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DONIZETTI
Arie Per Tenore
2008-01-01. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
书商的参考编号 : 0041381491n ???????? : 0041381491 9780041381498
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Elpidio Donizetti
Curso Didatico De Direito Processual Civil
Atlas 2012. Hardcover. As New. Disclaimer:An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Atlas hardcover
书商的参考编号 : G8522467951I2N00 ???????? : 8522467951 9788522467952
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Gaetano Donizetti
Don Pasquale
RAVENNA: Tipografia Moderna 2006/2007. BROSSURA. BUONO. 205 22. GAB2443 DRAMMA BUFFO 003 USATO Tipografia Moderna unknown
书商的参考编号 : GAB2443-Q17D ???????? : 2560846553071 2560846553
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DONIZETTI Gaetano 1797 1848
Lucia di Lammermoor Dramma Tragico di Salvatore Cammarano . rappresentato sul Real Teatro di S. Carlo nell' autunno del 1835 . D.6.00 Piano-vocal score
Napoli: B. Girard e Ci. PNs 3266-72 2890-2 2894-6 3411 3308-10 3261-2 1852. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 3-176 pp. Each number with separate caption title and pagination. Engraved. With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1851 and with list of pieces with individual prices and plate numbers to title. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn bumped and scuffed. Title moderately foxed; light scattered foxing and a few small stains throughout. Later edition later issue. Inzaghi IN. 55 pp. 172-175. Girard's first edition of Lucia di Lammermoor appeared circa 1835. This later issue combines a number of variant plates from their early editions. Lucia di Lammermoor was composed to a libretto by Salvadore Cammarano after Walter Scott's novel The Bride of Lammermoor 1819. It premiered in Naples at the Teatro S Carlo on September 26 1835. "Both historically and artistically Lucia deserves its reputation. When it was new it was regarded as the apogee of high Romantic sensibility. The clear plot which trims away much of Scott's accessory detail possesses the stark tautness of a tale by Poe. It is no coincidence that Flaubert employed it as an important point of reference in the downward course of Emma Bovary that quintessential victim of Romantic illusions." "Although all the principal roles are vocally challenging their music is uniformly grateful. The score contains scant sign of the unevenness that afflicts a number of Donizetti's works. Cammarano's libretto moved him deeply and inspired by his recent first exposure to Paris Donizetti produced what is certainly his masterpiece." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PNs 3266-72, 2890-2, 2894-6, 3411, 3308-10, 3261-2] unknown
书商的参考编号 : 31260
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DONIZETTI Gaetano 1797 1848
Roberto Devereux Tragedia lirica Di S. Cammarano . dedicata a S.E. il Cavaliere G.C. Nicola Santangelo Ministro Segretario di Stato Degli Affari Interni . L'opera intere D.6. Piano-vocal score
Napoli: Successori della Ditta Girard e Co. PNs 3616-31 3872-3 4292-4 1853. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original yellow publisher's printed wrappers bound in. 1f. recto title verso blank 8 pp. Sinfonia 3-150 pp. Each number with separate caption title and pagination. Engraved. Endpapers watermarked with a fleur-de-lis. With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn bumped and scuffed. Light browning to title; minimal foxing throughout primarily confined to margins. First Edition of the revised version later issue. Inzaghi IN. 61 pp. 180-2. The first edition of Roberto Devereux was revised by Girard with the changes Donizetti made for the 1838 performance in Paris PNs 4292-4. This later issue has "Successori della Ditta" added to the title indicating that it was issued shortly after Girard's imprint changed in 1853. Roberto Devereux to a libretto by Salvadore Cammarano after François Ancelot's tragedy Élisabeth d'Angleterre 1829 was first performed in Naples at the Teatro S Carlo on October 28 1837. "The portrait of Queen Elizabeth I in Roberto Devereux is the most imposing of Donizetti's representations of that character who also appears in Elisabetta al castello di Kenilworth and Maria Stuarda and the role must rank as one of the great acting and singing opportunities in the bel canto repertory. Musically the score has much to commend it. As in other Donizetti operas the first act moves in a rather leisurely manner with a sequence of full arie di sortita; the pace accelerates to a dramatic climax in a briefer Act 2; then Act 3 like that of Lucia is a sequence of three powerful scenes." "Particularly impressive are Elizabeth's entrance aria the duet for Sarah and Essex the trio-finale to Act 2 the Prison Scene of Essex and Elizabeth's aria-finale. Everywhere the score shows the sure hand of a composer in control of his materials. The powerful prelude to the Prison Scene recalls the opening of Act 2 of Fidelio. Elizabeth's final Larghetto 'Vivi ingrato' is a fine example of a melody developing in a long emotional arc of searing poignancy and of Donizetti's sensitive response to the expressive colour of the words." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Successori della Ditta Girard e Co. [PNs 3616-31, 3872-3, 4292-4] unknown
书商的参考编号 : 31257
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DONIZETTI Gaetano 1797 1848
Anna Bolena Tragedia lirica di F. Romani . L'opera intera per canto D. 5. 50 . Piano-vocal score
Napoli: B. Girard e C. PNs 1835 4609-17 2150-2 1867-9 1827-33 1891-3 1846. Oblong folio. Dark brown morocco-backed textured red paper boards titling and decorative device gilt to spine. 1f. recto title verso cast list table of contents 3-154 1f. recto title verso blank 157-227 pp. Each number with separate caption title and pagination. Engraved. Title includes an index of pieces with individual plate numbers and prices including alternate versions and chamber arrangments. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding moderately worn rubbed and bumped; scattered defects and stains; large gouge to lower. Title split at gutter; light scattered foxing; minor dampstaining to right margin of first few leaves and to lower margin throughout; page number "99" used twice. An early edition later issue. Inzaghi IN. 35 pp. 150-2. Girard's first edition of Anna Bolena was issued circa 1831 shortly after its premiere and publication by Ricordi. This later edition contains a mix of old and new plates and was printed when Girard was located on Strada Toledo between 1837 and 1846. Anna Bolena was composed to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788. The opera was first performed in Milan at the Teatro Carcano on December 26 1830. "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé. The final 20 minutes of Anna Bolena reveals for the first time Donizetti's mature ability to flesh out an ariafinale so that it provides the substance of a gripping scene. Nothing Donizetti had done before approaches the scope and multiform intensity of this magnificent scene." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e C. [PNs 1835, 4609-17, 2150-2, 1867-9, 1827-33, 1891-3] unknown
书商的参考编号 : 31251
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DONIZETTI Gaetano 1797 1848
Lucrezia Borgia Melodramma posto in Musica . ridotto per Piano Forte Solo Dal Mo. Luigi Truzzi . Fr 15._. Fl. 5.45.cm. Piano solo
Milano: Gio. Ricordi PNs 7210-7224 1834. Oblong folio. Light yellow calf-backed marbled boards gilt-ruled compartments to spine. 1f. recto title verso blank 1f. recto table of contents verso blank 5-107 pp. Each number with separate caption title some with separate pagination. Engraved. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding worn rubbed and bumped; minor loss to head and tail of spine; narrow strip cut from upper margin of front free endpaper with remnants of contemporary markings in all likelihood related to ownership. Light foxing and a few small stains to title; very minimal scattered foxing throughout. First edition for piano solo. Inzaghi IN. 47 pp. 164-166. Lucrezia Borgia to a libretto by Felice Romani after Victor Hugo's play Lucrèce Borgia was premiered in Milan at the Teatro alla Scala on December 26 1833. Despite an uneven reception it became one of Donizetti's most successful operas particularly after the second production of the work in 1840. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Gio. Ricordi [PNs 7210-7224] unknown
书商的参考编号 : 31259
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DONIZETTI Gaetano 1797 1848
Il Campanello Opera buffa in un atto . Rappresentata al Teatro Nuovo di Napoli il 1o. Giugno 1836 . L'opera intera D.2. Piano-vocal score
