‎Musicology‎

‎Michel-R. Hofmann‎

‎La musique russe, des origines à nos jours‎

‎Paris, Buchet / Chastel, 1968, in-8, broché, 278 pages. Envoi de l'auteur. Bon état.‎

Bookseller reference : 71043

‎Michela Berti, Emilie Corswarem (eds)‎

‎Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period‎

‎, Brepols, 2020 Paperback, 436 pages, Size:190 x 290 mm, Illustrations:67 b/w, 75 col., 10 tables b/w., 1 maps b/w, Languages: English, German. ISBN 9782503588384.‎

‎Summary Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole. What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the teatro del mondo which Rome constituted at the time, their role in the placing of musicians within the city's professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions. At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. * The preparation of this publication has benefitted greatly from the collaboration of Jorge Morales. TABLE OF CONTENTS Foreword by Bernard Ardura Introduction by Michela Berti and milie Corswarem I. The Musical Model of National Churches in Rome ? 2. NOEL O'REGAN Cappella fissa-Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome's National Churches ? 3. CRISTINA FERNANDES A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos ? 4. KLAUS PIETSCHMANN Music Cultivation in Roman National Churches before the Council of Trent ? 5. TOBIAS DANIELS A New Organ for the Anima. The Notarial Contract of 1546 and the History of the "German National Church" in Rome in the Middle of the Sixteenth Century ? 6. FRANCESCA FANTAPPI -JOS MAR A DOM NGUEZ Alessandro Scarlatti and the Spanish National Church of S. Giacomo degli Spagnoli ? 7. ESTEBAN HERN NDEZ CASTELL The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process Identity and Repertory ? 8. BERNARD DOMPNIER Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches ? 9. CRISTINA FERNANDES Daily Liturgy and 'Internal' Musical Practices in S. Antonio dei Portoghesi ? 10. GALLIANO CILIBERTI S. Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity ? 11. ESTEBAN HERN NDEZ CASTELL : Evidence of a 'More Hispano' Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome ? 12. MILIE CORSWAREM S. Luigi dei Francesci's Volume of Masses dating from 1557: an Example of French Polyphony ? 13. MICHELA BERTI The musical collection of San Luigi dei Francesi: on the trail of national character The Construction of National Identity from Self-Representation and Conflict ? 14. JOS MAR A DOM NGUEZ To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700 ? 15. BRUNO BOUTE Liturgy and Bureaucracy-Bureaucracy as Liturgy ? 16. DIANA CARRI -INVERNIZZI Political Images and the National Churches of Rome c. 1640 ? 17. JORGE MORALES Musical Practices and Identity. The Story of the Roman Sojourn (1623-27) of Maurice of Savoy, Crown-Cardinal of France ? 18. ANNE-MADELEINE GOULET Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Tr moille (1683-1686) ? 14. CRISTINA FERNANDES : Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King III. National Churches : Network in Rome and Cultural Transfer ? 20. DOMENICO ROCCIOLO 'Inhabitants of Various Nations' in Rome from the Sixteenth to the Eighteenth Century ? 21. ANNE PI JUS Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches ? 22. CRISTINA FERNANDES Oratorio Musical Traditions in Rome: Portuguese connections ? 23. FRANCESCO PEZZI The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome ? 24. CRISTINA FERNANDES Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle ? 25. CRISTINA FERNANDES The Role of the National Church of S. Antonio dei Portoghesi in the 'Romanisation' of the Lisbon Royal and Patriarchal Chapel Afterword by Kate van Orden Illustration Credits Translators Index of Persons Index of Places‎

Bookseller reference : 65769

‎Michael Saffle‎

‎Selling Pianos with Pictures. Commercial Art and Keyboard Instruments from the Eighteenth Century to the 1920s‎

‎, Brepols, 2021 Paperback, xv + 186 pages, Size:216 x 280 mm, Illustrations:110 b/w, 50 col., Language: English.*new ISBN 9782503583570.‎

