Gounod Charles
Autograph Letter signed "Ch. Gounod" to Lucien Marc
n.p. Paris September 26th 1882. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Old ink stain else near fine. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Gounod overwhelmed by work writes "Please kindly excuse me but I am worn out! Everyday from the morning to the evening the countless appointments and summonses fight over my life: I don't even have time to face my correspondence! So more work. . Kindly let me know with a note the reason of your visit: if it is possible for me to help you I will do it . unknown books
Bookseller reference : 244942
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Gounod Charles
Autograph Letter signed "Ch. Gounod" to Maurice Tourneux
n.p. Paris 23 May 1884. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Fine. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Gounod sends his regrets that he cannot locate a verse play of Tourneux's father and complains of his heavy work load "I am snowed under with requests from the Committees and I can't accept even one more. My whole life goes into it and I devote all my time to it unknown books
Bookseller reference : 244944
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Gounod Charles
Memoirs of an Artist: An Autobiography
Chicago / New York: Rand McNally & Company 1895. Hardcover. VG light age toning to pages small tear to tissue guard covering frontispiece; light wear to boards hinges loose internally pages are otherwise clean and clear. Blue cloth boards red and gilt lettering and illustrations on covers; top edge gilt untrimmed pages 223 pp; bw portrait frontispiece with tissue guard. Rendered into English by Annette E. Crocker. Rand, McNally & Company hardcover books
Bookseller reference : 182174
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GOUNOD Charles
Mozart's Don Giovanni
New York: Da Capo 1970. hardcover. near fine. 144pp. slim 8vo blue cloth. New York: Da Capo Press 1970. Facsimile edition. Near Fine.<br/><br/> Da Capo unknown books
Bookseller reference : 169696
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GOUNOD Charles 1818 1893
Autograph musical manuscript sketch leaf
Oblong folio 175 x 264 mm.<br/><br/>30 measures in total notated on both sides of the leaf the initial 13 measures in black ink the following 17 in purple pencil possibly a continuation of the same work. <br/><br/>With several deletions and "Notes manuscrites de Ch. Gounod" in pencil to upper right margin.<br/><br/>Slightly worn and browned; cut from a larger leaf. "Gounod wrote in most of the major genres of his day sacred and secular. That his reputation began to wane even during his lifetime does not detract from his place among the most respected and prolific composers in France during the second half of the 19th century." Steven Huebner in Grove Music Online. unknown books
Bookseller reference : 36231
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GOUNOD Charles 1818 1893
Autograph musical quotation signed "Ch. Gounod.
1 page ca. 76 x 187 mm. Four measures of an Adagio for organ with pedals in E-flat major in 4/4. Notated in black ink on three printed staves. <br/><br/>A note in black ink to verso signed Comte Élie de "Palys" explains that this autograph of Gounod has been "given by M. de Lassus his son-in-law to Mme Porteau." With rectangular blindstamp to upper left corner. <br/><br/>Very lightly foxed and stained; creased at central fold. "Best known today as the composer of the opera Faust and an Ave Maria descant to the first prelude of J.S. Bach's Das wohltemperirte Clavier Gounod wrote in most of the major genres of his day sacred and secular. That his reputation began to wane even during his lifetime does not detract from his place among the most respected and prolific composers in France during the second half of the 19th century." Steven Huebner in Grove Music Online. unknown books
Bookseller reference : 25136
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GOUNOD Charles 1818 1893
Charles Gounod: Autobiographical Reminiscences with Family Letters and Notes on Music From the French by the Hon. W. Hely Hutchinson
London: William Heinimann 1896. Hardcover. Good. Octavo. Full dark green cloth with musical motif gilt to upper titling gilt to spine. 267 32 pp. publisher's catalogue. Binding slightly worn rubbed and bumped; endpapers slightly stained. Minor internal wear and browning; edges slightly dusty; some gathering slightly split. William Heinimann hardcover books
Bookseller reference : 35065
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GOUNOD Charles 1818 1893
Cinq-Mars Opéra en Quatre Actes et Cinq Tableaux Poëme de Paul Poirson & Louis Gallet. Partition Réduite pour Piano et Chant par Bazille Prix net: 20 Francs Traductions Italienne Anglaise et Allemande. Piano-vocal score
Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed<br/><br/>Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon.<br/><br/>With an inscription signed A. Giacometti to dedication.<br/><br/>Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue.<br/><br/>Commission by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on April 5 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown books
