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[African-Americana – Jazz – Kansas] Nat Towles Orchestra
Poster for The Nat Towles Orchestra at Trianon Ballroom Croweburg Kansas
Omaha Nebraska: The Metropolitan Press 1930. 14 x 21 ½ inch poster. Worn with marginal damage; very good plus. Nat Towles 1905–1963 was a jazz musician and bandleader from New Orleans. His band first called Nat Towles’ Creole Harmony Kings was a renowned territory band in Texas Oklahoma Kansas and Nebraska. They would later have residences in Omaha and Chicago and tour New York City. Offered here is a poster for the Nat Towles Orchestra at the Trianon Ballroom in Croweburg Kansas likely from the 1930s given the location and band name. Croweburg was a coal mining town—and a sundown town until 1912.1<br /> <br /> 1 “A.P.Roundtree Esq.†The Kansas Baptist Herald May 20 1912 1. The Metropolitan Press unknown
Riferimento per il libraio : List2913
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[African-Americana – Music – Jazz – Cotton Club] Robinson, Bill ("Bojangles"); Calloway, Cab; Davis, Benny; Coots, J Fred
She’s Tall She’s Tan She’s Terrific Cotton Club Parade
New York: Mills Music Inc 1938. Folio sheet music illustrated pictorial wraps. 9 x 12 inches. 6 pp. including cover. Moderate creasing with small edge wear and light surface wear; a bright very good example. A visually striking promotional sheet music cover issued in connection with the Cotton Club revue Cotton Club Parade 1938 featuring large photographic portraits of Bill “Bojangles†Robinson and Cab Calloway wearing top hats against a bold orange background. The design incorporates lively vignette illustrations of musicians and dancers along the lower margin evoking the theatrical energy of Harlem nightclub revues of the late swing era.<br /> <br /> The song was written by the prolific Tin Pan Alley team Benny Davis and J. Fred Coots responsible for numerous popular songs of the 1920s and 1930s. The cover notes that the entire production was conceived and staged by Davis and Coots and prominently advertises the show as “featuring Bill Robinson and Cab Calloway†two of the most celebrated African-American entertainers of the period. Robinson already internationally famous for his stair-step tap dancing and film appearances was one of the highest-paid Black performers of the era. Calloway leader of the Cotton Club orchestra during the early 1930s had become one of the most recognizable bandleaders in jazz through his performances and recordings such as “Minnie the Moocher†which popularized the “hi-de-ho†call-and-response style referenced on the cover by the song “Hi-De-Ho Romeo.â€. Mills Music, Inc unknown
Riferimento per il libraio : List3619
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[African-Americana – Jazz – San Francisco] Unknown Photographer
Street View of Dance Halls in San Francisco’s Barbary Coast Neighborhood c. 1910
San Francisco California 1910. Single photograph approximately 6 ½ x 9 inches manuscript verso reading “SF Barbary Coast 500 Block of Pacific â€THE SO DIFFERENT†now 550 Pacific Ave 1911â€. Appears to be trimmed from a larger photograph. Portion of image cut and pasted with editorial overpainting. Some damage to edges and corners with one tear at right middle some residue from pasting a now-missing object; overall very good. A photograph taken on Pacific Street in about 1910 showing a group of men standing by the curb in front of The Midway The Bear and The So Different nightclubs note that the sign for The Midway is pasted in. This block in Barbary Coast—â€Terrific Streetâ€â€”was home to a number of dance halls and early jazz clubs many of which like Purcell’s So Different Café were “black and tan†– catering to all races. Founded by former Pullman porters Lew Purcell and Sam King shortly after the neighborhood was rebuilt from the 1906 earthquake and fire Purcell’s was one of the better-known clubs. Influential ragtime and jazz pianist Sid LeProtti led the So Different Jazz band and King Oliver and Jelly Roll Morton are among the alleged guest performers. Patrons could buy twenty-cent vouchers for a quick dance with one of the girls who worked and sometimes lived at the venue. Around 1913 though police began to crack down on drinking and dancing in the neighborhood and by the 1920s the venues were gone. unknown
