‎Opéra‎

‎[MOZART] - MASSIN (Brigitte), sous la direction de.-‎

‎Guide des Opéras de Mozart. Livrets. Analyses. Discographies.‎

‎1981 Paris, Fayard (Collection "Les Indispensables de la Musique"), 1981, fort volume in 8° broché, 1005 pages ; couverture illustrée.‎

‎...................... Photos sur demande ...................‎

Referenz des Buchhändlers : 80627

‎[MUSIQUE, OPERA] - SÉNÉCHAUD (Marcel) -‎

‎Le répertoire lyrique d'hier et d'aujourd'hui.‎

‎S.l., Gerard billaudot editeur, 1971 ; in-8, 301 pp., br.‎

‎.‎

Referenz des Buchhändlers : 201900886

‎[MUSIQUE] KOZELUCH (Léopold)‎

‎TROIS SONATES POUR LE CLAVECIN OU LE FORTE-PIANO AVEC VIOLON ET VIOLONCELLE OBLIGES DEDIEES A MADEMOISELLE DE PUTHON de KOZELUCH, OEUVRE 21e et 28e.‎

‎A Paris, Chez Naderman, 152 et 157 (Ecrit par Ribière), s.d. [ca 1785] 2 sonates de ce musicien réunies en un vol. In-folio, cartonnage de l'époque bleu, marbré, étiquette de titre manuscrite "Accompagnement de Basse, pour deux oeuvres de Sonates de Kozeluch", 14 pages texte et musique gravés, partitions pour violoncelle, Sonata 1.‎

‎Leopold Kozeluch, est un compositeur tchèque de la période classique viennoise (1747-1818) Mors du 1r plat fendillé en long, sans atteinte à la solidité, bonne condition. - Frais de port : -France 7,15 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Referenz des Buchhändlers : 564385

‎[Nederlandse Opera 1881]‎

‎Music Rare Faust groote opera in 5 bedrijven 11 tafereelen van Michel Carré en Jules Barbier door x. muziek van Chs. Gounod uitgave voor de Nederlandsche Opera Holdert & Co Amsterdam s.d. 48 pp.‎

‎Original paper binding on yellow paper some discoloration and folds but further in good condition. Songtext printed on paper 16 x 10 cm.Klassik Stitung Weimar. Herzogin Anna Amalia Bibliothek dates this song at around 1881 in Worldcat catalogue.Liedtekst - Songtext - Song - Lied - Opera Faust unknown‎

Referenz des Buchhändlers : R1166-013

‎[OPERA - 19th Century - Libretti]‎

‎Five scarce libretti in Hungarian of grand operas by Gounod Meyerbeer Wagner and Thomas all with named cast lists‎

‎1873. GOUNOD<br /> Faust. Opera 5 felvonásban. Göthe Után irták Barbier Gyula és Carré Mih. Forditotta Ormai. Zenéje Gounod Károlytól. Pest: Nyomatott Emich Gusztáv 1864. <br /> Octavo. Plain dark pink wrappers. 35 pp.<br /> Faust was Performed in Hungary for the first time on 2 September 1863. <br /> <br /> MEYERBEER<br /> Proféta. Nagy opera öt felvonásban. Irta Scribe. Forditotta Egressy Bèni ès Szerdahelyi. Zenéjét szerzé Meyerbeer. Pest: Nyomatott Herz Jánosnál 1856.<br /> Octavo. Plain light green wrappers. 3 pp.<br /> Le Prophete was performed in Hungary for the first time on 11 June 1850.<br /> <br /> MEYERBEER<br /> Hugonotok. Nagy opera öt felvonásban. Irta Scribe. Forditotta Nádaskai Lajos. Zenéjét Mayerbeer!. Pesten: Nyomatott Lukács Lászlónál 1852.<br /> Octavo. Plain ivory wrappers. 48 pp. <br /> Les Huguenots was performed in Hungary for the first time on 6 November 1852. <br /> <br /> THOMAS<br /> Mignon. Regényes dalmü 3 felvonásban. Göthe "Meister Vilmos Tanuló Évei" czimü regénye után irták Carré es Barbier. Forditotta Ormai Ferencz. Zenejét szerzé Thomas Ambrus. Pest: Kiadja Pfiefer Ferdinand 1873.<br /> Octavo. Original publisher's light blue wrappers with titling within decorative border. 36 pp.<br /> Mignon was performed in Hungary for the first time on 20 September 1873.<br /> <br /> WAGNER<br /> Tannhäuser; és a Wartburgi Dalnok Verseny Regényes dalmü 3 felvonásban. Szövegét s zenéjét irta Wagner Richard. Magyarra forditotta Ãbrányi Kornél. Pest: Kiadja Pfiefer Ferdinánd 1871.<br /> Octavo. Original publisher's light blue wrappers with titling within decorative border. 20 pp.<br /> Tannhäuser was performed in Hungary for the first time on 11 March 1871.<br /> <br /> Wrappers slightly worn and soiled. Some browning and foxing. From the first or early performances of these operas in Hungary. unknown‎

