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CARZOU - Florent FELS
Carzou
Genève Geneva: Pierre Cailler 1966. Fine. Pierre Cailler Genève Geneva 1966 16 x 18.50 cm broché Third edition with some parts in first edition as it was revised and expanded. Iconography press clippings included. Handsome copy. Autograph inscription signed by Carzou to Madame Troillard. We include an envelope addressed to the dedicatee and an invitation to an exhibition of Carzou's recent works presented at ""Le Dôme"" in Montparnasse. Pierre Cailler unknown
书商的参考编号 : 82381
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TREZ [Alain TREDEZ]
Un. deux. Trez. partez !
Paris: Vilo 1984. Fine. Vilo Paris 1984 17.50 x 18.50 cm reliure de l'éditeur First edition illustrated with humorous drawings by Trez. Publisher's white paper boards smooth spine illustrated front cover. Handsome copy. Signed autograph inscription from Trez to Sophie d'Abreu enhanced with an original drawing depicting a cheerful figure sliding a ballot into a radio while saying ""Je vote Radiobleue"" ""I vote for Radio Blue"". Vilo hardcover
书商的参考编号 : 82302
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Jules CASE
Ame en peine
Paris: Victor-Havard 1888. Fine. Victor-Havard Paris 1888 12 x 19 cm broché First edition of which there were no deluxe copies. Minor lacks at head and foot of spine scattered foxing. Precious and rare autograph inscription signed by Jules Case to Emile Zola "". à mon cher maître Emile Zola son affectueusement dévoué."" "". to my dear master Emile Zola his affectionately devoted."" Rare copy of exceptional provenance. Victor-Havard unknown
书商的参考编号 : 82324
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Carlo RIM
Dessin original au feutre bleu et rehaussé au crayon de papier sur papier calque représentant son ami le compositeur Vincent Scotto
s. l. 1947. Fine. s. l. s. d. circa 1947 18 x 20 cm une feuille Original drawing on tracing paper signed by Carlo Rim in blue felt-tip pen and heightened with pencil depicting his friend the composer Vincent Scotto with a slightly sullen expression and muffled in a scarf. Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown
书商的参考编号 : 82395
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(Nicolas de STAEL) - Denise COLOMB
"Nature morte"" photographique originale de l'atelier de Nicolas de Staël
Paris 1954. Fine. Paris s. d. circa 1954 24.20 x 31.10 cm une feuille Original view of Nicolas de Staël's atelier Paris n.d. circa 1954 242x311cm one leaf. Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb. Traces of folds small pieces of paper missing in the lower left corner. Splendid ""still life"" in large format of the painter's Parisian atelier rue Gauguet taken one year before his death. His masterpieces are jumbled together with firewood and numerous pots of paint. The photograph was taken by Denise Colomb great portraitist of the 20th century known for her portraits of Antonin Artaud Giacometti Picasso Soulages and Miro in their studio. It is said that his workshop was the cave of a palaeontological potter. With sediment layers of paleo. A crucible a large material well riddled with pigments paintbrushes pots of plastered trowels buckets rags. In a strong smell of turpentine. A workshop covered soiled stained with dirt with masonry clay. Its wingspan its strength its topsail height springs into this crater of Vesuvius. Slightly disoriented he leans he pours. To paint for him is to be prey to vertigo to unpredictable accidental chance junctions. Patrick Grainville Les Yeux de Milos. unknown
书商的参考编号 : 82360
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(Nicolas de STAEL) - Denise COLOMB
Portrait photographique original de Nicolas de Staël contemplatif
Paris 1954. Fine. Paris s. d. circa 1954 19.10 x 29 cm une feuille Original photographic portrait of Nicolas de Staël in his atelier. Paris n.d. circa 1954 photo: 191x29cm ; leaf: 205x305cm. Exceptional original silver print portrait of Nicolas de Staël by Denise Colomb. A small tear in the lower part of the leaf not affecting the photograph. Large format picture of the painter eyes lost in the distance in his Parisian atelier rue Gauguet one year before his death. Sitting in front of one of his works we see the piling up of the painter's canvases in the room behind him. The photograph was taken by Denise Colomb great portraitist of the 20th century known for her portraits of Antonin Artaud Giacometti Picasso Soulages and Miro in their studio. It is said that his workshop was the cave of a palaeontological potter. With sediment layers of paleo. A crucible a large material well riddled with pigments paintbrushes pots of plastered trowels buckets rags. In a strong smell of turpentine. A workshop covered soiled stained with dirt with masonry clay. Its wingspan its strength its topsail height springs into this crater of Vesuvius. Slightly disoriented he leans he pours. To paint for him is to be prey to vertigo to unpredictable accidental chance junctions. Patrick Grainville Les Yeux de Milos. unknown
书商的参考编号 : 82359
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Andre MALRAUX - (Leopold Sedar SENGHOR)
Hôtes de passage
Paris: Gallimard 1975. Fine. Gallimard Paris 1975 12.50 x 20 cm broché First edition one of 120 numbered copies on Holland paper deluxe copy. Very handsome copy. Autograph inscription signed by André Malraux to his friends Minka and Karl-Hans Strauss enhanced with two small drawings in red and blue ink representing cats. Minka a Rothschild descendant and Karl-Hans Strauss were important patrons and collectors of art and music close to André Malraux. Their correspondence seems to reveal that in the 1970s the elderly writer was hunting around the world with his last companion Sophie de Vilmorin for works for their collection. At the end of his life he thus rediscovered this youthful passion that inspired his first work la Voie Royale. Gallimard unknown
书商的参考编号 : 82305