Napoli: B. Girard e Ci. PNs 4249-51 3163-6 1853. Oblong folio. Brown cloth-backed dark yellow mottled paper boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso blank 3-52 pp. Each number with separate caption title and pagination. Engraved. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn scuffed and rubbed; endpapers somewhat browned and stained. Minor internal soiling and staining. First Edition later issue with Girard's address from 1846-53. Inzaghi IN. 57 p. 177. Donizetti composed his one-act opera Il Campanello di notte to his own libretto based on a French vaudeville La sonnette de nuit by Brunswick Mathieu-Barthélemy Troin and Victor Lhérie. It premiered at the Teatro Nuovo in Naples on June 1 1836. The absurd plot follows Enrico as he continually harasses pharmacist Don Annibale who is trying to celebrate his wedding night with Serafina whom Enrico still loves. "Enrico's role created by Giorgio Ronconi is fitted with all sorts of musical and dramatic opportunities. His encounters with Annibale develop in musical ingenuity. Particularly effective are the episode of the hoarse singer replete with musical allusions to other scores by Donizetti and by Rossini and the encounter over the prescription which develops into something with even more bizarre medical terms than Dr Dulcamara's aria in Elisir and with more frantic parlando than the Don Pasquale-Malatesta duet." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PNs 4249-51, 3163-6] unknown
书商的参考编号 : 31271
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DONIZETTI Gaetano 1797 1848
Torquato Tasso Melodramma in Tre Atti di Giacopo Ferretti . e dal med.o Dedicata Alle tre Citta Bergamo Sorrento e Roma Ridotta con accomp.to di Pianoforte Dall'Abate G. Moro . L. 30. It. Piano-vocal score
Milano: F. Lucca PNs 897-915 1833. Oblong folio. Full burgundy cloth with decorative blindstamping and floral gilt device to upper titling gilt to spine. 1f. recto title verso blank 5-258 pp. Each number with separate caption title and pagination. Engraved. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding somewhat worn rubbed and bumped; spine faded. Scattered light foxing throughout mostly contained to margins; moderate to title page and a few interior leaves. First edition later issue without Pacini imprint to title. Inzaghi IN. 46 p. 163. Bergamo catalog p. 130. Torquato Tasso was composed to a libretto by Jacopo Ferretti primarily after Giovanni Rosini's Torquato Tasso 1832. It premiered at the Teatro Valle in Rome on September 9 1833. "Donizetti was drawn to the subject because of Tasso's connections with his native Bergamo. Unfortunately Tasso is compromised by the semiseria genre here involving an odd deployment of vocal types: tenor rival buffo villain and baritone hero. Tasso's moving death scene written for Giorgio Ronconi and a favourite with baritones of the Battistini ilk survived more hardily than the rest of the opera. Recent revivals have revealed Donizetti's effective treatment of the figures of Tasso and Eleonora d'Este but the viability of this work has yet to be established . Ferretti's libretto contains a number of quotations from Tasso's texts as well as some allusions to them. Eleonora's expressive sortita 'Io l'udia nei suoi bei carmi' and her duet with the poet that follows 'Colei Sofronia' are notable passages. The finest music in the score however comes in the last act with Tasso's Larghetto 'Perché dell'aure in sen' leading into a touching dialogue with chorus; this culminates in a mournful cantabile to form the lyric section of the tempo di mezzo and is followed by an elegiac cabaletta in C major. As in Anna Bolena Donizetti here expanded the structure of the aria-finale to fill out an entire scene." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. F. Lucca [PNs 897-915] unknown
书商的参考编号 : 31246
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DONIZETTI Gaetano 1797 1848
Maria di Rohan Dramma lirico in tre atti di S. Cammarano . Rappresentato in Vienna li 6 Giugno 1843 L'opera intera D. 6.00 . Piano-vocal score
Napoli: Stabilimento Musicale Partenopeo PNs 6056-6060 6063 6065 6133 6136-6141 6402 6492 6535 6652 6659-6660 6721-6724 6727-6730 1853. Oblong folio. Vellum-backed and edged boards with dark brown cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original yellow publisher's printed wrappers bound in. 1f. recto title verso named cast list table of contents 3-158 pp. Each number with separate caption title and secondary pagination. Engraved. Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. Named cast list includes the performers from the premieres in Vienna Paris and Naples including: Eugenia Tadolini Giorgio Ronconi Carlo Guasco Lorenzo Salvi Giulia Grisi Marietta Brambilla Gaetano Fraschini and Filippo Coletti. Piano reduction of the Sinfonia by Czerny "nello stile elegante." From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn and with minor defects. Minimal foxing throughout primarily confined to margins. An early edition later issue. Inzaghi IN. 76 pp. 196-7. Girard's first edition of Maria di Rohan appeared circa 1844 but this issue contains a new title page with Girard's later imprint Stabilimento Musicale Partenopeo. Maria di Rohan was composed to a libretto by Salvadore Cammarano after Lockroy and Badon's play Un duel sous le Cardinal de Richelieu 1832. It premiered at the Kärntnertortheater in Vienna on June 5 1843. "The most tautly constructed of Donizetti's romantic melodrammi Maria di Rohan shows clear signs particularly in Act 3 that Donizetti was moving towards the effect of unbroken musical continuity abandoning the closed patterns of conventional 'number' opera. Even in Act 1 the usual succession of 'entrance' arias is given new force and dynamism by Donizetti's tendency to reduce the fixed forms to their minimum and to inject vivid musical characterization. It is a work that calls for accomplished singers who are also powerful actors particularly for the baritone role of Chevreuse. Chorley described the powerful effect produced by Giorgio Ronconi in this part. Maria di Rohan contains some of Donizetti's most expressive music. The soprano's first-act aria 'Cupa fatal mestizia' suggests Un ballo in maschera. The tenor's aria at the beginning of Act 2 'Alma soave e cara' is one of a number of fine single-movement tenor arias from the final years of Donizetti's output that reveal how effectively he wrote for this range of voice. The baritone's scene in Act 3 'Bella e di sol vestita' has been eloquently recorded by Mattia Battistini." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo [PNs 6056-6060, 6063, 6065, 6133, 6136-6141, 6402, 6492, 6535, 6652, 6659-6660, 6721-6724, 6727 unknown
书商的参考编号 : 31243
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DONIZETTI Gaetano 1797 1848
La Favorita Melodramma in quattro atti dall' idioma Francese recato in Italiano da F. Jannetti . Riduzione con Accomp.to di Piano Forte . Completa Fr. 36 2.a Edizione colle voci di Soprano e Tenore in Chiave di Sol. Piano-vocal score
Milano: F. Lucca PNs 10001-10034 1861. Oblong folio. Full dark brown cloth with decorative blindstamping and floral device gilt to upper titling gilt to spine. 1f. recto title printed in brown within decorative borders by G. Sperati verso blank 1f. recto named cast list verso table of contents 5-268 pp. Each number with separate caption title and pagination. Engraved. Title includes an index of pieces with individual plate numbers and prices. Cast list from the first performance includes Rosine Stoltz Gilbert Duprez Paul Barroilhet and Nicolas Levasseur. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn rubbed and bumped spine slightly faded. Light scattered foxing throughout heavier to a few signatures. Second Italian edition later issue. Inzaghi IN. 67 pp. 187-89. Bergamo catalog p. 123 a similar issue. Based on the plate numbers the second edition is from 1855 but the decorative title page of this issue by Sperati is dated 1861. Instrumental-only pieces have dual plate numbers from the first edition of 1841: Sinfonia PN 10001 2844 Ballet PNs 10014 2840 10015 2841 10016 2842 10017 2843. La Favorite to a libretto by Alphonse Royer and Gustave Vaëz with additions by Eugène Scribe was first performed at the Paris Opéra on December 2 1840. Donizetti used his earlier unperformed opera L'ange de Nisida as the basis for La Favorite though the plots are considerably different. The original French version would become a standard in Paris performed regularly at the Opéra until 1918. It has become widely regarded as one of Donzietti's best operas with considerable attention given to the fourth act. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. F. Lucca [PNs 10001-10034] unknown
书商的参考编号 : 31239
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DONIZETTI Gaetano 1797 1848
Belisario Tragedia lirica del Sig.r Salvatore Cammarano . e dal medesimo dedicata al Sig.r Agostino Perotti Maestro della Cappella Patriarcale di S.Marco in Venezia . Fr 30._. Fl 11. 30. cm. Piano-vocal score
