‎Beethoven ludwig van‎

‎VAN BEETHOVEN Ludwig‎

‎IXe Symphonie (avec choeurs). Ré mineur - D Minor - d Moll‎

‎HEUGEL & Cie. 1955. In-12. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 301 pages de partitions. . . . Classification Dewey : 780.26-Partitions‎

‎P.H. 82 Classification Dewey : 780.26-Partitions‎

Bookseller reference : RO80152235

‎Van Beethoven L.‎

‎IXe Quatuor à Cordes op. 59 n°3 - Ut Majeur, C Major, C dur - P.H. 62‎

‎Heugel & Cie. . In-8. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 57 pages de partitions de musique. Annotation au crayon de papier en page de titre. Non daté.. . . . Classification Dewey : 780.26-Partitions‎

‎Classification Dewey : 780.26-Partitions‎

Bookseller reference : R240158240

‎VAN BEETHOVEN‎

‎ROMANCE EN FA pour violon‎

‎SALABERT. Non daté. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages de partitions. . . . Classification Dewey : 780.26-Partitions‎

‎E.A.S404 Classification Dewey : 780.26-Partitions‎

Bookseller reference : RO50035938

‎VAN BEETHOVEN L.‎

‎SONATTEN FUR PIANOFORTE SOLO‎

‎C. F. PETERS. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 184 pages.. . . . Classification Dewey : 780.26-Partitions‎

‎6253. Classification Dewey : 780.26-Partitions‎

Bookseller reference : R110262908

‎Van Beethoven L.‎

‎Sonatine‎

‎Hanry littof's. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages de partition en noir et blanc.. . . . Classification Dewey : 780.26-Partitions‎

‎N°10305 Classification Dewey : 780.26-Partitions‎

Bookseller reference : RO50063980

‎Van Beethoven‎

‎SONATES POUR PIANO A 2 MAINS : BAND 1 - OP.27 N°2‎

‎Henry litolff in4. Sans date. Broché. envois en suivi pour la france et l'etranger Bon Etat‎

Bookseller reference : 177239

‎Van Beethoven L. / Ulrich Hugo‎

‎Symphonien von L.van Beethoven fur pianofortezu vier handen arrangirt von Hugo Ulrich, Band I N°1-5 - Symphonies à 4 mains‎

‎"C.F peters. Non daté. In-4. Broché. Etat d'usage, 1er plat abîmé, Dos abîmé, Quelques rousseurs. 202 pages de partitions en noir et blanc. Couverture désolidarisée. Quelques taches sur les plats.Inclus une coupure de presse ""portrait de Beethoven"" du 16 février 1939.. . . A l'italienne. Classification Dewey : 780.26-Partitions"‎

‎N° 6312 Classification Dewey : 780.26-Partitions‎

Bookseller reference : RO50064219

‎van Beethoven Ludwig‎

‎Trio G dur für pianoforte, violine und violoncell von Ludwig van Beethoven Op.1 n°2 - Eulenburgs kleine partitur ausgabe n°123.‎

‎Ernst Eulenburg. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 40 pages de partitions - tampon sur le 1er plat et sur la page de titre.. . . . Classification Dewey : 780.26-Partitions‎

‎Eulenburgs kleine partitur ausgabe n°123. Classification Dewey : 780.26-Partitions‎

Bookseller reference : RO80277483

‎VAN BEETHOVEN (Ludwig)‎

‎V ème symphonie ut mineur- c minor- c moll op 67‎

‎Paris, Heugel,s.d, in douze, 136 pp, broché,‎

‎collection : "partition de poche ".‎

Bookseller reference : 15155

‎Van Beethoven L.‎

‎VIe Quatuor à Cordes op. 18 n°6 - Si Majeur, B Major, B dur - P.H. 59‎

‎Heugel & Cie. 1951. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 39 pages de partitions de musique. Annotation au crayon de papier en page de titre.. . . . Classification Dewey : 780.26-Partitions‎

