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Debussy Claude
Works for Piano Four Hands and Two Pianos Series One Series 1
Dover Publications. PAPERBACK. 0486269744 . New. Dover Publications paperback
Referentie van de boekhandelaar : Z0486269744ZN ISBN : 0486269744 9780486269740
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Debussy Claude
Works for Piano Four Hands and Two Pianos Series One Series 1
Dover Publications. PAPERBACK. 0486269744 Remainder mark . Fine. Dover Publications paperback
Referentie van de boekhandelaar : Z0486269744Z1 ISBN : 0486269744 9780486269740
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Debussy Claude
Works for Piano Four Hands and Two Pianos Series One Series 1
Dover Publications. PAPERBACK. 0486269744 . New. Dover Publications paperback
Referentie van de boekhandelaar : Z0486269744ZN ISBN : 0486269744 9780486269740
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Debussy Claude
Works for Piano Four Hands and Two Pianos Series I Series 1
Dover Publications 1992-01-14. Paperback. Good. INCREDIBLE! Free Tracking/Delivery Confirmation with every order! Has a different cover photo than pictured. A great reading copy! Cover has moderate wear around the edges with some cover creases. The tops of some pages have a light crease where a paperclip was used as a placeholder but other than that its a clean reading copy with No Highlighting or Writing! Cover and/or DJ may have light scuffing from normal shelf wear. Along with being a terrific authority and reference on the subject this book is very well written throughout! Pages are clean and tight! The text is not marred by notes of or highlighting of any kind! Save Now! Hurry While Supplies Last! 100% 30-Day Money-Back Guarantee less shipping & handling. Dover Publications paperback
Referentie van de boekhandelaar : 2A0004807 ISBN : 0486269744 9780486269740
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Debussy Claude; Compiled By Alexander Shealy
World's Favorite Best Known Debussy Piano Music
Ashley Publications Inc. 1973. Quarto softcover hint of edgewear else near fine in green and white pictorial wraps. 159 pages 19 compositions. Each selection is complete in its original form. Examples: Clair de Lune Reverie The afternoon of a faun pour le piano estampes bergamesque images. A treasure of music. Very Good/Unknown. Ashley Publications Inc., 1973. paperback
Referentie van de boekhandelaar : 46114
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DEBUSSY Claude
ESTAMPES POUR LE PIANO; II. La Soiree dans Grenade
Paris: Durand 1903. Sheet music. Large 4to pp. 7. A little creased and curled at edges o/w VG. Durand unknown books
Referentie van de boekhandelaar : 46052
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DEBUSSY Claude
Monsieur Croche - Antidilettante
Ed. Tallone, Alpignano, 1990 - in-folio, reliure éditeur, coffret cartonné, 110 pages, tirage limité à 480 exemplaire, exemplaire n°66 tiré sur vélin pur chiffon d'Arches - édition précieuse dédiée à Arturo Benedetti Michelangeli, exacte reproduction du texte contenu dans l'édition originale pbliée à Paris pour les Bibliophiles Fantaisistes - très bel ouvrage, excellent état
Referentie van de boekhandelaar : 29442
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DEBUSSY Claude
MONSIEUR CROCHE THE DILETTANTE HATER
1927. DEBUSSY Claude. MONSIEUR CROCHE THE DILETTANTE HATER. London: Williams and Norgate 1927. Small 8vo. brown cloth. First Edition. Very Good. $50.00. <br/><br/> hardcover books
Referentie van de boekhandelaar : 42443
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DEBUSSY Claude
MONSIEUR CROCHE; The dilettante hater
NY: Viking 1928. First American edn. 8vo pp. xiv 212. Notes index. Frontis portrait. Black cloth. Some newspaper clippings pasted in various places; these have yellowed the adjacent pages. Some underlilning and comments throughout. Edges of cover scuffed o/w VG in worn dj. A translation of some of Debussy's critical articles. Viking unknown books
Referentie van de boekhandelaar : 47673
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Debussy Claude
Pelléas & Mélisande
London: John Calder; New York Riverrun Press 1982. Oper guide series editor Nicholas John. Published in association with English National Opera and the Royal Opera. 96p. music b/w illus. stiff wrappers Opera guide 9. John Calder; New York, Riverrun Press unknown books
Referentie van de boekhandelaar : 030272 ISBN : 0714539066 9780714539065