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Jean KALIDASA
Agnimitra et mâlavikâ
Paris: MaisonneuveC. Leclerc 1889. Fine. Maisonneuve C. Leclerc Paris 1889 16.50 x 25 cm broché First edition of the French translation established by Victor Henry. Spine with lacks front board detached lacks to boards some light foxing. Rare. MaisonneuveC. Leclerc hardcover
书商的参考编号 : 82344
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(Max JACOB) - Carlo RIM
Dessin original au crayon de papier et rehaussé au feutre noir représentant son grand ami Max Jacob
s. l. 1930. Fine. s. l. s. d. circa 1930 21 x 24.50 cm une feuille Original drawing in pencil heightened with black felt-tip pen on watermarked paper by Carlo Rim depicting his great friend Max Jacob slightly in profile and sketching a discreet smile. Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown
书商的参考编号 : 82350
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Louis-Ferdinand CELINE
L'Eglise
Paris: Denoël & Steele 1933. Fine. Denoël & Steele Paris 1933 12 x 19 cm relié First edition one of 40 numbered copies on pure laid paper ours one of 15 hors commerce copies deluxe issue after 10 Japan and 20 Holland copies. Half green morocco binding spine with five raised bands gilt title gilt date at foot boards of abstract patterned paper almond green paper endpapers and pastedowns covers and spine preserved top edge gilt binding signed Boichot. Handsome copy elegantly bound. Denoël & Steele hardcover
书商的参考编号 : 82382
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(Nicolas de STAEL) - Denise COLOMB
Ensemble de 3 vues photographiques originales d'oeuvres de Nicolas de Staël
Paris 1954. Fine. Paris s. d. circa 1954 33 x 23 cm une feuille Original black and white photographs of 3 Nicolas de Staël's paintings Paris n.d. circa 1954 two nudes: 33x23cm ; flowers and nude painting: 24x305cm three leaves. Set of 3 original silver prints of Nicolas de Staël's paintings by Denise Colomb. Folds and small tears to the margins of the photo featuring two nudes. Traces left by a typed paper to the margins of the flower painting. Darker traces and folds to the margins of the standing nude. Photos of de Staël's paintings taken in the painter's Parisian atelier rue Gauguet one year before his death: a painting from his famous Flowers series 1953-1954 as well as two paintings of nudes a subject that became a leitmotiv in his work from 1951 until his death in 1955. Taken by Denise Colomb great portraitist of the 20th century known for her portraits of Antonin Artaud Giacometti Picasso Soulages and Miro in their studios. unknown
书商的参考编号 : 82364
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Joannes BUSAEUS
Panarion hoc est Arca medica variis divinaee scriptinae priscorumque patrum antiolotis adversus animi morbos instructas Panarion or the Medical Ark furnished with various antidotes drawn from Holy Scripture and the ancient Fathers against the diseases of the soul
Lyon: Jean Pillehotte 1609. Fine. Jean Pillehotte Lyon 1609 10.50 x 18.20 cm relié First French edition after the first edition published in 1608 in Mainz where the author worked as a teacher. Illustrated with a title-frontispiece allegory of the 7 deadly sins represented by monsters Christ in medallion at the top with his feet on a seven-headed dragon. Contemporary beige morocco spine elaborately decorated in gilt sides with central gilt armorial stamps full quartered arms on the lower plate boards elaborately framed in gilt using the same tools as the spine with gilt cornerpieces gilt edges traces of laces. Upper spine restored as well as spine-ends. Brown stain to second board 1cm in diameter. Leaf 553 a hole to the lower margin a few pale traces of foxing some rubbed spots. A very fine copy in an elaborately decorated early 17th-century Italian armorial morocco binding with the arms of the Duke of Magenta Alfonso Brentano. The Panarion is a curious encyclopedia of mental illnesses viewed as immoral behavior and classified according to biblical vices and virtues. The author examines 83 vices and 75 virtues and adds a biblical remedy for each. Originally the Panarion listed known heresies. One of the first works on moral psychology. Jean Pillehotte hardcover
书商的参考编号 : 82198
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Jean RACINE
Oeuvres
à Paris: Chez Denys Thierry 1687. Fine. Chez Denys Thierry à Paris 1687 9 x 16.20 cm 2 volumes reliés Second collective first edition with continuous pagination containing for the first time Phèdre the Discours prononcé à l'Académie françoise à la réception de Messieurs de Corneille et de Bergeret and the Idylle sur la paix.Brunet IV 1077. Work illustrated with 12 figures including 2 frontispieces most signed by François Chauveau; the frontispiece of the first volume engraved by Le Brun. Edition shared between Barbin Denys Thierry and Pierre Trabouillet. Full midnight blue morocco binding from the late 19th century signed at the foot of the pastedown Thibaron-Joly Former worker of Trautz Thibaron partnered with the gilder Joly in 1874. Spine with raised bands decorated. Boards à la Du Seuil executed with a central rectangle formed by a triple fillet with fleurons in the corners followed by a frame of triple fillets. Rich decorative gilt board-edges. Edges gilt. Minimal traces of rubbing. A few rare leaves slightly more yellowed otherwise magnificent copy in a condition close to perfection. Blue sheepskin bookplate featuring a dolphin in a shield: Bibliothèque Génard. Rare collective edition after the first published in 1676 by Claude Barbin important and sought after for the variants and additions it offers. Chez Denys Thierry hardcover
书商的参考编号 : 82412
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Pierre Henri CAMI
Lettre autographe signée adressée à son ami Carlo Rim s'excusant de pas être présent à la fête organisée pour ses 30 ans : ""Mais je suis avec vous de tout coeur vous le savez et je vous promets d'être là lorqu'on fêtera votre centenaire.""
