budé and Charles de Jonville with a Preface by Théodore de Bèze to Gaspard de Coligny Admiral of France‎

‎Genevae Genève Geneva: Ex officina Francisci Perrini 1565. Fine. Ex officina Francisci Perrini Genevae Genève Geneva 1565 12 x 19.50 cm relié CALVIN Jean & BèZE Théodore de Ioannis Caluini in viginti prima Ezechielis Prophetae capita Praelectiones Ioannis Budaei & Caroli Ionuillaei labore & industria exceptae. Com Praefatione Theodori Bazae ad generosis. Gasparem Colignio Gallia Amiralium. Ex officina Francisci Perrini Genevae Geneva 1565 in-8 12 x 195 cm 10 f. 412 ff 20 f. Sig: 10 a-z8 A-Z8 Aa-Hh8 mid-19th-century half morocco The very rare posthumous first edition first printing known as “type a” with all the typographical characteristics capitals in the fifth line of the title in Roman letter ii instead of ij and identical initials on ii and p.1. This edition contains a preface by Théodore de Bèze Calvin's successor in the form of an exhortation to the head of the Protestants in France Admiral Gaspard de Coligny. Another edition by the same printer appeared a few months later in French translation. Thirty-four lines per page woodcut initials printer's device. Mid-19th century half navy blue morocco by Galette spine in six compartments with richly decorated frames marbled pastedowns and endpapers all edges red. Two corners slightly rubbed small repair to upper inside margin of title a few leaves repaired in margins occasional marginal dampstaining. Contemporary inscription to title. Calvin began his lessons on Ezekiel on the 20th January 1562. Very soon however his state of health compelled him to call upon Théodore de Bèze's help. In a letter to the Daniel family François Perrot notes this double teaching: “Our good tutor and common father has got into the habit of commenting on Ezekiel – still in hand – which is to say on the first three days every second week this year while our Théodore in his turn is commenting on the Catechism in Greek the first three days of the week.Because of his illness Calvin can often hardly finish his bit.” Calvin interrupted his unfinished lessons once and for all on the 2nd February 1564. These lessons on the first twenty chapters of the revelations of the Prophet Ezekiel are the last preached by Calvin before his death on the 27th May 1564. Like the previous lessons these too were collected in Latin by Jean Budé and Calvin's secretary Charles de Jonviller who on the 9th October 1564 asked the Council for “permission to have printed the lessons of Monseigneur Calvin on the first 20 chapters of Ezekiel reviewed by the deceased. Agreed that he has permission for as many as Monseigneur de Bèze has witnessed.” In his dedicatory epistle to Admiral de Coligny de Bèze – who succeeded Calvin to the Chair of Theology at the Academy – pays elegant homage to his friend and spiritual guide: “In him we find the only person in our time who has left behind so many works which contain so whole and so pure a doctrine. But that it had pleased God to leave us the benefit of this shining light for another year or two; it seems to me in truth that one could not demand a more perfect knowledge of the Old and New Testaments.His death of which he was forewarned prevented his finishing Ezekiel which is all the greater a loss to the Church since he was the most obscure of the Prophets as we know.and who knows when we will find someone to complete this painting begun by our Apelles.” Only 16 copies in various libraries of the first printing cf. Bibliotheca Calviniana. A handsome and very rare copy of the first printing with good margins. Ex officina Francisci Perrini unknown‎

Ссылка продавца : 82337

‎TREZ [Alain TREDEZ]‎

‎Les idées trez noires‎

‎Paris: Le cherche midi 1986. Fine. Le cherche midi Paris 1986 15.50 x 24 cm broché First edition illustrated with humorous drawings by Trez. Handsome copy. Signed and inscribed by Trez to Sophie d'Abreu with an original drawing of a hanged man with a red tongue sticking out swinging from the Z of Trez. Le cherche midi unknown‎

Ссылка продавца : 82312

‎FERNANDEL‎

‎Lettre dactylographiée et signée à son grand ami et biographe Carlo Rim à propos de sa filmographie et d'un article écrit par Alice Rim la femme de Carlo que Fernandel n'a toujours pas ""digéré""‎

‎Marseille: S. n. 1952. Fine. S. n. Marseille 9 Janvier 1952 21 x 27 cm une feuille Typed letter dated and signed in blue ink by Fernandel addressed from his Marseilles property ""Les milleroses"" to his great friend the Provençal writer caricaturist and filmmaker Carlo Rim who was also his biographer. 24 lines creases inherent to folding for mailing as well as in the left margin. Fernandel first conforms to the courtesies of New Year wishes: ""Obligé de commencer ma lettre comme la tienne par correction je te présente mes meilleurs voeux pour toi et tous ceux que tu aimes."" ""Obliged to begin my letter like yours out of courtesy I present my best wishes for you and all those you love."" before signifying that he will not delay in sending him the exhaustive list of his filmography Carlo Rim wishing to write a biography of his friend Fernandel: "". afin que tu puisses avoir des choses vraies à raconter."" "". so that you can have true things to tell."" Finally Fernandel returns to an article published in Cinémonde and written by Alice Carlo Rim's wife for whom he harbors vindictive memories: "". dis-lui de ma part qu'on ne peut pas écrire de plus grandes conneries car d'après son papier j'ai été imposé dans le film d'Aron. et qui m'avait démandé si cela ne me faisait rien d'avoir Gaby Morlay comme partenaire."" "". tell her from me that one cannot write greater nonsense because according to her article I was imposed in Aron's film. and who had asked me if it didn't bother me to have Gaby Morlay as a partner."" Fernandel concluding his letter with a peremptory: "". mon cher Carlo je te supplie de ne pas prendre ta femme comme collaboratrice pour le livre car alors."" "". my dear Carlo I beg you not to take your wife as collaborator for the book because then."" Manuscript signature in blue ink by Fernandel at the foot of the letter. S. n. unknown‎

Ссылка продавца : 82258