Referenz des Buchhändlers : 36011

‎[OPERA - BIZET]‎

‎Les pêcheurs de perles. Opéra en 3 actes de M. Carré & Cormon. Musique de Georges Bizet. Partition chant et piano transcrite par l'auteur.‎

‎Paris, Choudens fils, s.d. (fin XIXe). In-4, rel. de l'ép. plein maroquin vert, dos à 5 nerfs, titre doré, double encadrement à froid sur les plats, dentelle intérieure ; titre illustré, 202 pp. de musique.‎

‎Nerfs et coins frottés, bel ex. au demeurant. -‎

Referenz des Buchhändlers : 593968

‎[OPERA - Italian - 19th Century]‎

‎Bound volume containing one complete opera Pacini's Merope together with separately-issued operatic selections arranged for piano solo‎

‎Girard: Naples 1838. Oblong quarto. Contemporary quarter dark brown calf with green textured paper boards decorative dark brown leather label to upper with "Costanza Angelillo" gilt spine in decorative compartments gilt. Occasional secondary pagination.<br /> <br /> Contains:<br /> Pacini Giovanni 1796-1867<br /> Merope Grand Opera . arrangé pour Piano solo. PNs 8867-8879. Ca. 1848. 1f. recto title verso blank 1 list of subscribers as of 24 December 1847 18 numbers in piano score with occasional text. Subscribers include Filippo Angelillo in all likelihood related to Costanza Angelillo owner of the volume. Merope in 3 acts to a libretto by Cammarano after Voltaire was first performed in Naples at the Teatro S Carlo on 25 November 1847.<br /> <br /> Pacini<br /> Saffo . Souvenirs. Choeur de femmes. Musical manuscript. 1f. recto title on light green paper verso blank 6 pp.<br /> <br /> Donizetti Gaetano 1797-1848<br /> Roberto Devereux . Représenté au théâtre Royal de St. Charles le 28 Octobre 1837 . L'opéra entier . D.2.50. . 1er -2ème cahier. 1f. recto title verso blank 3-19 i blank; 1f. recto title verso blank 18 pp. PNs 3939-3943. Ca. 1838.<br /> <br /> Donizetti<br /> No. 8. Cavatine PN 6045. Ca. 1843. 6 pp. 1f. From Don Pasquale.<br /> <br /> Donizetti<br /> Linda di Chamounix Nouvel opéra . arrangé pour piano solo. 1f. recto title verso blank. Cavatine O luce di quest' anima Ajoutée à Paris pour Mme. Persiani-Tacchinardi et chantée à Naples par Mme. Tadolini. 4 pp. PN 5863; No. 14 Air Final du 2ème Acte de Linda . A consolarmi affrettati Chanté par Mme. Tadolini. 8 pp. PN 5685. Ca. 1840. 2 numbers in total.<br /> <br /> Donizetti<br /> Lucia di Lammermoor. No. 4. Duo chanté par Mme. Tacchinardi et par Duprez. 9-18 pp. PN 3953; Grand opéra . arrangé par piano solo. 1f. recto title verso blank 9-15 i blank pp. PN 3962. Ca. 1838. 2 numbers in total.<br /> <br /> Verdi Giuseppe 1813-1901<br /> I Due Foscari. No. 14 Choeur d'Introduction Allagioia. 4 pp. PN 6884; No. 2 Cavatine de Jacopo Dal più remoto esilio Chantée à Naples par Fraschini. 10 pp. PN 6875; No. 3 Choeur et Cavatine de Lucrezia Tu al cui sguardo Chantée à Naples par Mme. Bishop. 7 i blank pp. PN 6876; No. 6 Duo de Lucrezia et du Doge Tu pur lo sai Chanté à Naples par Mme. Bishop et Coletti. 9 i blank pp. PN 6879/ Ca. 1845. 4 numbers in total.<br /> <br /> Verdi<br /> Ernani . arrangé pour piano solo. 1f. recto title on light blue paper within decorative border verso blank. No. 12 Suite et Stretta No vendetta. 4 pp. PN 6647; No. 14 Duo final d'Ernani et de Silva Esci a te scegli segimi. 9 i blank pp. PN 6604; No. 15. Air final de Mme. Toldi Se crudele il cor mostrai. 4 pp. PNs 4312 3222; No. 3 Cavatine tyrolienne de Mme. Toldi In questo semplice. 7 i blank pp. PNs 4302 3221. 4 numbers in total.<br /> <br /> Bellini Vincenzo 1801-1835<br /> I Puritani. No. 18 Duo Il rival salvar tu dei Chanté Par Tamburini et Lablache. 12 pp. PNs 4167 2765. Ca. 1842. 1 number in total.<br /> <br /> Mercadante Saverio 1795-1870<br /> l Giuramento. . arrangé pour piano solo. 1f. recto title listing the 21 numbers in the opera verso blank No. 4. Quatuor Vicino a chi si adora. 5 i blank pp. PN 4115. Ca. 1847. 1 number in total.<br /> <br /> Binding very slightly worn rubbed and bumped. Occasional light foxing. A clean wide-margined copy overall. An attractively-bound collection. Naples unknown‎

