‎Musicology‎

‎Societe Francaise de Musicologie‎

‎Revue de Musicologie Dix-Septieme Annee No. 45 Fevrier 1933‎

‎Librarie Fischbacher/Societe Francaise de Musicologie 1933 1933. Paperback. Good. covers are brittle and chipping to edges holding though; pages have no markings <br/><br/> Librarie Fischbacher/Societe Francaise de Musicologie, 1933 paperback‎

Bookseller reference : 48502

‎SOLVAY Lucien‎

‎L'évolution théatrale. Tome second: La musique‎

‎Bruxelles-Paris, Van Oest 1922 385pp., 26cm., br.orig., bon état, M94160‎

Bookseller reference : M94160

‎Solomon Maynard‎

‎Beethoven. La vita, l'opera, il romanzo familiare‎

‎Solomon Maynard Beethoven. La vita, l'opera, il romanzo familiare. , Marsilio 1996 italian, 420 BTT128 Brossura editoriale, volume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda 420 pagine circa Copertina come da foto‎

‎Soret.‎

‎Carnaval des animaux Camille Saint-Saens. Facsimile Edition of the Autograph Manuscript.‎

‎, Brepols Publishers, 2018 Hardcover, 192 pages., 127 colour ill., 300 x 366 mm, ISBN 9782503581224.‎

‎If there is one work, in all of Saint-Saens musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. The collection De main de maitre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Saens? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Saens was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Societe nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Saens, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Saens, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Saens? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Saens? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Saens and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Saens feared that his ?zoological fantasy? would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Saens, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer?s handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan. La collection ? De main de maitre ? presente les fac-similes des partitions les plus prestigieuses du departement de la Musique de la Bibliotheque nationale de France. Dedie au manuscrit autographe du celebre Carnaval des animaux, de Camille Saint-Saens (1835-1921), ce volume eclaire la personnalite du musicien sous un jour particulier. Acheve en fevrier 1886, Le Carnaval des animaux fut cree pour des amis et interpretes proches de Saint-Saens et joue a une quinzaine de reprises entre 1886 et 1894 aupres d?un public restreint. Camille Saint-Saens craignant que cette ? fantaisie zoologique ? ne nuise a sa reputation, l?oeuvre ne fut publiee dans son integralite qu?apres la mort du compositeur. Depuis lors, son immense succes n?a cesse de croitre, si bien qu?elle est aujourd?hui appreciee tant par les melomanes que par le grand public. Presente par Marie-Gabrielle Soret, specialiste de Camille Saint-Saens, qui nous livre une description detaillee de l?oeuvre et du contexte de sa creation, le fac-simile comprend les quatorze pieces du Carnaval des animaux. Il permet d'acceder a la graphie du compositeur, a l'ensemble des indications telles qu?il les a notees, mais aussi aux facetieux dessins animaliers dont il emailla sa partition ? un poisson pour ? Aquarium ? , un squelette de dinosaure pour ? Fossiles ? , ou encore la pale silhouette au crayon bleu d'un cygne pour accompagner la celebre piece dediee a cet oiseau. Marie-Gabrielle Soret est conservateur en chef au Departement de la musique a la Bibliotheque nationale de France, responsable de la coordination du traitement des grands fonds d'archives et collections des XIXe et XXe siecles, au Service des collections patrimoniales du Departement de la musique (fonds de compositeurs, interpretes, institutions et societes musicales).‎

Bookseller reference : 51651

‎SOUFFRIAU Arsène, LACHERT Piotr, NYST Frédéric, et autres‎

‎"Documenta Belgicae; 1 : Musiques."‎

‎PMA-Editions, 1983. 15 x 21, 154 pp., quelques figures et dessins, broché, très bon état (sauf dos insolé).‎

Bookseller reference : 98743

‎Sous la direction de H.C. Robbins Landon‎

‎Dictionnaire Mozart‎

‎Paris, Lattès, 1990, 652 pages. Relié sous coffret. Bon état.‎

Bookseller reference : 10903

‎Sous la direction de Christophe Pirenne‎

‎Les musiques nouvelles en Wallonie et a Bruxelles (1960-2003)‎

‎2004. Mardaga, 2004. Format 17x24 cm, broche, 271 pages. Bon etat.‎

Bookseller reference : 46122

‎SPALDING W. R.‎

‎"La musique, un art et un langage; manuel d'analyse musicale. Bibliothèque musicale."‎

‎Paris, Editions Payot, 1950. 14 x 22, 383 pp., nombreuses notations musicales, reliure rexine rouge, couverture conservée (3 pièces), très bon état.‎