Firenze: Gio. Ricordi e Co. PNs 9201 9152-9169 1840. Oblong folio. Dark green leather backed embossed paper boards titling and decorative devices gilt to spine. 1f. recto title verso blank 1f. recto named cast list verso table of contents 5-179 pp. Each number with separate caption title and pagination. Engraved. 19th-century marking "A. 6" in ink on upper right title page. Sinfonia reduction by Tito Ricordi. Cast list from the first performance includes Carolina Unger Celestino Salvatori and Ignazio Pasini. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding somewhat worn rubbed and bumped; some paper loss to edges of boards; front free endpaper lacking. Small stain to upper margin of title slight dampstaining to lower right corners light foxing throughout mostly contained to margins. First edition variant issue. Inzaghi IN. 56 pp. 175-7. This issue's title page has the imprint of Ricordi's branch in Florence as well as that of Chappell in London and Pacini in Paris. The individual pieces contain the Florence and London imprints. The primary imprint of Ricordi in Milan does not appear in this issue. Belisario was composed to a libretto by Salvadore Cammarano after Luigi Marchionni's adaptation of Eduard von Schenk's Belisarius 1820. It premiered at the Teatro La Fenice in Venice on February 4 1836 and was dedicated to his friend Giovanni Agostino Perotti 1769/70-1855 composer and maestro di cappella at San Marco. "Well and widely received during its first decade Belisario was however overtaken by the vogue for Lucia di Lammermoor which immediately precedes it in the Donizetti canon. That rarity an opera without a romantic love interest Belisario had problems sustaining its popularity because the prima donna's role is unsympathetic dramatically in spite of her brilliant arias in the first and last acts. The plot is in sum an uneasy mixture of classical and Romantic elements; but considering the eloquence of the music it drew from Donizetti it is fair to say that Belisario does not deserve the neglect into which it has largely fallen." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Gio. Ricordi e Co. [PNs 9201, 9152-9169] unknown
书商的参考编号 : 31234
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DONIZETTI Gaetano 1797 1848
L'Esule di Roma Melodramma Eroico di Domenico Gilardoni . con nuovi pezzi espressamente composti dallo stesso Maestro in occasione che lo riproduceva sulle Scene del Teatro di Bergamo nella Fiera del 1840 Per Canto L. 30 It. . Piano-vocal score
Milano: F. Lucca PNs 2108-2122 1840. Oblong folio. Vellum-backed and edged boards with dark brown cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light brown publisher's printed wrappers bound in. 1f. recto title verso blank 1f. recto named cast list verso table of contents 185 pp. Each number with separate caption title and pagination. Engraved. Original wrapper upper with series title "Opere Teatrali Complete Per Canto e per Piano-forte" in elaborate decorative frame engraved by Giuseppe Buccinelli with portraits of Donizetti Rossini Bellini Coppola Mercadante and Coccia. Named cast list from the 1839 performance in Codogno includes Cesare Badiali Laura Assandri and Ignazio Pasini. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn and with minor defects. Minimal foxing throughout primarily confined to margins. First edition of the Bergamo version. Inzaghi IN. 26 pp. 145-6. Bergamo catalog p. 123. L'Esule di Roma was composed to a libretto by Domenico Gilardoni after Luigi Marchionni's Il proscritto romano 1820. It was premiered at the Teatro San Carlo in Naples on January 1 1828. "Donizetti's score for L'esule is best known for the trio 'Ei stesso! La mia vittima!' that forms the finale to Act 1 notable for the naturalness of the diction and the eloquent interplay of the vocal parts. Donizetti's first generally successful opera seria it comes nine operas before Anna Bolena in the composer's canon. It enjoyed a real vogue in the 1830s until it was supplanted by more overtly romantic works such as Lucrezia Borgia and Lucia di Lammermoor. Donizetti thought well of this score revising the part of Settimio for Rubini for a revival at the S Carlo in December 1828. In July of that year it had enjoyed a modest success at La Scala with ten performances in which Lablache and Winter who had both sung in the première were joined by Méric-Lalande as Argelia originally sung by Adelaide Tosi. Donizetti was involved in further revising the opera when it was given in his honour at Bergamo in the summer of 1840 now with Eugenia Tadolini the tenor Donzelli and Ignazio Marini as Murena. Recent performances and recordings have shown the work to contain much pleasing music suggesting that it has been unfairly neglected." William Ashbrook in Grove Music Online. The named cast list from the Codogno performance perhaps suggests a preliminary performance before the revival in Bergamo and the new aria "S'io finor bell'idol mio" was first sung by Ignazio Pasini. See this edition p. 141 Bergamo catalog p. 123; cf. Ashbrook Donizetti and His Operas p. 152. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. F. Lucca [PNs 2108-2122] unknown