Referenz des Buchhändlers : 36247

‎[OPERA -- PHOTOGRAPHS & POSTER ARCHIVE/WOMEN]. TALLEY, Marion Nevada‎

‎This small archive of press photos studio photos travel images together with the large opening night colour lithograph poster document the early career of this young artist who in 1926 was the youngest prima donna to have made a debut at the Metropolitan Opera and would later star in one of the first Vitaphone sound films.‎

‎New York NY; Hollywood CA; Taos NM: Underwood & Underwood Anderson Lumiere Guard Vitaphone Studios Metropolitan Music Bureau 1924-1927. Twenty seven items. With 24 photographs 3 sized 3.5 x 5.5 in.; 6 sized 5 x 7.75 in.; 1 w/ colour-tinted blue sized 7.25 x 9.5 in.; 16 sized 8 x 10 in.; many w/ annotations dating the photos in pencil some of the press photos and studio photos stamped on versos with attached newsreel information blurbs many w/ text in negative at lower corner of image; 1 very large colour lithograph poster printed on linen showing the young opera star seated and colours of pink gold and black sized 40 x 80 in. w/ wood bars at upper & lower for hanging some minor creasing from rolling but in Fine condition; and TLS from Lawrence H. Smith at Underwood & Underwood Inc. News Picture Division to Miss Marion Talley. These photographs and giant lobby poster provide splendid artifacts for the lavish attention paid to a young star at the beginning of her career during the Jazz Age. The very large poster is a beautiful example of colour lithography showing her demurely seated against a pink lozenge background with advertisements at the foot of the poster for Steinway Piano and Victor Records. Marion Talley 1906-1983 was the daughter of a telegraph operator for the Missouri Pacific Railroad and by 15 she was appearing in the Kansas City Grand Opera Company of Mignon by Abroise Thomas and quickly became a local celebrity often performing benefit concerts. She studied with music teacher Frank LaForge famed soprano composer who maintained a close relationship with the Metropolitan Opera and was placed under contract in 1925 by Giulio Gatti-Casazza at age 19 becoming the youngest principal female performer in the Met’s history to that point. Her debut performance was Feb. 17 1926 as Gilda the daughter of the title character in Verdi’s Rigoletto. The press photos show her surrounded by the many flowers she received in the 18 encores her performance on stage meeting the opera diva Ernestine Schumann-Heinck d. 1936 as well as her appearance on radio with Marguerite D’Alvarez and Giovanni Martinelli singing Home! Sweet Home!. In addition she also starred in the first Vitaphone short sound films released in 1926 with Don Juan starring John Barrymore and another Vitaphone short performing “Bella figlia dell’amore†from Rigoletto but the critics were savage criticizing her performances and her lack of appeal on camera. During this period she traveled extensively to Europe and through the southwest as evidenced by the series of photos showing her in Taos with the burros young Native American children and adults in regalia as well as her automobile. The photo of the young star by Samuel Lumiere 1878-1971 is a very nice example of his portrait work during the height of the 1920s when he was under contract to shoot celebrities for the Chicago Tribune. See: Barrios A Song in the Dark: The Birth of the Musical Film pp. 20-29; Vitaphone Marks 80th Anniversary Vitaphone News The Vitaphone Project Vol. 8 No. 1 2006; Crafton The Talkies: American Cinema’s Transition to Sound 1926-1931 1999. Underwood & Underwood, Anderson, Lumiere, Guard, Vitaphone Studios, Metropolitan Music Bureau, unknown‎

