‎Jazz‎

‎Jazz‎

‎Musique et Jazz‎

‎N° 9 de 1958 - broché‎

‎bon état‎

Riferimento per il libraio : 3293

‎JAZZ par Joachim-Ernst BERENDT et collaborateurs.‎

‎Une histoire du jazz. Richement documentée (héliogravures dans le texte).‎

‎Librairie Fayard 1976. Bel exemplaire relié, reliure pleine toile ornée, in-8 carré (23 x 25), 205 pages avec annexes dont une discographie.‎

Riferimento per il libraio : AUB-9271

‎JAZZ‎

‎Collection of 36 UK tour programmes.‎

‎Late 1950s - early 70s. Excellent group of UK tour programmes for a constellation of jazz greats: Armstrong 2 Basie 8 Bechet Brubeck 2 Nat King Cole Eddie Condon Sammy Davis Jr. 2 Tommy Dorsey Ellington 4 Errol Garner 3 Lionel Hampton Ella Fitzgerald and Oscar Peterson Woody Herman Harry James JATP 4 Newport Jazz Festival Glen Miller Earl Hines and Jack Teagarden Bal du Moulin Rouge. 36 programmes quarto. Illustrated throughout. Original pictorial wrappers wire-stitched as issued. Overall in excellent condition. unknown‎

Riferimento per il libraio : 137205

‎JAZZ‎

‎Stan Getz and the Oscar Peterson Trio CD Album 1958 Verve Jazz 8278262‎

‎Stan Getz And The Oscar Peterson Trio Getz Stan / Peterson Oscar Jazz International Music Getz Stan / Peterson Oscar.Condition: Pre-Owned Like NewPreowned in good condition.CD1483 unknown‎

Riferimento per il libraio : CD1483

‎JAZZ‎

‎The Savoy Orpheans.‎

‎London: Published Privately at the Savoy 1924. First and only edition one of 1000 copies issued as a "first birthday" celebratory publication; scarce particularly so in the fragile glassine jacket. Loosely inserted in this copy is a slip printing soprano Luisa Tetrazzini's birthday wishes in green. The Savoy Orpheans were formed by former army bandmaster Debroy Somers in 1923 and were resident at the Savoy Hotel until contractual wrangles between W. F. De Mornys entertainments manager at the Savoy and the hotel company led to the orchestra disbanding on New Year's Eve 1927. During their four year tenure the Orpheans were among the cream of British dance bands and "patterned their instrumentation arrangements and classy presentations upon Whiteman's model" Baade p. 25. This attractive publication was printed at the Baynard Press which "employed highly skilled craftsmen. and printed many of London Transport's pictorial posters. the Baynard Press was amongst the largest and most technically accomplished printing firms in Britain" Science Museum. Library Hub locates only the British Library copy among British and Irish institutional libraries; WorldCat adding another copy at Rutgers University New Jersey. Square octavo pp. 16. With 3 tipped-in photogravures 2 showing the Orpheans the other the Savoy-Havana band all in situ in the Savoy Ballroom title page printed in green and pink decorative head- and tailpieces and occasional decorative sprays of notes in pink. Original white quarter cloth pink pictorial boards endpapers with musical notation in pink. With the glassine jacket Negligible rubbing to board edges faintest offsetting to endpapers; else a fine copy in the toned jacket with creasing and a couple of closed tears and chips to edges. Christina L. Baade Victory through Harmony: The BBC and Popular Music in World War II 2012. hardcover‎

Riferimento per il libraio : 139822

‎Jazz Bonhomme Dr. Lucien‎

‎Festival De Jazz Cannes 1958 Program‎

‎Cannes: Le Comite Des Fetes De La Ville De Cannes et Le Jazz-Club Francais 1958. First edition. Paperback. Very Good. Scarce program for the 8 Au 13 Julillett 1958 Cannes Jazz Festival. Unpaginated stapled magazine format. Text in French. A very good copy with some general light soiling to covers. The festival featured such luminaries as Donald Byrd Don Byas Stephane Grappelly Stan Getz Zoot Simes Dizzie Gillespie and Coleman Hawkins among others. Le Comite Des Fetes De La Ville De Cannes et Le Jazz-Club Francais paperback books‎

