‎Jazz‎

‎Jazz Torme Mel‎

‎Traps the drum wonder.‎

‎1991 1-85158-393-9. Edinburgh: Mainstream Publishing 1991. 4�. XIII 233 S. sw-Abbildungen auf Tafeln Halbleinen gut erhalten unknown‎

Bookseller reference : 39641BB ISBN : 1851583939 9781851583935

‎Jazz Jamey Aebersold‎

‎Jamey Aebersold Jazz -- Thelonious Monk Vol 56: Book & CD Play-A-long‎

‎Alfred Music. PAPERBACK. 1562242148 . New. Alfred Music paperback‎

Bookseller reference : Z1562242148ZN ISBN : 1562242148 9781562242145

‎Jazz Jamey Aebersold‎

‎Nothin' but Blues: Jazz and Rock Jamey Aebersold Jazz Play- A-long‎

‎Jamey Aebersold Jazz Inc. PAPERBACK. 1562241281 . New. Jamey Aebersold Jazz Inc paperback‎

Bookseller reference : Z1562241281ZN ISBN : 1562241281 9781562241285

‎Jazz Jimmy‎

‎The Cadillac Tramps‎

‎CreateSpace Independent Publishing Platform. Used - Very Good. Former Library book. Great condition for a used book! Minimal wear. CreateSpace Independent Publishing Platform unknown‎

Bookseller reference : GRP109603256 ISBN : 1478247541 9781478247548

‎Jazz & Blues Keith Shadwick Shadwick‎

‎Jazz & Blues Keith‎

‎Very Good. Shelf wear to top edge of dust jacket with couple of small tears otherwise very good condition. Appears to have hardly been read. Weight is >2kg so will be sent using courier. Actual book shown below. Same day dispatch Mon-Fri from the UK if ordered by 1 pm. unknown‎

Bookseller reference : MR-HHFR-3FF4 ISBN : 1856056740 9781856056748

‎Jazz & Song White Barry. 1944 2003‎

‎Original 1975 Photograph‎

‎Used; Like New/Used; Like New. Original press photograph showing the great soul singer posing for photographers after arriving in London for his 1975 British tour. Some spotting and wrinkling; overall in very good condition. 25.3 x 20.3 cm. unknown‎

Bookseller reference : 13000

‎Jazz & Song Bailey Pearl. 1918 1990‎

‎Typed Letter Signed about "The Raw Pearl"‎

‎Used; Like New/Used; Like New. Typed letter signed from the popular American actress and singer to Mr. Edward Sothern Hipp.  Bailey thanks Hipp for his positive review of her book The Raw Pearl in the Newark News.  Dated September 30 1968 and signed "Pearl."  Letter creases with very slight tears and discoloration to the edges; otherwise in fine condition.  8.5 x 11 inches. unknown‎

Bookseller reference : 12780

‎Jazz & Song Bailey Pearl. 1918 1990‎

‎Typed Letter Signed about "The Raw Pearl"‎

‎Used; Like New/Used; Like New. Typed letter signed from the popular American actress and singer to Mr. Edward Sothern Hipp.  Bailey thanks Hipp for his positive review of her book The Raw Pearl in the Newark News.  Dated September 30 1968 and signed "Pearl."  Letter creases with very slight tears and discoloration to the edges; otherwise in fine condition.  8.5 x 11 inches. unknown books‎

Bookseller reference : 12780

‎Jazz & The Brothers Grimm‎

‎Let's All Go Back Disco Nights 12in Single‎

‎Ensign 1988. Vinyl. Good/. This item is a 12" vinyl single and has been visually graded. G some scuffs/hairline on surface. Sleeve has ring/edge wear corner creasing G. n.b visual grading offered. ENYX 616 Sleeve Condition:GOOD Ensign unknown‎