Bookseller reference : 28957
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GOUNOD Charles 1818 1893
Faust A Lyric Drama in Five Acts Libretto by J. Barbier and M. Carré. Vocal Score Containing the Complete Ballet-Music by Léo Delibes The English Version by H. T. Chorley Revised and Completed by Dr. Th. Baker With an Essay on the Story of the Opera by H. E. Krehbiel. G. Schirmer's Collection of Operas. Piano-vocal score
New York: G. Schirmer PN 16100 1920. Large octavo. Full dark green decorative cloth gilt titling gilt to spine top edge gilt. 1f. recto blank verso portrait of composer 1f. recto title verso cast list v-xiv notes on first performance named cast list and synopsis 1f. contents 323 i publisher's advertisement pp. <br/><br/>Named cast includes Barbot Balanqué Reynald Cibot Miolan-Carvalho Faivre and Duclos. <br/><br/>Occasional performance annotations in blue crayon.<br/><br/>Spine slightly worn. Former owner's signature to front free endpaper; occasional annotations in pencil. First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on March 19 1859.<br/><br/>To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. G. Schirmer [PN 16100] unknown books
Bookseller reference : 28828
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GOUNOD Charles 1818 1893
Faust Act III. Etching by Paul Renouard from the series entitled Le Nouvel Opéra
Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. <br/><br/>Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. <br/><br/>Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. <br/><br/>"Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. <br/><br/>Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown books
Bookseller reference : 27462
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GOUNOD Charles 1818 1893
Faust Dramma lirico in 5 atti di Barbier e Carré Traduzione Italiana di A. de Lauzières. 13876 - Fr. 40. Piano-vocal score
Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian.<br/><br/>Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. <br/><br/>Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian Edition of the second version. OCLC no. 16852458.<br/><br/>Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. <br/><br/>"The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown books
Bookseller reference : 26503
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GOUNOD Charles 1818 1893
Faust Opéra en Cinq Actes de MMrs. Jules Barbier & Michel Carré. Partition Piano & Chant Arrangée part Léo Delibes Prix: 15 F. net. 2e. Edition Avec les Récitatifs. Réduits Pour Piano 2e. Edition Ajoutés part l'Auteur Par Emile Périer. Piano-vocal score
Paris: Choudens PN A.C. 664. 1860. Large octavo. Quarter dark red cloth with textured boards titling gilt to spine. 1f. decorative lithographic title by P. de Grauzat printed in black with portraits of Marguerite Faust and Méphistophélès 1f. named cast list and index 252 pp.<br/><br/>With red handstamp to lower edge of title and occasional editorial annotations especially to front free endpaper in a 20th-century hand.<br/><br/>Binding somewhat worn rubbed bumped and scuffed. Minor dampstaining foxing and offsetting; lacking upper corner of final leaf with no loss to music. Second edition. Hopkinson: Notes on the Earliest Editions of Gounod's Faust 247.<br/><br/>Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. <br/><br/>"The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Choudens [PN A.C. 664.] unknown books
Bookseller reference : 24772
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GOUNOD Charles 1818 1893
Faust Opéra en Cinq Actes Poème de J. Barbier & M. Carré. Partition Piano Solo. Piano-vocal score
Paris: Choudens 1900. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 132 pp.<br/><br/>Named cast includes Barbot Balanqué Reynald Cibot Carvalho Faivre and Duclos.<br/><br/>Bound with:<br/>ADAM Adolphe 1803-1856<br/>Le Brasseur de Preston Opéra-Comique en trois Actes Paroles de MM. de Lenven et Brunswick. Représenté pour la première fois a Paris sur le Théatre Royal de l'Opéra-Comique le 31 Octobre 1838 Partition Piano et Chant: 15 francs. Piano-vocal score. Paris: Bichault PN 4932 R. ca. 1900. 1f. recto title verso blank 1f. blank i contents 102 i blank 103-240 i blank i decorative device pp.<br/><br/>Large octavo. Quarter red leather with textured red cloth spine in decorative compartments gilt titling gilt decorative endpapers. <br/><br/>Binding slightly worn; remnants of label to spine. Browned; occasional foxing; some leaves trimmed; several leaves partially detached; some signatures split; annotation in pencil to verso of free front endpaper; small publisher's facsimile handstamp to upper margin of first page of music. First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on March 19 1859.<br/><br/>To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. Choudens unknown books