Riferimento per il libraio : 23571

‎Jazz Hultin Randi‎

‎Born Under The Sign of Jazz‎

‎London: Sanctuary Publishing 1998. First UK edition. Hardcover. Fine/fine. 8vo. 399 pp. Translated into English by Tim Challman. A chronicle of great jazz musicians that passed through the author's home city in Sweden for a generation. A fine hardbound book in fine dustwrapper with small price sticker on the rear cover. CD in pocket at front of book. The pocket envelope has been opened a bit roughly else this is a fine copy. <br/><br/> Sanctuary Publishing hardcover books‎

Riferimento per il libraio : 21795

‎Jazz Stites Tom Editor‎

‎Jazz Magazine Volume 1 Number 2 and 4 plus Volume 3 Number 1 Three Issues‎

‎Northport NY: Jazz Magazine 1976. First edition. Paperback. Very Good . Three early issues of Tom Stites' magazine devoted to jazz music. Fall 1976 Summer 1977 and Fall 1978. Includes articles photographs and interviews. Subjects range from Miles Davis to Chick Corea Dexter Gordon to Yusef Lateef and Carmen McRae to Sarah Vaughan. The first two issues in superb near fine condition. The third being only in good to very good condition with noticeable wear and small reading creases. Sold as a group. Jazz Magazine paperback books‎

Riferimento per il libraio : 23294

‎Jazz & Song Bailey Pearl. 1918 1990‎

‎Typed Letter Signed about "The Raw Pearl"‎

‎Used; Like New/Used; Like New. Typed letter signed from the popular American actress and singer to Mr. Edward Sothern Hipp.  Bailey thanks Hipp for his positive review of her book The Raw Pearl in the Newark News.  Dated September 30 1968 and signed "Pearl."  Letter creases with very slight tears and discoloration to the edges; otherwise in fine condition.  8.5 x 11 inches. unknown books‎

Riferimento per il libraio : 12780

‎JAZZ - DLUGACH, Mikhail‎

‎Kino-dzhaz Cinema Jazz.‎

‎Moscow: Upravlenie tsirkov V.K.I. Circus Administration 1937. Uncommon print run of just 8000 copies. An advertisement for the Soviet Little peoples' circus group the "Musical and Eccentric Group of Lilliputians" founded in late 1920s under direction of Mikhail Kachuriner 1896-1976 and continued until shortly after his death. The main accent was always on musical talent the performers having musical instruments specially made for them although the group did include performers of "normal" height. "Lilliputian Jazz"was probably the most popular of similar circus groups of the time their first programme "Cinema Jazz" was a parody of some the great stars of the silver screen; Mary Pickford Charlie Chaplin Douglas Fairbanks and the like. A striking example of the work of Mikhail Dlugach 1893-1988 prolific graphic designer and poster artist whose early career centred on the film industry joining Reklam Film the dvertising department of the Soviet film agency. A member of AKhRR The Association of the Artists of the Revolution and ORRP The Association of Revolutionary Poster Artists in the 30s he continued to work in film but diversified into agitprop and exhibition design. In 1940 he helped to design the exhibition pavilion at the All-Union Agricultural Exhibition in Moscow. During the Second World War Dlugach he was was evacuated to Ufa and worked for Okna TASS creating war propaganda. After the war he continued working as a poster designer in politics and the arts including circus promotions. In 1958 he was one of the team involved in the design and building of the Soviet pavilion at the International Exhibition in Brussels. An attractive and unusual piece much enhanced by the presence of the pictorial programme. Lithographically printed colour poster 905 x 580 mm; together with Kino-dzhaz. Odessa: 1935. 4-page "broadsheet" promotional brochure graphics and images printed in sepia letterpress in black. A few minor chips and splits professionally repaired light creases from old folds consequent whitening of the print surface but remains very good. Presented in a black wooden frame with conservation acrylic glazing; the brochure lightly browned creases from folds some edge-slits but overall very good. unknown‎

