‎Ópera‎

‎Aragona, Livio‎

‎Catalogo dei libretti del Conservatorio Benedetto Marcello. Vol. IV.‎

‎cm. 18 x 25,5, xiv-338 pp. Historiae Musicae Cultores - Biblioteca Catalogo dei libretti che presenta la schedatura di 3221 documenti. 695 gr. xiv-338 p.‎

‎Arblaster, Anthony‎

‎Viva la libert‡! : politics in opera‎

‎A octavo in a red DJ ; viii, 340 p ; 24 cm Opera -- Political aspects -- Popular Culture‎

‎Arcangioli Giulio‎

‎Transumanze‎

‎Avvertenza - Prefazione - Arcangioli, Firenze 1881-Viareggio 1943 1 23,5x14,5 cm., in brossura, pp. 118 (6), prima edizione, in italiano, buone condizioni‎

‎Ardoin John‎

‎L' eredità Callas. Presentazione di T. Mcnally e una nota di E. Giudici. Traduzione di S. Hasting‎

‎22 cm, brossura illustrata con risvolti, p. 254, 8 tavole fuori testo‎

‎Arena Ramey Benackova San Francisco Opera‎

‎Boito - Mefistofele DVD‎

‎Kultur Video 2001-07-31. DVD. Acceptable. only 'acceptable' because chapter insert is missing we know from past sales that this was only an insert and not a booklet; otherwise case is vg; DVD shows light superficial surface wear & comes guaranteed to play flawlessly; NTSC Region 1 formatting for playback in the US & Canada; because we care that your order arrives in the condition stated we have additionally sealed the case in bubblewrap for added protection during shipment that can easily be removed upon receipt of your order Kultur Video unknown‎

Referencia librero : 191130030

‎Aresi Paolo‎

‎La stella rossa di Korolev. Korolev. Vol. 3‎

‎br. Il terzo romanzo del ciclo di Korolev: oltre il Sistema Solare alla ricerca degli antichi marziani. La trilogia di Korolev parte da una scoperta sensazionale: il grande Progettista Capo del programma spaziale dell'Unione Sovietica non è morto, come si credeva, nel gennaio del 1966. Viene rintracciato vivo, su Marte, alla fine del XXI secolo: è l'inizio di un'avventura che stupisce, eppure rigorosa, nella tradizione di A.C. Clarke e Stanislaw Lem. In questo terzo e conclusivo romanzo, Korolev guida l'equipaggio dell'astronave Marco Polo dal pianeta Eris, all'estrema periferia del Sistema Solare, a Nemesis, la stella nana rossa, spesso ipotizzata dai nostri astronomi a un anno luce dal Sole. Per poi lanciarsi in una cavalcata interstellare fino ad Antares, perché laggiù è custodito il segreto dei Costruttori e un altro mistero: chi è e dove si cela il vero e grande Nemico dell'umanità. Un romanzo cosmico e profondamente umano. Una space-opera astronautica che spalanca scenari mozzafiato su temi astrofisici che affascinano, dalla materia all'energia oscura.‎

‎Aria 2 A Passion for Opera‎

‎Aria 2: Passion for Opera‎

‎EMI Classics 1995-10-17. Audio CD. Like New. CD and case in mint condition. Prompt shipping. EMI Classics unknown‎

Referencia librero : 200210017

‎ARIF SAYIL, (1901-1952), (Early Turkish deputy of CHP -Republican Party- from Trabzon city).‎

‎[A collection of photographs, newspapers and business cards of Arif Sayil].‎

‎Very Good Turkish, Ottoman (1500-1928) Original collection includes photographs of Arif Sayil and two business cards of him with autograph notes. The collection contains a small portrait photograph, two business cards, one is written some Ottoman Turkish notes, a standard sized studio photograph of his youth, gelatin silver small photo of him, a fine studio photograph with his fine clothes and his hat, a photograph showing him among some military stuff and early politicians of Trabzon city (Turkish rugs back), an autograph photograph with his manuscript note '25. yas Trabzon hatirasi, 15,4,1934' [i.e. A souvenir of Trabzon for my 25th age], a studio photo by Weinberg signed by Weinberg, two huge sized portrait photographs, and four photographs showing his funeral in varios sizes. The years of photographs between the 1930-1950s, until his death (his funeral photos). Arif Sayil was an early Turkish deputy of CHP -Republican Party- from Trabzon city and one of the theoretician of Republican Party of Republican Turkey.‎