Bookseller reference : 28306
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GOUNOD Charles 1818 1893
Faust: A Lyric Drama in Five Acts. Adapted to English and Italian Words and Revised from the Full Score with Indications of the Instrumentation. Piano-vocal score
Boston: Oliver Ditson 1892. Quarto. Original publisher's dark orange wrappers with titling within architectural border. 1f. recto title verso blank 1f. recto preface verso blank 3-5 dramatis personae synopsis and contents 6-236 pp.<br/><br/>Wrappers detached with minor chips tears and tape repairs to edges; former owner's signature "E.B. Shinmon" to upper wrapper; spine lacking. Some signatures split; former owner's signature to title; tape repair to upper margin of p. 131 not affecting music. Third version. First American Edition. <br/><br/>First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on March 19 1859.<br/><br/>To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. Oliver Ditson unknown books
Bookseller reference : 28738
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GOUNOD Charles 1818 1893
Irene Reine de Saba Grand Opera in 5 Acts. The English Libretto by Henry Farnie. Price 25s. Piano-vocal score
London: Cramer & Co. Limited PN 8914 1870. Folio. Original publisher's quarter dark green cloth with illustrated boards titling gilt to spine. 1f. publisher's catalogue of operas arranged for piano 1f. title 1f. "Argument" i table of contents i cast list 281 i blank 1f. catalogue of Debain's Harmoniums pp. Lithographed. Text in English. With additional publisher's catalogs "Old English Ditties" and instruction books to pastedowns.<br/><br/>Binding worn and shaken with some bumping and chipping; endpapers browned. Occasional light soiling; several leaves partially detached; some minor creasing. First English Edition. Revised version for London. Very scarce. OCLC no. 16852569.<br/><br/>La Reine de Saba to a libretto by Jules Barbier and Michel Carré after Gérard de Nerval's collections of stories Le voyage en Orient was first performed at the Opéra in Paris on February 28 1862. The English version by Henry Farnie was renamed Irene and interwove "certain legends and traditions of freemasonry." Wikipedia.<br/><br/>"The work was severely condemned by almost the entire Parisian press. In spite of Gounod's efforts to clarify motivations of the characters through thematic recollections critics were mystified by the racial origin of and ideological imperatives for the Balkis-Adoniram union; the opera was withdrawn after only 15 performances. With some revisions it fared better at the Théâtre de la Monnaie and became part of the repertory there in the 1860s and 70s. Performances in England in 1865 at the Crystal Palace where the title role became Irene and the setting was shifted to Turkey as well as a Parisian revival in 1900 were unsuccessful." Steven Huebner in Grove Music Online. Cramer & Co. (Limited) [PN 8914] unknown books
Bookseller reference : 26347
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GOUNOD Charles 1818 1893
La Colombe Opéra Comique En Deux Actes De MM J. Barbier et M. Carré . Partition Chant et Piano Réduite par Émile Périer Prix 10 F. Net. A.V. . à Mr. Edouard Bénazet. Piano-vocal score
Paris: Choudens A.C. 738. 1860. Large octavo. Quarter dark brown morocco with pebbled paper boards raised bands on spine in ruled compartments with titling and publication date gilt marbled endpapers original publisher's illustrated lithographic upper wrapper bound in. 1f. recto title verso blank i named cast list and table of contents 2-132 pp. Engraved.<br/><br/>With composer's autograph inscription signed "Ch. Gounod" in brown ink to head of title: "à mon bon ami Hasselmans - souvenir bien amical" with Hasselmans's handstamp to upper corner of upper wrapper. <br/><br/>Named cast includes Carvalho A. Faivre Roger and Balanqué.<br/><br/>Small publisher's oval handstamp to lower outer corner of title.<br/><br/>Binding slightly worn rubbed and bumped with small scratches to upper; upper wrapper somewhat soiled and creased. Title browned; some foxing and offsetting; occasional creasing or splitting at inner margins; publisher's handstamp faded. First Edition of the original version. Lesure p. 108. <br/><br/>The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet; an expanded version of the opera was staged at the Opéra-Comique in Paris in 1866. <br/><br/>Gounod may have inscribed this copy for Josef H. Hasselmans 1814-1902 a Belgian conductor harpist and violinist. Hasselmans "became first violinist with the orchestra of the Théâtre Royal Antwerp and later its conductor. His career continued at Strasbourg where he conducted the orchestra of the Théâtre Municipal and in 1854 he became the first director of the Strasbourg Conservatoire. He was a respected teacher as well as a creditable conductor and may be remembered for two major schools of double-action harp playing which stemmed from his tutelage." Alice Lawson Aber-Count in Grove Music Online. Choudens [A.C. 738.] unknown books
Bookseller reference : 25602