Riferimento per il libraio : 124905

‎Jazz - Scheffner, Manfred‎

‎Katalog der Jazzschallplatten Ausgabe 1965 / 66 - 7. Jahrgang‎

‎Bielefelder Verlagsanstalt, Bielefeld 1966. S.168 Broschiert, guter Zustand‎

‎Musik +++++ 30 Jahre Antiquariat Christmann in Wiesbaden +++++ Wir liefern außer nach Deutschland, nur noch nach Schweiz / Holland / Belgien / Italien / GB / USA / +++ We now only deliver to Switzerland / Holland and Belgium / Italy / GB / USA +++ Keine Lieferung nach Österreich ++++‎

Riferimento per il libraio : 2856

‎Jazz - Zimmerle, Dieter (Chefredakteur)‎

‎Jazz Podium (Zeitschrift) 28. Jahrgang, 1979. Heft 1 bis Heft 12 (somit komplett in 12 Heften).‎

‎Stuttgart. Central-Druck Januar bis Dezember 1979. 12 Originalhefte. Zusammen ca. 650 Seiten. Mit zahlreichen Abbildungen. (Alle Umschläge mit kleinem Adressenaufkleber). 30x21 cm‎

Riferimento per il libraio : 124923

‎Jazz 1965‎

‎Deutsche Grammophon Schallplatten-Katalog. Jazz Catalogue.‎

‎Hamburg, Deutsche Grammophon 1965. 1965. Quer-8°, 74 ungez. S. mit vielen Abbildungen, Orig.-Karton.‎

‎Einige kleine Anstreichungen, gutes Exemplar.- Gestaltung von michel + kieser.‎

Riferimento per il libraio : 49774

‎Jazz 1967‎

‎Deutsche Grammophon Schallplatten-Katalog. Jazz Catalogue.‎

‎Hamburg, Deutsche Grammophon 1967. 1967. Quer-8°, 64 ungez. S. mit vielen Abbildungen, Orig.-Karton.‎

‎Einige kleine Anstreichungen, gutes Exemplar.- Stempel eines Musikhauses.‎

Riferimento per il libraio : 49776

‎Jazz 1:1 1:2 1:3 1:4‎

‎Four Issues Of Priest And Thiele's Mag‎

‎June. 1942. First Edition. Paperback. Wraps very good first four issues. . June paperback books‎

Riferimento per il libraio : 016502

‎Jazz Archive‎

‎African American Jazz and Postwar British Record Culture in Jazz Journal's Inaugural Year 1948‎