Bookseller reference : vinyl1572536749MRV

‎Jazz - SIMON, George T‎

‎Simon says: The Sights and Sounds of the Swing Era, 1935 - 1955.‎

‎New York City. Galahad Books 1971. 491, (1) pages. With a lot of b/w illustrations. Original halfcloth binding (No dustjacket. A little used). 31x23 cm‎

‎* George T. Simon (George Thomas Simon; * 9. Mai 1912 in New York City; ? 13. Februar 2001 ebenda) war ein US-amerikanischer Jazz-Autor, der sich insbesondere mit der Big Band Geschichte beschäftigte. Simon stammte aus wohlhabender Familie. Sein Vater war Hutmacher, sein älterer Bruder Richard Simon war einer der Mitgründer des New Yorker Verlagshauses Simon & Schuster, und Carly Simon ist seine Nichte. Simon studierte bis 1934 an der Harvard University, wo er eine eigene Band hatte, und war ab 1935 Musikkritiker und Mitherausgeber bei Metronome, dessen Herausgeber er 1939 bis 1955 war. In dieser Zeit wurde er zu einem der einflussreichsten Kritiker der Swingära, der dank seiner vielen Kontakte eine intime Insider-Kenntnis der Bands hatte. Dabei unterstützte er auch neue Strömungen wie den Bebop, dessen einflussreichen Verfechter Barry Ulanov er zu Metronome holte ? Simon selbst blieb allerdings dem Swing zugewandt. Später war er u. a. Jazz-Kritiker der New York Herald Tribune (1961?64) und der New York Post (1980/1). Außerdem arbeitete er schon in den 1950er Jahren viel fürs Fernsehen (z. B. Timex Allstar Jazz Shows 1957/8). Bekannt wurde er für seine Monographien über die Hochzeit der Big Bands, u. a. The Big Bands 1967, das 1968 den ASCAP-Deems Taylor Award erhielt. 1956/7 war er mit der Plattenfirma Jazztone Records verbunden, und er war als Berater u. a. für RCA Victor, Capitol, Columbia und Warner tätig. Erste Erfahrungen in der Plattenindustrie hatte er schon ab 1939 als Produzent der Metronome All-Star Sessions (zuletzt 1953). 1961 bis 1972 war er Executive Director der ?National Academy of Recording Arts and Sciences? (NARAS), die die Grammies ausrichtet, und von 1958 bis 1976 in gleicher Funktion für deren New Yorker Filiale. Für eine seiner vielen Liner Notes erhielt er 1978 einen Grammy (Bing Crosby ? a legendary performer, RCA Victor). Simon war im Beratergremium des New York Jazz Festival. Nachdem er schon längere Zeit an der Parkinson-Krankheit litt, starb er in New York an Lungenentzündung. Simon lernte in seiner Jugend Klavier und nahm Schlagzeugunterricht bei Gene Krupa und Bill West. Als Jazz-Schlagzeuger war er ein frühes Mitglied (1937) des Glenn-Miller-Orchesters, über das er 1974 auch ein Standardwerk schrieb. Er war mit Glenn Miller befreundet, nahm an den ersten Aufnahmen der Band teil und war auch während des Krieges in Millers Band, blieb aber in den USA als die Army Air Forces Band nach England ging (1944/5 war er u. a. Produzent und Autor der NBC Radio Show For the Record). Er schrieb auch Texte u. a. für Duke Ellington, wobei er manchmal das Pseudonym Buck Pincus benutzte. (Quelle Wikipedia)‎

Bookseller reference : 141909

‎JAZZ / PANASSIE HUGUES‎

‎Le Jazz Hot pr�sent� par Louis Amstrong pr�fac� par Eug�ne Marsan dessins de Roger Chastel. First edition.‎

‎Paris: Correa 1934. HARDCOVER . Rebound in protective green cloth with the conservation of the orig. paper cover some browning else VERY GOOD. The very first thus French edition of this well-documented work on Jazz in pre-War France with photographs of Duke Ellington Gene Krupa and many others VERY RARE. Paris: Correa hardcover‎