Referenz des Buchhändlers : 51696

‎[OPERA de PARIS].-‎

‎L'Opéra de Paris, organe officiel des théâtres Lyriques nationaux. N°XIX - 1960.‎

‎1964 Paris, 1960, in 4° broché, 80 pages et nombreuses publicités ; couverture en couleurs.‎

‎Importante iconographie photographique, certains clichés en couleurs. On joint un hors-texte volant en couleurs : Pas de Dieux, maquette originale du Rideau par André François, double-page au format de la revue. ...................... Photos sur demande ...................‎

Referenz des Buchhändlers : 74893

‎[Opera Program Paris, 1929]‎

‎Tsar Saltan Première Saison Ballets Russes Legacy Bilibin Stage Design‎

‎Paris: Opéra Privé de Paris 1929. Good/No Dust Jacket As Issued. <br /> RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE.<br /> A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929 this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine.<br /> <br /> Founded immediately following the death of Sergei Diaghilev the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers designers and musicians associated with the Russian diaspora transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris.<br /> <br /> PHYSICAL DESCRIPTION: Quarto format approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin executed from stage maquettes by Alexandre Korovine together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout including several full-page advertisements.<br /> <br /> CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue.<br /> <br /> Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market especially in near-complete condition. HISTORICAL SIGNIFICANCE -<br /> The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history.<br /> <br /> Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage.<br /> <br /> This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929 Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades.<br /> <br /> The production of Rimsky-Korsakov's 'Tsar Saltan' adapted from Pushkin's fairy-tale poem provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery combined with the scenic interpretation of Alexandre Korovine preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century.<br /> <br /> Beyond its theatrical importance the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements portraiture typography and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars.<br /> <br /> SUBJECTS: Ballets Russes Legacy Ivan Bilibin Stage Design Russian Émigré Art Paris Theater History Rimsky-Korsakov Tsar Saltan Interwar Opera Culture Russian Opera In Paris Chromolithographic Illustration Illustrated Performance Programs Opera Ephemera Theater History Russian Modernism Illustrated Programs. Opéra Privé de Paris unknown‎

Referenz des Buchhändlers : 20354

‎[OPERA, CANTATRICE] - SEGALINI (Sergio) -‎

‎ELISABETH SCHWARZKOPF.‎

‎Paris, FAYARD, 1983 ; in-4, 156 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.‎