Riferimento per il libraio : List2810
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[African-Americana – Jazz – Entertainment] Unknown
“LOOK! This is What You’ve Been Waitin’ For†Dance Night Featuring The Original Eleven Clouds of Joy
Sedalia Missouri 1929. 11 x 18 inches heavy cardstock. Manuscript note verso reads “Flor Alpino Vals / Vanderbeckâ€. Some staining and tears mainly marginal. Overall very good to excellent. An advertisement for a performance by the Original Eleven Clouds of Joy likely an iteration—of which there were many—of the popular Kansas City-based swing jazz band Clouds of Joy. The group was formed in 1921 by trumpeter Terrence Holder 1897–1983 and in 1929 was led by saxophonist Andy Kirk 1898–1992 and found success largely due to the arrangements and playing of Mary Lou Williams. They would tour the US through 1948 playing Kansas City-style jazz had the top song on the Billboard chart in 1938 and the first single to hit number one on Harlem Hit Parade in its inauguration in 1942 with the song “Take It and Git.†Contemporary newspaper accounts list the band as performing under the name “The Original Eleven Dark Clouds of Joy†during this period though the banner in the photograph here omits the word ‘dark.’ This poster represents an uncommon relic of the band’s early days touring regionally roughly a decade before they enjoyed national success. unknown
Riferimento per il libraio : List2808
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[ARMSTRONG (Louis)].
[Photographie originale figurant Louis Armstrong accoudé au comptoir d'un estaminet].
Dimensions : 248 x 172 mm.
Riferimento per il libraio : 17518
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[ARMSTRONG (Louis)] PANASSIE (Hugues).
Louis Armstrong.
Éditions du Belvédère, 1947. In-8 br. Coll. " Les Maîtres du Jazz ". Rare jaquette illustrée restaurée conservée. Biographie de L. Armstrong suivie d'une discographie complète établie par Charles Delaunay. 9 planches hors texte. E.O. Dédicaces autographes de Louis Armstrong et Hugues Panassié.
Riferimento per il libraio : L10276
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[ARMSTRONG Louis] PANASSIE Hughes:
Louis Armstrong.
Paris, Nouvelles Editions Latines, coll. Jazz-panorama, 1969. In-12 broché de 220-[4] pages, couverture ornée d'une photographie.
Riferimento per il libraio : 8984
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[ARCHITECTURE -- JAZZ AGE].
New ideas for bathrooms: suggesting floor plans color schemes treatments for walls and floors. New modes in fixtures and appointments.
Chicago IL: Crane Co. 836 S. Michigan Ave. 1926. 4to. 47 1 pp. With over 150 of colour illustrations & blueprint floor plans throughout Gray printed boards w/ black & blue lettering on front cover minor shelfwear very slight chipping at foot of spine faint rust to staples at gutter margin of text block still VG copy. First edition of this scarce catalogue emphasizing the importance of colour and the latest modern crane fixtures valves and fittings mixing their compact and graceful gleaming white enamel on iron units with fine marbles and flawless crystal. Each of the individual designs includes elevation drawings along with each wall illustrated as it would appear on the blueprints on the facing page for the floor plans. Some feature Greco-Roman or Pompeian design elements while others show vivid Art Deco influences. Worldcat locates 6 copies The Strong DLC Hagley MO Hist. Mus. Cincinnati Carnegie. Crane Co., 836 S. Michigan Ave., hardcover
Riferimento per il libraio : 59638
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[AUTOMOBILES -- JAZZ AGE]. POOLE, Ernest
The car of Croesus.
