‎Haydn joseph‎

‎HAYDN, Joseph 1732-1809‎

‎Hob. I:91 69 83 41 85 53 71 75. A Compleat Collection of Haydn Mozart and Beethoven's Symphonies in Score Most Respectfully Dedicated by Permission to H.R.H. The Prince of Wales No. I II IV V VI XXI XXIII XXIV Price to Subscribers . 5s Non Subscribers . 8. Rymer & Son Sct. Full scores‎

‎London: Cianchettini & Sperati 1809. 4 volumes. Large octavo. Disbound. Engraved throughout. <br /> <br /> Contains 8 works each with identical title excepting work number.<br /> <br /> 1 Symphony in E-flat major. 1f. recto title No. I verso blank 42 pp. Hob. I:91. Robbins Landon p. 744.<br /> <br /> 2 Symphony in C major "Laudon." 1f. recto title No. II." verso blank 39 i blank pp. Hob. I:69. Robbins Landon p. 717.<br /> <br /> 3 Symphony in G minor "La Poule." 1f. recto title No. IV verso blank 36 pp. Hob. I:83. Robbins Landon p. 734.<br /> <br /> 4 Symphony in C major No. 41. 1f. recto title No. V verso blank 23 i blank pp. Hob. I:41. Robbins Landon p. 678.<br /> <br /> 5 Symphony in B-flat major "La Reine. 1f. recto title No. VI verso blank 37 i blank pp. Hob. I:85. Robbins Landon p. 736.<br /> <br /> 6 Symphony in D major "L'Impériale." 1f. recto title No. XXI verso blank 40 pp. First Edition. Hob. I:53. Robbins Landon p. 696.<br /> <br /> 7 Symphony in B-flat major. 1f. recto title No. XXIII verso blank 33 i blank pp. Hob. I:71. Robbins Landon p. 719<br /> <br /> 8 Symphony in D major. 1f. recto title No. XXIV verso blank 27 i blank pp. First Edition. Hob. I:75. Robbins Landon p. 724<br /> <br /> Foxing staining soiling and browning to numerous leaves; some small tears and losses to edges; several leaves detached including titles. "Although Haydn's sobriquet 'father of the symphony' is not literally true in a deeper sense it is apt: there is no other genre in Western music for which the output of a single composer is at once so vast in extent 107 works: hI:1-104 107-8 and one recently identified work K 18 not listed in Hoboken so historically important and of such high artistic quality." James Webster in Grove Music Online. Cianchettini & Sperati unknown‎

Referentie van de boekhandelaar : 40096

‎HAYDN, Joseph 1732-1809‎

‎Hob. I:94. Quintetto pour Flute 2.Violons Alto & Violoncelle. Clavecin as libitum . Oeuvre 92. Liv: I. No: 3 . Pr: Fl: 2. Set of parts‎

‎Bonn: N. Simrock PN 81 1799. Folio. Unbound as issued. Laid into early mid-blue stiff paper folder with olive green ties decorative cut-paper manuscript title label to upper and additional label to spine.<br /> <br /> Flute: i title 12-16 pp.<br /> Violin I: iblank 16-23 i blank pp.<br /> Violin II: i blank 14-19 i blank pp. <br /> Viola: i blank2 copies in 19th century manuscript<br /> Piano: 23-31 i blank pp. <br /> Engraved throughout. <br /> <br /> With small oval handstamp of the "Musikalische Gesellschaft in Worms" to each part; early signature in dark pink ink to blank upper outer corner of violin I part; identification in early manuscript to most parts; "58" in dark pink ink to most parts.<br /> <br /> Folder worn with portions of spine and ties lacking. Slightly worn soiled foxed browned and dampstained internally. Coll.Sy.17b-3. Hoboken Collection Vol. 6 439. Not in RISM but see H4085 for related edition.<br /> <br /> An arrangement of Symphony No. 94 in G major the "Surprise Symphony" the second of the twelve London symphonies composed in London in 1791 and first performed there at the Hanover Square Rooms on 23 March 1792 with Haydn conducting. N. Simrock [PN 81] unknown‎

Referentie van de boekhandelaar : 40463

‎HAYDN, Joseph 1732-1809‎

‎Hob. I:98. No: 4 of Haydn's Twelve Grand Symphonies Composed for Mr. Salomon's Concerts for a Full Band. Price 7s. 6d. Parts‎