‎Très bon état avec sa jaquette.‎

Referenz des Buchhändlers : 201612055

‎[Opera; Germany] Edward Groth‎

‎Hamburgische Staatsoper photographs & programs of the Opera Stars Dancers & Directors from 1946-1949 with Signed Portraits dedicated to the post war US Consul‎

‎1949. Good overall. An impressive collection of post W.W.II German opera stars dancers & directors and the stunning sets from the Hamburg Opera Ensemble. The 1st page is a dedication of farewell to Edward Groth US Consul General dated 24th May 1949. Groth had a long career in the Foreign Service including Consul in Afghanistan and India. <br /> <br /> Photographs of vocalists dancers directors - many signed - include: Günther Rennert staging director Arthur Grüber Günter Hertel Martina Wulf Theo Herrmann Ilse Koegel Helene Werth Lore Hoffman Hedy Gura Sigmund Roth Peter Markworth Hermann Mendt Nikola Eva Poser Rudolf Zerber Adolph Meyer-Bremen Johannes Drath Elfriede Wasserthal Richard Holm Irma Handler Cornelia Händel Elisabeth de Freitas and Danelies Rothenberger Otti Tenzel Bico von Larsky and several others signed and unsigned but unidentified. = signed. <br /> <br /> There are 20 programs for operas performed between April 1946 Die Entfuhrung aus dem Serail to April 1949 Raskolnikoff. Opera programs include: Tosca La Traviata Peter Grimes Othello Carmen Barber of Seville La Boheme Rigoletto and many others.<br /> <br /> Many of the performers were known through Europe. The portfolio starts with photo portraits which someone has annotated with sticky notes then includes many 1 sheet programs laid down and superb photographs of elegant sets for the varying operas. <br /> <br /> Fabric covered card covers cream cloth no title 38pp stiff card each page with 1 2 3 or 4 b&w photos later pages with programs from various operas dating 1946-1949. 38 portraits many silvertone 53 set photographs 20 programs for a total of 111 pieces. Photos varying in size 24 4 1/2 x 3.1/2" 42 6 329387/8 x 4 ¼" 20 5 ½ x 3 3/8" 4 9 3/8 x 7 1/8" and 20 programs all laid down on heavy card stock. Covers marked and dusty internally clean.<br /> <br /> Considering the Opera House was almost completely destroyed during the war this is a remarkable record of the Hamburg Opera and their artists. unknown‎

Referenz des Buchhändlers : 29388

‎[OPERA]‎

‎Arrêt du Conseil d’Etat du Roi concernant l’Opéra du 17 Mars 1780.‎

‎In 4° dérelié de 6 pp. (bandeau gravé).‎

‎****‎

Referenz des Buchhändlers : 7790

‎[OPERA]‎

‎Recueil général des Opera representez par l'Académie Royale de Musique depuis son établissement.‎

‎Paris, Christophe Ballard, 1703-1720. 11 vol. in-12, veau blond, dos à nerfs ornés de caissons dorés, pièces de titre en maroquin rouge, pièces de tomaison en maroquin citron, roulette dorée sur les coupes, tranches rouges. Reliure de l'époque. Ex-libris héraldique au contreplat de la bibliothèque de Crépan, ex-libris ms. sur le titre de Mougeot. Illustré de 89 frontispices gravés à l'eau-forte.‎

