2020. Paperback. New. Lang: - ger Pages 124. Reprinted in 2020 with the help of original edition published long back 1820. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
2020. Hardcover. New. Lang: - ger Pages 124. Reprinted in 2020 with the help of original edition published long back 1820. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Robert Laffont, 1982 397 p., in-8 br., couverture un peu passée sinon bon état
Un outil très utile pour se repérer dans les 250 cantates contenant plus de mille pièces différentes, chœurs, symphonies, arias, duos, récitatifs, chorals, etc. Les auteurs proposent un classement chronologique permetant de suivre la progression créatrice de Bach, impossible à envisager si l'on s'en tient à la numérotation erronée du catalogue BWV. Ils prennent par ailleurs nettement position contre la mode voulant confiner Bach dans un étroit compartiment esthétique "baroque" et contre les prétendues "reconstitutions historiques" (instruments d'"époque", diapason fautif, petits garçons...). La préface expose clairement le débat.
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