Paris 1932. Fine. Paris s. d. 1932 21 x 13.50 cm une feuille Signed autograph letter addressed to his friend Carlo Rim apologizing for not being present at the party organized for his 30th birthday 10 lines in black ink: ""On me fête moi aussi ce soir. en famille! C'est pourquoi je n'aurai pas le grand plaisir de lever mon verre à vos trente radieux printemps."" ""I too am being celebrated tonight. with family! That's why I won't have the great pleasure of raising my glass to your thirty radiant springs."" Fold mark inherent to the mailing. Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. A manuscript notation by Carlo Rim in pencil at the head of the letter: mes 30 ans. ""my 30th birthday"" unknown
书商的参考编号 : 82508
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Henri QUEFFELEC
Un royaume sous la mer
Paris: Presses de la Cité 1961. Fine. Presses de la Cité Paris 1961 13.50 x 21 cm reliure de l'éditeur New edition for which no deluxe copies were printed. Publisher's full red boards binding smooth spine. Handsome copy complete with its illustrated dust jacket which has two small tears at the head of the spine and front cover. Autograph inscription dated and signed by Henri Queffelec to a friend named Jacqueline. Presses de la Cité hardcover
书商的参考编号 : 82614
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Thomas Stearns ELIOT - William FAULKNER - Henri MICHAUX
Commerce Cahier XXIX de l'hiver 1932
Paris: Chez L. Giraud-Badin 1931. Fine. Chez L. Giraud-Badin Paris 1931 20 x 25 cm broché First edition published in 2900 copies ours being one of the copies on Alfa paper. Handsome copy. Literary contributions by Paul Valéry: ""Réponse"" Valery Larbaud: ""Le vaisseau de Thésée"" Thomas Stearns Eliot: ""Difficulté d'un homme d'état traduction de Georges limbour"" Georges Garampon ""Réveil du début de l'été"" Henri Michaux: ""Nous autres"" Georges Roditi: ""L'abdication du matin"" William Falkner ""Une rose pour Emily traduction de Maurice-Edgar Coindreau"" Bernard Groethuysen. Commerce a literary review founded by Marguerite Caetani appeared in the form of twenty-nine ""quarterly notebooks published under the supervision of Valéry Fargue and Larbaud"" between 1924 and 1932. Its publication forms part of the competitive tradition of French reviews of the 1920s and does not merely showcase the most prominent authors of French literature: it plays the role of ""discoverer"" of young talents and unearths forgotten seminal texts. Chez L. Giraud-Badin unknown
书商的参考编号 : 82563
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Jean-Jacques RASPAUD - Jean-Pierre VOYER
L'internationale situationniste - Protagonistes / chronologie / bibliographie avec un index des noms insultés
Paris: Editions champ libre 1972. Fine. Editions champ libre Paris 1972 12.50 x 21.50 cm broché First edition. A minor tear at foot of spine. Handsome copy complete with its folding table at beginning of volume. Editions champ libre unknown
书商的参考编号 : 82570
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Leon ZITRONE
Léon Zitrone vous parle de l'UR.S.S.
Paris: Del Duca 1960. Fine. Del Duca Paris 1960 13.50 x 21 cm broché First edition of which there were no deluxe copies. A small tear to the head of the front cover two stains on the back cover. Autograph inscription dated and signed by Léon Zitrone to M. Arrang Del Duca unknown
书商的参考编号 : 82445
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Michel DEON
Taisez-vous. j'entends venir un ange
Paris: Gallimard 2001. Fine. Gallimard Paris 2001 14 x 20.50 cm broché First edition on ordinary paper. A handsome copy. Amusing autograph inscription signed by Michel Déon to Christan Giudicelli: "". ce petit livre qui a au moins un mérite : il est court et ne brigue pas le prix Nobel. Michel"" "". this little book which has at least one merit: it is short and does not seek the Nobel Prize. Michel"" Gallimard unknown
书商的参考编号 : 82442
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Alain BOMBARD
Naufragé volontaire
Paris: Arthaud 1953. Fine. Arthaud Paris 1953 15 x 20 cm broché First edition on ordinary paper. Spine creased some minor foxing to edges. Complete with its folding map at end of volume. Iconography. Signed autograph inscription from Alain Bombard to Gilbert Guilleminault. Arthaud unknown
书商的参考编号 : 82483
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Joris-Karl HUYSMANS
Là-bas
Paris: Tresse & Stock 1891. Fine. Tresse & Stock Paris 1891 12 x 19 cm relié First edition with statement of sixth edition. Bradel binding in full cream white cloth smooth spine decorated with a black floral motif double fillet and black date at foot contemporary binding. Endpapers partially shadowed some marginal foxing affecting mainly the first and last leaves. Rare autograph inscription signed by Joris-Karl Huysmans on this text to P. Edeline. Tresse & Stock hardcover
书商的参考编号 : 82621
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Prosper MERIMEE
Théâtre de Clara Gazul
Paris: H. Fournier jeune 1830. Fine. H. Fournier jeune Paris 1830 13.50 x 21.50 cm relié Second edition with some parts in first edition as expanded with two new pieces: ""L'occasion"" and ""Le carrosse du Saint Sacrement"". Half red straight-grained morocco binding with corners signed Blanchetière at the top of the first endpaper. Smooth spine decorated with a large mirror tool and roulettes. Separating fillets on the boards. Very fresh copy uncut however some brown spots on Le carrosse du saint sacrement. Very handsome copy. Provenance: from the library of Jacques Crépineau famous collector of Romantic books with his bookplate. Theater historian and director of the Michodière theater. This is Prosper Mérimée's first work composed of 6 theatrical pieces. ""First dramatic manifestation in France of Romantic creation the Théâtre de Clara Gazul is an original pastiche that shows a moralist's irony but also a parodic exaggeration of Spanish culture cries tears revenge killings."" ""More intended for reading than for performance the work achieved considerable success from its publication."" Larousse Encyclopédie H. Fournier jeune hardcover