‎Recueil des 89 opéras représentés sous le règne de Louis XIV. Chaque opéra est illustré d'un frontispice gravé. I. Pomone (Perrin / Cambert, 1671) - Les Peines et les plaisirs de l'Amour (Gilbert / Cambert) - Les Festes de l'Amour et de Bachus (Quinault . Lully, 1672) - Cadmus et Hermione (Quinault / Lully, 1674) - Alceste ou le triomphe d'Alcide (Quinault / Lully, 1674) - Thésée ( Quinault / Lully, 1675) - Le Carnaval (Lully, 1675) - Athys (Quinault / Lully, 1676). II. Isis (Quinault, Lully, 1677) - Psyché (Corneille / Lully, 1678) - Bellerophon (Corneille / Lully, 1679) - Proserpine (Quinault / Lully, 1680) - Le Triomphe de l'Amour (Quinault / Lully, 1681) - Persée (Quinault / Lully, 1682) - Phaeton (Quinault / Lully, 1683) - Amadis (Quinault / Lully, 1684). III. Rolland (Quinault / Lully, 1685) - Le Temple de la Paix (Quinault / Lully, 1685) - Armide (Quinault / Lully, 1686) - Acis et Galatée (Campistron / Lully, 1686) - Achille et Polixène (Campstron / Colasse, 1688) - Zéphire et Flore (Du Boulay / Lully, 1688) - Tétis et Pelée (Fontenelle / Colasse, 1689). IV. Orphée (Du Boulay / Lully, 1690) - Enée et Lavinie (Fontenelle / Colasse, 1691) - Coronis (Baugé / Théobal, 1691) - Astrée (La Fontaine / Colasse, 1691) - Alcide (Campistron / Lully, Marais, 1693) - Didon (Saintonge / Desmarets, 1693) - Médée (Th. Corneille / Charpentier, 1694) - Céphale et Procris (Duché / mlle de la Guerre, 1694). V. Circé (Mme de Saintonge / Desmarets, 1694) - Thégène et Cariclée (Duché / Desmarets, 1695) - Les Amours de Momus (Duché / Desmarets, 1695) - Ballet des Saisons (Picque / Colasse, 1695) - Jason (Rousseau / Colasse, 1696) - Ariadne et Bachus (S. Jean / Marais, 1696) - La Naissance de Vénus (Picque / Colasse, 1696) - Méduse (Boyer / Gervais, 1697). VI. Vénus et Adonis (Rousseau / Desmarets, 1697) - Aricie (Pic / La Coste, 1697) - L'Europe galante (La Mothe / Campra, 1697) - Issé (La Mothe / Desmarets, 1697) - Les Fêtes galantes (Duché / Desmarets, 1698) - Le Carnaval de Venise (Renard / Campra, 1699) - Amadis de Grèce (La Mothe / Destouches, 1699) - Marthésie (La Mothe / Destouches, 1699). VII. Le Triomphe des Arts (La Mothe / La Barre, 1700) - Canente (La Mothe / Colasse, 1700) - Hésione (Danchet / Campra, 1700) - Aréthuse (Danchet / Campra, 1701) - Scylla (Duché / Théobal, 1701) - Omphale (La Mothe / Destouches, 1701) - Medus (La Grange / Bouvard, 1702) - Fragments de MR de Lully (Danchet / Campra, 1702). VIII (1706) : Tancrède (Danchet / Campra, 1702) - Ulysse (Guichard / Rebel, 1703) - Les Muses (Danchet / Campra, 1703) - Amarillis (Danchet / Campra, 1703) - Iphigénie (Duché / Desmarets, 1704) - Télémaque (Danchet / Campra, 1704) - Alcine (Danchet / Campra, 1705) - La Vénitienne (La Mothe / La Barre, 1705). IX (1710) : Philomèle (Roy / La Coste, 1705) - Alcione (La Mothe / Marais, 1706) - Cassandre (La Grange / Bouvart, 1706) - Plyxène et Pirrhus (La Serre / Colasse, 1706) - Bradamante (Roy / La Coste, 1707) - Hippodamie (Roy / Campra, 1708) - Issé (La Mothe / Destouches, 1708) - Sémélé (La Mothe / Marais, 1709). X (1714) : Méléagre (Jolly / Batistin, 1709) - Diomède (La Serre / Bertin, 1710) - Les Fêtes vénitiennes (Danchet / Campra, 1710) - Manto la fée (Menesson / Batistin, 1711) - Idoménée (Danchet / Campra, 1712) - Creuse l'athénienne (Roy / La Coste, 1712) - Les Amours de Vénus (Danchet / Campra, 1712) - Callirhoé (Roy / Destouches, 1712) - Médée et Jason (La Rocque / Salomon, 1713). XI (Vve Ribou, 1720) : Les Amours déguisez (Fuselier / Bourgeois, 1713) - Arion (Fuzelier / Mattau, 1714) - Télèphe (Danchet / Campra, 1713) - Les Fêtes de Thalie (La Font / Mouret, 1714) - Télémaque (Pellegrin / Destouches, 1714) - Les Plaisirs de la Paix (Bourgeois, 1715) - Théonoé (La Roque / Salomon, 1715) - Ajax (Mennesson / Bertin, 1716). Bel ensemble en reliure uniforme. Cohen, 861.‎