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DEBUSSY Claude
Pour la Musique Française. Douze Causeries. Avec une Préface de Claude Debussy. J. Bach-Sisley M. Boucher H. Focillon E. Goblot P. Huvelin E. Locard V. Loret CH. Roland A. Sallès M. Zimmermann
Paris: Georges Crès 1917. Paperback. Good. Octavo. 340 pp. Wrappers. Binding worn. Browned. Georges Crès paperback books
Referentie van de boekhandelaar : 34862
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DEBUSSY Claude
Three Classics in the Aesthetic of Music
New York: Dover Publications 1962. BUSONI Ferruccio; IVES Charles E. Dover Publications unknown books
Referentie van de boekhandelaar : 32564
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DEBUSSY Claude 1862 1918
Autograph letter signed to an unidentified male correspondent
1 page. Octavo ca. 168 x 122 mm. Dated Thursday evening. On mourning stationery. In French with translation. <br/><br/>"I have to attend Louis Laloy's premiere; naturally that is tomorrow on Friday. Would you change the enclosed tickets for Saturday Thanks again."<br/><br/>Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio not affecting text. "One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online.<br/><br/>"Laloy 1874-1944 was a noted defender of contemporary French music and was a close friend of and mediator between Ravel and Debussy with whom he collaborated on some unrealized stage works; he was also the author of the first major work and the first in the French language on Debussy." John Trevitt in Grove Music Online. unknown books
Referentie van de boekhandelaar : 26836
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DEBUSSY Claude 1862 1918
Estampes Pour le Piano
Paris: A. Durand & Fils PN D. & F. 6326 1 - 3 1916. Folio. Original publisher's ivory wrappers with titling printed in blue and orange to upper and publisher's advertisment to verso of lower. Unbound as issued. 1f. recto title printed in dark orange verso blank 24 pp. With "Ch. Douin gr ." and "Paris Imp. A. Mounot." printed at foot of final page of music.<br/><br/>With performance markings in pencil throughout.<br/><br/>Wrappers worn and soiled; minor edge tears and creases; handstamp to lower corner of upper. Minor browning and soiling; publisher's handstamp to title. First Edition later issue. Lesure 100.<br/><br/>Estampes premiered in Paris with Ricardo Viñes at the piano at a concert of the Société nationale in the Salle Erard on 9 January 1904<br/><br/>Debussy's creative connection to the visual arts was significant and many times throughout his career he attributed the inspiration for many of his compositions to specific artists or works of art. "Louis Laloy his first French biographer revealed in 1909 that 'He received his most profitable lessons from poets and painters not from musicians' while he himself told Varèse in 1911 'I love pictures almost as much as music'. .One of his rare piano pupils Mademoiselle Worms de Romilly went so far as to write that he 'always regretted not having worked at painting instead of music'. Ever since his years at the Conservatoire Debussy had felt that he had more to learn from artists than from career-obsessed musicians: 'You are getting nowhere M. Croche will tell them because you know nothing but music and obey barbaric laws'. Three of his works were dedicated to artists: one of the Images for piano to Alexandre Charpentier one of the Proses lyriques to Henri Lerolle and Estampes to Jacques-Emile Blanche." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 6326 (1) [-] (3)] unknown books
Referentie van de boekhandelaar : 33656
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DEBUSSY Claude 1862 1918
Fêtes Galantes Piano-vocal score
Paris: A. Durand & Fils PN D. & F. 6441 1905. Small folio. Original publisher's light gray laid-paper printed wrappers with titling in olive green and black. Unbound as issued. 1f. recto title printed in olive green and black verso "Pour remercier de mois de Juin 1904 A.l.p.M." 15 i publisher's advertisement pp. With "Imp. Chaimbaud et Cie. Paris" and prices for separate numbers 1.75 f. at foot of title. Publisher's small monogrammatic handstamp to lower outer corner of verso of final blank leaf.<br/><br/>Contains:<br/>I. Les Ingénus<br/>II. Le Faune<br/>III. Colloque sentimental<br/><br/>Wrappers very slightly worn creased and chipped; partially split at spine. First Edition first issue. Lesure 104.<br/><br/>Fêtes Galantes premiered by Mme. Eugénie Colonne at a private salon in Paris on 23 June 1904.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 6441] unknown books