‎1948. 1 Traill Sinclair ed. Jazz Journal issues 1948 document postwar British jazz culture as readers collectors critics and musicians rebuilt access to American jazz after wartime disruption and expanding record scarcity. Founded by Sinclair Traill in 1948 Jazz Journal became a major English-language jazz periodical; its inaugural year placed African American performers blues aesthetics revivalist debate discography and record reviews at the center of British jazz criticism. These issues support research into jazz reception in the United Kingdom transatlantic music journalism record collecting racialized cultural admiration and the postwar circulation of African American musical authority through British print culture. <br /> <br /> Jazz Journal. Volume 1 Nos. 1-3 5-6 8-9. London: J.J. Publications May-November 1948. Seven issues each approximately 12 pages in pictorial wrappers. The run includes the May June July September October and November 1948 issues with one additional issue represented by number rather than month in the supplied description and contains record reviews discographies artist profiles editorials criticism and jazz news. The premier issue opens with Traill's editorial appeal to jazz readers recalling that "Even in those far-off days between the two wars when paper was to be had for the asking and printers' costs didn't resemble a millionaire's hotel bill it was always a dubious endeavour" and closing with the hope that readers would see "a new issue of JAZZ JOURNAL on the first of each month for many years to come." Contents cited in the supplied description include "Make Way for Dixieland or Return to Sanity" a Thomas Waller discography a September 1948 appreciation of Hoagy Carmichael with signed portrait cover and Hugues Panassié's November essay "Count Basie and the Blues" which argues that "Count Basie knows how to play the blues as well as it seems possible to do so on the piano." Cover portraits include Louis Armstrong Nellie Lutcher Count Basie and Humphrey Lyttelton placing African American jazz innovators alongside British revivalist musicians within a magazine aimed at a postwar readership hungry for recordings biographical knowledge and critical guidance.<br /> <br /> Traill Sinclair ed. Jazz Journal. Vol. 1 No. 1. London: J.J. Publications 1948. The opening issue establishes the magazine's postwar purpose through Traill's editorial address to jazz enthusiasts and its promise of sustained monthly criticism. Its contents including revivalist commentary and discographical attention to Thomas "Fats" Waller show the early publication's effort to organize jazz knowledge for British readers dependent on print mediation and record collecting. 2 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 2. London: J.J. Publications 1948. This issue continues the magazine's early program of criticism record commentary and performer-centered coverage for a readership attentive to American jazz and its British reception. It belongs to the first sequence of issues issued after the May 1948 relaunch from Traill's earlier Pick Up whose final issue preceded the first Jazz Journal in May 1948. 3 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 3. London: J.J. Publications 1948. The third issue forms part of the magazine's initial attempt to stabilize a postwar jazz readership through recurring reviews essays and documentation of recordings and artists. Its position in the first volume is useful for tracing how British jazz criticism developed a regular periodical form in 1948. 4 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 5. London: J.J. Publications 1948. This issue continues the first-year sequence with the supplied description emphasizing the magazine's mix of artist portraits discographical writing and critical essays. The issue contributes to the archive's broader value as evidence of how British jazz readers encountered American performers through images reviews and commentary. 5 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 6. London: J.J. Publications 1948. The September 1948 issue features an appreciation of Hoagy Carmichael with a signed portrait cover connecting jazz readership to popular song composition and the American music industry. Its treatment of Carmichael alongside coverage of African American jazz performers demonstrates the publication's wide understanding of jazz-adjacent culture in the late 1940s. 6 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 8. London: J.J. Publications 1948. This issue belongs to the later portion of the inaugural-year run and continues the magazine's regular pattern of record culture criticism and performer documentation. In the context of the seven-issue group it helps show the durability of Traill's monthly editorial project beyond the launch months. 7 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 9. London: J.J. Publications 1948. The November issue includes Hugues Panassié's "Count Basie and the Blues" a critical essay distinguishing blues feeling and phrasing from commercialized improvisation. Its attention to Basie foregrounds African American musical authority within British jazz discourse and gives the archive direct relevance to the study of blues reception swing-era memory and postwar criticism. Moderate soiling and creasing to wrappers occasional spine chipping intact stapled bindings delicate covers and vivid photographic contrasts good overall. Substantial inaugural-year run of a long-lived British jazz periodical preserving the early critical vocabulary through which postwar British readers studied African American jazz swing-era performers blues expression and record collecting. unknown‎

Riferimento per il libraio : 22323

‎Jazz Bradley Jack‎

‎Seven Photographs of Jazz Musicians‎

‎New York et al. 1960. Five 8 x 10 and two 5 x 7 inch gelatin silver prints with Bradley's estate marks to versos. Excellent. Jack Bradley was a Cape Cod native who after graduating from the Massachusetts Maritime Academy fell in love with Jazz after seeing Louis Armstrong perform at the Boston Armory in 1956. In 1958 he moved to New York from Cape Cod and began dating Jeann Failows a member of Louis Armstrong's inner circle. Through Failows Bradley gained access to Armstrong eventually becoming very close friends with the trumpeter and his inner circle. Bradley already had amassed a large collection of jazz material much related to Armstrong and he augmented his own collection by photographing Armstrong and his Jazz circle for the next decade. The bulk of Bradley's collection now resides at the Louis Armstrong House Museum in Queens. <br /> <br /> This collection is of seven photographs of jazz musicians from Bradley's estate showing a wonderful window into the tail end of the Classic Jazz era. <br /> <br /> Photographs as follows:<br /> <br /> Willie Cook. 5 x 7 inches. A portrait of Cook seated. Excellent condition. <br /> <br /> Count Basie and Duke Ellington. 5 x 7 inches. The two jazz greats are seated at their respective pianos during rehearsal. Excellent condition.<br /> <br /> Duke Ellington's Empty Bandstand. 8 x 10 inches. The horns chairs and sheet music are laid out. Very good condition with some toning to margins and a faint scratch at outer edge of image. <br /> <br /> Duke Ellington Conducting his Band. 8 x 10 inches. Excellent condition. <br /> <br /> Ella Fitzgerald at the Apollo Theatre New York c. 1959. 8 x 10 inches. Excellent Condition.<br /> <br /> Count Basie Seated at a Table Smoking a Cigar. 8 x 10 inches. Excellent condition. <br /> <br /> Pee Wee russell Painting at his New York Apartment c. 1966. Good condition marginal tear affecting ½ inch of image. <br /> <br /> Overall a nice group and an example of a photographer whose work is not often available on the market. unknown books‎