Referenz des Buchhändlers : 28440

‎[OPERA] - DONIZETTI (Gaetano) -‎

‎La fille du régiment.‎

‎Strasbourg, Opera du rhin, 2000 ; grand in-12, 112 pp., br. Broché très bon état (pte pliure sur un coin au premier plat).‎

‎Broché très bon état (pte pliure sur un coin au premier plat).‎

Referenz des Buchhändlers : 201201020

‎[OPERA] - DUPREZ (EDOUARD) -‎

‎RIGOLETTO OPERA EN QUATRE ACTES MUSIQUE DE G. VERDI.‎

‎Paris, CALMANN LEVY , s.d. ; in-12, 50 pp., broché.‎

‎.‎

Referenz des Buchhändlers : 200907744

‎[OPERA] - GEFEN (Gérard) -‎

‎Lesiècle de l'OPERA ITALIEN.‎

‎Paris, Editions du Chene, 2000 ; grand in-4, 199 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.‎

‎Très bon état avec sa jaquette.‎

Referenz des Buchhändlers : 202501850

‎[OPERA] - GIACOSA (G), ILLICA (L) -‎

‎LA VIE DE BOHEME COMEDIE LYRIQUE EN QUATRE ACTES MUSIQUE DE GIACOMO PUCCINI.‎

‎Paris, CALMANN LEVY , s.d. ; in-12, 88 pp., broché.‎

‎.‎

Referenz des Buchhändlers : 200908244

‎[OPERA] - IMBERT (Charles), BLUM (Kurt) -‎

‎J'aime l'Opéra.‎

‎Lausanne, Editions rencontre, 1962 ; in-12 oblong, 216 pp., cartonnage de l'éditeur. Très bon étatCollection dirigée par Jean-Pierre Moulin et Yvan Dalain. + une page bleue volante avec légendes des illustrationsNombreuses photos en noir et blanc dans le texte et hors texte.‎

‎Très bon étatCollection dirigée par Jean-Pierre Moulin et Yvan Dalain. + une page bleue volante avec légendes des illustrationsNombreuses photos en noir et blanc dans le texte et hors texte.‎

Referenz des Buchhändlers : 201324715

‎[OPERA] - KOELTZCH (Hans) -‎

‎Der neue Opern fuhrer.‎

‎Stuttgart, Deutscher bucherbund, 1967 ; in-8, 558 pp., cartonnage d'éditeur avec jaquette. Mit zahlreichen abbildungen und notenbeispielen.‎

‎Mit zahlreichen abbildungen und notenbeispielen.‎

Referenz des Buchhändlers : 200608868

‎[OPERA] - MASSENET (Jules) -‎

‎Cendrillon.‎

‎Marseille, Opera, 2009 ; in-8, 108 pp., br.‎

‎.‎

Referenz des Buchhändlers : 201609992

‎[OPERA] - POKROVSKI (Boris Alexandrovitch), GRIGOROVITCH (Iouri Nikolaievitch) -‎

‎LE BOLCHOI - l'opéra et le ballet dans le plus grand théâtre soviétique.‎

‎Paris, Fernand Nathan, 1979 ; in-4, 238 pp., cartonnage d'éditeur avec jaquette. Très bon état - mais un peu jauni sur les bords.‎