Referentie van de boekhandelaar : 33659
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DEBUSSY Claude 1862 1918
Iberia "Images" pour Orchestre No. 2. Full score
Paris: Durand & Cie PN D. & F. 7576 1949. Tall folio. Dark ivory publisher's wrappers printed in red and black. 1f. recto title verso publisher's "General Conditions of Sale and Hire of Orchestral Material" and list of instruments 110 pp. <br/><br/>Wrappers worn; torn at spine. Slightly worn and browned; signatures partially detached; publisher's handstamp to first page of music. A re-issue from plates of the first edition. Lesure p. 127. Durand & Cie [PN D. & F. 7576] unknown books
Referentie van de boekhandelaar : 28760
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DEBUSSY Claude 1862 1918
Khamma Arranged for solo piano
Paris: A. Durand & Fils PN D. & F. 8443 1912. Folio. Original publisher's light gray printed wrappers. 1f. blank 1f. recto title printed in red and black verso "Personnages" "Note concernant l'exécution" etc. 32 pp. With "Imp. Mounot Nicolas Paris" printed at foot of title and "Ch. Douin gr ." and "Paris Imp. Chaimbaud & Cie." printed at foot of final page of music.<br/><br/>Upper wrapper detached; lower partially detached; bookseller's handstamps to upper and title "Occasion Neuf Livres & Musique" etc. Slightly browned; occasional light foxing. First edition. Lesure 125.<br/><br/>Premiered in Paris on 22 May 1911 at the Théâtre du Châtelet.<br/><br/>"Debussy was rather reserved in his attitude to the aesthetic of the Ballets Russes and seems to have preferred the idea of rejuvenating the old form of opera-ballet Fêtes galantes after Verlaine renamed Crimen amoris. He wrote the scenario - but not the music - of Masques et bergamasques but he detested the choreography which Diaghilev commissioned from Nijinsky for Jeux a work which finally found a new life for itself in the concert hall. He fell out with Maud Allan who commissioned the ballet Khamma; the score which has its Stravinskian moments was not played in his lifetime." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 8443] unknown books
Referentie van de boekhandelaar : 33655
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DEBUSSY Claude 1862 1918
La Damoiselle Élue Piano-vocal score
Paris: A. Durand & Cie. PN 6106 1906. Quarter leather with brown marbled boards titling gilt to upper and spine "Abonnement au Ménestrel 2bis Rue Vivienne Paris". 1f. recto title printed in green and black verso blank 1f. recto publisher's note verso blank 1f. recto printed dedication to Paul Dukas verso blank 25 pp. Text in French.<br/><br/>Binding worn soiled and bumped; large "Abonnement de Musique" label laid down to front endpapers; "721/1" in red ink and publisher's handstamp to flyleaf. Uniformly browned; slightly creased. Lesure 62.<br/><br/>La Damoiselle Élue premiered on in Paris by Julia Robert and Thérèse Roger under the direction of Gabriel Marie at a concert of the Société National de Musique at the Salle Érard on 8 April 1893.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Cie. [PN 6106] unknown books
Referentie van de boekhandelaar : 33663
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DEBUSSY Claude 1862 1918
Six sonates pour divers instruments Score
Paris: A. Durand & Cie. PN D. & F. 9427 1915. Folio. Original publisher's ivory printed wrappers. Unbound as issued. 36 pp. With "Ch. Douin gr. ." and "Imp. Mounot Nicolas Paris" printed at foot of final page of music. <br/><br/>Occasional performance markings in pencil throughout. <br/><br/>Slightly browned and creased. Lacking separate flute and viola parts. First Edition. Lesure 137.<br/><br/>The present sonata premiered in Paris on 10 December 1916 at Chez Durand.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic.<br/><br/>"At first the war depressed Debussy into a state of creative sterility from which he produced only the Berceuse héroïque for piano later orchestrated commissioned by the Daily Telegraph for King Albert's Book. The summer of 1915 spent in a villa on the channel coast at Pourville was a productive one: in quick succession he composed the Cello Sonata En blanc et noir the Etudes and the Sonata for flute viola and harp but at the end of the year he underwent a debilitating colostomy for rectal cancer . His last concert appearance was to play the Violin Sonata with Gaston Poulet at St Jean-de-Luz in September 1917." François Lesure and Roy Howat in Grove Music Online. A. Durand & Cie. [PN D. & F. 9427] unknown books