书商的参考编号 : 31244
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DONIZETTI Gaetano 1797 1848
Belisario Melodramma tragico di S. Cammarano . ridotto con accomp.to di Pianoforte dallo stesso. Piano-vocal score
Napoli: B. Girard e C.i PNs 3185 3192-3203 3065-3066 3075 3110-3111 1853. Oblong folio. Vellum-backed and edged boards with dark brown cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 3-21 A-I 23-78 1f. r. title v. blank 83-155 pp. Complete. Each number with separate caption title and pagination. Engraved. Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn bumped and scuffed. Minimal foxing throughout confined to edge of margins; a few small stains. An early edition later issue. Inzaghi IN. 56 pp. 175-7. Some pieces have dual plate numbers and pagination on some pages that shared plates with abbreviated forms: "A si tremendo annunzio" PN 3067 3200 "Eterno Iddio!" PN 3069 3110 and "Da quel di che l'innocente" PN 3070 3111. While the individual plate numbers suggest a date circa 1836 Antolini 175 the title page lists Girard's address on Largo S Ferdinando their location from 1846. Furthermore the wrappers on this issue are issued under Stabilimento Musicale Partenopeo the name of publisher Girard beginning in 1853. Belisario was composed to a libretto by Salvadore Cammarano after Luigi Marchionni's adaptation of Eduard von Schenk's Belisarius 1820. It premiered at the Teatro La Fenice in Venice on February 4 1836 and was dedicated to his friend Giovanni Agostino Perotti 1769/70-1855 composer and maestro di cappella at San Marco. "Well and widely received during its first decade Belisario was however overtaken by the vogue for Lucia di Lammermoor which immediately precedes it in the Donizetti canon. That rarity an opera without a romantic love interest Belisario had problems sustaining its popularity because the prima donna's role is unsympathetic dramatically in spite of her brilliant arias in the first and last acts. The plot is in sum an uneasy mixture of classical and Romantic elements; but considering the eloquence of the music it drew from Donizetti it is fair to say that Belisario does not deserve the neglect into which it has largely fallen." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e C.i [PNs 3185, 3192-3203, 3065-3066, 3075, 3110-3111] unknown
书商的参考编号 : 31235
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DONIZETTI Gaetano 1797 1848
L'Elisire! d'Amore Melodramma giocoso in due Atti di F. Romani . ridotto con accompagnamento di Pianoforte L'Opera intera D.6 . Piano-vocal score
Napoli: Stabilimento Musicale Partenopeo Successore di B. Girard e Co. PNs 10407-10420 10422-10427 2163-2165 2197 2320 2324 5757 1852. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 1f. recto cast list and table of contents verso blank 5-226 pp. Each number with separate caption title and pagination. Engraved. Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn bumped and scuffed. Minimal foxing throughout primarily confined to margins. Later edition later issue. Inzaghi IN. 41 pp. 155-7. Girard's first edition of L'elisir d'amore appeared circa 1833. This new issue from 1852 contains many new plates alongside the older ones. L'elisir d'amore to a libretto by Felice Romani after Eugène Scribe's text for Auber's Le philtre 1831 was first performed at the Teatro Cannobiana in Milan on May 12 1832. "Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo, Successore di B. Girard e Co. [PNs 10407-10420, 10422-10427, 2163-2165, 2197, 2320, 2324, 5757 unknown
书商的参考编号 : 31245
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Gaetano Donizetti
Don Pasquale Libretto English and Italian Edition
2016-11-28. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence excellent customer service! unknown
书商的参考编号 : 1540617297 ???????? : 1540617297 9781540617293
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GAETANO DONIZETTI
LA FAVORITA DRAMMA SERIO IN QUATTRO ATTI DI ROYER E VAEZ TRADOTTO DA F. JANNETTI
SESTO SAN GIOVANNI: EDIZIONI A. BARION 1934. Bel libretto d'opera del 1934 dell'opera "La favorita" di Gaetano Donizetti 1797-1848 su libretto di Royer e Vaez.<BR>La prima rappresentazione ebbe luogo al Teatro Opera di Parigi il 2 dicembre 1840.<BR>In ottime condizioni. Brossura editoriale in discrete condizioni generali con usure ai margini e dorso. Piattto anteriore in parte staccato. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con rare fioriture. In 16. Dim. 18x12 cm. Pp. 32. EDIZIONI A. BARION unknown