‎Classification Dewey : 780.26-Partitions‎

Bookseller reference : R240158241

‎Van Beethoven Ludwig‎

‎VIII° symphonie FA Majeur - F Major - F dur / partition‎

‎Heugel et cie collection sans date d'édition. petit in8. Sans date. broché. 128 pages. Bon Etat intérieur propre‎

Bookseller reference : 100101126

‎VAN BEETHOVEN J.‎

‎Vème Symphonie op.67 Ut mineur - C Minor - c moll.‎

‎HEUGEL et Cie. 1983. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 136 pages. Quelques annotations au crayon. Nombreuses planches de partitions. Textes en français et italien.. . . . Classification Dewey : 780.26-Partitions‎

‎Classification Dewey : 780.26-Partitions‎

Bookseller reference : RO20057404

‎Van Beethoven L.‎

‎Xe Quatuor à Cordes op. 74 n°3 - Mi Majeur, E Major, E dur - P.H. 63‎

‎Heugel & Cie. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 50 pages de partitions de musique. Annotation au crayon de papier en page de titre. Non daté.. . . . Classification Dewey : 780.26-Partitions‎

‎Classification Dewey : 780.26-Partitions‎

Bookseller reference : R240158242

‎Van Beethoven L.‎

‎XIIe Quatuor à Cordes op. 127 - Mi Majeur - E Major - Es dur - P.H. 65‎

‎Heugel & Cie. 1962. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 61 pages de partitions de musique. Petite annotation au crayon de papier et tampon en page de titre.. . . . Classification Dewey : 780.26-Partitions‎

‎Classification Dewey : 780.26-Partitions‎

Bookseller reference : R240159419

‎VAN AERDE Raymond (& CLOSSON E., preface)‎

‎Les ancetres flamands de Beethoven‎

‎137pp. avec illustrations dans et hors texte, 25cm., br.orig., bon état, M93481‎

‎Van Beethoven Ludwig Composer/ Taub Robert Editor‎

‎Beethoven - Five Favorite Piano Sonatas: Pathetique Moonlight the Tempest Les Adieux Op. 2 No. 1‎

‎G Schirmer Inc 2017. Paperback. New. 104 pages. 12.00x9.00x0.25 inches. G Schirmer Inc paperback‎

Bookseller reference : 2-1540012166 ISBN : 1540012166 9781540012166

‎Van Beethoven Ludwig‎

‎Beethoven Symphony No. 5‎

‎Ernst Eulenburg N.D. TPB. G. GOOD-PLUS TRADE-PAPERBACK Ernst Eulenburg paperback‎

Bookseller reference : 63138T

‎Van Beethoven Ludwig‎

‎Beethoven Symphonie III. E Flat Major. Eroica. Op. 55‎

‎Germany: Wiener Philharmonischer Verlag. Soft Binding. Very Good/No Jacket. Sm8vo. No. 9. Clean unworn copy in decorated wraps. <br/> <br/> Wiener Philharmonischer Verlag unknown‎

Bookseller reference : 3118

‎Van Beethoven Ludwig‎

‎Beethoven's Letters 1790-1826 From the Collection of L. Nohl. Also His Letters to the Archduke Rudolph. Tr. by Lady Wallace‎

‎Franklin Classics 2018. Hardcover. As New. Disclaimer:An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Franklin Classics hardcover‎

Bookseller reference : G0341997943I2N00 ISBN : 0341997943 9780341997948

‎Van Beethoven Ludwig‎

‎Beethoven: The Symphonies Black Dog Music Library‎

‎Black Dog & Leventhal Publishers. Used - Good. Good condition. With CD! Slightly dampstained. Black Dog & Leventhal Publishers unknown‎

Bookseller reference : H05D-00017 ISBN : 1884822371 9781884822377

‎Van Beethoven Ludwig; Pauer Max‎

‎Beethoven: Klavier-Konzert Opus 58 : Konzert Fur Klavier Und Orchester Mit Begelitung Eines Zweiten Klaviers Herausgegen: No. 2894d‎