Referentie van de boekhandelaar : 33661
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DEBUSSY Claude 1862 1918
Trois Chansons de Charles d'Orleans Score
Paris: A. Durand & Fils PN D. & F. 7179 1910. Quarto. Original publisher's light brown wrappers with titling in red and black within decorative border. Unbound as issued. 1f. recto title printed in red and black verso blank 19 pp. Text in French and English. With "Ch. Douin gr. ." and "Imp. A. Mounot. Paris" printed at foot of final page of music.<br/><br/>Wrappers very slightly worn; publisher's handstamps to lower outer corner of upper. Light uniform browning. First Edition later issue Lesure 92.<br/><br/>The present work premiered in Paris on 9 April 1909 at a Concert Colonne under the composer's direction.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 7179] unknown books
Referentie van de boekhandelaar : 33660
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Debussy Claude Annunzio Gabriele d' Tosi Guy-Émile
Claude Debussy et Gabriele d'Annunzio. Correspondance inédite : Présentée par Guy Tosi
Referentie van de boekhandelaar : GFU71AP ISBN : 1857
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Debussy Claude Toulet Paul-Jean
Correspondance de claude debussy et p. - j. toulet .
Referentie van de boekhandelaar : ABA1200 ISBN : 3
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Debussy Claude. 1862 1918 Colonne Edouard. 1838 1910 & Breval Lucienne. 1869 1935 & Plumet Charles. 1861 1928 & Campanini C
Important Collection of Letters and Telegrams to the Composer
Used; Like New/Used; Like New. A fascinating collection of 14 autograph letters and cards and 2 telegrams addressed to the important French composer dated between 1903 and 1917 from musicians and other artistic figures of the era. The letters from correspondents including conductors critics dancers composers and visual artists mention the very positive reception of Debussy's works during the last years of his life including his 1903 nomination as a Chevalier of the Légion d'Honneur the Chicago premiere of his opera Pelléas et Melisande and Toscanini's 1911 performance of La Mer; other works discussed include his ballet Jeux the cantata L'enfant prodigue and his work for piano L'isle joyeuse. Letters range from 4 x 2.5 inches to 5.25 x 8.25 inches and are overall in very good to fine condition with some light toning and age wear. All letters in French.Contents:Three letters congratulate Debussy on his nomination to the Légion d'honneur in 1903: one autograph note on the visiting card of conductor Edouard Colonne Paris February 1903 1 p.; one ALS  from the soprano Lucienne Bréval n.p. February 4 1903 4 pp. which also mentions her desire to sing one of Debussy's mélodies with orchestra; and one ALS from the architect Charles Plumet Paris n.d. 1 p.Two telegrams dated June 11 1910 send congratulations to Debussy on the successful performance of his Pelléas et Mélisande in Chicago from the conductor Cleofonte Campanini and the director general of the Chicago Grand Opera Company Andreas Dippel: "Four thousand people were impressed and touched. Our congratulations."Two letters send congratulations to Debussy on the performance of his La Mer under Toscanini in Turin in 1911. On a photograph postcard Turin September 30 1911 the composer Leone Sinigaglia writes that "It would have been a joy for you a lasting memory. Toscanini put his whole soul into it all his intelligence and all his will. His execution of your admirable masterpiece was prodigious. The public wary at the beginning as you may imagine! you know this well was won over -- at the end it was a great success which was repeated yesterday evening." The critic Giuseppe Depanis Turin October 12 1911 2 pp. writes that "not only was the second presentation Toscanini of La Mer received with the same good favor as the first but Vincent D'Indy also performed Nuages andFêtes in his concert on the 10th of the month with great success."An autograph letter from Nadejda Rimsky-Korsakov St Petersburg August 20 1911 1 p. with envelope thanks Debussy for his telegram and mentions in reference to the Ballets Russes' adaptation of her husband's famous work Scheherazade that "the appearance before the artistic Parisian public of my husband's works changed and transformed into ballet caused me great pain last summer and this time."  