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GOUNOD Charles 1818 1893
La Colombe Opéra Comique en Deux Actes De MM J. Barbier et M. Carré. Partition Chant et Piano Réduite par Émile Périer Prix: 12F. net. A.V. à Mr. Edouard Bénazet. Piano-vocal score
Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. <br/><br/>Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents.<br/><br/>Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Probable first issue of the second version. Lesure II p. 108-109. OCLC no. 15150060. <br/><br/>The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866.<br/><br/>"Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown books
Bookseller reference : 26259
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GOUNOD Charles 1818 1893
La Reine de Saba Grand Opéra en Quatre Actes de Jules Barbier et Michel Carre. Partition Chant et Piano Édition conforme au manuscrit de l'Auteur revue par Henry Busser. Piano-vocal score
Paris: Edition Choudens 1970. Large octavo. Original publisher's ivory wrappers printed in red and black. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 230 pp.<br/><br/>Named cast for the Théâtre de l'Opéra performance in 1862 includes Gueymard Hamackers Tarby Gueymard Belval Grisy Marié Coulon and Féret and from the from the Opéra Populaire performance in 1900 Julia Brietti A. Gillard Broglia Émile Cazenueve Stanler Outhier Corin Montégut and Darras.<br/><br/>Wrappers slightly worn; small catalogue handstamp to lower margin of upper. Seventh version.<br/><br/>First performed in Paris at the Opéra on February 28 1862 to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent first production was directed by Eugène Cormon with costumes designed by Alfred Albert and Paul Lormier and scenery by Édouard Desplechin Act I Charles-Antoine Cambon and Joseph Thierry Acts II and IV scene 2 Hugues Martin Act III and Joseph Nolau and Auguste-Alfred Rubé Act IV scene 1." Wikipedia. Edition Choudens unknown books
Bookseller reference : 28953
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GOUNOD Charles 1818 1893
La Reine de Saba Grand Opéra en Quatre Actes de Jules Barbier et Michel Carré. Partition Chant et Piano Arrangée par Georges Bizet. Piano-vocal score
Paris: Choudens Fils PN A.C. 7409 2743 880 1897. Large octavo. Quarter dark red cloth with decorative textured blue paper boards printed in black. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 222 xxii pp.<br/><br/>Named cast includes Gueymard Hamackers Tarby Belval Grisy Marié Coulon and Fréret.<br/><br/>Binding slightly worn; signature to upper outer corner of front pastedown. Slightly browned. Sixth version. <br/><br/>First performed in Paris at the Opéra on February 28 1862 to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent first production was directed by Eugène Cormon with costumes designed by Alfred Albert and Paul Lormier and scenery by Édouard Desplechin Act I Charles-Antoine Cambon and Joseph Thierry Acts II and IV scene 2 Hugues Martin Act III and Joseph Nolau and Auguste-Alfred Rubé Act IV scene 1." Wikipedia. Choudens Fils [PN A.C. 7409, 2743, 880] unknown books
Bookseller reference : 28954
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GOUNOD Charles 1818 1893
Le Tribut de Zamora Grand Opéra en 4 actes de Adolphe d'Ennery et Jules Brésil. Partition Chant et Piano transcrite par H. Salomon et L. Roques. Piano-vocal score
Paris: Choudens Père & Fils PN A.C. 4633 1881. Large octavo. Quarter dark purple calf with marbled boards spine in gilt-ruled compartments with titling gilt. 1f. recto illustrated title verso notes i notes on first performance named cast list and contents 2-387 i blank pp.<br/><br/>With a manuscript inscription to Louis Gal from the publisher to upper right corner of title.<br/><br/>Named cast includes Daram Janvier Sellier Melchissédec Mermand Bonnefoy Krauss Lasalle Giraudet and Sapin.<br/><br/>Binding somewhat worn rubbed and bumped; spine faded; foot frayed. First Edition later issue.<br/><br/>First performed in Paris at the Théâtre National de l'Opéra on April 1 1881.<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Père & Fils [PN A.C. 4633] unknown books
Bookseller reference : 28951
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GOUNOD Charles 1818 1893
Margarete Faust Oper in vier Akten Text nach Goethe von Jules Barbier und Michel Carré Kritische Neuausgabe von Fritz Oeser Deutsche Übertragung von Walter Zimmer Klavierauszug mit Text deutsch und französisch. Piano-vocal score
Kassel: Alkor-Edition PN HV 145 1985. Large octavo. Original publisher's wrappers with titling in blue. 1f. recto title verso copyright statement i recto cast list and orchestration iv contents i blank viii foreword 388 pp. Text in German and French.<br/><br/>Small price label to upper wrapper; spine slightly creased. First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on March 19 1859.<br/><br/>To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. Alkor-Edition [PN HV 145] unknown books
Bookseller reference : 28835