New York: Macmillan Company 1930. 8vo. 8 230 pp. Navy-blue publisher’s cloth gilt lettering minor rubbing to spine very minor shelfwear w/ d.j. printed on metallic silver coated paper Art Deco cover art of 1920s limousine and the well-dressed set in orange & black minor chipping to head & foot of spine very minor edgewear & creasing upper fore-edge couple very small closed tears w/ minor very small tape repair still a VG/VG- copy. First edition of this fast-paced novel set against the backdrop of a penniless Russian Prince exiled by the Revolution who makes a deal with a clever Chicago fashion buyer to act as chauffeur and purchase the sumptuous “Car of Croesus†rented at exorbitant rates to patrons wishing to appear as millionaires. Poole won the first Pulitzer Prize for The Family in 1918. Very scarce in the original dustjacket. Macmillan Company, hardcover
Riferimento per il libraio : 53742
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[Bechet] Zammarchi
Sidney Bechet
Filipacchi 1989 In-4 reliure éditeur sous jaquette, 147 pp. Illustrations en noir
Riferimento per il libraio : 4188
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[Collectif] SEGHERS, Pierre
Jazz 47 America
Association Française de Gramophilie 1947 In-folio, broché, première couverture illustrée, 72 pp., nombreuses illustrations en noir et publicités à pleine page en couleurs. Couverture ternie avec accrox en tête et pied de dos, sinon exemplaire en bon état.
Riferimento per il libraio : 50412
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[Collectif]
Les Genies Du Jazz - Volumes 1, 2, 3, 4, 5 & 6
Atlas 1990 6 volumes. In-4 relié 29 cm sur 23. Environ 190 pages par volume. Bon état d’occasion.
Riferimento per il libraio : 142980
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[DANCE SCHOOL PHOTOS -- JAZZ AGE/WOMEN]. [KNOWLES, Annabelle Gertrude (Director); BAKER, Almeron Joseph, BEEM, Ira Kintner & CEN
A captivating group of commercial studio photographs of the performers performances and costumes at the Hollywood College of Music Dancing and Fine Arts in Portland Oregon as the Jazz Age descended into the Great Depression. The performers of the “Baby Vanities†and “Kiddie Revue†range in age from 6 & 7 to teenage years including both girls and boys.
Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue†in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days†but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soulâ€; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revueâ€; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.†Another shows adolescent boy and girl dance team in an “Apache†dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover
Riferimento per il libraio : 58055
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[DANCING -- JAZZ AGE]. MURRAY, Arthur [TEICHMAN, Murray].
The modern dances: an introductory course.
New York: Arthur Murray 801 Madison Ave. 1923. 4to. 32 pp. Blue-tinted photo illustrations text diagram illustrations. Textured brown softcovers gilt lettering & decorative border on front cover yapp fore-edges minor soiling & fading front cover to lettering minor bumping to couple corners still a VG copy. First edition of one of the renowned dance studios’ instruction books after they opened their dance studio in New York in 1923 in conjunction with their struggling mail-order business. Murray pioneered dance instruction and dance schools to encourage exercise and build self-confidence and poise and was the first to broadcast live dance music on the radio in March 1920. Murray originated the idea of the “footprints†style of teaching dance now an Arthur Murray trademark and this book includes instructions for The Chasse Waltz the Tango foxtrot and The Cortez. Worldcat locates 4 copies w/ similar titles and different collations NYPL - 2 copies 51 & 24 pp. British Lib. 51 pp. BYU 63 pp. Arthur Murray, 801 Madison Ave., paperback
Riferimento per il libraio : 58318
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[ELLINGTON (Duke)]
" The Duke ". Duke Ellington and his Famous Orchestra.
Plaquette in-8 carré agrafée de 12 p. Programme de la tournée de Duke Elington organisée par Norman Granz en janvier-février 1967. Texte de Godo Remszhardt en anglais et en allemand. Nombreuses photos de Norman Granz. E.O.
Riferimento per il libraio : 29592
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[ELLINGTON Duke]TRAZEGNIES Jean de:
Duke Ellington (Harlem aristocrat of jazz).
Bruxelles, Les Editions du Hot Club, 1946. In-8 broché de 63 pages, couverture imprimée en deux tons ornée d'une photographie en noir, dos muet.
Riferimento per il libraio : 8972
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[FASHION -- JAZZ AGE]. [COMER, Charles E]
Comer all weather coats. Volume 113. 1924 styles. . . direct from factory to customer. Salesman sample catalogue with tipped-in wool canvas leather cotton and blend fabric swatches.
Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
Riferimento per il libraio : 47496
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[FASHION -- JAZZ AGE TEXTILES].
Pure wool fabrics. Spring and Summer 1926. Let Taylor do your tailoring; Stock Report and Bargain List. Salesman sample catalogue with original price list and stock on hand.