书商的参考编号 : 82618
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Tobias SCHIFF
Revenir - Drancy - Auschwitz - Bergen-Belsen
Bruxelles Brussels: Talus d'approche 1995. Fine. Talus d'approche Bruxelles Brussels 1995 14.50 x 20.50 cm broché First edition. Handsome copy. Presented by Jean-Marc Turine. Autograph inscription from the latter to Georges Goldfayn. Talus d'approche unknown
书商的参考编号 : 82668
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Yves BONNEFOY - Claude GARACHE
L'ordalie
Paris: Maeght éditeur 1975. Fine. Maeght éditeur Paris 1975 18 x 23.50 cm broché First edition one of 1000 numbered copies on laid paper ours one of the hors commerce copies. Work illustrated with 4 reproductions of works by Claude Garache. Handsome copy. Autograph inscription signed by Yves Bonnefoy to his friend the painter Myklos Bokor: ""Pour Myklos Bokor avec affection Yves"" ""For Myklos Bokor with affection Yves"" enhanced by the manuscript signature of Claude Garache in pencil. Maeght éditeur unknown
书商的参考编号 : 82491
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Jean de BEUCKEN
La vie basse - Exemplaire abondamment corrigé par l'auteur avant la parution définitive
Paris: Gallimard 1943. Fine. Gallimard Paris 1943 14 x 21 cm broché The first edition of which there were no deluxe copies with mention of eighth edition. Publisher's wraparound band attached. Our copy contains numerous corrections and modifications in the author's hand made to provide the final corrections to his publisher before definitive publication. Gallimard unknown
书商的参考编号 : 82609
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Yves BRAYER - Olivier RABAUD
Carte d'invitation au Bal des Quat'Z'Arts 1930
Paris 1930. Fine. Paris 1930 19 x 32.50 cm une feuille Superb invitation poster-card for the 1930 edition of the Bal des Quat'Z'Arts still bearing its stub in the lower section. Very fine color illustration by Yves Brayer and O. Rabaud depicting a menacing Aragonese knight being charmed by an oriental dancer. The theme of the famous fine arts students' ball which took place on June 21 at the Porte de Versailles was the capture of Granada by the Aragonese knights - on the invitation one can read the following text: ""Le sultan Abou-Abdillah se fait vider de Grenade par les bandes d'Aragon ainsi que la chose s'est très véridiquement passée en 1492. Viens voir ça ma jolie et accourt avec nous vers l'Alhambra pour y boire le vin d'Espagne et danser la danse de Mograbines au son des violes."" ""Sultan Abou-Abdillah is being driven out of Granada by the bands of Aragon just as this thing truly happened in 1492. Come see this my pretty one and hurry with us to the Alhambra to drink Spanish wine and dance the dance of the Mograbines to the sound of viols."" Also printed is this prudent disclaimer from the organizers fearing some inevitable excesses and joyful demonstrations: ""le comité dégage sa responsabilité des poursuites que pourrait entraîner l'exhibition du nu sur la voie publique."" ""the committee disclaims responsibility for any prosecution that might result from the exhibition of nudity on public thoroughfares."" Light traces of wear along the upper edge. The first Bal des Quat'z'Arts a grand celebration organized by students of the École nationale des beaux-arts de Paris took place on April 23 1892. This tradition continued until 1966. « Depuis que nous allons au bal des Quat' z' Arts nous avons vu déjà plusieurs fois Babylone travestie à la mode Quat' z' Arts rien ne change et le bal des Quat' z' Arts demeure ne ressemblant à rien d'autre. Il a précédé les ballets russes et les revues de music-hall à grand spectacle il ne leur a rien emprunté par la suite fidèle à ses propres traditions. Cette fête dans un décor de palais reconstitué « à la blague » la somptuosité remplacée par l'ingéniosité tout cela ne se retrouve que là. L'esprit quat' z' art existe et se perpétue il s'est manifesté une fois de plus dans la lumière dans le charivari des cuivres et des tambours dans les danses forcenées les bousculades le tumulte d'une foule maintenue par la traditionnelle garde noire ». ""Since we have been going to the Quat'z'Arts ball we have already seen Babylon disguised in the Quat'z'Arts fashion several times nothing changes and the Quat'z'Arts ball remains resembling nothing else. It preceded the Russian ballets and the grand music-hall revues it borrowed nothing from them afterwards faithful to its own traditions. This celebration in a palace setting reconstructed 'as a joke' sumptuousness replaced by ingenuity all this can only be found there. The quat'z'art spirit exists and perpetuates itself it manifested itself once more in the light in the cacophony of brass and drums in the frenzied dances the jostling the tumult of a crowd controlled by the traditional black guard"" André Warnod Comoedia 1933. unknown
书商的参考编号 : 82689
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Marius RENARD
Notre pain quotidien
