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DORIGNE Michel
"Jazz, culture et société; suivi d'un Dictionnaire du jazz. Collection : Vivre son temps."
Paris, Les Editions Ouvrières, 1967. 14 x 18, 288 pp., broché, très bon état.
Bookseller reference : 93435
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DORSEY James Elmo
An American Vignette. A Full Choral Symphony in Four Movements
Philadelphia, 1949 [165] pp. (music scores), 23cm., softcover, Doctoral Dissertation (A dissertation in music presented to the Faculty of the Graduate School in partial fulfillment of the requirements for the degree of Doctor of Philosophy, University of Pennsylvania), stamp at verso of title page, text and interior are clean and bright, good condition, M109052
Bookseller reference : M109052
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DORGEUILLE Claude (Dr)
Essai d'analyse anatomo-physiologique de la technique de clavier. La Revue musicale, double carnet critique, N° 286-287.
Paris, Richard-Masse/La revue Musicale, 1972. 19 x 26, 39 pp., 13 figures, broché, très bon état.
Bookseller reference : 98354
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DORET, Gustave.
Lettres à ma nièce sur la musique en Suisse, 1917 - 1918.
Genève, Henn sans date, vers 1919, 160x100mm, 108pages, reliure demi-basane. Ex-libris Letternadler. Bel exemplaire.
Bookseller reference : 76914
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DORET, Gustave.
Lettres à ma Nièce sur la Musique en Suisse, 1917 - 1918.
Genève, Editions Henn sans date, vers 1919, 160x95mm, 108pages, broché. Bon état. Exemplaire numéroté n.° 302 et signé par Gustave Doret pour Mr. Barde
Bookseller reference : 78978
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Dorian, Frederick
L’atelier du musicien
Puf, coll. « bibliothèque internationale de musicologie » 1962 In-8 broché 22,6 cm sur 14,2. 156 pages. Bon état d’occasion.
Bookseller reference : 111349
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DORET, Gustave.
Pour notre indépendance musicale.
Genève, Editions Henn sans date, vers 1919, 170x125mm, 194pages, broché. Exemplaire numéroté n.° 356. Tiré sur papier vergé. Bon état.
Bookseller reference : 83670
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DORIAN, Jean-Pierre. - THIBAUD, Jacques.
Un violon parle. Souvenirs de Jacques Thibaud recueillis par Jean-Pierre Dorian.
Paris - Lausanne - Montréal, Editions Du Blé Qui Lève 1947, 190x120mm, 298pages, broché. Bel exemplaire.
Bookseller reference : 97038
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DORSEY James Elmo
An American Vignette. A Full Choral Symphony in Four Movements
[165] pp. (music scores), 23cm., softcover, Doctoral Dissertation (A dissertation in music presented to the Faculty of the Graduate School in partial fulfillment of the requirements for the degree of Doctor of Philosophy, University of Pennsylvania), stamp at verso of title page, text and interior are clean and bright, good condition, M109052
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DOTTIN Georges
La chanson française de la Renaissance. Collection : Que sais-je ?, N° 2125.
Paris, Presses Universitaires de France (PUF), 1984. 12 x 18, 128 pp., broché, très bon état.
Bookseller reference : 96056
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DOUEN O.