New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out†as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach†& “Mohair†suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover
Riferimento per il libraio : 58100
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[Free Jazz] [ESP Disk]
ESP Disk Catalog
NY: ESP Disk 1971. Tabloid format 8 pp. printed on newsprint illustrated with a Gilbert Shelton character on the front. Paper tanned as would be expected with some loss to the folds and edges small light stain to middle front else a very good example. While we've had a few copies of the 1967 catalog and the more uncommon 'Special Complete Catalog" this one is new to us and were not aware of its existence until it threw itself over our transom. Though it originally existed to release Esperanto-based music starting with the release of Albert Ayler's Spiritual Unity ESP became the most important exponent of the burgeoning free jazz music scene of the time releasing records by such future greats as Sun Ra Frank Wright and Sunny Murray among others. Along with free jazz the label also produced music by Ed Sanders' band the Fugs the Lower East Side folk of the Holy Modal Rounders and the primitive proto-noise of the Godz. While never much of a commercial success for the musicians the label's philosophy of "The artists alone decide what you will hear on their ESP-Disk" led to the creation of a musical output that to this day wields a heavy influence. <br/><br/> ESP Disk unknown
Riferimento per il libraio : 38867
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[Gary BURTON] - SIRO
Portrait caricature représentant : Gary BURTON - musicien -
Dessin original à l'encre de chine sur calque signé - format 13,5 x 10,5 -
Riferimento per il libraio : GF14965
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[Gershwin] Lipmann
L’Amérique de George Gershwin
Messine 1981 In-8 broché. Illustrations en noir. 223 pages. Bon état d’occasion.
Riferimento per il libraio : 5108
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[GOFFIN] - COLLECTIF.
Robert Goffin.
in-8 etroit, XL-112 pages, illustrations, broche, couv. Tres bel exemplaire. [MI-9] Textes de Alain Bosquet, Caillois, Cocteau, René Crevel, Pierre Mac Orlan, Jules Romains, Jean Rousselot, etc.
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[GRAPHICS] [JAZZ] MARTIN, David Stone
Music at Christmas and Christmas in music." Portfolio
Roosevelt NJ: by the Author c.1956. Quarto 37cm. Printed card portfolio holding twelve lithographic plates loose as issued. All lithographs are signed in plate; Martin has inscribed the portfolio "Jean and Sol Libsohn / David" undated. Very mild external toning and soil; Near Fine. Inside of portfolio is printed with a holiday sentiment and also a brief blurb from Alan Lomax commenting on the illustrations.<br /> <br /> Scarce portfolio of lithographic prints reproducing Martin's illustrations for Alan Lomax's Mr. Jelly Roll a biography of jazz pianist Jelly Roll Morton published in 1956. Issued without imprint presumably printed as a Christmas gift to friends of the artist. This copy is inscribed to the photographer Sol Libsohn and his wife Jean who were Martin's neighbors in Roosevelt New Jersey a WPA town founded in 1939 which by the Fifties had become a destination for artists writers and musicians seeking refuge from but proximity to the New York art scene. Martin 1913-1992 was a noted mid-century illustrator known best for his many jazz album covers for Folkways and Blue Note in the Fifties and Sixties. Of the present portfolio we locate only a single copy in OCLC Pitt with no other example traced in commerce. unknown
Riferimento per il libraio : 84869
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[Gypsy Jazz] Dregni, Michael
Django: The Life and Music of a Gypsy Legend.
New York:: Oxford University Press 2004. First Printing of the First US Edition. A Fine tight unread copy in a Fine unclipped dust jacket . In Django Michael Dregni offers a definitive portrait of this great guitarist. Handsome charismatic childlike and unpredictable Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left hand flying over the frets and his right hand plucking at dizzying speed Django became Europe's most famous jazz musician commanding exorbitant fees--and spending the money as fast as he made it. Dregni not only chronicles this remarkably colorful life--including a fascinating account of gypsy culture--but he also sheds much light on Django's musicianship. Oxford University Press, unknown
Riferimento per il libraio : 27319 ISBN : 019516752x 9780195167528
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[Gypsy Jazz Music] Dregni, Michael
Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing.