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GOUNOD Charles 1818 1893
Mireille Opéra en 3 Actes Tiré du Poëme de Frédéric Mistral par Michel Carré. Partition Chant et Piano. Piano-vocal score
Paris: Choudens Fils PN A.C. 1005 1890. Large octavo. Original publisher's full red cloth flexible blindtooled boards titling in silver to upper and spine. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 3-32 viii 132-328 33-213 i blank pp.<br/><br/>Binding slightly worn soiled and bumped; front free endpaper brittle corner lacking. Browned; some signatures split. Third version fourth issue.<br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown books
Bookseller reference : 28826
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GOUNOD Charles 1818 1893
Mireille Opéra en 5 actes tiré du Poëme de Frédéric Mistral par Michel Carré Partition Chant et Piano. Piano-vocal score
Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br/><br/>Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown books
Bookseller reference : 28785
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GOUNOD Charles 1818 1893
Mireille Opéra en 5 Actes tiré du Poëme de Fréderic Mistral par Michel Carré. Partition Chant et Piano. Piano-vocal score
Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp.<br/><br/>Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel.<br/><br/>Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown books
Bookseller reference : 28811
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GOUNOD Charles 1818 1893
Mireille Opéra Tiré du Poème de Frédéric Mistral par Michel Carré. Partition Chant et Piano. Piano-vocal score
Paris: Choudens PNs A.C. 1005 1012 7410 1901. Large octavo. Original publisher's dark ivory illustrated wrappers printed in green. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 242 pp.<br/><br/>Named cast includes Marthe Rioton Marié de L'Isle de Crapone Eyreams M.L. Rolland Marechal Dufrane Vieuiller Jacquin and Huberdeau. <br/><br/>With an autograph inscription signed by English dramatic soprano Florence Easton 1882-1955 to upper portion of title.<br/><br/>Wrappers worn and soiled; spine creased. Signatures partially split. Fourth version.<br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PNs A.C. 1005 (1012), 7410] unknown books
Bookseller reference : 28814
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GOUNOD Charles 1818 1893
Mirella. Opera in Three Acts. With an English Adaptation by Henry F. Chorley Edited by Arthur Sullivan and J. Pittman. Piano-vocal score
London and New York: Boosey and Co 1880. Large octavo. Original publisher's full dark red cloth decoratively tooled in blind black dark blue and gilt titling gilt to spine all edges gilt. 1f. recto title verso printer's note 1f. recto contents verso cast list and synopsis 176 pp.<br/><br/>Head and tail of spine very slightly frayed. Some signatures partially split; minor staining to upper margins of pp. 158-161. "There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Boosey and Co unknown books
Bookseller reference : 28812
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GOUNOD Charles 1818 1893
Philémon et Baucis Opéra en 2 ou 3 actes de J. Barbier et M. Carré. A Madame Carvalho. Partition Chant et Piano réduite par H. Salomon. Piano-vocal score
Paris: Choudens PN A.C. 703 1900. Large octavo. Red cloth-backed textured blue paper boards with decorative device and titling printed in black to upper titling gilt to spine. 1f. recto title within decorative architectural border verso blank 1f. recto named cast list and contents verso blank 49 i 50-54 55-178 pp. Some leaves unopened.<br/><br/>Named cast includes Nicot Chapuyt Bouhy and Giraudet from the Opéra-Comique and Froment Carvalho Battaille Balanqué and Sax from the Théâtre Lyrique.<br/><br/>Binding slightly worn and soiled; upper hinge partially split. Browned; some signatures split. Third version second issue.<br/><br/>Philémon et Baucis to a libretto by Jules Barbier and Michel Carré after Jean de La Fontaine's fable was first performed in Paris at the Théâtre Lyrique on February 18 1860.<br/><br/>"At the suggestion of Léon Carvalho director of the Théâtre Lyrique Gounod expanded his original two-act frame into three by adding a middle act that depicts the orgiastic celebrations of the townspeople in Jupiter's temple. For the 1876 revival at the Opéra-Comique which established Philémon in the repertory of that house until World War II Gounod reduced the work to two acts." Steven Huebner in Grove Music Online. Choudens [PN A.C. 703] unknown books
Bookseller reference : 28830
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GOUNOD Charles 1818 1893
Polyeucte Opéra en Cinq Actes Paroles de Jules Barbier et Michel Carré. Partition Piano et Chant Réduite par H. Salomon Prix net : 25 francs. Piano-vocal score