Clément Marot et le Psautier Huguenot ; Etude historique, littéraire, musicale et bibliographique, contenant les mélodies primitives des Psaumes et des spécimens d'harmonie de Clément Jannequin, Bourgeois, J. Louis, Jambe-de-Fer, Goudinel, Crassot, Sureau, Servin, Roland de Lattre, Claudin le jeune, Mareschall, Sweelinck, Stobée, etc. [2 volumes]
Complet en 2 tomes: viii,746 + 715 pp., 28cm., ré-édition de l'édition originale de Paris 1878-1879, reliures d'éditeur en toile brune, titre doré aux dos, bon état, poids: 2.9kg., M102501
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DRESDEN Sem
Kleine muziekleer
Groningen, Wolters 1932 vii + 220pp. met vele muziekvoorbeelden in tekst, "naar den zeventienden druk van J. Worp-S. Van Milligen geheel opnieuw bewerkt door Sem Dresden", 22cm., originele omslag, exemplaar van de collectie van de Belgische musicoloog René Lenaerts (met zijn handtekening en ex-dono ex-libris), goede staat, M94218
Bookseller reference : M94218
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DRESDEN Sem
Kleine muziekleer
vii + 220pp. met vele muziekvoorbeelden in tekst, "naar den zeventienden druk van J. Worp-S. Van Milligen geheel opnieuw bewerkt door Sem Dresden", 22cm., originele omslag, exemplaar van de collectie van de Belgische musicoloog René Lenaerts (met zijn handtekening en ex-dono ex-libris), goede staat, M94218
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DRUE Elisabeth
Ausdruckspsychologische Untersuchungen des Klavierspiels (unter besonderer Berücksichtigung der Methoden der Graphologie)
Bonn, 1961 284pp., with some music examples and ills., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108988
Bookseller reference : M108988
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DRUE Elisabeth
Ausdruckspsychologische Untersuchungen des Klavierspiels (unter besonderer Berücksichtigung der Methoden der Graphologie)
284pp., with some music examples and ills., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108988
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DU BOUCHET Paule
Magnificat : Jean-Sébastien Bach, le cantor. Collection : Découvertes Gallimard, musique, N° 116.
Paris, Gallimard, 1991. 13 x 18, 192 pp., nombreuses illustrations en couleurs et en N/B, broché, très bon état.
Bookseller reference : 82788 ISBN : 2070531449
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DUAULT Alain, MASSIN Brigitte, ENCKELL Pierre, et autres
"Mozart : La flûte enchantée; Théâtre des Champs-Elysées, 1913-1987. Revue l'Avant-Scène Opéra, septembre 1987."
Paris, L'Avant-Scène Opéra, 1987. 17 x 25, 177 pp., nombreuses illustrations en N/B, broché, très bon état.
Bookseller reference : 98118
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DUAULT Alain, LADOUES Marie-Marthe, MANCINI Roland, et autres
Georges Thill et l'opéra français. Revue l'Avant-Scène Opéra, hors série, septembre 1984.
Paris, L'Avant-Scène Opéra, 1984. 17 x 25, 114 pp., nombreuses illustrations en N/B, broché, très bon état.
Bookseller reference : 98117
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DUFEY Françoise
"La musique source d'inspiration dans l'art belge, XIIIe-XXe siècle; exposition du 3 mai au 14 juillet 1985, Galerie CGER."
Bruxelles, CGER, 1985. 21 x 21, 201 pp., 114 illustrations en couleurs et en N/B, broché, très bon état.
Bookseller reference : 96877
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DUFRANE Louis
Gossec : sa vie, ses oeuvres.
Paris, Librairie Fischbacher/Bruxelles, Maurice Lamertin, 1917. 17 x 25, quelques illustrations hors texte en N/B, broché, bon état (couverture légèrement défraîchie).
Bookseller reference : 61512
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DUFOURCQ (Norbert).
Jean-Sébastien Bach, le maître de l'orgue.
Paris, Editions A. & J. Picard, 1973. Un fort vol. au format pt in-4 (238 x 188 mm) de 396 pp., broché.
Bookseller reference : 24172
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DUFETEL Nicolas (ed.)