‎"Traduction de M. Firmin Roz; préface de M. Adolphe Boschot; nouvelle édition conforme à la première."‎

Bookseller reference : 92464

‎SPALDING W.R.‎

‎La Musique, un Art et un Langage, MANUEL D'ANALYSE MUSICALE.‎

‎Paris, Editions PAYOT, 1950, format 230x145mm, broché, XIII-363 pages, dos légèrement gauchi sinon bon exemplaire.‎

‎Nouvelle édition conforme à la première, traduction de M. Firmin Roz et préface par Adolphe Boschot.Collection " Bibliothèque Musicale ".‎

Bookseller reference : 1865

‎SPALINGER, René.‎

‎Quand Mozart passait à Lausanne. Chronique inédite.‎

‎Genève, Editions Slatkine 2006, 235x160mm, 447pages, broché. Bel exemplaire.‎

‎photos couleurs et n/b,‎

Bookseller reference : 108510

‎SPALDING, W. R‎

‎Manuel d'analyse musicale. Traduit de l'anglais par M.Firmin Roz. Preface de M.Adolphe Boschot‎

‎1 Vol. In-8 p.cartone marm., tit.oro su doppio tass.al dorso, copt.orig.cons pag. XVI-390 PROG 33663 CATT_ATT 45‎

‎Sparti Davide‎

‎Il corpo sonoro. Oralità e scrittura nel jazz‎

‎br. "Ho ascoltato il mio lavoro almeno una volta: quando l'ho scritto". Questa affermazione di Arnold Schönberg illustra bene la sua idea che l'esecutore serva solo a rendere la musica comprensibile per un pubblico tanto sfortunato da essere incapace di leggere le note a vista. In una simile prospettiva ogni esecuzione è una forma di corruzione rispetto all'ideale purezza dell'opera in sé. Come è emersa questa coincidenza fra partitura testuale e "vera" musica? E con quali conseguenze? Come è stato possibile che un caso limite di forma musicale, l'opera scritta, sia arrivato a costituire il paradigma con cui si pensa la musica in generale? Secondo Sparti, la tradizione europea, diversamente da quella di origine africana, non ha saputo cogliere nell'eccitazione di quella massa vibrante che è il corpo umano la fonte primaria dell'espressività musicale. Il jazz, nel quale opera ed esecutore coincidono, fa ascoltare una musica corporea "suonata" da pelle, bocca, lingua, labbra, braccia, torace, mani. Il jazzista valorizza così la funzione più nuda del linguaggio: "respiro sonoro che esce dalla carne".‎

‎SPEERSTRA Joel‎

‎Bach, the Pedal Clavichord, and the Organist‎

‎Göteborg, 2000 ix + 241pp., with some music examples and bl/w illustrations, in oblong (21x30cm.), text in German, Doctoral Dissertation (in partial fullfilment of a PhD degree in Musicology at the University of Göteborg), stamp at verso of title page, text is clean and bright, good condition, M109506‎

Bookseller reference : M109506

‎Spire, André - Joxe, Louis - Gérald, Antoine - Secrétain, Roger - Décaudin, Michel - Cassou, Jean - Burac, Roger - Marix-Spire, Thérèse - Lesure, François‎

‎Cahiers André Spire II [joint une lettre autographe signée de Thérèse Marix-Spire]‎

‎1976 Paris, Société des Amis d'André Spire, 1976. In-8, 58 pp., broché. Complet du feuillet d'errata volant.‎

‎Edition originale. On joint une longue lettre de Thérèse Marix-Spire, musicologue et historienne du romantisme, épouse d'André Spire, au compositeur Henri Sauguet, lui adressant l'ouvrage, lui demandant s'il veut bien rejoindre la Société des amis d'André Spire et lui proposant un projet de disque autour des poèmes de l'écrivain (une page A4 recto et verso, environ 55 lignes). Quelques taches à la couverture, bel exemplaire.‎

Bookseller reference : 1094

‎Spycket, Jerome‎

‎Clara Haskil‎

‎28.5x22 cm. 157 pages. Gilt hardcover. Cover is slightly dirty and scuffed. Else in good condition.‎

‎STAUFFER Donald W.‎

‎Intonation Deficiencies of Wind Instruments in Ensemble‎

‎Washington D.C., The Catholic University of America Press 1954 xiv + 191pp., with some music examples in text, 23cm., softcover, Doctoral Dissertation, stamp at verso of title page, text and interior are clean and bright, good condition, M109049‎