Bookseller reference : 6097

‎Jazz 1965‎

‎Deutsche Grammophon Schallplatten-Katalog. Jazz Catalogue.‎

‎Hamburg, Deutsche Grammophon 1965. 1965. Quer-8°, 74 ungez. S. mit vielen Abbildungen, Orig.-Karton.‎

‎Einige kleine Anstreichungen, gutes Exemplar.- Gestaltung von michel + kieser.‎

Bookseller reference : 49774

‎Jazz 1967‎

‎Deutsche Grammophon Schallplatten-Katalog. Jazz Catalogue.‎

‎Hamburg, Deutsche Grammophon 1967. 1967. Quer-8°, 64 ungez. S. mit vielen Abbildungen, Orig.-Karton.‎

‎Einige kleine Anstreichungen, gutes Exemplar.- Stempel eines Musikhauses.‎

Bookseller reference : 49776

‎Jazz 1:1 1:2 1:3 1:4‎

‎Four Issues Of Priest And Thiele's Mag‎

‎June. 1942. First Edition. Paperback. Wraps very good first four issues. Extra postage may be required for heavy or oversize books. . June paperback‎

Bookseller reference : 016502

‎Jazz Age Culture Crunden Robert M.‎

‎Body and Soul: The Making of American Modernism. Art Music and Letters in the Jazz Age 1919-1926.‎

‎New York:: Basic Books 2000. 0465014844. A Fine tight copy in a Fine unclipped dust jacket. The author paints the emergence of the Jazz Age and its hothouse artistic cross-fertilization in the fields of music art architecture literature and photography. While Crunden does show the influences of the European theater his focus is mostly on the making of American modernism. . Basic Books, unknown‎

Bookseller reference : 23383 ISBN : 0465014844 9780465014842

‎JAZZ AGE CATALOGUE STOVES.‎

‎Monarch Malleable electric cooking devices. . . Dealer’s photographic and printed salesman sample catalogues including five colour-tinted linen-backed photographs of Monarch Stoves.‎

‎Beaver Dam WI: Malleable Iron Range Co. 1922-23. Three works in one. Oblong 4to. 38; 3-24; 34 pp. 35-39A leaves 39-66 i.e. 68 pp. 1st -- Colour-illustrated title in gray black orange & light blue printed and illustrated throughout with each black & white illustration of stove w/ orange & gray border; 2nd -- numerous plates in black & white black printed borders text illustrations diagrams; 3rd -- illustrated title numerous plates 5 linen-backed colour-tinted photographs w/ linen hinges text illustrations. Tan softcovers bound w/ two brass screw-posts at upper margin w/ Monarch Malleable range instructions cooking times and thermometer instructions preserved in original printed envelope laid-in minor shelfwear very minor thumbing rubbing still VG copy w/ ownership stamp of J.ohn Y. Hicks b. 1881 Malleable Iron Range sales rep who worked as railroad messenger and then machinist and salesman following World War I. First edition thus of these nicely illustrated salesman sample catalogues of Jazz Age electric stove appliances with electric cook tops insulating blocks an electric appliance plug-in on the side as well as automatic timer and temperature controls. These beautiful stoves could be purchased with enamel finish and as one oven cabinet ranges two oven cabinet ranges one oven square ranges one oven H type cabinet range with built-in kitchen heaters and more. The nicely executed colour-tinted linen-backed photographs showing Malleable stoves provide excellent contemporary visual documentation of the actual colours of the popular stoves folloowing World War I. Malleable Iron Range Company existed from 1896-1985 and at its height after World War I employed over 1200 employees producing a variety of stove and oven appliances which were coal & wood burning electric and gas. No copies located in Worldcat. Malleable Iron Range Co., paperback‎

Bookseller reference : 53307

‎JAZZ AGE CATALOGUES FASHION.‎

‎Spring and summer 1925. Catalog No. 47. Your Bargain book New York styles and general merchandise; Fall and winter 1925. The new handy catalog yet just as “Big†as ever. . . .‎