New York:: Oxford University Press 2008. First Printing of the First Edition. A Fine tight unread copy in a Fine bright dust jacket. This volume is a mixture of travelogue detective story and personal narrative tracing the history of Gypsy Jazz from its beginnings with Django Reinhardt in Paris in the 1930s up to the present practitioners capturing the history and culture of this elusive music that has grown in popularity in recent years. Illustrated with historic photographs. Oxford University Press, unknown
Riferimento per il libraio : 29212
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[Harlem Renaissance] [Jazz Age]
Signed Photograph of Florence Mills 1927
New York 1927. 4.5x3.5" photograph slightly trimmed down affecting the studio stamp on the bottom edge. Signed by Florence Mills in 1927. Mounted on an autograph album page with a signature card from Betty Blythe to verso. Few spots to photo some soiling to edges. Signature bright and clear. Very good. <br /> <br /> Rare signed photograph from one of the most celebrated Black performers of the 1920s Florence Mills 1896-1927 who died at the age of 31 from complications from tuberculosis and an appendectomy. <br /> <br /> Mills was a child performer in travelling Black stage productions with her sisters as well as "The Tennessee Ten." One of her early major roles was in the Broadway musical Shuffle Along in 1921 one of the defining productions marking the beginning of the Harlem Renaissance. She was a regular performer at the Plantation Club and later headlined the Palace Theatre before becoming internationally known starring in Lew Leslie's Blackbirds of 1926. While performing some 300 shows in London of that year she became ill with tuberculosis her death the following year shocking the entertainment world.<br /> <br /> A naturally scarce signed photo from the year of her death depicting one of the defining performers of the Harlem Renaissance. unknown
Riferimento per il libraio : 9883
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[JAZZ, MUSIQUE] - BUBLEY (Esther), O'NEAL (Hank) -
CHARLIE PARKER.
Paris, Filipacchi, 1995 ; in-4 oblong, cartonnage de l'éditeur. Très bon état avec sa jaquette.
Riferimento per il libraio : 201611697
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[JAZZ]. PANASSIÉ Hugues.
CINQ MOIS À NEW-YORK. " Souvenirs ".
Editions Corrêa. 1947. In-8°, reliure pleine toile, couverture conservée. 163 pages. E.O.
Riferimento per il libraio : 9244
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[JAZZ]. PANASSIÉ Hugues. GAUTIER Madeleine.
DICTIONNAIRE DU JAZZ PANORAMA.
Editions Robert Laffont. 1954. Grand in-8°, reliure pleine toile. Nombreuses photos hors texte. 366 pages. E.O.
Riferimento per il libraio : 9246
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[Jazz] PANASSIé (Hugues)
Discographie critique des meilleurs disques de jazz
Paris, Robert Laffont 1958 Fort in-8 20 x 14 cm. Couverture imprimée, 616 pp. Couverture poussiéreuse. Bon exemplaire.
Riferimento per il libraio : 95442
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[JAZZ] - GIGNOUX (Dany) -
Dizzy Gillespie.
S.l., Editions du choucas, 1995 ; in-4, cartonnage de l'éditeur.
Riferimento per il libraio : 201708175
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[JAZZ]. PANASSIÉ Hugues.
DOUZE ANNÉES DE JAZZ (1927-1938). " Souvenirs ".
Editions Corrêa. 1946. In-8°, reliure pleine toile, couverture conservée. 20 planches hors texte. 281 pages. E.O.
Riferimento per il libraio : 9243
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[JAZZ à JUAN 1976].-
JAZZ à JUAN 76. Monsieur Pierre Merli, le Conseil Municipal et la Maison du Tourisme d'Antibes-Juan-les-Pins présentent le FESTIVAL MONDIAL du JAZZ. 16 au 25 juillet 1976, Pinède de Juan les Pins, Palais des Congrès.
Juan-les-Pins, 1976, in 4° broché, 48 pages non chiffrées ; nombresues illustrations ; publicités ; exemplaire truffé de quelques places de concert et programmes divers.