‎London: Printed & Sold by Rt. Birchall140 New Bond Street 1827. Folio. Disbound.<br /> <br /> Violino primo: 1f. recto title verso blank 7 pp.<br /> Violino secondo: 6 pp.<br /> Viola: 4 pp.<br /> Violoncello é basso: 4 pp. 2 copies<br /> Flauto: 4 pp.<br /> Oboe primo: 4 pp. <br /> Fagotti: 3 pp.<br /> Timpani in B. F. 1 p. <br /> <br /> Purple ink handstamp of "Stanley Hoyle Pianist" and "John Curtie" to each part.<br /> <br /> Quite worn; large tear to title some fraying tears and soiling. Lacking parts for Oboe secondo Horns and Trumpets. HWV Vol. I p. 199 Coll.Sy.3a. Printed & Sold by Rt. Birchall,140 New Bond Street unknown‎

Referentie van de boekhandelaar : 40402

‎HAYDN, Joseph 1732-1809‎

‎Hob. III:37-42. VI Quartetti a due Violini Viola e Violoncello. Copyist manuscript. Set of parts‎

‎Italy 1800. 4 volumes. Small folio 218 x 291 mm. Early flexible dark orange marbled boards with manuscript title label to uppers within decorative printed border. Notated in a professional hand on fine quality l12-stave rastrum-ruled laid paper.<br /> <br /> Contents in order of appearance: 41no. 5 38 no. 2 37 no. 1 39 no. 3 42 no. 6 and 40 no. 4. <br /> <br /> Violino primo: i title 40 pp. <br /> Violino secondo: i title 38 pp. <br /> Viola: i title 36 pp. <br /> Violoncello: i title 36 pp.<br /> With several additional leaves of blank rastrum-ruled paper.<br /> <br /> Boards worn faded and abraded with very small portions of spine lacking. Occasional showthrough. <br /> <br /> In very good internal condition overall. "A decade or so after the Op. 20 set came the fateful Op. 33 again comprising six quartets. It wasn't so much Haydn's fate of which these works proved full as a Mozart's: they prompted him to return to the string quartet and write his own first six masterpieces in the medium - the set that bear a more affectionate and admiring dedication to Haydn than does any great composer's dedicated to any other great composer ." Hans Keller: The Great Haydn Quartets p. 64. unknown‎

Referentie van de boekhandelaar : 40069

‎HAYDN, Joseph 1732-1809‎

‎Hob. III:78-80. Trois Quatuors pour deux Violons Alto et Violoncelle . dediés a Son Excellence Monsieur le Comte Joseph Erdödy de Monyorókerék Chambellan et Conseiller Intime Actuel d'Etat de S. Maj. l'Empereur et Roy Supreme Comte du Comitat de Neuttra . Oeuvre 76 f. 3. String quartets. Set of parts‎

‎Vienne: Artaria et Comp. PN 837 1800. Folio. Preserved in a custom-made full dark brown linen clamshell box with black leather label with titling gilt to spine. <br /> <br /> Violino primo: 1f. recto title verso blank 19 i blank pp. Title within elaborate border engraved by J. E. Mansfeld incorporating a portrait of Haydn at head a muse holding a flute and trumpet and an angel playing a lyre. <br /> Violino 2o.: 17 i blank pp. <br /> Viola: 17 i blank pp.<br /> Violoncello: 17 i blank pp.<br /> Engraved throughout.<br /> <br /> Slightly worn; occasional soiling and small stains primarily to blank margins; small tear to blank inner margin of title to first violin part extending slightly into border. First Edition with the famous title page incorporating a portrait of the composer. Hob. III:78-80. Hoboken Collection Vol. 7 647. BUC p. 466. RISM H3574. <br /> <br /> "The last of Haydn's six great E-flat quartets 1797 is perhaps - dare one compare on this level - the greatest of them all; in any case it is among the greatest of the his great quartets as well as being the very greatest of the 'celebrated' which status it no doubt again owes to its symmetrical themes - the only aspect of the work one is tempted to suggest which is not drastically innovatory. On hardly knows where to start when listing its lasting innovations . but inasmuch as they affect one's performance of the work one can concentrate on them with a quiet conscience." Keller: The Great Haydn Quartets p. 228. Artaria et Comp. [PN 837] unknown‎