An autograph letter from the caricaturist Beppe Fabiano Paris May 29 1912 2 pp. confesses to Debussy that "I have just exhibited your portrait at the Salon des Humanistes -- in a series of celebrated composers -- without asking your permission beforehand. Fearing I may have overstepped I would be delighted if you would forgive me."<br style="">A short autograph letter from the sculptor Denys Puech Paris June 4 1912 1 p. mentions L'après-midi d'un faune. A short autograph letter from the sculptor Albert Bartholomé Budapest May 25 1913 1 p. informs Debussy that his cantata L'enfant prodigue "was admirably executed by truly passionate performers. I was able to obtain the poster from the theater and will be pleased to send it to you." The Russian ballerina and soloist with the Ballets Russes Ludmilla Chollar writes to Debussy about her role in Jeux in which she starred with Nijinsky and Tamara Karsavina London June 26 1913 2 pp. She thanks the composer for the "the most beautiful memories which I could bring from Paris: the very kind words with which you dedicated Jeux your photography and some measures of my role . If I take from the creation of Jeux one exquisite and ineffable memory it is to you that I owe it to your work and to the happy chance that I met you away from the mirage of celebrities an artist as great as you whose work is dear to me above all others."<br style="">An autograph letter from the composer Ildebrando Pizzetti Florence September 17 1913 1 p. with envelope asks Debussy to comment on his new composition: "You would do me a great honor Maître if you would send me a few words on the subject but of course with no obligation on your part to give me compliments if my musical work does not interest you!"An interesting wartime letter from the Italian conductor Bernardino Molinari Rome September 18 1915 4 pp. calls on Debussy's patriotic feelings to ask him to collaborate with his orchestra: "I still remember what you said to me yourself here in Rome about "L'isle joyeuse" when you gave me hope that you might make a transcription for orchestra. If you have the desire and the time I would be very flattered to have the score to perform it during the next concert season at the Augusteo. You understand that in this season we very much wish to form a program in which our allies in France figure prominently. In a political moment like this one where the souls of all the Allied nations are unified and united into one ideal all of us at the Academie ask you for your valid support in the coming season." He goes on to apologize that because of the war he will be unable to offer the same fee as the previous time and reports that performances of Debussy's works around Italy have been very successful: "This shows with evidence that your musical language speaks to great and small touching the heartstrings of all." An autograph letter from the composer and musicologist Jean D'Udine Paris April 27 1917 3 pp. invites Debussy to one of Udine's salons despite Debussy's known disdain for his school of dance: "I know you have no sympathy for rhythmic gymnastics which seem to you you have written 'a very disagreeable domestication of rhythm.' I believe that you are wrong and that they are rather an emancipation of rhythm when taught well. Without any hostility on your part towards the method which I teach with conviction I would like to ask you to honor with your presence one of the evenings which I am hosting at present. You would there see danced with extreme love and respect by one of my students a remarkable artist your beautiful dances for chromatic harp . I did not want to give these evenings April 28 and May 3 and 5 without informing you pour memoire and without letting you know that it is sometimes where one feels the least loved that one is actually the most seriously and profoundly loved."The violinist and composer Francesco Guarnieri writes N.p. October 17 1917 2 pp. on black-bordered stationery to ask Debussy for a signed copy of his violin sonata which he will perform in Italy and also recalls a much earlier performance of Debussy's famous quartet at which Debussy gave him a copy of the score. unknown books
Referentie van de boekhandelaar : 13609
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Debussy Claude. 18621918