Riferimento per il libraio : 61934
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[JAZZ MAYNARD] - RAULE, ROGER -
JAZZ MAYNARD: t1 home sweet homa.
S.l., Dargaud, 2007 ; in-4, 48 pp., cartonnage de l'éditeur. Troisième édition : bas du dos légèrement abimer.
Riferimento per il libraio : 202205652
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[JAZZ]. PANASSIÉ Hugues.
JAZZ PANORAMA.
Editions des Deux-Rives. 1950. Grand in-8°, reliure pleine toile, couverture conservée. 283 pages. E.O.
Riferimento per il libraio : 9245
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[JAZZ à JUAN 1974].-
La Maison du Tourisme d'Antibes - Juan-les-Pins, maecenas Perrier et Pschitt présentent le FESTIVAL MONDIAL du JAZZ, 23 au 29 juillet 1974, Pinède de Juan les Pins, Palais des Congrès.
Juan-les-Pins, 1974, in 4° broché, 68 pages non chiffrées ; nombreuses illustrations ; publicités.
Riferimento per il libraio : 61935
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[JAZZ]. PANASSIÉ Hugues.
LA MUSIQUE DE JAZZ ET LE SWING.
Editions Corrêa. 1945. In-8°, reliure pleine toile, couverture conservée. 172 pages. E.O.
Riferimento per il libraio : 9242
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[JAZZ] - LEYMARIE (Isabelle) -
Latin jazz.
Paris, Buchet chastel, 2003 ; in-8, 230 pp., br.
Riferimento per il libraio : 201509970
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[Jazz]
LE GUIDE JAZZ GITANES JAZZ PRODUCTIONS
Un ouvrage de 130 pages, format 280 x 280 mm, illustré, broché couverture couleurs, s.d., Polygram, bon état
Riferimento per il libraio : LFA-126745409
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[JAZZ] - [JOLAS (Eugène)].-
Le nègre qui chante. Chansons traduites et introduction par Eugène Jolas.
P., Les Cahiers Libres, 1928, petit in 8° broché, 85 pages ; non coupé.
Riferimento per il libraio : 60264
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[Jazz] PANASSIé, Hugues
Louis Armstrong / Hugues Panassié
éditions du Belvédère, coll. « Les Maîtres du Jazz, 1 » 1947 In-8 21 x 16 cm. Broché, couverture ivoire, titre en noir sur le dos et le premier plat, 107 pp., 9 planches hors texte, discographie complète de Louis Armstrong par Charles Delaunay, table des illustrations, table des matières. petit accroc en tête et en pied de dos, sinon bon exemplaire.
Riferimento per il libraio : 109636
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[JAZZ, MUSIQUE ] - GERBER (Alain) -
Louie.
Paris, Fayard, 3002 ; in-8, 402 pp., br. Broché bon état avec son bandeau.
Riferimento per il libraio : 202301142
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[JAZZ, MUSIQUE, BIOGRAPHIE] - KAYSER (Erhard) -
MAHALIA JACKSON ein portrat.
Wetzlar, Pegasus verlag- Jazz bucherei, 1962 ; in-12, 48-16 pp., cartonnage de l'éditeur. Jazz bucherei n°11.
Riferimento per il libraio : 200818337
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[JAZZ]. LOMAX Alan.
MISTER JELLY ROLL. " Les aventures de Jelly Roll Morton, Créole de la Nouvelle-Orléans et "inventeur du jazz" ". Traduit par Henri Parisot. Postface de Jacques Réda.
Grenoble. Presses Universitaires de Grenoble. 1980. In-8° broché. Couverture photographique. Photographies et documents hors texte. 379 pages. E.O. française.
Riferimento per il libraio : 9241
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[JAZZ] - GRAPPELLI (STÉPHANE), OLDENHOVE (Joseph) -
Mon violon pour tout bagage.
Paris, Le grand livre du mois, 1992 ; in-8, 217 pp., br. Très bon état - broché - mémoires.
Riferimento per il libraio : 201314277
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[JAZZ, MUSIQUE] - ERLICH (Lillian) -
Petite histoire du Jazz américain.