Referentie van de boekhandelaar : 40068

‎HAYDN, Joseph 1732-1809‎

‎Hob. XI:57-62. Sei Trio per Violino Viola e Violoncello. Set of parts‎

‎Venezia: Antonio Zatta e Figli 1787. Oblong folio. Sewn. Three parts each with identical title excepting instrument names. Engraved throughout. <br /> <br /> Violino: i title incorporating decorative engraved border with floral motifs and musical instruments including lute recorder trumpet and violin 15 pp. <br /> Viola: i title 14 i blank pp. <br /> Violoncello: i title 12 i blank pp. <br /> <br /> With "Proprietà di Bianconi de Valleta" in contemporary ink to lower outer corner of title to viola part: "Per uso di cancelled" and in another hand to lower outer corner of each title.<br /> <br /> Violin: Title detached soiled foxed and stained with some marginal dampstaining losses to edges and small holes; light dampstaining mainly to upper outer quadrant of first and final leaves; occasional small stains. <br /> Viola: Staining and soiling to title; stain to blank outer upper corner of all leaves; occasional stains and soiling.<br /> Violoncello: Some foxing and small stains mainly to blank margins; final blank leaf stained and soiled. First Edition. Rare. Hoboken 7 966. RISM H3816.<br /> <br /> Originally composed for baryton trio in 1768 during Haydn's period of service to Nikolaus I Prince Esterházy 1714-1790 here cast in a version for violin viola and cello. <br /> <br /> Antonio Zatta fl. late 18th century was an Italian printer and publisher. "He was in business with his sons under the name 'Antonio Zatta e figli Librai e Stampatori veneti' with premises in Venice 'al traghetto di S Barnaba'; theirs was the largest engraving works in the city their activity dating back to about 1750. . From 1786 the firm began printing on its own press from engraved plates a weekly piece of instrumental music for sale by subscription; in the following years this initiative expanded to include trios duos quartets symphonies or sonatas for various instruments and even vocal pieces issued on a monthly basis. In the letters circulated to 'professori e dilettanti di musica' inviting them to become subscribers the firm explained the preponderance of instrumental music by the fact that Italy 'abounds without doubt more in professional and amateur players than in singers.' Instrumental works by Corelli Bertoni Boccherini Capuzzi Andreozzi Cirri Cambini Pichl Fodor Stabinger Grazioli Haydn Mozart and Salieri and vocal pieces arias by Cimarosa Guglielmi Paisiello Anfossi Naumann Gazzaniga Borghi Traetta and Piccinni were printed and published. Many of Zatta's editions were reprints from German or Viennese publications especially of Hoffmeister's a publisher with whom Zatta had connections. Zatta also published didactic methods Pfeiffer La bambina al cembalo and music theory. After 1788 all editorial activity ceased but Zatta continued to trade in music publications. One of Antonio's daughters Marina married the publisher Sebastiano Valle who continued the work of the Zatta family until about 1806." Mariangela Donà in Grove Music Online. Antonio Zatta e Figli unknown‎

Referentie van de boekhandelaar : 40113

‎HAYDN, Joseph 1732-1809‎

‎Hob. XVI: 17 19 8. Three Sonatas for the Pianoforte or Harpsichord . Engraved from the Authors original Manuscript. Op. 53. Entered at Stationers Hall. Book 1 Pr 7/6‎

‎London: Longman & Broderip 1788. Folio. Disbound. 1f. recto title verso blank i blank 2-23 i blank pp. Engraved throughout. <br /> <br /> With contemporary London instrument dealer's overpaste to foot of title: "Sold at Gough's Harp and Piano-Forte Musical Instrument Warehouse No. 4 Sackville Street near the New Bridge ." <br /> <br /> Occasional light wear and foxing; several small tears with minor loss to edges; title and final leaf slightly soiled; repair to inner margin of blank verso of title. Published in the same year as the edition published in Vienna by Artaria. BUC p. 469. RISM 3850 one copy only in the U.S. at the University of Michigan. OCLC 34921913. Worldcat one copy only in the U.S. <br /> <br /> Hob. XVI:17 is most probably by Johann Gottfried Schwanenberger 1737-1804 "although authenticated by Haydn in ca. 1799-1803." Larson and Feder: The New Grove Haydn p. 187. Longman & Broderip unknown‎