‎New York: The Charles William Stores Inc. 1924-1925. Two vols. 4to. 548 8; 518 8 pp. With numerous colour plates colour-tinted text illustrations over 1000 black & white text illustrations diagrams. Colour-illustrated softcovers minor soiling wear slight sunning front cover of vol. 1 creasing to spine; minor creasing shelfwear vol. 2 light uniform interior toning as usual still VG- set. First edition of the complete year of Jazz Age catalogues from the Charles William Stores which offered a treasure trove of everyday fashions work clothes and household and consumer goods during the Roaring 20s offering the glamour and style of New York to the rest of the country. Their fashions were intended for the average American with emphasis on the more “endowed†woman and “stout†man during the Jazz Age emphasizing chic styles and well-woven fabrics. These catalogues detail the high grade work pants riding breeches denim jeans corduroy work pants along with triple-sewed work denim overalls and coats which could be purchased as well as those made out of Wabash Stripe Stifel denim cloth noted for its durability. No copies located in Worldcat of Spring & Summer 1925; 3 copies located of Fall & Winter 1925 Henry Ford Harvard American Textile History Museum. The Charles William Stores, Inc., hardcover‎

Bookseller reference : 53221

‎JAZZ AGE TEXTILES WEAVING BOOKS. SCHUMANN Otto F.ranz.‎

‎Philadelphia Textile School manuscript textile sample books filled with weave formation plates textile samples drawings.‎

‎Philadelphia PA: Otto F. Schumann Philadelphia Textile School ca. 1925. Small 4to. 8.25 x 9.2 in. 75 leaves unnumbered including 32 leaves with detailed colour charts on weave formations producing various kinds of cloth 3 tipped-in textile samples together w/ weaving instructions in manuscript. Original limp leather 3-ring binder gilt lettering stamped on front cover ink lettering & association of Otto F. Schumann on front cover some soiling dustsoiling edgewear still VG exemplar. This Jazz Age weaving manuscript notebook complete with weave formation design plates fabric samples and instructions offer a remarkable and invaluable artifact of how a young American textile designer and weaver received training at the famed Philadelphia Textile School now Philadelphia University during the 1920s. These course books were judged on completeness and the aspiring weaver’s skill in presenting the details about the instruction as well as their abilities in running the machinery required to produce the cloth. This manuscript notebook includes Schumann’s detailed plates and notes on producing color effect on the plain weave creating Broken Twills Crowfoot Satins Checked & Figured Broken Twills Entwining Twills Basket Weaves and Broken Satins. The extensive manuscript notes detail the loom instructions how many lines are required composition and more in producing the assorted effects. Because of the poor quality of United States textiles exhibited at the Centennial Exhibition in 1876 the Philadelphia Textile Manufacturers pushed for a formalized vocational school to train weavers designers and textile workers. In 1884 it became part of the Pennsylvania Museum and School of Industrial Art with 81 students enrolled by 1885 and by 1894 the School of Textiles added a Department of Wool Carding & Spinning and a Department of Cloth Finishing and Design. By the 1920s the Philadelphia Textile School was offering extensive three-year textile courses chemistry and dyeing courses as well as design courses in cottons woolens worsteds silks Jacquard design and more. Schumann 1906-1967 was the son of Hugo Schumann founder and owner of the Maid Hosiery Mills in Reading PA through the opening decades of the 20th century for whom he worked with until after World War II as designer and sales executive. Otto F. Schumann, Philadelphia Textile School, hardcover‎

Bookseller reference : 54342

‎JAZZ AGE. BARRETTO Larry.‎

‎To Babylon. . . .‎

‎New York: A.L. Burt Co. 1925. 8vo. 8 322 pp. Brown publisher’s cloth decorated & lettered in gilt minor shelfwear slight bumping to corners w/ d.j. Art Deco cover art of Manhattan skyline minor chipping & tears head & foot of spine minor creasing still VG/VG- copy. First Burt edition of this Jazz Age drama set against the backdrop of a young architect who moves from Minnesota to New York becomes involved with the society crowd dinner parties and spoiled flappers. Scarce in original dustjacket. A.L. Burt Co., hardcover‎