Riferimento per il libraio : CAT206

‎JAZZ CLUBS - AFRICAN-AMERICAN PHOTOGRAPHY‎

‎Collection of club photo-folders.‎

‎United States: c.1940-60. A visual record of a rarely seen and poorly documented world - an accidental history An unusually extensive group of these evocative "table photographs" striking records of largely African-American audiences in the glamorous sociable and intentionally inclusive world of mid-century nightclubs. Shot by in-house photographers developed on site and sold for a dollar at the end of the evening these quick souvenirs now amount to a rare visual history of a poorly documented milieu. As Gold notes they "turn the camera round": instead of performers we see the audiences - a critical part of what Jason Moran calls the jazz "ecosystem." The collection offers a nationwide survey of venues from the extravagant to the resolutely down-home. At New York's Café Zanzibar with its spectacular floor shows and "Zanzibeauts" the audience was integrated but largely white prompting Langston Hughes's caustic observation about the seating hierarchy - an impression borne out by the image here. Detroit's Gay Bar Lounge another "black and tan" joint catered to a mostly Black clientele and offered a rougher edge: in 1947 the barkeep famously shot two stick-up artists with the.38s kept beneath the cash register. Equally compelling are the histories of Black enterprise that surface. Oakland's Athens Elks Cocktail Lounge home to Lodge 70 of the Improved Benevolent and Protective Order of Elks of the World stood at the centre of West Oakland's vibrant musical scene hosting countless jam sessions and serving as the informal checkpoint for touring African-American musicians. In Los Angeles Dootsie Williams's Dooto Music Center founded by the trumpeter-turned-entrepreneur provided one of the city's foremost Black cultural venues praised by the Los Angeles Sentinel as "the most-needed cultural and recreation center in Southern California." The photographers themselves remain surprisingly elusive though a few can be traced. In Columbus George Pierce ran a record shop and studio in Bronzeville and supplied images to the Ohio Sentinel and other regional papers; in Detroit Earl Fowler's Top Hat Photo developed into a significant presence in the Black Press with Fowler later serving as chief of the Los Angeles bureau of Now! magazine. Beyond these contexts the photographs' enduring appeal lies in the human dramas unfolding across their tabletops: the conviviality style and fleeting alliances captured in a moment of collective ease. A scene from Gamby's in Baltimore is emblematic - six convivial hat-tipping men and two young women smiling through a forest of shot glasses presided over by a portrait of Fats Waller. It is warmly enigmatic yet inviting an offhand welcome extended across time. A more detailed description and full listing is available on request. Together 66 black and white gelatin silver print photographs 62 c.127 x 178 mm; 3 approximately 178 x 254 mm around 50 are in their original plain or printed souvenir folders the balance loose. Loose photos and folders with occasional wear and mild damp-staining some annotations verso of prints and to folders prints occasionally stapled into folders overall the group remains about very good. Ronald Auther "The Oakland Larks" The Shadow Ball Express: African American Baseball Renderings and other Facts of Life online; Clora Bryant et al Central Avenue Sounds; Jazz in Los Angeles 1930s-1950s 1998; Jeff Gold Sittin' In: Jazz Clubs of the 1940s and 1950s 2020; Robert Petersen "Before Motown: L.A.'s Black-owned Music Empire" PBS SoCal online. unknown‎

Riferimento per il libraio : 169491

‎JAZZ E OCTAVIO CARIELLO‎

‎REI LEAR - COLECAO SHAKESPEARE‎

‎NEMO EDITORA. new. A hist�ria do Rei Lear que dividiu seu reino e enlouqueceu ao ver a gan�ncia de suas herdeiras � traduzida para os quadrinhos num �lbum que preserva toda a dramaticidade da pe�a de William Shakespeare. Pintada em arte digital a hist�ria ganha vida de quadro a quadro envolvendo os leitores nas intrigas dramas e paix�es desta grande obra shakespeariana. NEMO EDITORA unknown‎