Referentie van de boekhandelaar : 40118

‎HAYDN, Joseph 1732-1809‎

‎Hob. XX/1. Composizione per Cimbalo o Piano-Forte . Sopra le sette ultime parole del nostro Redentore in Croce Con una Introduzione ed al fine un Terremoto Opera 49. Copyist manuscript of an excerpt from a piano transcription of The Seven Last Words‎

‎Italy Early 19th century. Oblong folio 222 x 288 mm. Unbound. i title 26 vi blank pp. Notated in black ink on 10-stave rastrum-ruled paper. <br /> <br /> Occasional small stains and light showthrough. An incomplete manuscript copy of the piano arrangement of the work published by Artaria in 1787 terminating near the end of Sonata VI. <br /> <br /> The Seven Last Words were commissioned for a Lenten service in a church in Cadiz Spain; the original work was scored for orchestra and the parts issued in 1787; the arrangements for string quartet and for piano both overseen by Haydn were published shortly thereafter. The choral version was first performed in 1796 and published in 1801. <br /> <br /> The unusual form of the work was dictated by the structure of the religious service: an introduction then adagios lasting approximately ten minutes each following the recitation of each of the seven "last words" and the whole ending with a depiction of the earthquake at the death of Christ. It produced a great impression; Robbins Landon quotes the following contemporary review: "The idea of expressing these thoughts by purely instrumental music is curious and daring and only a genius like Haydn would take such a risk . but every movement even without the Latin superscriptions is most interesting and entirely worthy of a Haydn." Haydn: Chronicle and Works II p. 618. unknown‎

Referentie van de boekhandelaar : 40271

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXI:2. Die Schoepfung Ein Oratorium . The Creation An Oratorio. Full score‎

‎Vienna: The Composer 1800. Folio. Contemporary quarter dark tan mottled calf with ivory vellum-edged marbled boards titling gilt to spine. 1f. recto title verso blank 4ff. subscribers list 303 i blank pp. Text in German and English. Title and music engraved list of subscribers typeset.<br /> <br /> With Haydn's small circular monogrammatic handstamp "JH" to foot of title. <br /> <br /> Binding worn rubbed and bumped; minor loss to head and tail of spine. Occasional small stains and moderate browning; some signatures partially split at lower portion. In very good internal condition overall. First Edition. HWV Vol. II p. 36. Hirsch IV 799. Leipzig catalogue p. 19. Vecsey 303. Eitner V p. 66. BUC p. 456. RISM H2521. <br /> <br /> The Creation to a libretto by Gottfried von Swieten was first performed at the Palais Schwarzenberg in Vienna on 29 and 30 April 1798; its first public performance took place on 19 March of the following year at the Burghteater in Vienna. <br /> <br /> "There is hardly any doubt in the mind of the average music-lover that Haydn's Oratorio The Creation is tutto sommato his greatest single accomplishment and certainly ranks as one of the greatest products of any eighteenth-century mind. It occupies a central position in choral literature and its composition and first performances were the dominant features of Haydn's life in the late 1790s." Robbins Landon: Haydn Chronicle and Works Vol. IV: Haydn The Years of 'The Creation' 1796-1800 p. 12.<br /> <br /> Copies of the first edition of this monumental work containing the subscribers list are very scarce to the market. [The Composer] unknown‎

Referentie van de boekhandelaar : 40127

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXI:2. The Creation; an Oratorio composed by Joseph Haydn and first performed in the year 1798. In this edition the vocal parts are given complete and the most important of the instrumental parts contained in an accompaniment newly arranged for the piano forte by John Bishop of Cheltenham. From the latest London edition‎

‎Boston New York: Oliver Diston No. 115 Washington Street; J.E. Gould & Co 1842. Folio. Mid-green printed boards. 1f. recto title verso preface with printed date "Nov. 1842" 7-180 pp. <br /> <br /> Boards quite worn rubbed bumped and stained; detached; manuscript notes in pencil to front pastedown. Some wear soiling and foxing; some edges slightly dusty and frayed. Early American Haydn imprint. <br /> <br /> "There is hardly any doubt in the mind of the average music-lover that Haydn's Oratorio The Creation is tutto sommato his greatest single accomplishment and certainly ranks as one of the greatest products of any eighteenth-century mind. It occupies a central position in choral literature and its composition and first performances were the dominant features of Haydn's life in the late 1790s." Robbins Landon: Haydn Chronicle and Works Vol. IV: Haydn: The Years of 'The Creation' 1796-1800 p. 12. Oliver Diston, No. 115 Washington Street; J.E. Gould & Co unknown‎