‎New York.: C.F.Peters Corporation. Softcover sheet music. Covers and text in very condition. Binding firm. Pages unmarked and clean. 59 pages. Soft Cover. Very Good. 4to - over 9�" - 12" tall. C.F.Peters Corporation. Paperback‎

Bookseller reference : 015587

‎van Beethoven Ludwig.‎

‎Complete String Quartets. Opp. 18 59 74 95 127 130 131 132 135 Grosse Fuge Op. 133.‎

‎New York. : Dover. 1970. First edition thus. Soft cover. . Fine copy. . 4to. Illustrated. . Photograph of OUR copy available upon request. Dover. paperback‎

Bookseller reference : 168209

‎van Beethoven Ludwig‎

‎Fidelio conducted by Leonard Bernstein 3 cassettes‎

‎<b>Fidelio conducted by Leonard Bernstein 3 cassettes<br /><br />Featuring: Wiener Staatsopernchor -Wiener Philharmoniker Gundula Janowitz Lucia Popp also Kollo Sotin Fischer-Dieskau Jungwirth DallopozzaLabel DEUTSCHE GRAMMOPHONContains a booklet with libretto in English French & German. <br />Fidelio originally titled Leonore oder Der Triumph der ehelichen Liebe; English: Leonore or The Triumph of Marital Love Op. 72 is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke a final version was performed at the Kärntnertortheater on 23 May 1814. By convention both of the first two versions are referred to as Leonore.<br />The libretto with some spoken dialogue tells how Leonore disguised as a prison guard named "Fidelio" rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice heroism and eventual triumph. With its underlying struggle for liberty and justice mirroring contemporary political movements in Europe such topics are typical of Beethoven's "middle period". Notable moments in the opera include the "Prisoners' Chorus" O welche Lust—"O what a joy" an ode to freedom sung by a chorus of political prisoners Florestan's vision of Leonore come as an angel to rescue him and the scene in which the rescue finally takes place. The finale celebrates Leonore's bravery with alternating contributions of soloists and chorus.---------------------Leonard Bernstein August 25 1918 – October 14 1990 was an American composer conductor author music lecturer and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan he was "one of the most prodigiously talented and successful musicians in American history."<br />His fame derived from his long tenure as the music director of the New York Philharmonic from his conducting of concerts with most of the world's leading orchestras and from his music for West Side Story Peter Pan Candide Wonderful Town On the Town On the Waterfront his Mass and a range of other compositions including three symphonies and many shorter chamber and solo works.<br />Bernstein was the first conductor to give a series of television lectures on classical music starting in 1954 and continuing until his death. He was a skilled pianist often conducting piano concertos from the keyboard. He was also a critical figure in the modern revival of the music of Gustav Mahler the composer he was most passionately interested in.<br />As a composer he wrote in many styles encompassing symphonic and orchestral music ballet film and theatre music choral works opera chamber music and pieces for the piano. Many of his works are regularly performed around the world although none has matched the tremendous popular and critical success of West Side Story.<br />In 1960 Bernstein and the New York Philharmonic held a Mahler Festival to mark the centenary of the composer's birth. Bernstein Walter and Mitropoulos conducted performances. The composer's widow Alma attended some of Bernstein's rehearsals. In 1960 Bernstein also made his first commercial recording of a Mahler symphony the Fourth and over the next seven years he made the first complete cycle of recordings of all nine of Mahler's completed symphonies. All featured the New York Philharmonic except the 8th Symphony which was recorded with the London Symphony Orchestra following a concert in the Royal Albert Hall in London in 1966. The success of these recordings along with Bernstein's concert performances and television talks was an important if not vital part of the revival of interest in Mahler in the 1960s especially in the U.S. Bernstein claimed that he identified with the works on a personal level and once said of the composer: He showered a rain of beauty on this world that has not been equaled since.