Bruxelles Brussels: Association des écrivains belgesDechenne & Cie 1909. Fine. Association des écrivains belges Dechenne & Cie Bruxelles Brussels 1909 13.50 x 20.50 cm relié sous étui First edition illustrated with in-text drawings by the author. Half navy blue shagreen binding with corners spine with four raised bands set with gilt garlands decorated with gilt typographical motifs gilt friezes at head and foot frame of double gilt fillets on marbled paper boards marbled endpapers and pastedowns front cover preserved bookplate pasted on a pastedown soft slipcase in full marbled paper with small marginal rubbing. Our copy is enhanced with two original drawings by Marius Renard corresponding to the illustrations on pages 110 and 261 the drawings are mounted on blue-grey cardboard sheets. Association des écrivains belgesDechenne & Cie hardcover
书商的参考编号 : 82486
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TITANA - Carlo RIM - COLLECTIF
Jazz N°5 de la première série
Paris: Jazz 1929. Fine. Jazz Paris Avril 1929 24.50 x 31.50 cm agrafé First edition of this issue announcing the forthcoming publication by ""Sans pareil"" of ""Plan de l'aiguille"" by Blaise Cendrars photographed with a cigarette between his lips. Minor marginal foxing. The magazine ""Jazz"" famous for the quality of its illustrations and photographs was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief and appeared monthly between December 1928 and March 1930 totaling 15 issues plus 2 supplements. Contributions by Titaÿna ""Jérusalem"" Jacques Dyssord ""Défense et illustration du chantage"" Florent Fels ""Acier"" Paul Chauveau ""Ubu de chair"" Pierre Scize ""Lorsque Charlot parut."" Jacques Heller ""Le voyageur le sauvage et le sociologue."" Issue illustrated with works by Alfred Jarry Louis Touchagues Carlo Rim and Serge as well as numerous photographs by Germaine Krull Eli Lotar Jacques Heller Achay Titaÿna. Jazz unknown
书商的参考编号 : 82523
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Jean Ignace Isidore Gerard GRANDVILLE - Joseph MERY
Les Etoiles Dernière féerie avec Astronomie des dames par le Comte Foelix The Stars. Last Fairy Tale with Ladies Astronomy by Count Foelix
Paris: G. de Gonet 1849. Fine. One of the rarest Romantic illustrated books in the publishers pictorial binding G. de Gonet Paris s. d. 1849 18 x 27 cm relié First edition of this posthumous work illustrated with 15 hand-coloured steel engravings by Charles Geoffroy including two frontispieces and a portrait of Grandville. Publishers full pictorial cloth binding the spine slightly faded signed ""Haaraus"" in the plate original yellow endpapers and pastedowns a little soiled at the margins. Discreet restoration to the head of the upper joint. Foxing to the half-title the first endpaper and some leaves also affecting the tissue guards and more lightly the plates. A splendid publication undoubtedly one of Granvilles most poetic works in whichas in his Fleurs animéesthe artist personifies the celestial bodies as young women. G. de Gonet hardcover
书商的参考编号 : 79131
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Carlo RIM
Deux dessins originaux au stylo noir représentant l'acteur Fernand Trignol également spécialiste de l'argot
s. l. 1935. Fine. s. l. 1935 16 x 25 cm une feuille Two original drawings in black pen signed and captioned in black and red felt-tip pen ""Fernand Trignol Joinville 1935. Page 134"" depicting the actor Fernand Trignol. In the first drawing Fernand Trignol is shown in profile wearing a checkered cap; in the second he displays a good-natured expression with his arms crossed. Fernand Trignol was also a specialist in slang to the extent of being the ""Langue verte"" advisor for several directors such as Jacques Tourneur Sacha Guitry in ""Les mémoires d'un tricheur"" Claude Autant-Lara in ""Fric-Frac"" and Jacques Becker in ""Casque d'or"". Carlo Rim was a Provençal writer author notably of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown
书商的参考编号 : 82686
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ANONYME
Observations d'un citoyen sur la nécessité et la possibilité d'un impôt unique en replacement des tailles capitation aides gabelles et tabac
Paris: S. n. 1789. Fine. S. n. Paris 1789 14.50 x 21.50 cm broché de 27 pages First edition. Rare and handsome. A classification notation in ink at the head of the front cover some marginal creases. S. n. unknown
书商的参考编号 : 82522
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Benjamin FONDANE - Henri MICHAUX - Leon-Paul FARGUE
Commerce Cahier XXV de l'automne 1930
Paris: Chez L. Giraud-Badin 1930. Fine. Chez L. Giraud-Badin Paris 1930 20 x 25 cm broché First edition published in 2900 copies ours being one of the copies on Alfa paper. Two stains on the spine which also has a small tear at the head a stain at the lower right corner of the first cover. Literary contributions by Léon-Paul Fargue ""Une violette noire"" Benjamin Fondane ""Ulysse"" Henri Michaux ""Un certain plume"" Jean Follain ""Poèmes"" André Gide ""Oedipe"" Georges Meredith ""Amour moderne"" Louis Brauquier ""Panama"". Commerce a literary review founded by Marguerite Caetani presented itself as twenty-nine ""quarterly notebooks published under the care of Valéry Fargue and Larbaud"" between 1924 and 1932. Its publication forms part of the competitive tradition of French reviews of the 1920s and was not content merely to showcase the most prominent authors of French literature: it played the role of ""discoverer"" of young talents and unearthed forgotten seminal texts. Chez L. Giraud-Badin unknown
书商的参考编号 : 82601
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Jean SENNEP