Pelléas et Mélisande. Drame lyrique en 5 actes et 12 tableaux de Maurice Maeterlinck . Partition pour piano et chant. - Signed and Inscribed First Edition Score
Paris: E. Fromont 1902. First Edition First Issue. Used; Like New/Used; Like New. 283 pp. PN E. 1416 F. Signed and inscribed by the composer on the page opposite the title to the French restauranteur Xavier Marcel Boulestin and dated June 1902. Pencil annotations to the front. Page 1 stamped in violet ink "Hommage de l'Editeur." Handling wear scattered soiling toning and foxing mostly to the printed wrappers the score nicely rebound in a pale green cloth with gilt leather title plate to spine. 4to. <br style="">Pelléas et Mélisande is an opera in five acts with libretto adapted from Maurice Maeterlinck's Symbolist play. First performed at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager it is the only opera Debussy ever completed and considered a landmark in 20th-century music. <br>Before becoming a successful restauranteur in England the Restaurant Boulestin opened in 1927 was known as the most expensive in London the young Xavier Marcel Boulestin worked as secretary and ghostwriter to the author "Willy" Henry Gauthier-Villars. Gauthier-Villars and his wife the novelist Colette were associated with Debussy with Colette leaving some evocative descriptions of the composer.<br style=""> E. Fromont hardcover books
Referentie van de boekhandelaar : 15457
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DEBUSSY DAQUIN CAHUSSON ALKAN CHABRIER ET AL
Masters of French Piano Music
ALFRED. Used - Good. Good condition. ALFRED unknown
Referentie van de boekhandelaar : SB10B-02066
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Debussy ed.
Debussy - La Mer: Trois Esquisses Symphoniques Studienpartituren Klassischer Symphonien
Leipzig Germany: Edition Peters c1972. Trade Paperback. VERY GOOD-. As new except for slight edgewear to covers and a bumped center of back edge. Studienpartituren Klassischer Symphonien - Nr. 9153a. Full orchestral score for Debussy's evocation of the sea. Notes in German French and English. 176 pages including tri-lingual glossary of terminology Edition Peters paperback
Referentie van de boekhandelaar : 5-5T003
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Debussy Klaudiusz Achilles / Strawinski Igor / Honegger Artur
Opera Warszawska - Direktor: Bohdan Wodiczko - Klaudiusz Achilles Debussy: Syn Marnotrawny / Igor Strawinski: Swieto Wiosny / Artur Honegger - Judith.
1962. Warszawa 1962. Slim Octavo. 20 pages. Original Softcover. Very good condition with only minor signs of external wear. paperback
Referentie van de boekhandelaar : 101474AB
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Debussy Roy; Maxime Les
Eye Lust A Novel
New York: Brookwood Publishing. Very Good in Fair dust jacket. 1958. Hardcover. DJ has slight dampstaining to the front outer and upper edges. Seen as wrinkling on the outside and discolored on the inside. DJ has light wear to the outer corners and top spine end. Partial browning of the endpapers. . Brookwood Publishing hardcover
Referentie van de boekhandelaar : 270521
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Debussy Roy & Les Maxime
Eye Lust. A novel
NY: Brookwood 1958. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item 1st edition; hardcover light soiling to covers else very good 180 pp. NY: Brookwood hardcover
Referentie van de boekhandelaar : ZB590315
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Debussy Roy & Les Maxime
Eye Lust. A novel
NY: Brookwood 1958. Price HAS BEENR REDUCED by 10% until Monday June 29 sale item hardcover lacks jacket else good NY: Brookwood hardcover
Referentie van de boekhandelaar : ZB194741
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Debussy Roy & Jay Arpage
Harlot's Serenade
Brookwood 1958. 1st. Hardcover. A near FINE tight copy in a near FINE bright price clipped dj. Brookwood hardcover
Referentie van de boekhandelaar : 023787
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DeBussy Roy and Arpage Jay
Harlots' Serenade
Brookwood Pub. Co. NY 1958 Very Good condition in Good dust jacket. Book with light browning back endpapers; dust jacket with light edgewear light soiling on covers price-clipped flyleaf very light spotting on fore-edge. Brookwood Pub. Co., NY 1958 unknown
Referentie van de boekhandelaar : 25837
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DEBUSSY Roy and Stanley Pascal
MUCK RAKERS INC.