‎Très bon état - mais un peu jauni sur les bords.‎

Referenz des Buchhändlers : 201015863

‎[opEra] - SCRIBE - de SAINT-GEORGES - de LEUVEN - MELES-VILLE - CASTIL-BLAZE - De PLANARD.-‎

‎SCRIBE (Eug.).- La Part du Diable. Bruxelles, Lelong, 1884 - SCRIBE et de SAINT-GEORGES.- Cagliostro. Bruxelles, Gambier, 1884 - SCRIBE et de SAINT-GEORGES.- Les diamants de la Couronne. Anvers, Ratinckx, 1842 - SCRIBE et de LEUVEN.- Le Puits d'Amour. Bruxelles, Lelong, 1843 - mEles-ville.- Sarah, ou l'orpheline de Glencoé. Bruxelles, Lelong, 1836 - CASTIL-BLAZE.- Le Barbier de Séville, ou la précaution inutile. Anvers, Ratinckx, et Bruxelles, Lelong, 1937 - De PLANARD (Eug.).- La double échelle. Bruxelles, Lelong, Gambier, 1837.‎

‎Recueil factice de 7 livrets d'opéras, reliés en un volume in 16, reliure demi chagrin cerise à coins, dos lisse orné, tranches dorées (plats légèrement frottés) ; petites mouillures claires marginales aux dernières pages ; piqûres éparses.‎

‎Charmant exemplaire.SCRIBE (Eug.).- La Part du Diable. Bruxelles, Lelong, 1884, 84 pages. - SCRIBE et de SAINT-GEORGES.- Cagliostro. Bruxelles, Gambier, 1884, 94 pages. - SCRIBE et de SAINT-GEORGES.- Les diamants de la Couronne. Anvers, Ratinckx, 1842, 111 pages. - SCRIBE et de LEUVEN.- Le Puits d'Amour. Bruxelles, Lelong, 1843, 92 pages. - méles-ville.- Sarah, ou l'orpheline de Glencoé. Bruxelles, Lelong, 1836, 69 pages. - CASTIL-BLAZE.- Le Barbier de Séville, ou la précaution inutile. Anvers, Ratinckx, et Bruxelles, Lelong, 1937, 85 pages. - DE PLANARD (Eug.).- La double échelle. Bruxelles, Lelong, Gambier, 1837, 46 pages. ...................... Photos sur demande ...................‎

Referenz des Buchhändlers : 2905

‎[OPERA] [BEFFROY DE REIGNY, Louis-Abel]‎

‎Nicodème dans la Lune; ou la Révolution pacifique folie en prose et en trois actes; Mêlée d'Ariettes & de Vaudevilles. Représentée pour la première fois à Paris au théâtre Français Comique & Lyrique le 7 novembre 1790; & pour la cinquantième fois le lundi février 1791‎

‎Paris: l'Auteur 1791. Some small tears and damage. A very good copy. Octavo; original condition stitched in plain blue-grey wrappers. <p><p>First edition of one of the most popular operas of the Revolution depicting the down-trodden villagers of the Moon after the arrival of the glamorous aviator Nicodème bringing news of events in France via Montgolfier balloon. Although this was an era of tremendous advances in stagecraft as the theatres of Paris and London vied with each other for the most stupendous effects Beffroy's lunar setting and the use of space travel by hot-air balloon was highly unusual. </p> <p>Beffroy de Reigny 1757-1811 was a successful journalist and dramatist usually writing under the nom-de-plume of "Cousin Jacques." His most important works were written in the period immediately following the French Revolution and he was fond of using lunar society to satirise the French as can be seen in his burlesque journal Les Lunes and its successor the Courrier des planètes.</p> <p>This is one of several Paris editions of the same year another appeared in Avignon and a "third" edition of 1797 is also recorded the last with subtle but pessimistic changes to the text. As the title confirms the opera was first performed in November 1790 running for over four hundred performances.</p> </p> . l'Auteur unknown‎

Referenz des Buchhändlers : 3005370

‎[opEra].-‎

‎L'Opéra de Paris. Numéro VI. 1953.‎

‎petit in 4° broché, 60 pages et nombreuses pages de publicités ; très nombreuses illustrations in et hors-texte.‎

‎...................... Photos sur demande ...................‎

Referenz des Buchhändlers : 2904