Humoristique lettre autographe datée et signée à son ami Carlo Rim enrichi d'un autoportrait original à la Légion d'Honneur : "". enfin vieux républicain tu sauras que je suis un bonapartiste de gauche et qu'à ce titre je mets au dessus de toute autre décoration la Légion d'Honneur ordre fondé par le Petit Homme ! ""
Marseille: S. n. 1968. Fine. S. n. Marseille 1968 13.50 x 21 cm une feuille Autograph letter dated and signed 25 lines in black ink from the illustrator and caricaturist Sennep addressed to his friend the Provençal writer caricaturist and filmmaker Carlo Rim thanking him while teasing him after having been decorated with the Legion of Honor: ""Merci gros jaloux ! mais d'abord je n'ai pas les cheveux aussi blancs ! ensuite ma cravate est d'un bleu de ciel qui évoque le ruban des ""Enfants de Marie"" beaucoup plus que l'ordre du Saint-Esprit."" ""Thank you big jealous one! but first I don't have hair that white! then my tie is sky blue which evokes the ribbon of the ""Children of Mary"" much more than the order of the Holy Spirit."" A self-portrait in black felt-tip pen and heightened with blue pencil represents the illustrator freshly honored with his decoration around his neck. Fold inherent to mailing. Carlo Rim was a Provençal writer author of ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. S. n. unknown
书商的参考编号 : 82509
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Fabien OUAKI - COLLECTIF
50x50 - Catalogue de l'exposition des 50 ans de Tati
s. l.: Fabien Ouaki 1998. Fine. Fabien Ouaki s. l. 1998 23 x 31 cm broché First edition of this exhibition catalogue celebrating the 50th anniversary of Tati's existence at the Union centrale des Arts Décoratifs in Paris from March 13 to April 5 1998. The catalogue is illustrated with 50 photographs by Xavier Lambours Jean Larivière Céline Larmet Tanguy Loyzance Toby Mac Farlan Pond Chema Madoz Dolorès Marat Jean-Baptiste Mondino Sarah Moon Xavier de Nauw Judy Olausen Ouka Lele Martin Parr Olivier Rebuffa Liz Redeal Paolo Roversi Richard Schroeder Michel Séméniako Malick Sidibé JeanLoup Sieff Peggy Sirota Eric Traoré Donna Trope and Robert Van der Hilst. Handsome copy. Fabien Ouaki unknown
书商的参考编号 : 82631
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Emile AUGIER - Edouard FOUSSIER
Les lionnes pauvres
Paris: Michel Lévy frères 1858. Fine. Michel Lévy frères Paris 1858 12.50 x 19.50 cm relié First edition of this play comparing bourgeois marriage to legalized prostitution. Bradel binding in half grey percaline with corners smooth spine decorated with gilt floral motif date and double gilt fillets at foot of spine navy blue shagreen title-label with minor rubbing marbled paper boards covers and spine preserved binding signed in blind by Victor Champs. Handsome copy. Michel Lévy frères hardcover
书商的参考编号 : 82710
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COLLECTIF
Revue blanche La N°59 de la sixième année
Paris: La Revue Blanche 1895. Fine. La Revue Blanche Paris 15 Novembre 1895 16.50 x 25.50 cm broché First edition. Contributions by Paul Adam ""De la pudeur"" Debagori-Mokrievitch ""Souvenirs sur Bakounine"" Gutave Kahn on Jules Soury the memoirs of General Rossignol 1793 Raoul Chélard ""Le millénaire de la Hongrie"" Jean de Mitty Tristan Bernard. Issue illustrated with 3 woodcuts by Charles Maurin. Spine slightly warped small marginal tears to boards. La Revue Blanche hardcover
书商的参考编号 : 82499
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Michel HOUELLEBECQ
La Carte et le Territoire
Paris: Flammarion 2010. Fine. Flammarion Paris 2010 13.50 x 21 cm broché The first edition of which there were no deluxe copies with the correct imprint dated July 2010. A handsome copy despite a small crease to the lower right corner of the front cover. Flammarion unknown
书商的参考编号 : 82477
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Anna LANGFUS
Les bagages de sable
Paris: Gallimard 1962. Fine. Gallimard Paris 1962 14 x 20.50 cm broché First edition printed on ordinary paper. Handsome copy despite two small tears at head of spine. Signed autograph inscription from Anna Langfus to Ninette Schapira. Gallimard unknown
书商的参考编号 : 82489
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Yves BONNEFOY
Ce qui fut sans lumière
Paris: Mercure de France 1987. Fine. Mercure de France Paris 1987 15 x 21.50 cm broché First edition on ordinary paper. Fine copy. Autograph inscription signed by Yves Bonnefoy to his friend the painter Myklos Bokor and his wife Claude: ""Pour Myklos et Claude avec affection. Yves."" ""For Myklos and Claude with affection. Yves."" Mercure de France unknown
书商的参考编号 : 82490
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Patrick MODIANO
La Ronde de Nuit
Paris: Gallimard 1969. Fine. Gallimard Paris 1969 12 x 19 cm broché The first edition of which there were no deluxe copies a Service de Presse advance copy. Spine lightly sunned as usual some marginal foxing to foot of front cover. Rare autograph inscription signed by Patrick Modiano to Michelle Cotta on his second work. Gallimard unknown
书商的参考编号 : 82440
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Albert LONDRES
Marseille porte du sud Marseille Gateway to the South
Paris: Les Editions de France 1927. Fine. Les Editions de France Paris 1927 13 x 20 cm broché First edition one of 85 numbered copies on pur fil paper deluxe copy. Three minor tears of no consequence at the foot of the first cover. A handsome full-margined copy. In 1926 Albert Londres who had already traveled to numerous countries in his capacity as a reporter settled in the Phocaean city. Marseille porte du Sud an account comprised of twelve articles is a true documentary and above all a tribute to this cosmopolitan city. Les Editions de France unknown