书商的参考编号 : 15360
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Gaetano Donizetti
Don Pasquale
SESTO S. GIOVANNI: Edizioni "" A. Barion "" della Casa per Edizioni Popolari 1934. IED. Brossurato. BUONO. 12 185. EN129 Libretto d' opera 003 USATO Edizioni "" A. Barion "" della Casa per Edizioni Popolari unknown
书商的参考编号 : EN129-95B ???????? : 2560731210905 2560731210
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DONIZETTI
LINDA DI CHAMOUNIX
MILANO: RICORDI 1913CA. SPILLATO. BUONO. 14 20. DRO0441 TEATRO 012 USATO RICORDI unknown
书商的参考编号 : DRO0441-99C ???????? : 2560731334969 2560731334
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Gaetano Donizetti
Don Pasquale
MILANO: EDIZIONI A. BARION 1941. Brossura. BUONO. 125 19. ZI2069 Libretto d'opera 003 USATO EDIZIONI A. BARION unknown
书商的参考编号 : ZI2069-A44E ???????? : 2560732035273 2560732035
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Gaetano Donizetti
Maria di Rohan
NAPOLI: Giuseppe D'Ambra 1860. Brossura. DISCRETO. 10 17. VEN0332 Opera lirica 003 USATO Giuseppe D'Ambra unknown
书商的参考编号 : VEN0332-A37A ???????? : 2560731197753 2560731197
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G. Donizetti
Maria Di Rohan
MILANO: EDIZIONI A. BARION 1935. Brossura. OTTIMO. 12 185. ZG1884 ARTE 003 USATO EDIZIONI A. BARION unknown
书商的参考编号 : ZG1884-150B ???????? : 2560037882692 2560037882
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Gaetano Donizetti Felice Romani
Lucrezia Borgia
NAPOLI 1858. Brossura. DISCRETO. 11 17. VEN0333 Opera lirica 003 USATO unknown
书商的参考编号 : VEN0333-A37A ???????? : 2560037273470 2560037273
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Gaetano Donizetti
Poliuto
NAPOLI: Editore Giuseppe d'Ambra - Napoli 1862. Brossura. DISCRETO. 105 177. BEN0107 Libretto d'opera 003 USATO Editore Giuseppe d'Ambra - Napoli unknown
书商的参考编号 : BEN0107-A53B ???????? : 2560731129346 2560731129
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Gaetano Donizetti
Il campanello
SESTO SAN GIOVANNI: EDIZIONI A. BARION DELLA CASA PER EDIZIONI POPOLARI 1933. IED. Spillato. BUONO. 12 185. ZG1520 Donizetti - Libretto d' opera 003 USATO EDIZIONI A. BARION DELLA CASA PER EDIZIONI POPOLARI unknown
书商的参考编号 : ZG1520-3C ???????? : 2560731572966 2560731572
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Gaetano Donizetti Salvadore Cammarano
Poliuto
SESTO SAN GIOVANNI: EDIZIONI A. BARION DELLA CASA PER EDIZIONI POPOLARI 1933. IED. Spillato. BUONO. 12 185. ZG1515 Donizetti - Libretto d' opera 003 USATO EDIZIONI A. BARION DELLA CASA PER EDIZIONI POPOLARI unknown
书商的参考编号 : ZG1515-3C ???????? : 2560731618594 2560731618
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G. Donizetti
La figlia del reggimento
MILANO: EDIZIONI A. BARION 1942. Brossura. BUONO. 12 185. ZG1863 ARTE 003 USATO EDIZIONI A. BARION unknown
书商的参考编号 : ZG1863-150C ???????? : 2560037882482 2560037882
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G. Donizetti
Anna Bolena
MILANO: EDIZIONI A. BARION 1940. Brossura. OTTIMO. 12 185. ZG1865 ARTE 003 USATO EDIZIONI A. BARION unknown
书商的参考编号 : ZG1865-150C ???????? : 2560037882502 2560037882
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Gaetano Donizetti Royer e Vaez
La favorita
MILANO: EDIZIONI RICORDI S.D. Spillato. BUONO. 135 20. ZD0399 Opere teatrali di Gaetano Donizetti Libretto d' opera 003 USATO EDIZIONI RICORDI unknown
书商的参考编号 : ZD0399-A55B ???????? : 2560037281609 2560037281
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GAETANO DONIZETTI
DON PASQUALE
ROMA: Casa Editrice Romana 1932. SPILLATO. BUONO. 12 17. ZD0765 DRAMMA BUFFO 003 USATO Casa Editrice Romana unknown
书商的参考编号 : ZD0765-102E ???????? : 256073172679x 2560731726
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DONIZETTI
LUCIA DI LAMMERMOOR
MILANO: RICORDI 1913CA. SPILLATO. BUONO. 14 20. DRO0438 TEATRO 012 USATO RICORDI unknown
书商的参考编号 : DRO0438-99C ???????? : 2560731300944 2560731300
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DONIZETTI STUARDA
ANTONIO FOGLIANI TEATRO ALLA SCALA
MILANO: Intesa San Paolo 2008. RILEGATO. ECCELLENTE. 26 30. BB0201 ELECTA/MUSICOM MUSICA 003 USATO Intesa San Paolo unknown
书商的参考编号 : BB0201-25D ???????? : 2560609035957 2560609035
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Gaetano Donizetti
La Favorita
MILANO: G. RICORDI E C. 1944. Rilegato. BUONO. 21 27. MAN0860 Opera lirica 003 USATO G. RICORDI E C. unknown