Referentie van de boekhandelaar : 38922

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXI:3. Haydn's Jahreszeiten. Klavier-Auszug von Anton André. Deutscher Text. . Preis blank. Piano-vocal score‎

‎Offenbach a/m: Johann André PN 1640 1820. Andre Johann Anton 1775-1842. Oblong folio. 19th century light purple cloth with titling gilt to upper within gilt-ruled borders with decorative cornerpieces gilt decorative blindstamping to lower. 1f. recto title incorporating a horticultural vignette; verso "Personen" 3-166 pp. Lithographed.<br /> <br /> Binding slightly worn rubbed and bumped; slightly shaken; upper hinge slightly split. Occasional browning. HWV II p. 59.<br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online <br /> <br /> The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Johann André [PN 1640] unknown‎

Referentie van de boekhandelaar : 40449

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXI:3. Die Jahreszeiten . Klavierauszug‎

‎Leipzig: Breitkopf & Härtel 1802. Oblong quarto. Half green cloth with modern marbled boards decorative cut paper label with manuscript titling to upper. 174 pp. Typeset. Text in German and French. With first part of publisher's catalogue to foot of final page of music. <br /> <br /> With "Haydn's J.Z." printed to lower margin of some pages. <br /> <br /> Light uniform browning heavier to some leaves; some minor foxing and staining; very slightly trimmed at upper and lower margins not affecting text or notation but very occasionally just touching or cropping pagination. Somewhat tightly bound occasionally just slightly affecting ease of legibility at extreme inner margins. Lacking title leaf and one leaf containing continuation of publisher's catalogue at conclusion. HWV II p. 59. Hoboken Collection 9 1419. RISM H4691. <br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. [Breitkopf & Härtel] unknown‎

Referentie van de boekhandelaar : 40453

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXI:3. Die Jahreszeiten . Klavierauszug. Piano-vocal score‎

‎Leipzig: Breitkopf & Hartel 1801. Oblong folio. Orange paper boards with original publisher's printed wrappers with title within decorative borders laid down small early vellum label with "118" to spine. 1f. recto title with engraved vignette by F.W. Nettling after Schubert depicting an allegory of the seasons verso blank 176 pp. with publisher's catalogue to lower portion of p. 174 and pp. 175-176. Text in German and French. Typeset throughout.<br /> <br /> Numbering and occasional markings in pencil.<br /> <br /> Wrappers worn and abraded part of lower lacking; small early manuscript annotations to lower outer corner of upper with portion cancelled. Minor to moderate foxing; minor staining. First Edition. HWV II p. 59. Hoboken Catalogue Vol. 9 1419. RISM H4690.<br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online <br /> <br /> The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Breitkopf & Hartel unknown‎

Referentie van de boekhandelaar : 40448

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXII:9. Messe a 4 Voix avec accompagnement de 2 Violons Viola et Basse une Flute 2 Hautbois 2 Bassons 2 Cors 3 Trompettes Timbales et Orgue . No. II Missa in tempore belli. Full score‎