书商的参考编号 : 82720
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Henri MARTIN
La monarchie au XVIIe siècle - Etude sur le système et l'influence personnelle de Louis XIV principalement en ce qui concerne la cour les lettres les arts et les croyances pendant la première période du gouvernement de ce prince vues comparées de Louis XIV et de Bossuet
Paris: Plon frères 1848. Fine. Plon frères Paris 1848 17 x 24.50 cm broché First edition of the thesis by one of the most important historians of the 19th century. Interior foxing also affecting the board margins two small lacks at head and foot of the warped spine. Plon frères unknown
书商的参考编号 : 82729
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Alfred JARRY
Les théâtres - In La revue blanche N°231 de la 14ème année
Paris: La Revue Blanche 1903. Fine. La Revue Blanche Paris 15 Janvier 903 16.50 x 25.50 cm broché First edition. Other contributions by Guillaume Apollinaire ""L'Otmika"" Jules Bois ""Visions de Bénarès"" Félix le Dantec ""La virulence du sexe"" Marius-Ary Leblond ""La voix des noirs"". Handsome copy. La Revue Blanche unknown
书商的参考编号 : 82504
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Charles CESTRE - Andre HONNORAT - Paul APPEL
Inauguration de la bibliothèque américaine de l'Université de Paris
s. l. Paris: S. n. 1920. Fine. S. n. s. l. Paris 1920 13.50 x 18.50 cm broché « Books ! Books form America ! They have traveled all the way over the Ocean from where the sun sets behind the tower of the Woolworth Building to where the sun rises behind the spine of Notre-Dame. They bring us a whiff of the atmosphere of the New World a pulse of its thought a ray of its beauty. » The rare first edition of the inaugural speeches for the American library at the Sorbonne December 13 1920. One page of photographic portraits of the authors. « Sartre affirmait que la grande révélation pour les lecteurs français de l'entre-deux guerres fut celle des romanciers américains Hemingway Faulkner Dos Passos Steinbeck. C'est au cours des mêmes années que l'histoire américaine fit sa percée dans les Universités françaises tout en se limitant à la différence du roman à des cercles très étroits et spécialisés. Elle s'imposa dans un petit nombre d'institutions Collège de France Sorbonne Ecole des Hautes-Etudes. » ""Sartre claimed that the great revelation for French readers of the inter-war period was that of American novelists Hemingway Faulkner Dos Passos Steinbeck. It was during these same years that American history made its breakthrough in French Universities while limiting itself unlike the novel to very narrow and specialized circles. It established itself in a small number of institutions: Collège de France Sorbonne Ecole des Hautes-Etudes."" Fohlen Claude. Les débuts de l'histoire américaine en France. In: Revue Française d'Etudes Américaines N°13 février 1982. Historiens français des Etats-Unis. pp. 27-40. Founded the same year as the American Library in Paris thanks to a donation from the Carnegie Foundation the American Library attached to that of the Sorbonne marks the official beginning of American History studies in France: « Deux mille livres choisis parmi les plus représentatifs et les meilleurs dans les catégories de l'histoire de la biographie et des mémoires des documents originaux de la géographie humaine économique et sociale de la religion et de la morale de la pédagogie du droit et enfin de la littérature offrent aux professeurs et aux étudiants les sources principales où ils peuvent puiser la connaissance exacte . de la nation américaine » ""Two thousand books chosen from among the most representative and the best in the categories of history biography and memoirs original documents human economic and social geography religion and morals pedagogy law and finally literature offer professors and students the main sources from which they can draw exact knowledge . of the American nation"". This important gift was originally intended to support Charles Cestre's efforts in his teaching of American civilization and to guarantee after the First World War Franco-American understanding and friendship: « The knowledge of America's historical moral and literary record will be the best warrant that no misunderstanding creeps in between her and France » Speech by Charles Cestre Published in a very small number of copies reserved for members attending the Inauguration Ceremony this rare booklet honors American culture in France's most prestigious university while at the same time and two streets from the Sorbonne Sylvia Beach was welcoming in her Latin Quarter bookshop the writers of the Lost Generation who would revolutionize French and Anglo-Saxon literature. S. n. unknown
书商的参考编号 : 82556
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TITANA - Carlo RIM - COLLECTIF
Jazz N°6 de la première série
Paris: Jazz 1929. Fine. Jazz Paris Mai 1929 24.50 x 31.50 cm agrafé First edition of this issue. Marginal stains to covers pleasant interior condition. The magazine ""Jazz"" celebrated for the quality of its illustrations and photographs was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief and was published monthly between December 1928 and March 1930 comprising 15 issues plus 2 supplements. Contributions by Titaÿna ""Bagdad"" Ilya Ehrenbourg ""Slovaquie"" Marcel Zahar ""Centenaire du bec de gaz"" Carlo Rim ""Rues"" Pierre Scize ""Le cinéma"". Issue illustrated with works by Carlo Rim Honoré Daumier Eugène Delacroix Francisco de Goya Paul Gavarni as well as numerous photographs by Germaine Krull Laszlo Moholy Nagy Ilya Ehrenbourg Achay Plicka. Jazz unknown