New York: Brookwood Publishing Corp. 1958. First Edition. Hardcover. Good/very good . 8vo. Orange cloth in dust jacket. Mild edgewear and scuffing with a small closed tear to upper edge of front panel. Small closed tears to margins of pp.125-132 not affecting text; large closed tears to pp.139-140. Good only in very good plus jacket. <br/><br/>'50s sleaze intrigue featuring tabloid investigations of an idle debutante a blonde bombshell a brunette bombshell the "Grand High Lama of Evil" and the publisher's trademark hectic fling in the "shady alcoves of Twilight Love.the forbidden Isle of Lesbos!" Brookwood Publishing Corp. hardcover
Referentie van de boekhandelaar : 24039
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Debussy Roy and Stanley Pascal
Passion Punch
New York: Brookwood Publishing Corp. Very Good in Very Good- dust jacket. 1958. Hardcover. "Although the boxers of today no longer use steel-mailed gloves such as the gladiators did who lived in the Roman era; there are other factors which are prevalent and make the profession of boxing every bit as dangerous if not more so than they were then - those gorgeous streamlined vixens who hang around boxing circles ." Ships same or next business day. Spine is skewed and loose minor edge wear small bumps on spine ends and bottom right corner of front board shallow dent on head edge of back board corners of the first blank page in the back of the book are torn shallow scratches on front board crease from dog-ear on page 87 aging on endpapers some staining and tanning on edges of pages. Dust jacket protected in archival cover. DJ has edge and shelf wear creased and faded on spine 1/2-inch chip on spine head small chips on corners 1/2-inch tear on front cover near spine small chips along head edge of back cover 1/3-inch tear on tail edge of front cover stains on spine and head edge of back cover price stamp on front flap price-clipped. ; 8vo 8" - 9" tall; 180 pages . Brookwood Publishing Corp. hardcover
Referentie van de boekhandelaar : 62177
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Debussy Roy And Stanley Pascal
Passion Punch
New York: Brookwood Publ 1958. Book. Very Good. Hardcover. Tough boxer Eddie Burke and the three gorgeous vixens who hang around him--one also interested in his manager's daughter! Minor soiling else VG/G minor soiling scarce title. Turgid plot. Brookwood Publ Hardcover
Referentie van de boekhandelaar : 100313
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Debussy Roy and Pascal Stanley
Passion Punch
New York: Brookwood Publishing Corp 1958. Assumed First Edition. Hardcover. Very Good /Good . 180 pps. Very good red cloth hardcover. Minor shelfwear. Good dust jacket illustrated. Tight textblock. Darkening at top edge. No marks to text. 8vo. Brookwood Publishing Corp hardcover
Referentie van de boekhandelaar : 0056164
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Debussy Roy and Renault Paul
Tight Squeeze: A Novel
Brookwood Publishing 1958. Hardcover. Very Good Condition/Fair. Light shelf wear clean pages; good book. The jacket has some scuffing a few tears; price clipped. "Although it has been said that anything a man can do a modern woman can do better there are still certain professions which the 'weaker' sex would do well to stay away from-wrestling in particular. Which was the reason that Sammy Martone a wrestlers' manager as well as all of his girls were always caught in the clutching vise of a tight squeeze." Quantity Available: 1. Shipped Weight: Standard Weight. Category: Fiction; Inventory No: 121732. . Brookwood Publishing hardcover
Referentie van de boekhandelaar : 121732
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DeBussy Roy; and Paul Renault
Tight Squeeze
New York: Brookwood 1958. Slight spine lean jacket nicked at head and slightly soiled rear panel. Quite a nice copy. Women wrestling lesbians and sex. . First Edition/First Printing. Hard Cover. Near Fine/Near Fine. Brookwood Hardcover
Referentie van de boekhandelaar : 16502
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Debussy Roy and Arthur Maurier
Wicked Curves
New York: Brookwood 1958. First. Hardcover. Near Fine/Very Good. 180 pp. Hardcover cloth 8vo. Near fine copy in Very Good dust jacket: slight rubbing to cloth dust jacket with soil and discoloration rubbing to tips and edges of dust jacket some wear to dust jacket with some chipping creases and a few closed tears. Text clean unmarked. 8vo. Brookwood hardcover
Referentie van de boekhandelaar : 0056277
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debussy simplified edition by emile Nerini
Clair De Lune Simplified Edition for Piano Solo. Debussy Simplified Arrangement By Emile-nerini. 4 Pages 1947
jean jobert 1947-01-01. Sheet music. Good. Nice looking book has minor edge wear. jean jobert unknown
Referentie van de boekhandelaar : 2044170218028
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Debussy ( Claude )
Pelléas et Mélisande
Opéra de Lyon 2004, broché avec sa jaquette, 152pp; livret de l’opéra + cahier de lectures - très bon état
Referentie van de boekhandelaar : 79829
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DEBUSSY (Cl.)