‎Leipsic: Breitkopf et Härtel 1802. Oblong folio. Nineteenth-century marbled boards rebacked and recornered in dark olive half calf spine in gilt-ruled compartments with dark red title label gilt. i title 2-114 pp. Typeset throughout. <br /> <br /> Dark red leather title label to front pastedown removed but with lettering "W. Russell 1806" visible in impression to free front endpaper.<br /> <br /> "Charles Beevor 41 Upper Harley St." in nineteenth century black into to upper outer corner of free front endpaper; additional bibliographical notes in blue ink. <br /> <br /> Binding worn and rubbed. Intermittent moderate foxing and browning. First Edition of the "Missa in tempore belli" one of six masses written by order of Prince Esterházy between 1796 and 1802. Hoboken Collection Vol. 9 1433. RISM H2498. <br /> <br /> "Vocal music constitutes fully half of Haydn's output. Both his first and last completed compositions were mass settings and he cultivated sacred vocal music extensively throughout his career except during the later 1780s when elaborate church music was inhibited by the Josephinian reforms and the first half of the 1790s in London ." <br /> <br /> "Notwithstanding their semi-private function for the Esterházy court Haydn's six late masses are consummate masterworks that exhibit no trace of provinciality or the 'occasional'. He exploits the complementary functions of soloists and chorus with inexhaustible freedom and telling effect; owing to his London experience the orchestra plays a newly prominent role. Four are in B perhaps because Bb was Haydn's usual highest pitch for choral sopranos he employed the same key for the final choruses of Parts 2-3 of The Creation and Part 1 of The Seasons. The other two are the only ones for which he provided descriptive titles: the Missa in tempore belli 'Mass in Time of War' 1796 in C features the bright trumpet-dominated sound typical of masses in this key; the Missa in angustiis 'Mass in times of Distress' later nicknamed 'Nelson Mass' 1798 in D minor and major is scored for a dark orchestra comprising only trumpets and timpani strings and organ. Both invoke the travails of the Napoleonic wars. The Agnus Dei of the former includes threatening timpani motifs and harsh trumpet fanfares while the Benedictus of the latter culminates in another harsh fanfare passage 'out of context'; both influenced the Agnus Dei in Beethoven's Missa solemnis. On the other hand except for the sombre Kyrie and Benedictus of the 'Nelson Mass' both are otherwise firmly optimistic; the ending of the latter is downright jaunty." James Webster in Grove Music Online. Breitkopf et Härtel unknown‎

Referentie van de boekhandelaar : 40095

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXIIIc:2. Te Deum à 4 Voci coll' accompagnamento dell' Orchestra . Partitura . mit unterlegtem deutschen Texte von Prof. C. A. H. Clodius . Pr. 1 Rthlr. 8. Gr. Full score‎

‎Leipzig: Breitkopf und Härtel 1802. Folio. Modern half mid-brown calf with ivory linen boards with leather title label gilt to upper spine with titling gilt. 1 title 2-42 music ii text pp. Typeset throughout. With text in Latin and German. <br /> <br /> With occasional early accidentals added in early manuscript.<br /> <br /> Some browning and foxing; minor staining. First Edition. Hoboken Collection Vol. 9 1478. RISM H2517. <br /> <br /> "The late Te Deum 'for the empress' . for chorus and very large orchestra is an ABA construction of great power and terseness; it whirls through the very long text in little more than eight minutes while still finding time for a double fugue and an immense climax at the end." Georg Feder and James Webster in Grove Music Online<br /> <br /> The autograph of the present work has been lost. Breitkopf und Härtel unknown‎

Referentie van de boekhandelaar : 40447

‎HAYDN, Joseph 1732-1809‎

‎Hob. XXX:1a etc. A Select Collection of Original Scottish Airs for the Voice. With Introductory & Concluding Symphonies & Accompaniments for the Piano Forte Violin & Violoncello . With Select & Characteristic Verses both Scottish and English adapted to the Airs including upwards of One Hundred New Songs by Burns. Price of each Volume the Voice & Piano Forte One Guinea. The Violin & Violo. parts separate 6.sh‎

‎London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. <br /> <br /> Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns."<br /> <br /> Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint.<br /> <br /> Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737.<br /> <br /> Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown‎

Referentie van de boekhandelaar : 40142

‎Haydn, Joseph & Dolinszky, Miklos [ed]‎

‎J. Haydn Piano Solo Complete Edition‎

‎Budapest: Konemann Music 1995. Quartos: VG/VG: Navy Blue spines with pink and yellow text: Slipcase has some dust staining and light shelfwear: DJs are clean with mild edgewear: Boards are strong and clean binding is tight: Textblocks are clean and pages are free of markings folds or tears: 4 volume set: Unpaginated. SHELVED IN FIRST RIGHT-HAND SHELF OF AISLE 10. <br /> Over sized book. Additional shipping necessary for expedited/international shipping. Economy international shipping unavailable due to weight/size restrictions. Please contact seller for additional information. 1275655. Rockville Non-Retail Listings. Konemann Music unknown‎

Referentie van de boekhandelaar : 1275655 ISBN : 9639059226 9789639059221

‎Haydn, Joseph‎

‎Joseph Haydns handschriftliches Tagebuch aus der Zeit seines zweiten Aufenthaltes in London 1794 und 1795 als Manuskript zur hundersten Wiederkehr . Mai 1909 in Druck gelegt German Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 1017176108.G ISBN : 1017176108 9781017176100