书商的参考编号 : 82529
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Alphonse DAUDET - Theodore de BANVILLE - Eugene VERMERSCH
La jeune France - Deuxième année complète
Paris: La jeune France 1879. Fine. La jeune France Paris 1879 17 x 26 cm 12 fascicules reliés en 1 First edition. Half red shagreen binding spine with five raised bands marbled paper boards marbled endpapers and pastedowns some tears on the leading edges top edge gilt. One fragile joint a trace of discoloration in the margin of the first cover boards marginally browned some light foxing to interior. Numerous contributions including those of Alphonse Daudet Charles-Marie-René Leconte de Lisle Anatole France Eugène Vermersch Léon Cladel Edgar Allan Poe Paul Arène Paul Nadar François Coppée Maurice Rollinat Jules Troubat André Gill Théodore de Banville Albert Glatigny Sully-Prudhomme . The first issue is illustrated with a frontispiece by Félix Régamey featuring portraits of the main contributors to the review. Rare complete second year. La jeune France hardcover
书商的参考编号 : 82680
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Thomas Stearns ELIOT - Paul CLAUDEL - Valery LARBAUD
Commerce Cahier XXI de l'automne 1929
Paris: Chez L. Giraud-Badin 1929. Fine. Chez L. Giraud-Badin Paris 1929 20 x 25 cm broché First edition published in 2900 copies ours being one of the copies on Alfa paper reserved for the press service. Light foxing affecting mainly the edges. Literary contributions by Thomas Stearns Eliot ""Som de l'Escalina"" Paul Valéry ""Le livre de Christophe Colomb"" Léon-Paul Fargue ""Mimes"" Valery Larbaud ""Le patron des traducteurs"". Commerce literary review founded by Marguerite Caetani appears in the form of twenty-nine ""quarterly notebooks published under the care of Valéry Fargue and Larbaud"" between 1924 and 1932. Its publication forms part of the competitive tradition of French reviews of the 1920s and does not simply showcase the most prominent authors of French literature: it plays a role as ""discoverer"" of young talents and unearths forgotten capital texts. Chez L. Giraud-Badin unknown
书商的参考编号 : 82624
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Gustave GUETANT - Albert SAMAIN
Polyphème
Paris: Société des Amis des Livres 1922. Fine. Société des Amis des Livres Paris 1922 21 x 29 cm broché Edition printed in 100 numbered copies on handmade laid paper and decorated with original illustrations by Gustave Guétant engraved on wood by A. Thévenin. Two small tears repaired with minimal losses at head and foot of spine. Fine and rare copy. Société des Amis des Livres unknown
书商的参考编号 : 82467
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Kinga BAITEI - UTAGAWA KUNIYOSHI
Héros légendaires de la Chine et du Japon. Wakan Eiyu Gaden
Edo Tokyo: Gyokusandô 1860. Fine. Gyokusandô Edo Tokyo 1860 15.50 x 23 cm 2 volumes cousus The rare first edition complete in 2 volumes. The first volume contains a colored frontispiece and 13 double-page plates. The second volume has 12 double-page plates and a black frontispiece. All plates are in black and grey wash. The volumes are undated but note a location: Nihonbashi dori the bridge avenue in Edo. They bear the name of Ichiyusai one of Kuniyoshi's first artistic names. The date is therefore indicative and has been determined according to various criteria; however according to the preface the books were in production at the time of Kuniyoshi's death and the frontispiece of the second volume is the work of Utagawa Sadahide. One of the master's last works in which he rediscovers the elements that ensured his renown. Volumes in accordion format bound by stitching. Title label. Green covers. The second volume with a lower cover speckled with whitish stains a few on the upper cover of volume 1. In volume 2 3 leaves with a folded corner. Good interior condition. Kuniyoshi was one of the last great masters of traditional Japanese printmaking and one of the great painters of Japan alongside Hokusai and Hiroshige where he is justly celebrated. In 1811 he was admitted to Toyokuni's workshop becoming one of his principal pupils. He thus inscribed himself in the tradition of the Utagawa School. Kuniyoshi remains primarily the draughtsman of legendary characters heroes and often strange or even fantastical scenes. Kuniyoshi's talent and personality forged a work of great quality clearly distinct from those of his predecessors and contemporaries. Like Hokusai he remained throughout his life an artist in search of new themes. He was a creator seeking innovation useful to the progress of his art and its understanding. The artist benefited from a major retrospective at the Grand Palais in Paris in 2015. The innovative aspect of these prints consists in a marked accentuation of fantastical elements in a dark atmosphere with spectral apparitions and in the depiction of tattoos which would launch a veritable trend at the time. Gyokusandô unknown
书商的参考编号 : 82591
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(Franklin Delano ROOSEVELT)
Carte postale photographique représentant Franklin Delano Roosevelt
1934. Fine. 1934 12.20 x 14.40 cm une photographie Photographic postcard depicting Franklin Delano Roosevelt in a car. Vintage silver gelatin print. Handsome copy. unknown
书商的参考编号 : 82530
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