Riferimento per il libraio : 9788564823358

‎Jazz Film: Breen Richard L. screenwriter‎

‎Set of Studio Lobby Cards for: PETE KELLY'S BLUES‎

‎Los Angeles: Warner Bros 1955. Eight full color 11 x 14" pictorial lobby cards. Some minor smudging rumpling and tack holes in margins marking crayon notations on verso else a good set. A complete set of the studio lobby cards promoting the film based on Richard L. Breen's screenplay. Directed by and starring Jack Webb as Pete Kelly and Janet Leigh Edmond O'Brien Peggy Lee a role for which she was nominated for an Oscar Lee Marvin and Ella Fitzgerald et al. The soundtrack was nominated for a Grammy. Warner Bros unknown books‎

Riferimento per il libraio : WRCLIT70714

‎jazz forum‎

‎The Magazine of the International Jazz Federation. Nr. 52 / International Edition (Englische Ausgabe). 12. Jahrgang / 2/1978. Chefredakteur: Jan Byrczek. Mit vielen Fachbeiträgen. Reich illustriert mit vielen teils dokumentarischen Schwarzweiß-Abbildungen im Text und auf Tafeln.‎

‎Wien / Warschau, European Jazz Federation., 1978. Gr.8°. [22 : 22 cm]. 59 Seiten. Illustrierte Originalbroschur, geheftet. - Ein sehr gut erhaltenes, sauberes Exemplar.‎

‎- Published bimonthly. // Aus dem Inhalt / Contents: Features: Milo Fine: Independent Record Companies. Independent Vistas (Adelphi Records, Carousel Records, Compendium Records, Creative World, Euphonic Sound Recording, FMP/Free Music Production, Futura Records/Marge Records, Ictus Records, Instant Composers Poll, Joke Records... a.o.m.). Paul Bley - Gene Perla: a dialogue. Charles J. Gans: Don Schlitten, creating Xanadu's treasures. Robert D. Rusch: Andrew White Interview. Joe Waz: Marian McPartland, a fine romance. Joe Waz: Bobby Naughton, the mission of the small label. Rober Cotterrell: Harry and Hazel Miller interview. Rolf Reichelt: Horst Weber, willing to take a chance. Michael Thiem: West Germany, the search for alternatives. Werner Panke: New York loft scene...‎

Riferimento per il libraio : 58657AB

‎jazz forum‎

‎The Magazine of the International Jazz Federation. Nr. 60 / Deutsche Ausgabe. 13. Jahrgang / 4/1979. Chefredakteur: Jan A. Byrczek. Mit vielen Fachbeiträgen. Reich illustriert mit vielen teils dokumentarischen Schwarzweiß-Abbildungen im Text und auf Tafeln.‎

‎New York / Warschau, European Jazz Federation., 1979. Gr.8°. [22,6 : 22 cm]. 56 Seiten. Farbig illustrierte Originalbroschur, geheftet. - Ein sehr gut erhaltenes, sauberes Exemplar.‎

‎- Aus dem Inhalt: JF-Leser im Profil: Ted Curson. I.: Swinging News: Coda (Eddie Jefferson, Blue Mitchell, Walter Hunt, Richard Oschanitzky). Neue Platten. Das Podium (Erich Kleinschuster und die ORF-Big Band). // II.: Features: Chuck Fishman: Basie zum 75., ein Fotobericht. Pawel Brodowski: The Sheila Jordan Story. Charles J. Gans: Irakere. Michael thiem: Dieter Grawischnig. // III.: Besprechungen. Platten (Charles Mingus, The Heath Brothers, John Coltrane Quartet, Rolf Ericson & Johnny Griffin, The Quartet, Interface, Steve Reich, Leszek Zadlo Ensemble, Beck/Matthewson/Humair, Graham Collier, Musica Elettronica Viva, Karl Berger/Ing Rid Berger, Theo Loevendie Quartet, Azimuth)... uva.‎