‎Haydn, Joseph / Pohl, Carl F‎

‎Joseph Haydn Erster 1. Band von insg. 3‎

‎1875. Erstausgabe Berlin Sacco 1875 8° XX. 422 S. mit zahl. Notendarstellungen sowie eine Ausklapp-Tafel marmorierter Schnitt Halbleinen-Einband der Zeit mit rotem Lederrückenschild mit goldener Rückenbeschriftung nur 'Haydn' die Rückenkante oben minimal angerändert die letzten 4 Seiten hinten mit altem Filmoplast im Gelenk oder auch mal außen verstärkt sonst ein altersgemäß schönes sauberes Exemplar. Erstausgabe des ersten Bandes der berühmten und immer noch maßgeblichen Haydn-Biographie. Der 2. Band erschien 1882 und der nach Pohls hinterlassenen Materialien von H. Botstiber hrsg. 3. Band erschien gar erst 1927. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown‎

Referentie van de boekhandelaar : 25094AB

‎Haydn, Joseph‎

‎Kalmus Miniature Orchestra Scrolls: Number 110 : 4 Symphonies: Nos. 96 97 98 99‎

‎New York NY U.S.A.: Edwin F. Kalmus 1950. RARE No. 110: Four symphonies: Numbers 96 97 98 and 99 : Fair condition Softcover 8vo circa 1950 70 pages. Exterior stained with edgewear light creasing and the original price sticker on the front. Interior musical score contains some pencil notations otherwise is solid and clean. NOT A REPRINT!. 1st Edition. Paperback. Fair. 8vo - 7" to 9" Tall. Book. Edwin F. Kalmus Paperback‎

Referentie van de boekhandelaar : 016173

‎HAYDN, Joseph‎

‎Klaver-utdrag ur Joseph Haydn's oratorium Skapelsen. 1-3 häftet.‎

‎Stockholm Kongl. Privilegierade Not-Tryckeriet ca. 1805. Tvär 8:o. Grav. titel 2-35 grav. s.; grav. titel 2-57 grav. s.; grav. titel 2-60 grav. s. Första häftet med fuktrand i nederkant de första fyra bladen och emellanÃ¥t skuren nära ram i överkant enstaka smÃ¥fläckar. NÃ¥got nött samtida hfrbd lätt guldornerad rygg. Ur Augusta Löwenhjelms bibliotek med hennes namnteckning. Hoboken II s. 41. Joseph Haydns oratorium Skapelsen â€Die Schöpfung†komponerades Ã¥ren 1796-98. Den första tryckta utgÃ¥van utkom i Wien Ã¥r 1800 liksom det första klaverutdraget. Snabbt kom mÃ¥nga nya upplagor bl.a. denna pÃ¥ Olof Ã…hlströms förlag.Proveniensen är sannolikt Augusta Löwenhielm född von Fersen 1754-1846 som var hovdam och känd som en av â€de tre gracerna†vid det gustavianska hovet. Hon gifte sig med Fredrik Adolf Löwenhielm och var mor till diplomaten Gustaf Löwenhielm. Hon hade under en period en relation med hertig Carl blivande Karl XIII och eventuellt en son med honom. unknown‎

Referentie van de boekhandelaar : 92547

‎HAYDN, Joseph‎

‎Konzerte fru Violoncello und Orchester‎

‎Munich: Henle 1981. hardcover. very good. Intro. by Sonja Gerlach. Illustrated. Slim folio pale blue cloth. Munich: Henle 1981. Very good .<br/> <br/> Henle unknown‎

Referentie van de boekhandelaar : 230383

‎Haydn, Joseph‎

‎La creazione del mondo Italian Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 3385072689.G ISBN : 3385072689 9783385072688

‎Haydn, Joseph‎

‎London Symphonies Nos. 93-98 Dover Music Scores‎

‎Dover Publications 1997-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback‎

Referentie van de boekhandelaar : Q-0486297543 ISBN : 0486297543 9780486297545

‎Haydn, Joseph‎

‎London Symphonies : Nos. 99-104 in Full Score‎

‎Dover Publications 0000-00-00. paperback. New. 8.25x0.75x11.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback‎

Referentie van de boekhandelaar : DADAX0486406970 ISBN : 0486406970 9780486406978