书商的参考编号 : MAN0860-6D ???????? : 2560731706243 2560731706
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G. DONIZETTI
LUCIA DI LAMMERMOOR
MILANO: A. BARION 1938. SPILLATO. BUONO. 12 19. ZB0401 TEATRO 012 USATO A. BARION unknown
书商的参考编号 : ZB0401-31A ???????? : 2560731163999 2560731163
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G. Donizetti
Il campanello
MILANO: EDIZIONI RICORDI 1933. Brossura. BUONO. 12 185. ZG1896 ARTE 003 USATO EDIZIONI RICORDI unknown
书商的参考编号 : ZG1896-150B ???????? : 2560037882812 2560037882
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G. DONIZETTI
LUCREZIA BORGIA
MILANO: A. BARION 1936. SPILLATO. BUONO. 12 19. ZB0408 TEATRO 012 USATO A. BARION unknown
书商的参考编号 : ZB0408-31A ???????? : 2560731228763 2560731228
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G. Donizetti
La favorita
MILANO: EDIZIONI A. BARION 1936. Brossura. BUONO. 12 185. ZG1881 ARTE 003 USATO EDIZIONI A. BARION unknown
书商的参考编号 : ZG1881-150B ???????? : 2560037882662 2560037882
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Salvatore Cammarano libretto di; Gaetano Donizetti musica di
Lucia di Lammermoor
MILANO: G. Ricordi e C. - Milano 1936. SPILLATO. DISCRETO. 134 198. BEN3158 Opere teatrali di Gaetano Donizetti Libretto d'opera 003 USATO G. Ricordi e C. - Milano unknown
书商的参考编号 : BEN3158-A98C ???????? : 2560732586790 2560732586
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G. Donizetti
Belisario
MILANO: EDIZIONI A. BARION 1937. Brossura. OTTIMO. 12 185. ZG1866 ARTE 003 USATO EDIZIONI A. BARION unknown
书商的参考编号 : ZG1866-150C ???????? : 2560037882512 2560037882
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DONIZETTI
LA FAVORITA
MILANO: RICORDI 1913CA. SPILLATO. BUONO. 14 20. DRO0439 TEATRO 012 USATO RICORDI unknown
书商的参考编号 : DRO0439-99C ???????? : 2560731421228 2560731421
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Gaetano Donizetti Salvadore Cammarano
Maria di Rohan
SESTO SAN GIOVANNI: EDIZIONI A. BARION DELLA CASA PER EDIZIONI POPOLARI 1935. IED. Spillato. BUONO. 12 185. ZG1509 Donizetti - Libretto d' opera teatrale 003 USATO EDIZIONI A. BARION DELLA CASA PER EDIZIONI POPOLARI unknown
书商的参考编号 : ZG1509-3C ???????? : 2560731598672 2560731598
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Gaetano Donizetti Felice Romani
L' elisir d' amore
SESTO S. GIOVANNI: CASA EDITRICE MADELLA 1913. IED. Brossurato. BUONO. 12 18. EN125 Libretto d' opera 003 USATO CASA EDITRICE MADELLA unknown
书商的参考编号 : EN125-95B ???????? : 2560037257704 2560037257
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GAETANO DONIZETTI
MARINO FALIERO
SESTO S. GIOVANNI: A. BARION 1934. SPILLATO. BUONO. 125 185. ZD0764 TRAGEDIA LIRICA 003 USATO A. BARION unknown
书商的参考编号 : ZD0764-102E ???????? : 256073172842x 2560731728
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Gaetano Donizetti Salvadore Cammarano
Lucia di Lammermoor
MILANO: EDIZIONI RICORDI S.D. Spillato. BUONO. 135 20. ZD0397 Libretti d' opere teatrali Libretto d' opera 003 USATO EDIZIONI RICORDI unknown
书商的参考编号 : ZD0397-A55B ???????? : 2560037281569 2560037281
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G. DONIZETTI
LA FAVORITA
MILANO: A. BARION 1936. SPILLATO. BUONO. 12 19. ZB0398BIS TEATRO 012 USATO A. BARION unknown
书商的参考编号 : ZB0398BIS-31A ???????? : 256073124927x 2560731249
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Gaetano Donizetti
Lucia di Lammermoor
TORINO: Casa editrice Quartara S. D. Brossura. BUONO. 125 19. ZI2068 Libretto d'opera 003 USATO Casa editrice Quartara unknown
书商的参考编号 : ZI2068-A44E ???????? : 2560732093102 2560732093
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DONIZETTI
LUCREZIA BORGIA
ROMA: C.E.R. 1932. SPILLATO. BUONO. 12 17. DRO0433 TEATRO 012 USATO C.E.R. unknown
书商的参考编号 : DRO0433-47B ???????? : 2560731054513 2560731054
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Gaetano Donizetti
Don Pasquale
MILANO: RICORDI 1944. Rilegato. BUONO. 20 27. MAN0864 Opera lirica 003 USATO RICORDI unknown
书商的参考编号 : MAN0864-6D ???????? : 2560731515967 2560731515
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G. Donizetti
Lucrezia Borgia
MILANO: A. CERVIERI PRIMI '900 . FASCICOLO. BUONO. 125 19. H2825 MUSICA 003 USATO A. CERVIERI unknown
书商的参考编号 : H2825-58B ???????? : 2560731233731 2560731233
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G. Donizetti
Lucia Di Lammermoor
MILANO: A. Barion Editore 1927. Brossura. DISCRETO. 125 18. ZG1867 ARTE 003 USATO A. Barion Editore unknown
书商的参考编号 : ZG1867-150C ???????? : 2560037882522 2560037882
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