La musique religiuse en France au XIXe siècle : Le sentiment religieux entre profane et sacré (1830-1914)
Turnhout, Brepols 2021 lvi + 436pp., avec qqs. illustrations en n/bl, dans la série "Speculum Musicae" volume 44, 27x21cm., reliure toile d'éditeur, jaquette illustrée, très bon état, poids: 1.4 kg., M116402
Bookseller reference : M116402
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DUHME-HILDEBRAND Brigitta
Die französische Musikerin Germaine Tailleferre (1892-1983) Leben und Werk unter dem Aspekt des Vergnügens an der Musik
Köln, 1991 303pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Erziehungswissenschaftlichen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108856
Bookseller reference : M108856
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DUHME-HILDEBRAND Brigitta
Die französische Musikerin Germaine Tailleferre (1892-1983) Leben und Werk unter dem Aspekt des Vergnügens an der Musik
303pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Erziehungswissenschaftlichen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108856
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DUMESNIL René
L'opéra et l'opéra-comique. Collection : Que sais-je ?, N° 278
Paris, Presses Universitaires de France (PUF), 1971. 12 x 18, 127 pp., broché, très bon état.
Bookseller reference : 96051
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DUMESNIL René
Le rythme musical, essai historique et critique.
Paris, Mercure de France, 1921. 13 x 20, 256 pp., broché, bon état (papier légèrement jauni).
Bookseller reference : 81108
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DUMESNIL René
Mozart présent dans ses oeuvres lyriques.
Bruxelles, La Renaissance du Livre, 1965 14 x 20, 205 pp., non coupé, très bon état
Bookseller reference : 102.280
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DUMESNIL, René.
Portraits de musiciens français. Collection Les Maitres de l’Histoire.
Paris, Editions d’Histoire et d’Art, Librairie Plon 1938, 205x135mm, 248pages, broché. Petites déchirures sur le haut du dos, autrement bon état.
Bookseller reference : 82572
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DUMESNIL, René.
Le Rythme musical. Essai historique et critique.
in-8, 208 pp., 2 index, broché. Bel exemplaire. [TX-24]
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Dunn, Ginette
The Fellowship of Song: Popular Singing Traditions in East Suffolk. [SERIES]: Croom Helm Social History Series
CONTAINS B&W PLATES. 22.5x14.5cm. 254 pages. Gilt hardcover with dust jacket. In good condition.
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Dupré Marcel
Cours de contrepoint
Alphonse Leduc Bibliothèque-Leduc Broché 1955 In-4 (20 x 29 cm.), dos broché, 58 pages ; coiffes et coins frottés, menus incidents aux plats, intérieur frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : nc1449
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DUPRE, Henri.
Purcell. Les Maitres de la musique.
Paris, Librairie Féix Alcan 1927, 205x140mm, II - 244pages, reliure demi-basane. Plats papier fantaisie. Auteur, titre, fleuron et filets dorés au dos. Belle reliure, bel exemplaire.
Bookseller reference : 76027
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DUPONT Wilhelm
Geschichte der musikalischen Temperatur
139pp., with some music examples in text, 23cm., text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Friedrich-Alexander-Universität Erlangen), stamp at verso of title page, text is clean and bright, good condition, M109341
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DURAND Emile
Réalisations des leçons du cours d'harmonie, N° 36/Traité d'accompagnement au piano, de la basse chiffrée, du chant donné et de la partition d'orchestre, N° 67. Bibliothèque Leduc.
Paris, Alphonse Leduc, 1948. 21 x 29, 2 livres, 187 + 291 pages, très nombreuses notations musicales, demi-reliure dos/coins percaline rouge, tranches mouchetées, couvertures conservées, très bon état.