Riferimento per il libraio : 58679AB

‎jazz forum‎

‎The Magazine of the International Jazz Federation. Nr. 58 / Deutsche Ausgabe. 13. Jahrgang / 2/1979. Chefredakteur: Jan A. Byrczek. Mit vielen Fachbeiträgen. Reich illustriert mit vielen teils dokumentarischen Schwarzweiß-Abbildungen im Text und auf Tafeln.‎

‎New York / Warschau, European Jazz Federation., 1979. Gr.8°. [22,6 : 22 cm]. 56 Seiten. Farbig illustrierte Originalbroschur, geheftet. - Ein sehr gut erhaltenes, sauberes Exemplar.‎

‎- Aus dem Inhalt: I.: Swinging News: Neue Platten. Das Podium (The Wolverines Classic Jazz Orchestra, Slawomir Kulpowicz, Emil Viklicky). // II.: Features: Joachim E. Berendt: Charles Mingus. Charles J. Gans: Erinnerungen an Mingus von Ted Curson. Clifford Jay Safane: Bill Evans: Konversation. Mark Miller: Don Thompson: ein Sideman im Rampenlicht. Michael Thiem: Willem Breuker: Musik, die mit beiden Beinen auf der Erde steht. Karl Lippegaus: Christian Escoudé. // III.: Besprechungen. Platten (Adam Makowicz, The V.S.O.P. Quintet, Don Pullen, Jan Garbarek, Ralph Towner/Eddie Gomez/Jack DeJohnette, Baird Hersey/David Moss, Vinny Golia, Ann Burton, Rimona Francis, Louis Moholo Octet)... uva.‎

Riferimento per il libraio : 58677AB

‎jazz forum‎

‎The Magazine of the International Jazz Federation. Nr. 56 / Deutsche Ausgabe. 12. Jahrgang / 6/1978. Chefredakteur: Jan Byrczek. Mit vielen Fachbeiträgen. Reich illustriert mit vielen teils dokumentarischen Schwarzweiß-Abbildungen im Text und auf Tafeln.‎

‎Wien / Warschau, European Jazz Federation., 1978. Gr.8°. [22 : 22 cm]. 56 Seiten. Farbig illustrierte Originalbroschur, geheftet. - Ein sehr gut erhaltenes, sauberes Exemplar.‎

‎- Aus dem Inhalt: Duke Ellington World Jazz Competition. Pressekonferenz und Konzert zum Auftakt des Ellington Wettbewerbes der IJF. I.: Swinging News: Neue Platten. Das Podium (Charles Austin / Joe Gallivan / Peter Ponzol, Theo Jörgensmann Quartett). // II.: Features: Wilma Dobie: Dorothy Donegan: lady dynamite! Michael Henkels: Paul Motian Interview. Joachim E. Berendt: Protokoll einer Plattenaufnahme: VRINDAVAN. Michael Zwerin: Jazz in Paris. // III.: Besprechungen. Platten (Charlie Parker, Lester Young, New Yofk Jazz Quartet, Hal Galper, Shakti w. McLaughlin, Steve Lacy, Errol Parker, Jasper van't Hof, Waterland Ensemble, Gordon Beck, Franco D'Andrea, Ran Blake)... uva.‎

Riferimento per il libraio : 58675AB

‎Jazz Hawkins Coleman. 1904 1970 & Krupa Gene. 1909 1973 & Calloway Cab. 1907 1994 & Page Oran Thaddeus "Hot Lips." 1908 1954‎

‎1930's Jazz Autograph Album‎

‎Used; Like New/Used; Like New. An original 1930's album containing 88 autograph signatures of jazz musicians sporting figures and other personalities. The musicians represented include Coleman Hawkins Johnny Desmond Gene Krupa Bid Sid Catlett Benny Goodman Artie Shaw "Hot Lips" Page Cab Calloway Anita O'Day Roy Eldridge Woody Herman Les Brown and many more. The album with a two-ring binding with some signatures signed directly onto the album leaves and others clipped and mounted some on larger folded sheets. 31 pages of autographs with further blank pages in the middle; on the last several pages all the grades from the owner's report cards from 1930 to 1943 are meticulously recorded! An inscription to the owner on the verso of the title page dates the album to 1931. Light toning and edge wear; overall in fine condition. 6.25 x 4.5 inches 15.8 x 11.7 cm. unknown books‎

Riferimento per il libraio : 14220