Bookseller reference : M109049

‎STAGE Alain, LAVELLI JORGE‎

‎Lavelli, opéra et mise à mort.‎

‎Paris, Fayard, 1979. 15 x 23, 271 pp., nombreuses illustrations en N/B, broché, couverture à larges rabats, très bon état.‎

‎"Avec la collaboration de Sergio Segalini; avant-propos de Guy Samama."‎

Bookseller reference : 93012

‎STADEN Johann‎

‎Venus Kräntzlein. Neuer musicalischer Gesäng und Lieder, so wol auch etliche (ohne Text) Galliarden, Couranten, Auffzüg und Pavanen, welche von den Instrumental Musicis mögen gebraucht werden. Mit 4 und 5 Stimmen [Facsimile edition]‎

‎Facsimile edition of the original 1610-edition by Christoff Lippold in Jena, Complete in 5 volumes (one for each voice: Bassus, Tenor, Altus, Cantus, Quinta vox): [28] + [28] + [28] + [30] + [8] pp. with music scores for 4/5 voices with text songs in German & dances for 4-5 instruments, softcover, in publisher's cart. slipcase, good condition, [Faksimile-edition, Schermar-Bibliothek Ulm nr.5, sign. Misc. 124], M95235‎

‎STAUFFER Donald W.‎

‎Intonation Deficiencies of Wind Instruments in Ensemble‎

‎xiv + 191pp., with some music examples in text, 23cm., softcover, Doctoral Dissertation, stamp at verso of title page, text and interior are clean and bright, good condition, M109049‎

‎Steiner, A:‎

‎Aus dem Zürcherischen Konzertleben der zweiten Hälfte des vergangenen Jahrhunderts. 1. (u. 2.) Teil 1855 - 1877 - (1878 - 1895.).‎

‎2 Bände Zürich, Hug, 1904-1905. 8°. 42 S.; 34 S. Mit 1 gest. Tafel und 1 Portrait. Orig.-Broschur. = "Neujahrsblatt der Allgemeinen Musikgesellschaft in Zürich", auf das Jahr1904 u. 1905, 92. u. 93. Jg.‎

‎Rohr 914. - Papier durchgehend etwas gebräunt. Broschuren am Rand etwas verblichen.‎

Bookseller reference : 4782CB

‎STENGEL Roger‎

‎Guillaume Lekeu (1870-1894). Collection : Euterpe.‎

‎Editions de La Nouvelle Revue Belgique, 1924. 13 x 19, 115 pp., 1 illustration en frontispice, broché, bon état.‎

Bookseller reference : 94725

‎STEHMAN Jacques‎

‎Histoire de la musique en Belgique.‎

‎Bruxelles, Editions La Boetie, 1950. 15 x 22, 85 pp., nombreuses illustrations en N/B, broché + jaquette, très bon état.‎

Bookseller reference : 47301

‎Steffani Agostino; Geremia M. (cur.)‎

‎Quanta certezza abbia da' suoi principii la musica‎

‎ril. Alla fine del Seicento ormai Steffani era una personalità di spicco nell'Europa barocca, sia come compositore, sia come diplomatico. Ne rende conto Francesco Trevisan in un "Elogio" del primo Ottocento qui riprodotto. Vista la sua autorevolezza, Steffani venne chiamato in causa da un misterioso marchese A.G. che lo coinvolse per dar credito alle "proposizioni" espresse da lui: nasce così la dotta dissertazione "Quanta certezza abbia da' suoi principii la musica", stampata ad Amsterdam nel 1695, che riscosse immediatamente un notevole successo. È un vivace spaccato della cultura enciclopedica di Steffani che unisce il sapere dell'alto prelato a quello più disinvolto dell'uomo di corte, dalle sacre scritture ai padri e ai dottori della chiesa, dalla filosofia alla medicina, dall'astronomia alla geometria fino alla storia antica.‎

‎Steiner Rudolf‎

‎L'essenza della musica‎

‎br.‎

‎Steiner, A‎

‎Biographie von Johannes Brahms (1833-1897)‎

‎Zürich, Kommissionsverlag Fäsi & Beer, 1898-1899. 8°. 38 S.; 47 S. Mit 2 Portraits. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4779C = "Neujahrsblatt der Allgemeinen Musikgesellschaft in Zürich", auf das Jahr1898 u. 1899, 86 u. 87. Jg.‎

‎Rohr 909. - Mit zwei hübschen Portraits von Johannes Brahms. - Papier durchgehend etwas gebräunt. Broschuren am Rand verblichen.‎

Bookseller reference : 4779CB