Paris, Nouveaux horizons, 1969 ; in-12, 207 pp., broché, couverture illustr. Bon état.
Riferimento per il libraio : 201010989
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[JAZZ] JALARD (Michel-Claude).
Plaisir du jazz. Photographies de Dennis Stock.
Lausanne Editions Clairefonta 1959 In-4, bradel papier glac noir, plats illustrs, dos de peau crme (cartonnage de l'diteur).Edition originale de cet ouvrage entirement consacr au jazz, illustre de 4 reproductions de compositions dessines par Joan Mir et de 130 photographies de Dennis Stock qui reprsentent les plus grands jazzmen dont Louis Armstrong, Miles Davis, Emil Richards, George Shearing, Thelonious Monk, Ella Fitzgerald, Charlie Parker, Oscar Peterson, Max Roach, Bill Crow, etc. Tirage non prcis.
Riferimento per il libraio : 55824
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[JAZZ] - ANQUETIL (Gilles) -
Tout va se jouer.
Paris, Grasset, 1995 ; in-8, 133 pp., br. Broché bon état.
Riferimento per il libraio : 201314271
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[JAZZ & BLUES] HADLOCK, Richard; Rex Stewart; Ira Gitler; Joe Goldberg; Martin Williams
The Jazz Masters Series complete: Jazz Masters of the 20's - 30's - 40's - 50's -1957-1969; Jazz Masters of New Orleans
New York: Macmillan 1969-70. Second and fifth volumes are first printings; remainder are second or later printings. Six octavo volumes. Uniform cloth hardcovers in dustjackets; 255223290246288287pp; illustrated with photographic plates halftones. All in Very Good or better condition in the original dustwrappers; jacket to 4th volume slightly ragged along upper edge else all Very Good or better. An indispensable set compiling reviews interviews profiles and critical articles with reading lists and selected discographies. Macmillan unknown
Riferimento per il libraio : 81807
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[Jazz - Japan]
The Newest Pocket Jazz
Tokyo: Symphony Publishing Company 1938. Very Good. Tokyo: Symphony Publishing Company 1938. Presumed First Edition. 12mo 15.5 cm; publisher's pictorial yellow and orange card wrappers lettered in black; 1923pp.; brief illus. sheet music throughout. Moderate wear and dust-soiled to wrappers small loss mid-spine briefly affecting text textblock a bit browned and foxed else Very Good bright and sound. <br /> <br /> Evidently unrecorded Japanese guide to popular jazz music the first half almost entirely in Japanese the latter half bilingual primarily in Japanese and English. Includes the music for classics by Jerome Kern like "Ol' Man River" and "Can't Help Lovin' Dat Man"; Romberg and Hammerstein's "Lover Come Back To Me"; Moises Simons' Cuban rumba foxtrot "The Peanut Vendor"; instantly recognizable classics like "Blue Moon" and "La Cucaracha"; and songs by Mabel Wayne and Irving Berlin. The compilation also includes songs in Spanish French and German accompanied by its Japanese translation. <br /> <br /> A fascinating and beautiful little guide documenting the rise in popularity of Jazz music in Japan and Tokyo in particular issued between the devastating earthquake of 1923 and the beginning of World War II. The import of Jazz to Japan was first heralded with the rise in trans-Pacific luxury liners. A Japanese version of "My Blue Heaven" reproduced here became available as early as the 1920s and the popular 1929 Japanese film "Tokyo March" employed Jazz in its soundtrack. The genre was popular enough that Columbia and Victor records formed subsidiary companies in Japan.<br /> <br /> The popularity of jazz in Japan continues to this day touted by one of the country's most prominent public and literary figures Haruki Murakami who first opened his Jazz club right out of college after falling in love with the genre at an Art Blakey and the Jazz Messengers show in Kobe in 1964. <br /> <br /> No copies of this work located in OCLC as of June 2025. <br /> <br /> References: <br /> <br /> "How Japan Came To Love Jazz" online interview with historian E. Taylor Atkins author of "Blue Nippon"<br /> <br /> "Jazz Messenger" by Haruki Murakami available online. Symphony Publishing Company unknown
Riferimento per il libraio : 33168
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