‎Summary Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full of images employed for commercial rather than cultural purposes. This volume examines the commercial characters and significances of how pianos were pictured between the early days of 'modern' marketing to today. During the early 1920s, piano sales peaked in the United States; nevertheless, pianos have continued to be sold even as radios, record players, television sets and electric keyboards increasingly replace them as must-have sources of entertainment and improvement. The market for player pianos, although comparatively short-lived, also provided manufacturers and retailers with opportunities to depict pianos and pictures. TABLE OF CONTENTS Introduction Chapter I: Advertising, Iconography, and Secondary Sources of Information Previous Studies of Illustrated Piano Advertising Musicological Iconography and Iconology Advertising as a Professional Activity, 1865-1920 Chapter II: Changing Attitudes Toward Pianos and Pianists Pianos as Objects of Admiration, Denigration, and Social Cach Women and Keyboard Instruments: Traditional Associations and Early Illustrations Display, Religion, Respectability, Talent, and "Piano Girls" Chapter III: The Evolution of Illustrated Piano Advertising, 1770-1925 Early Piano Advertisements, Endorsements, and Testimonials Illustrated Piano Advertising Comes of Age, 1865-1910 Concluding Observations A Synopsis of Illustration Piano Advertising and Advertising's Emerging Importance The Declining Importance of Pianos and the Increasing Popularity of Phonographs, Radios, Other Electric Devices, and Guitars * Bibliography Index‎

Bookseller reference : 65283

‎MICHAIL CHATZIATHANASIOU.‎

‎Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin.‎

‎Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Greek. 63, [1] p., musical scores. Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin. A study on Byzantine songs and notation system.‎

‎Miggiani, Maria Giovanna‎

‎Il fondo Giustiniani del Conservatorio Benedetto Marcello. Catalogo dei manoscritti e delle stampe.‎

‎cm. 18 x 25,5, lvi-616 pp. Historiae Musicae Cultores - Biblioteca 1358 gr. lvi-616 p.‎

‎MILLIOT Sylvette.‎

‎La sonate. Que sais-je ?, N° 1739.‎

‎Paris, Presses Universitaires de France, PUF, 1978. 11 x 18, 126 pp., broché, très bon état.‎

Bookseller reference : 65899 ISBN : 2130357024

‎MILLER Georges Laing (& BEDART Dr., ed.)‎

‎Révolution récente dans la facture d'orgue (suivi d'une réponse au livre 'l'Orgue moderne' de M.A. Cellier et à son préfacier Louis Vierne)‎

‎Lille, Impr. G. Dubar 1914 189pp. avec illustrations dans le texte et planches hors-texe, 2e édition, brochure originale (qqs. traces d'usage, le coin supérieur du dos est renforcé), cachet sur la p.d.t., le texte est bien frais et en bon état, peu commun, M106700‎

Bookseller reference : M106700

‎MILA MASSIMO.‎

‎Breve storia della musica.‎

‎Cm. 19,5, cart. edit., pag. 484 (10). Un classico e pratico excursus dalla musica greca alla musica contemporanea. Ottimo esemplare.‎

‎Milhaud, Darius / Cohen, Albert / Hoffmann, R. St. [Tr.]‎

‎Israel est Vivant pour Chant et Piano / Israel Lebt fur Gesang und Klavier [Facsimile]. UE 8483.‎

‎Facsimile. Musical notes. 30x20.5 cm. 5 pages. Softcover. Cover slightly yellowing. Stamp on front cover. Cover slightly detached. Else in good condition‎