Paris: Henry Lemoine PN 8139.H. 1878. Quarto. Quarter black calf with purple textured paper boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso blank 1f. recto named cast list verso contents 331 i blank pp.<br/><br/>Named cast includes Salomon Lassalle Bérardi Auguez Menu Bataille Bosquin Gaspard Krauss and Caldéron.<br/><br/>Binding slightly worn rubbed and bumped. Some signatures split; music seller's handstamp to title. First Edition first issue. <br/><br/>Polyeucte to a libretto by Barbier and Carré after Pierre Corneille based on his life of the martyr Saint Polyeuctus finished in December of 1642; the opera was first performed in Paris at the Opéra on October 7 1878.<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Henry Lemoine [PN 8139.H.] unknown books
Bookseller reference : 28743
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GOUNOD Charles 1818 1893
Romeo and Juliet Grand Opera Written by Jules Barbier and Michel Carré English Version by H. B. Farnie. Vocal Score English and French Words . net 3 S. 6 D. Piano-vocal score
London: Chappell & Co. PN 22805 1895. Quarto. Original publisher's blue wrappers with titling in dark blue within decorative border. 1f. recto title verso named cast list and notes on first English performance i contents 2-225 i publisher's catalogue pp.<br/><br/>Named cast includes from the Royal Opera Covent Garden London production includes Melba EamesRegina Pinkert Bauermeister Edouard de Reszké Dufriche Igenio Corst Ceste Castelmary Miranda Rinaldini and Jean de Reszké and from the Carl Rosa Opera Company production Zelie de Lussan Kate Drew Annie Cook Abramoff Max Eugene John Child F. H. Celli E. Albert and Barton McGuckin.<br/><br/>Wrappers worn and detached with remnants of tape repairs; spine reinforced with cloth tape. Tape to inner margin of title and verso of final leaf; minor soiling to edges of title with small publisher's facsimile signature handstamp to lower margin. First performed in English in Liverpool by the Carl Rosa Opera Company at the Royal Court Theatre on Wednesday the 15 January 1890. Chappell & Co. [PN 22805] unknown books
Bookseller reference : 28952
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GOUNOD Charles 1818 1893
Romeo and Juliet Opera in Five Acts Libretto by J. Barbier and M. Carré. The English Version by Dr. Theo. Baker With an Essay on the Story of the Opera by W. J. Henderson. Piano-vocal score
New York: G. Schirmer PN 13203 1925. Large octavo. Full dark green cloth with titling gilt to upper and spine. i title iv notes on first performance named cast list and synopsis i contents 265 i blank pp.<br/><br/>Named cast for the first performance in Paris at the Théâtre Lyrique on April 27 1867 includes <br/><br/>Binding slightly worn and rubbed; some fading and minor discoloration to spine. Former owner's signature and handstamp to free front endpaper. G. Schirmer [PN 13203] unknown books
Bookseller reference : 28805
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GOUNOD Charles 1818 1893
Romeo und Julie Grosse Oper in 5 Akten von J. Barbier und M. Carré Deutsch nach Schakespeare von Th. Gassmann. Klavierauszug mit text. Piano-vocal score
Paris: Choudens Fils PN A.C. 1482 1900. Large octavo. Half black cloth with textured black paper boards. 1f. recto title verso blank i cast list and contents 2-253 i blank pp. Text in German.<br/><br/>With occasional lyrics translated into Danish in manuscript.<br/><br/>Binding slightly worn and shaken. Tear to outer margin of p. 197-198. First performed in Paris at the Lyrique on April 27 1867 to a libretto by Barbier and Carré after Shakespeare.<br/><br/>Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Miusic Online. Choudens Fils [PN A.C. 1482] unknown books
Bookseller reference : 28958
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GOUNOD Charles 1818 1893
Romeo und Julie Grosse Oper in 5 Akten von J. Barbier un M. Carré Deutsch nach Shakespeare von Th. Gassmann. Klavierauszug mit Text Arrangée par H. Salomon. Piano-vocal score
Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp.<br/><br/>Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. <br/><br/>Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. Probable First German Edition. Lesure p. 108.<br/><br/>Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on April 27 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown books
Bookseller reference : 25625
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GOUNOD Charles 1818 1893
Roméo et Juliette Opéra en 5 Actes de J. Barbier et M. Carré. Théätre National de l'Opera. Partition Chant et Piano. Transcrite par Hector Salomon. Piano-vocal score
Paris: Choudens Père & Fils PN A. C. 1411 1890. Large octavo. Half maroon cloth with marbled boards title label in manuscript to spine. 1f. recto illustrated title verso notes i named cast list and contents 2-71 i 72-80 81-132 i 133-137 138-249 250 blank 251-290 pp.<br/><br/>Binding slightly worn and faded; repairs to inner margins of many leaves; tear to lower margin of title repaired. Third version second issue.<br/><br/>First performed in Paris at the Lyrique on April 27 1867 to a libretto by Barbier and Carré after Shakespeare.<br/><br/>Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Miusic Online. Choudens Père & Fils [PN A. C. 1411] unknown books