Bookseller reference : 97161
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Durand Emile
Traité complet d'harmonie théorique et pratique (Volume 1)
Alphonse Leduc Bibliothèque-Leduc Relié In-4 (21,5 x 28,7 cm), reliure demi-peau à coins souple, dos à 4 nerfs orné de fers dorés, tome 1 seul, 521 pages, sans date ; frottements sur le cuir et au papier reliure aux plats, coupés usées, quelques rousseurs à l'intérieur, notes manuscrites au crayon à papier et à l'encre, principalement sur des pages vierges in fine, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : rg1192
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Durante, Elio - Martellotti, Anna
?Amorosa fenice? La vita, le rime e la fortuna in musica di Girolamo Casone da Oderzo (c. 1528-1592)
cm 17 x 24, vi-482 pp. con 4 figg. n.t. Biblioteca dell'?Archivum Romanicum?. Serie I: Storia, Letteratura, Paleografia 433 Di Girolamo Casone, medico e professore di filosofia presso l?Universit? di Pavia, si presenta qui l?edizione delle rime, ripercorrendo anche la sua fortuna in campo musicale e seguendo le fila che lo legarono al mondo culturale della Milano spagnola. Emerge dunque una affollata galleria che raccoglie anche figure di spicco dell?ambiente politico, militare ed ecclesiastico. Attorno a queste si muove un mondo femminile che afferma la sua rilevanza culturale e sociale. Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physic
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Durante, Elio - Martellotti, Anna
?Giovinetta peregrina?. La vera storia di Laura Peperara e Torquato Tasso. Con CD contenente "Madrigali per Laura Peperara".
cm. 17 x 24, vi-352 pp. con 2 tavv. f.t. a colori e CD-ROM. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia Ricerche d?archivio permettono di collocare nel 1563 la nascita della famosa cantatrice e arpista Laura Peperara, cancellando l?ipotesi di Solerti che in quel tempo ella sia stata la ?seconda fiamma? del Tasso, destinataria di un canzoniere amoroso; ? cos? possibile ricostruire sotto una diversa angolatura la vicenda artistica della Peperara, e riordinare un importante settore della produzione lirica tassiana. Archival research allows us to establish that Laura Peperara, famous singer and harp player, was born in 1563. This eliminates Solerti?s hypothesis that she was Tasso?s second love interest at the time, as well as the receiver of a book of love poems. Consequently, it is possible to reconstruct Peperara?s artistic path from a different angle and reorganize an important part of Tasso?s lyrical production. A CD entitled ?Madrigali per Laura Peperara? accompanies the volume. 692 gr. vi-352 p.
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DUWELL Klaus-Ulrich
Studien zur Kompositionstechnik der Mehrchörigkeit im 16. Jahrhundert. Dargestellt an Werken von Lasso, Palestrina, Victoria, Handl und Giovanni Gabrieli
183pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M109001
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DYSON George
"Progrès de la musique; histoire de la musique en Europe depuis le Moyen Âge jusqu'à nos jours. Bibliothèque musicale."
Paris, Payot, 1933. 14 x 22, 204 pp., reliure pleine rexine rouge, très bon état (sauf dos insolé).
Bookseller reference : 97728
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Dyson George
Piccola storia della musica
ill., br. Questo libro, opera di un grande musicista e compositore inglese, è il riuscito tentativo di tratteggiare con aderente naturalezza le tappe del "progresso" musicale: dalla musica rituale dei popoli primitivi alla musica gregoriana, dalla sensuale polifonia pre-rinascimentale allo sviluppo della musica strumentale del Cinquecento, sino al virtuosismo orchestrale del tardo Romanticismo, senza tralasciare di approfondire il fenomeno della diffusione della radio e della musica incisa. Eliminando ogni aridità sistematica e manualistica, Dyson ha saputo centrare lo svolgimento delle diverse forme musicali nel particolare movimento culturale che le ha determinate, offrendo così non una fredda storia della musica, ma una serena valutazione di tutti i fenomeni, spirituali e pratici, che hanno concorso al suo "progresso".
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DÖBLIN Alfred
"Sur la musique; conversations avec Calypso. Petite Bibliothèque Rivages."
Paris, Editions Rivages, 1989. 12 x 17, 186 pp., broché, bon état (couverture insolée).
Bookseller reference : 95174
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E. Bozoky
Charmes et prieres apotropaiques
, Brepols - Harvey Miller, 2003 softcover 126 pages., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503514451.