<br />Other non-U.S. composers that Bernstein championed to some extent at the time include the Danish composer Carl Nielsen who was then only little known in the U.S. and Jean Sibelius whose popularity had by then started to fade. Bernstein eventually recorded a complete cycle in New York of Sibelius's symphonies and three of Nielsen's symphonies Nos. 2 4 and 5 as well as conducting recordings of his violin clarinet and flute concertos. He also recorded Nielsen's 3rd Symphony with the Royal Danish Orchestra after a critically acclaimed public performance in Denmark. Bernstein championed U.S. composers especially those that he was close to like Aaron Copland William Schuman and David Diamond. He also started to more extensively record his own compositions for Columbia Records. This included his three symphonies his ballets and the Symphonic Dances from West Side Story with the New York Philharmonic. He also conducted an LP of his 1944 musical On The Town the first almost complete recording of the original featuring several members of the original Broadway cast including Betty Comden and Adolph Green. The 1949 film version only contains four of Bernstein's original numbers. Bernstein also collaborated with the experimental jazz pianist and composer Dave Brubeck resulting in the recording Bernstein Plays Brubeck Plays Bernstein 1961.<br />In one oft-reported incident in April 1962 Bernstein appeared on stage before a performance of the Brahms Piano Concerto No. 1 in D minor with the pianist Glenn Gould. During rehearsals Gould had argued for tempi much broader than normal which did not reflect Bernstein's concept of the music. Bernstein gave a brief address to the audience starting with "Don't be frightened; Mr Gould is here." and going on to "In a concerto who is the boss audience laughter—the soloist or the conductor" Audience laughter grows louder. The answer is of course sometimes the one and sometimes the other depending on the people involved." This speech was subsequently interpreted by Harold C. Schonberg music critic for The New York Times as abdication of personal responsibility and an attack on Gould whose performance Schonberg went on to criticize heavily. Bernstein always denied that this had been his intent and has stated that he made these remarks with Gould's blessing. In the book Dinner with Lenny published in October 2013 author Jonathan Cott provided a thorough debunking in the conductor's own words of the legend which Bernstein himself described in the book as "one . that won't go away". Throughout his life he professed admiration and friendship for Gould. Schonberg was often though not always harshly critical of Bernstein as a conductor during his tenure as music director. However his views were not shared by the audiences with many full houses and probably not by the musicians themselves who had greater financial security arising from Bernstein's many TV and recording activities amongst other things.<br />In 1962 the New York Philharmonic moved from Carnegie Hall to Philharmonic Hall now David Geffen Hall in the new Lincoln Center. The move was not without controversy because of acoustic problems with the new hall. Bernstein conducted the gala opening concert featuring vocal works by Mahler Beethoven and Vaughan Williams and the premiere of Aaron Copland's Connotations a serial-work that was merely politely received. During the intermission Bernstein kissed the cheek of the President's wife Jacqueline Kennedy a break with protocol that was commented on at the time. In 1961 Bernstein had conducted at President John F. Kennedy's pre-inaugural gala and he was an occasional guest in the White House. Years later he conducted at the funeral mass in 1968 for President Kennedy's brother Robert Kennedy featuring the Adagietto from Mahler's 5th Symphony. Jackie Kennedy famously wrote to Bernstein after the event: When your Mahler started to fill but that is the wrong word — because it was more this sensitive trembling the Cathedral today — I thought it the most beautiful music I had ever heard.<br />On November 23 1963 the day after the assassination of President John F. Kennedy Leonard Bernstein conducted the New York Philharmonic and the Schola Cantorum of New York in a nationally televised memorial featuring the "Resurrection Symphony" by Gustav Mahler. This was the first televised performance of the complete symphony. Mahler's music had never been performed for such an event and since the tribute to JFK Mahler symphonies have become part of the standard repertoire for national mourning.