Bookseller reference : 28804
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GOUNOD Charles 1818 1893
Roméo et Juliette Opéra en 5 Actes. de J. Barbier et M. Carré. Partition Chant & Piano. Arrangée par H. Salomon. Piano-vocal score
Paris: Choudens A.C. 1411. 1867. Large octavo. Flexible dark blue leather boards decorative endpapers. 1f. decorative lithographic title by Barbizet printed in purple 1f. dedication 'A Sa Majesté Charles XV Roi de Suède de Norvège" 1 named cast list and index 2-303 pp. Lithographed.<br/><br/>Binding slightly worn. Light foxing soiling and offsetting; first and last leaves browned; occasional tears repaired; some loss to corners not affecting music; publisher's handstamp to lower right portion of title; circular owner's stamp to dedication and cast list; cast list leaf partially detached. First Edition. <br/><br/>First performed at the Théâtre Lyrique in Paris on April 27 1867 with a libretto by Jules Barbier and Michel Carre after Shakespeare. <br/><br/>"Roméo et Juliette was Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown books
Bookseller reference : 28878
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GOUNOD Charles 1818 1893
Roméo et Juliette Opéra en 5 Actes. de J. Barbier et M. Carré. Partition Chant & Piano. Arrangée par H. Salomon. Piano-vocal score
Paris: Choudens PN A.C. 1411. 1867. Large octavo. Quarter red pebbled cloth with marbled boards titling gilt to spine. 1f. recto decorative lithographic title by Barbizet printed in light purple verso blank 1f. recto dedication "A Sa Majesté Charles XV Roi de Suède de Norvège" printed in blue verso blank 1 named cast list and index 2-303 i blank pp. Lithographed.<br/><br/>Named cast includes Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu. <br/><br/>Publisher's handstamp to lower margin of title.<br/><br/>Binding slightly worn rubbed and bumped; hinges split; endpapers browned. Some dampstaining to inner margins; occasional splitting creasing and small tears. First Edition first issue. <br/><br/>Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on April 27 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1411.] unknown books
Bookseller reference : 25608
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GOUNOD Charles 1818 1893
Roméo et Juliette Opéra en 5 Actes. J. Barbier et M. Carré. Partition Chant & Piano. Arrangée par H. Salomon. Piano-vocal score
Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. <br/><br/>Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. <br/><br/>Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival.<br/><br/>Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown books
Bookseller reference : 25627
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Gounod Charles Francois
Le Médecin Malgré Lui Comédie en 3 Actes de Molière Arrangé en Opéra-Comique par MM Jules Barbier & Michel Carré.
<p>Gounod Charles François <i>Le Médecin Malgré Lui Comédie en 3 Actes de Molière Arrangé en Opéra-Comique par MM Jules Barbier & Michel Carré. Musique de Charles Gounod Partition Piano et Chant.</i>Paris: Colombier Éditeur rue Vivienne No. 6 1858. 27.5 cm x 18 cm iv ; 190 pages. In-8vo. Original green wrapper bound-in. Bound in half blue goatskin with gold lettering on the spine over blue marbled boards. Slight wear to corners binding otherwise very good. Internally pristine printed on heavy paper wrapper slightly chipped. Engraved title page. First edition C 2097 Columbier. Signed and inscribed in ink by Gounod at the top of the title page: "à mon ami Léon Leroy : Souvenir affecteux. Ch. Gounod." </p> Sold with an ALS of presentation from Gounod to Léon Leroy dated "Samedi 5 février /70". The text is: " Mon cher ami Il y a huit jours que j'ai <u>votre </u>médecin … Et le mien aussi – car je viens d'être malade et je sors de mon lit. C'est pourquoi je n'ai pu mettre la main sur votre addresse dont la copie était dans mes papiers. Voulez-vous avoir la bonté de faire prendre mon souvenir chez mon concierge Il y est déposé par bande à votre nom --- à vous Ch. Gounod. " "My dear friend It has been eight days since I had your doctor --- and my own as well – since I came to be sick and I left my bed. It's why I have not been able to put my hand on your address which was in my papers. Would you have the goodness to come and get my souvenir from my concierge It is deposited in a wrapper in your name. Yours Ch. Gounod." Léon Leroy was a distinguished clarinetist and a member first in Paris then later in New York of the <i>Société Moderne pour Instruments</i>à <i>Vent and a soloist with the Garde Republicaine Band in Paris. </i><i>Le Médecin Malgré Lui </i>was Gounod's third opera dating from 1858. Colombier, Éditeur, rue Vivienne, No. 6 books
Bookseller reference : 257
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GOUNOD CHARLES HARDING JAMES
GOUNOD
NY STEIN 1973. FIRST AMERICAN EDITION VERY GOOD. 1st Edition. NY, STEIN, 1973 unknown books
Bookseller reference : 13967
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Gounod Charles.