‎Miller Richard‎

‎L'arte di cantare. Educazione della voce, stile e interpretazione‎

‎br. Di tutte le arti dello spettacolo, il canto è senza dubbio la più complessa. Il suo insegnamento e la sua pratica sono storicamente agitati da infinite controversie, gli ideali di suono sono molteplici, e le tecniche per perseguirli paiono numerose quanto gli insegnanti stessi. Una semplice rassegna dei punti di vista che si riscontrano nella letteratura didattica non potrebbe che lasciare disorientato il lettore, e di conseguenza lo studente desideroso di apprendere il metodo più semplice e corretto. È anche per rispondere a questa situazione che Richard Miller, uno fra i più apprezzati esperti di vocologia al mondo, ha raccolto in questo libro una panoramica a tutto tondo del bagaglio di conoscenze necessarie ad affrontare lo studio e la professione del canto, preoccupandosi di fornire in primo luogo un fondamento scientifico e medico alle questioni riguardanti l'emissione e la tecnica vocale. A partire da una chiara illustrazione della fisiologia dell'emissione vocale, per giungere ai problemi connessi alla musicalità, allo stile e all'interpretazione, senza trascurare la preparazione e pianificazione della carriera, il mantenimento di un'efficiente funzionalità e la conservazione della salute della voce, "L'arte di cantare" si presenta come un manuale dedicato a tutti gli appassionati, gli studenti e i professionisti del canto, scritto in uno stile estremamente colloquiale e scorrevole, che coniuga alla semplicità di esposizione una profonda padronanza della materia.‎

‎Mink Rossen, Jane ; Sharvit, Uri‎

‎A Fusion of Traditions: Liturgical Music in the Copenhagen Synagogue [CONTAINS CD].‎

‎CONTAINS CD. 250X175 mm. 156 pages. Softcover. Cover edges slightly wrinkled. Else in good condition.‎

‎Mischati Oscar‎

‎Uno sconosciuto frammento di codice polifonico quattrocentesco nella biblioteca "G.B. Martini" di Bologna.‎

‎Estratto da "Collectanea historiae musicae", vol. IV. Studi di Musicologia in onore di Guglielmo Barblan in occasione del LX compleanno. In 8°, pp. 179-183. Bross. edit. Ottime condizioni.‎

‎Mischiati, Oscar‎

‎Indici, cataloghi e avvisi degli editori e librai musicali italiani dal 1591 al 1798.‎

‎cm. 17,5 x 25, 556 pp. con 16 tavv. f.t. Studi e testi per la storia della musica 1127 gr. 556 p.‎

‎MITJANA Rafael (ed.) & QUEROL ROSSO Leopoldo‎

‎Cancionero de Uppsala (transcripcion de Rafael Mitjana. Estudio introductorio sobre la poesia y la tecnica musical por L. Querol Rosso)‎

‎Madrid, Instituto de Espana 1980 105 + [108] + [ii] pp., 35cm., attractive hardcover binding with spine in brown leather and gilt title and decorations, marbled endpapers, original softcover preserved and bound in, few interesting annotations in the margin of the text, good condition, [content: 105pp. musicological study, 108 pages with the fac-simile edition of Mitjana's manuscript on the 'Cancionero de Upsala', a publication with mostly anonymous Spanish music printed in Venice in 1556, titled "Villancicos de diuersos Autores, a dos y a tres y a quatro y ya a cinco bozes". The copy of the Uppsala University Library is the only known copy and was edited by Mitjana in 1909], M95137‎

Bookseller reference : M95137

‎MKRTCH'YAN Nerses Alek'sani‎

‎Erazhshtakan bararan‎

‎Erevan [Yerevan], Hayastani Hanrapetut'yan Gitut'yunneri Azgayin Akademia 2000 295pp., with some bl/w ills., signed with handwritten dedication, 22cm., text in Armenian (with an introduction in English and Russian), softcover, good condition, cfr. OCLC 51505830, [Armenian dictionary of musical terms and expressions], X116882‎

Bookseller reference : X116882

‎MOCQUEREAU Andre O.S.B. (dir.)‎

‎Cantatorium de Saint-Gall, IXe siècle, no.359 de la Bibliothèque de Saint-Gall [dans: Paléographie Musical. Les principaux manuscrits de chant grégorien, ambrosien, mozarabe, gallican, publiés en fac-simileés phototypiques, Deuxième série, II]‎