Monsieur Croche antidilettante.
Paris, Gallimard, NRF, 1945. In-8 (185x120mm) broché, 196 p. Coiffe inférieure un peu usée, mais très bon état général.
Referentie van de boekhandelaar : 20070
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DEBUSSY (Claude)
DOUZE CHANTS. avec acct de piano. Textes français et anglais.
Paris A. DURAND et FILS 1906 un volume grand in-4°, 54 pp. Reliure souple de l'éditeur en toile verte, étiquette d'auteur et de titre dorée en cuir vert en coin supérieur de plat, couverture conservée. (frottements en pourtours de plat, deux petites restaurations anciennes à l'adhésif en bordure de couverture). Recueil de chants pour partition piano de Claude Debussy accompagnée de poèmes de BOURGET, VERLAINE, GUINAND, BAUDELAIRE, ORLEANS et LHERMITTE.
Referentie van de boekhandelaar : 023271
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DEBUSSY (Claude)
Monsieur Croche antidilettante
1921 Paris, Les bibliophiles Fantaisistes, Dorbon-Ainé, Nouvelle revue Française, 1921, in 4 br. de 144-(6) pp., couvert. impr. et rempliée, bon ex.
Referentie van de boekhandelaar : 15881
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DEBUSSY (Claude)
Pelléas et Mélisande / Orchestre national de la radiodiffusion française. Choeurs Raymond Saint-Paul
Edition Prisa Innova (Le Monde de l'Opéra) 2007 60 pages in8. 2007. Broché. 60 pages. Avec illustrations en couleurs et 2 CD. Très bon état général. Poids : 180 gr
Referentie van de boekhandelaar : 8834
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DEBUSSY (Claude)
Pelléas et Mélisande. Enregistrement intégral en 20 disques La Voix de son maitre.
1942 br. livret in-4, illustré, accompagné d'un prospectus in-12 donnant le détail de l'enregistrement. P. 1942
Referentie van de boekhandelaar : 16912
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DEBUSSY (Claude)
Pour le piano. Prélude - Sarabande - Toccata
Société des éditions Jobert 1964 27 pages in4. 1964. Broché. 27 pages. Partitions musicales
Referentie van de boekhandelaar : 11198
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DEBUSSY (Claude)
Trois Chansons de Charles d'Orléans à 4 voix mixtes sans accompagnement. (cot. D & F 7179)
Paris Durand et fils 1908 in-4, br. (2ff.n.ch.), 19pp. et jaquette papier imprimée en 2 couleurs. E. O.
Referentie van de boekhandelaar : 17331
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DEBUSSY (Claude).
Childrens Corner (Coin des enfants). Petite Suite pour Piano Seul.
Paris, Durand, 1908 1 in-4 Paris, Durand, 1960, in-4, broché, couverture jaune illustrée d'un éléphant tenant dans sa trompe la tête de Golliwogg.
Referentie van de boekhandelaar : 19638
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DEBUSSY (Claude).
Correspondance (1872-1918).
Paris Gallimard 2005 1 vol. relié fort in-8, cartonnage éditeur, jaquette, XIX+ 2330 pp. Edition établie par François Lesure et Denis Herlin, annotée par François Lesure, Denis Herlin et Georges Liébert. Etat de neuf.
Referentie van de boekhandelaar : 110425 ISBN : 2070772551
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