Faust Opéra en 5 Actes de MM. Jules Barbier et Michel Carré. Partition Chant et Piano Arrangée part Léo Delibes Prix: 15 F. net.
4to. Paris: Choudens 1861. 4to. iv 248 pp. lithographed piano-vocal score. Contemporary rebacked quarter black morocco black cloth boards paneled in blind backstrip lettered and ruled in gilt marbled endpapers. Corners bumped and frayed some discoloration to boards otherwise very good. § Third edition first issue title page inscribed by Gounod: “À mon excellente amie Madame Des Michels souvenir de ma profonde et respectueuse amitié Ch. Gounod.†His most poplar opera with libretto by J. Barbier and M. Carre first performed as an opera comique with spoken dialogue on 19 March 1859 at the Theatre-Lyrique Paris. The recitatives were added for a production at Strasbourg in April 1860 and a piano score of the opera version was published that year. The present score published according to Hopkinson in 1861 has added tempo markings and shows a cut from the Choeur de sorcieres in Act V. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. Loewenberg 939. Choudens hardcover books
Bookseller reference : 106399
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Gounod Charles; Page N. Clifford
Gallia: Motet with Piano Accompaniment Arranged for Women's Voices
Boston: Oliver Ditson Company 1907. Stapled Binding. Near Fine. Pencil name on front wrapper top corner of rear wrapper creased. 1907 Stapled Binding. 23 pp. "Gallia is an 1871 motet for soprano chorus orchestra and organ by Charles Gounod."--Wikipedia Oliver Ditson Company unknown books
Bookseller reference : 2305256
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Gounod Collectif
Rom�o et Juliette � l'Op�ra comique
Op�ra comique 1994. in8. Broch�. 60 pages. quelques illustrations en noir et blanc texte int�grale de l'oeuvre remis � l'occasion des repr�sentations � l'op�ra comique de juin et juillet 1994 Op�ra comique unknown
Bookseller reference : 234668
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Gounod J. S. Zamecnik
Faust. Concertized Grand Opera Abridged Version. SATB Piano: Conductor's Score Sheet Music
Sam Fox Publishing 1929. Sheet music . Good. Careless Idle Maiden; Light as Air at Dawn; High Born and Lovely Maid; Gentle Flowers; 'Gainst the Powers of Evil; Let Me Gaze; The Glory & Love to the Men of Old; Angel in Heaven Bless'd. Light wear. Sam Fox Publishing unknown
Bookseller reference : mon0000063585
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Gounod Johann Sebastian Bach and Charles
Charles Gounod: Ave Maria Medium Voice
G Schirmer Incorporated 1997-11-17. Paperback. Used:Good. G Schirmer, Incorporated paperback
Bookseller reference : DADAX0793553334 ISBN : 0793553334 9780793553334
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Gounod (Charles).
Le Médecin Malgré lui. Comédie de Molière arrangée en Opéra Comique par MM. Jules Barbier et Michel Carré. Partition Piano et Chant. A son Altesse Impériale la Princesse Mathilde. Première édition de la réduction pour piano.
Un volume de format grand in 8° de 2 ff.; 190 pp. entièrements gravées. Titre en brun. Reliure de l'époque en demi chagrin noir. Dos lisse; filets et titre dorés. Quelques pâles rousseurs; bel état. Voir les photos.
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GOUNOD / VILLAZON / MACHALDZE / SZMO / NEZET SEGUI
ROLANDO VILLAZON-VILLAZON:GOUNOD-ROMEO ET JULIETTE
2009-01-01. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence excellent customer service! unknown
Bookseller reference : 400734518X ISBN : 400734518x 9784007345180
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Gounod C
Faust: Opera en cinq actes
Librairie Theatrale NULL. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Librairie Theatrale paperback
Bookseller reference : 4600868
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Gounod C et al
Faust; Grand Opera
Chappel & Co NULL. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library Chappel & Co hardcover
Bookseller reference : 4604966
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Gounod C et al
Faust; Grand Opera
Chappell & Co NULL. This book has hardback covers. In fair condition suitable as a study copy. Chappell & Co hardcover
Bookseller reference : 4604963
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Gounod C et al
Faust; Grand Opera
Chappell & CO NULL. This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library Chappell & CO hardcover
Bookseller reference : 4604964
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Gounod C.
Memoires D'Un Artiste Ed.1896 Arts French Edition
2012-03-26. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
Bookseller reference : 2012749976n ISBN : 2012749976 9782012749979
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