<br />In 1964 Bernstein conducted Franco Zeffirelli's production of Verdi's Falstaff at the Metropolitan Opera in New York. In 1966 he made his debut at the Vienna State Opera conducting Luchino Visconti's production of the same opera with Dietrich Fischer-Dieskau as Falstaff. During his time in Vienna he also recorded the opera for Columbia Records and conducted his first subscription concert with the Vienna Philharmonic which is made up of players from the Vienna State Opera featuring Mahler's Das Lied von der Erde with Fischer-Dieskau and James King. He returned to the State Opera in 1968 for a production of Der Rosenkavalier and in 1970 for Otto Schenk's production of Beethoven's Fidelio. Sixteen years later at the State Opera Bernstein conducted his sequel to Trouble in Tahiti A Quiet Place with the ORF orchestra. Bernstein's final farewell to the State Opera happened accidentally in 1989: following a performance of Modest Mussorgsky's Khovanshchina he unexpectedly entered the stage and embraced conductor Claudio Abbado in front of a cheering audience.<br />With his commitment to the New York Philharmonic and his many other activities Bernstein had little time for composition during the 1960s. The two major works he produced at this time were his Kaddish Symphony dedicated to the recently assassinated President John F. Kennedy and the Chichester Psalms which he produced during a sabbatical year he took from the Philharmonic in 1965 to concentrate on composition. To make more time to composition was probably a major factor in his decision to step down as Music Director of the Philharmonic in 1969 and to never again accept such a position elsewhere.<br />After stepping down from the New York Philharmonic Bernstein continued to appear with them in most years until his death and he toured with them to Europe in 1976 and to Asia in 1979. He also strengthened his relationship with the Vienna Philharmonic—he conducted all nine completed Mahler symphonies with them plus the Adagio from the 10th in the period from 1967 to 1976. All of these were filmed for Unitel with the exception of the 1967 Mahler 2nd which instead Bernstein filmed with the London Symphony Orchestra in Ely Cathedral in 1973. In the late 1970s Bernstein conducted a complete Beethoven symphony cycle with the Vienna Philharmonic and cycles of Brahms and Schumann were to follow in the 1980s. Other orchestras he conducted on numerous occasions in the 1970s include the Israel Philharmonic the Orchestre National de France and the Boston Symphony Orchestra.<br />In 1970 Bernstein wrote and narrated a ninety-minute program filmed on location in and around Vienna as a celebration of Beethoven's 200th birthday. It featured parts of Bernstein's rehearsals and performance for the Otto Schenk production of Fidelio Bernstein playing the 1st piano concerto and the Ninth Symphony with the Vienna Philharmonic and the young Plácido Domingo amongst the soloists. The program was first telecast in 1970 on Austrian and British television and then on CBS in the U.S. on Christmas Eve 1971. The show originally entitled Beethoven's Birthday: A Celebration in Vienna won an Emmy and was issued on DVD in 2005. In the summer of 1970 during the Festival of London he conducted Verdi's Requiem Mass in St. Paul's Cathedral with the London Symphony Orchestra.<br />In 1978 Bernstein returned to the Vienna State Opera to conduct a revival of the Otto Schenk production of Fidelio now featuring Gundula Janowitz and René Kollo in the lead roles. At the same time Bernstein made a studio recording of the opera for Deutsche Grammophon and the opera itself was filmed by Unitel and released on DVD by Deutsche Grammophon in late 2006. In May 1978 the Israel Philharmonic played two U.S. concerts under his direction to celebrate the 30th anniversary of the founding of the Orchestra under that name. On consecutive nights the Orchestra with the Choral Arts Society of Washington performed Beethoven's Ninth Symphony and Bernstein's Chichester Psalms at the Kennedy Center in Washington D.C. and at Carnegie Hall in New York.<br /></b> DEUTSCHE GRAMMOPHON‎

Bookseller reference : 0101201901

‎van Beethoven Ludwig:‎

‎Fidelio. Georg Friedr. Treitzschke. Hermann Wendel Textbuch‎

‎S. Mode`s Verlag Gustav Mode Berlin 1900. S. Mode`s Verlag, (Gustav Mode), Berlin, 1900. unknown‎

Bookseller reference : 228299

‎VAN BEETHOVEN LUDWIG & MACFARREN NATALIA Ed/Tra‎

‎Fidelio: An Opera in Two Octs‎

‎Novello and Company nd. Rebound in hard covers imperial octavo VG-; all our specials have minimal description to keep listing them viable. They are at least reading copies complete and in reasonable condition but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost. Novello and Company (nd) hardcover‎

Bookseller reference : 174359