‎Tournay [Tournai], Desclée & cie. 1924 23pp. + 142 planches en n/bl (facsimilés) + 5pp., 33x25cm., reliure cart., dos en toile noire, titre en rouge et noir, quelques rousseurs (surtout sur les premières et dernières pages), bon état, poids: 1.4kg., M119497‎

Bookseller reference : M119497

‎MOESERITZ Annekathrin‎

‎Die Weisen der böhmischen Brüder von 1531. Eine stil- und quellenkritische Untersuchung der nichtliturgischen Melodien des Gesangbuches von Michael Weisse‎

‎Bonn, 1990 410pp. + folding map, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108860‎

Bookseller reference : M108860

‎MOESERITZ Annekathrin‎

‎Die Weisen der böhmischen Brüder von 1531. Eine stil- und quellenkritische Untersuchung der nichtliturgischen Melodien des Gesangbuches von Michael Weisse‎

‎410pp. + folding map, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108860‎

‎MOHAMMAD EL-SHAMI Fawzi‎

‎Studien zum Fagottkonzert in der ersten Hälfte des 18. Jahrhunderts‎

‎241pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde des Fachbereichs Neueren deutsche Literatur und Kunstwissenschaft der Philipps-Universität Marburg), stamp at verso of title page, text is clean and bright, good condition, M108859‎

‎Mompellio, Federico‎

‎Lodovico Viadana.‎

‎cm. 18 x 25,5, xii-354 pp. con 40 tavv. e molti es. mus. Historiae Musicae Cultores - Biblioteca 744 gr. xii-354 p.‎

‎MONTARLOT Gérard‎

‎Le jazz et ses musiciens. Collection : Tout par l'image.‎

‎Paris, Hachette, 1963. 18 x 23, 96 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition carton imprimé, bon état.‎

Bookseller reference : 95127

‎Monacis Lucia; Toto Giuseppe‎

‎La psicologia della musica nelle principali scuole di psicologia‎

‎brossura Il panorama di studi italiano nell'ambito della psicologia musicale soffre di una scarsità di contributi specialisti nel settore. il presente lavoro di ricerca fornisce un quadro orientativo del sapere psicologico in ambito musicale; la ricostruzione storica ed epistemologica fornita proposta, è infatti, finalizzata a fornire gli strumenti teorici su cui si basano gli odierni percorsi di ricerca. La moderna psicologia della musica è il punto di arrivo di un ricco dibattito che attraversa le scienze psicologiche da oltre un secolo. La psicologia della musica è una specializzazione della psicologia, avente come oggetto di indagine non solo le risposte della mente agli stimoli musicali, ma anche come la mente li elabora, controlla le prestazioni e le valuta, in riferimento agli studi storico-epistemologici. Il volume affronta: il tema delle origini storiche e delle moderne interpretazioni di una disciplina, quale la psicologia della musica che si nobilita grazie all'emergere dei primi studi di psicologia sperimentale tra la metà dell'800 e i primi anni del '900; la contestazione delle prime teorie scientifiche da parte della scuola della Gestalt e del comportamentismo e, infine, gli apporti contemporanei del cognitivismo.‎

‎Monro, D. B.‎

‎THE MODES OF ANCIENT GREEK MUSIC‎

‎Light discoloration to spine. Mild shelfwear. Foxing to ffeps. Gift inscription on ffep: "L. W. Hudson from M. T. Tatham"-- M. T. Tatham, a classics scholar at the end of the 19th C. ; Scarce First edition. ; 145 pages‎

‎Montalbano, Bartolomeo A cura di G. Collisani e D. Ficola.‎

‎Sinfonie, Mottetti e Messa (1629).‎

‎cm. 24 x 33,5, xx-112 pp. con 13 tavv. f.t. Musiche rinascimentali siciliane Spartito musicale. 590 gr. xx-112 p.‎

‎Montella, Giovan Domenico A cura di I. Di Gregorio.‎

‎Il settimo libro de' madrigali a cinque voci.‎

‎cm. 21,5 x 31, 104 pp. Musiche del Rinascimento italiano 353 gr. 104 p.‎