Bookseller reference : 55285

‎Jazz at Lincoln Center‎

‎House of Swing Frederick P. Rose Hall October 18 2004‎

‎NY: Nazraeli Press 2004 Octavo 8.25 in. by 8.25 in.; 30pp.; fine hardcover; fine dust jacket; crisp; clean; bright. NY: Nazraeli Press, 2004 hardcover‎

Bookseller reference : 12797

‎JAZZ AT LINCOLN CENTER‎

‎THE ARMSTRONG CONTINUUM; The American genius of 20th century music‎

‎NY: Jazz at Lincoln Center 1994. 8vo pp. 15. Paper wraps. Illustrated with photographs. Schedule of events and short articles about Armstrong. A nice copy. A program for an event at Lincoln Center December 14-19 1994. Jazz at Lincoln Center unknown‎

Bookseller reference : 53559

‎Jazz at the Movies Band‎

‎A Man & A Woman: Sax at the Movies‎

‎Discovery / Wea 1993-10-18. Audio CD. Like New. CD plays perfectly & the case looks good. Discovery / Wea unknown‎

Bookseller reference : 2517190913120

‎Jazz at the Philharmonic‎

‎The Exciting Battle: Stockholm '55‎

‎Pablo Records. Vinyl. New. New/sealed Promo imprint top right corner Pablo Records unknown‎

Bookseller reference : 110923013

‎Jazz Bigband Graz‎

‎True Stories. CD 2016‎

‎Natango Music 2016. Ouverture. Shall I Compare Thee To A Summer's Day. Bones Bash. Time. Delayed. Inside Out. Vertigo. - Natango Music NAT27958 wie neu. CD. Natango Music unknown‎

Bookseller reference : 15138

‎Jazz Bradley Jack‎

‎Seven Photographs of Jazz Musicians‎

‎New York et al. 1960. Five 8 x 10 and two 5 x 7 inch gelatin silver prints with Bradley's estate marks to versos. Excellent. Jack Bradley was a Cape Cod native who after graduating from the Massachusetts Maritime Academy fell in love with Jazz after seeing Louis Armstrong perform at the Boston Armory in 1956. In 1958 he moved to New York from Cape Cod and began dating Jeann Failows a member of Louis Armstrong's inner circle. Through Failows Bradley gained access to Armstrong eventually becoming very close friends with the trumpeter and his inner circle. Bradley already had amassed a large collection of jazz material much related to Armstrong and he augmented his own collection by photographing Armstrong and his Jazz circle for the next decade. The bulk of Bradley's collection now resides at the Louis Armstrong House Museum in Queens. This collection is of seven photographs of jazz musicians from Bradley's estate showing a wonderful window into the tail end of the Classic Jazz era. Photographs as follows: Willie Cook. 5 x 7 inches. A portrait of Cook seated. Excellent condition. Count Basie and Duke Ellington. 5 x 7 inches. The two jazz greats are seated at their respective pianos during rehearsal. Excellent condition. Duke Ellington's Empty Bandstand. 8 x 10 inches. The horns chairs and sheet music are laid out. Very good condition with some toning to margins and a faint scratch at outer edge of image. Duke Ellington Conducting his Band. 8 x 10 inches. Excellent condition. Ella Fitzgerald at the Apollo Theatre New York c. 1959. 8 x 10 inches. Excellent Condition. Count Basie Seated at a Table Smoking a Cigar. 8 x 10 inches. Excellent condition. Pee Wee russell Painting at his New York Apartment c. 1966. Good condition marginal tear affecting � inch of image. Overall a nice group and an example of a photographer whose work is not often available on the market. unknown‎

Bookseller reference : CAT206