Bookseller reference : 45020
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EBERT Alfred
Attilio Ariosti in Berlin (1697-1703) Ein Beitrag zur Geschichte der Musik am Hofe König Friedrichs I. von Preussen
Leipzig, Giesecke & Devrient 1905 103pp., 23cm., softcover, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Rheinischen Friedrich-Wilhelm-Universität zu Bonn), stamp at verso of title page, text is clean and bright, M111116
Bookseller reference : M111116
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EBERT Friedrich
Die Liedweisen der kolmarer Handschrift und ihre Einordnung und Stellung in der Entwicklungsgeschichte der deutschen Liedweise im 14. - 16. Jahrhundert
Göttingen, 1933 115pp., with some music examples in text, 23cm., softcover (label at spine), text in German in Gotic script, Doctoral dissertation (Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Georg-August-Universität zu Göttingen), stamp at verso of t.p., some annotations and underlinings in pencil (can easily be erased), M109366
Bookseller reference : M109366
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EBERT Alfred
Attilio Ariosti in Berlin (1697-1703) Ein Beitrag zur Geschichte der Musik am Hofe König Friedrichs I. von Preussen
103pp., 23cm., softcover, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Rheinischen Friedrich-Wilhelm-Universität zu Bonn), stamp at verso of title page, text is clean and bright, M111116
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EBERT Friedrich
Die Liedweisen der kolmarer Handschrift und ihre Einordnung und Stellung in der Entwicklungsgeschichte der deutschen Liedweise im 14. - 16. Jahrhundert
115pp., with some music examples in text, 23cm., softcover (label at spine), text in German in Gotic script, Doctoral dissertation (Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Georg-August-Universität zu Göttingen), stamp at verso of t.p., some annotations and underlinings in pencil (can easily be erased), M109366
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Eckhardt, Ulrich [Ed.]
Claudio Abbado: Dirigent
Contains a CD and numerous photographs. 230x230 mm. 198 pages. Hardcover with dust jacket. Jacket edges wrinkled. Cover corners, edges and spine edges bumped. Few page corners slightly wrinkled. Pages yellowing. Else in good condition.
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Edited by Anna Maria Busse Berger and Massimiliano Rossi.
Memory and Invention. Medieval and Renaissance Literature, Art and Music. Acts of an International Conference (Florence, Villa I Tatti, May 11, 2006).
cm. 17 x 24, xx-174 pp. con es. mus., 37 figg. n.t. e 12 tavv. f.t. Rilegato (Hardcover). Villa i Tatti - The Harvard University Center for Italian Renaissance Studies In recent years it has become increasingly clear that the art of memory was closely related to compositional processes in literature, art, and music. These papers explore various aspects of how the relevant material was memorized-whether through division and classification, or through visual diagrams; how the memorized material was used to create new works; how the old texts and models were incorporated into new ones; what was left out and what was reinterpreted in new ways. Negli ultimi anni ? emerso sempre pi? chiaramente quanto l?arte della memoria sia strettamente legata ai processi compositivi nell?ambito letterario, artistico e musicale. Questi saggi indagano sul perch? e su quali materiali siano stati memorizzati o meno attraverso il frazionamento e la classificazione oppure tramite diagrammi visivi; inoltre su quali testi o modelli siano stati rielaborati in nuove opere oppure reinterpretati in nuovi modi. 676 gr. xx-174 p.
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Edited by Virgilio Bernardoni
Edizione Nationale delle Opere di Giacomo Puccini. II. Instrumental music 2.1 Works for organ: Sonate, Versetti, Marce (vol. II/2)
cm 25 x 32, 148 pp. Carus-Verlag GmbH - ISBN 9783899483130 The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini?s organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into "bass" and "soprano".Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini?s organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into "bass" and "soprano".Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. Ed. Nat. OperePuccini 2.Instr. 2.1.Organ 782
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Edizione critica a cura di Graziella Seminara
Vincenzo Bellini Carteggi
cm 17 x 24, vi-622 pp. con 5 es. mus. e 1 figg. n.t. Rilegato in seta. Historiae Musicae Cultores 131 La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base d
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