‎Armando Gama; Lisa Kohler Photographer; San Francisco Opera Center‎

‎Portrait of opera baritone Armando Gama‎

‎San Francisco: San Francisco Opera Center 1998. Glossy B/W photograph 8 x 10 inches. Near Fine. PR photo of opera baritone Armando Gama taken by Lisa Kohler. San Francisco: San Francisco Opera Center, [1998?] unknown‎

Referencia librero : 19-4949

‎Armitage Merle‎

‎Accent On America Inscribed To Edmund R. Purvis This Copy With Inserted Leaf At End With 1968 Updated Autobiographical Information Signed By Armitage‎

‎New York: E. Weyhe 1944. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. 404 Pp. Black Cloth First Printing One Of 1675 Copies This One Inscribed To Architect Edmund R. Purvis Aia With A Unique Typewritten Sheet Tipped On To P. 401 Updating Armitage's Autobio In Brief To 1958 Also Signed By Armitage. Ear Fine Bump To Lower Front Tip; Dj Clean And Unfaded Small Edge Tears A Few Minute Losses. Edmund R. Purves 1897-1964 Was Born In Philadelphia And Graduated From The Germantown Friends School In 1914. His Career At The Univeristy Of Pennsylvania Which He Entered In 1914 Was Interruped By World War I; But He Received Is B.S. In Architecture In 1920. After Graduation Purves Returned To France Where He Attended The Atelier Gromort From 1920 To 1921. Upon His Return To Philadelphia Purves Joined The Firm Of Zantzinger Borie & Medary Where He Remained Through 1927 Only Spending 1925 With Willing Sims & Talbutt. In 1927 Purves And Another University Of Pennsylvania Graduate Kenneth M. Day Set Up Their Own Firm Of Purves & Day. Edmund R. Purves Joined The Aia In 1930 And Became A Fellow In 1944. In 1932 Purves Began To Work Independently. In 1937 Purves Thomas Pym Cope And Harry Stewart Established Purves Cope & Stewart Which Endured Until 1941. Again A War Intervened And Purves Moved To Washington Dc Where He Served As The Aia's Representative. He Volunteered For War Action Again However And By 1942 Was With The U.S. Air Force In The Pacific Theatre. In 1945 He Returned To Washington Dc And Resumed Work With The Aia As Director Of Public And Professional Relations And In 1949 He Was Promoted To Executive Director For The Institute A Position In Which He Remained Until 1960. For The Last Four Years Of His Life Purves Acted As Consulting Architect For The Dc Firm Of Chatelain Gauger & Nolan Architects And Engineers. <br/> <br/> E. Weyhe hardcover‎

Referencia librero : 039413

‎Armitage Merle Inscribed To Opera Singer Todd Duncan‎

‎Sculpture Of Boris Lovet-Lorski Inscibed By Merle Armitage To Todd Duncan‎

‎New York: E Weyhe 1935. First Edition 1st Printing. Soft cover. Very Good/No Jacket. 10 1/4" Tall. Color Lithograph By Elise; Photographs By Edward Weston Soichi Sunami Ben Pinchot Marcus Blechman And H. Hewitt. First Printing. #230 Of 500 Copies Numbered On The Colophon. Inscribed "To Todd Duncan "Porgy Bess" 1938 Season From Your Friend Merle Armitage L. A. " Clean Solid Tiny Frays At Corners. Robert Todd Duncan 1903 - 1998 Was An American Baritone Opera Singer And Actor.He Obtained His Musical Training At Butler University In Indianapolis With A B.A. In Music Followed By An M.A. From Columbia University Teachers College. In 1933 Duncan Debuted In Pietro Mascagni's Cavalleria Rusticana At The Mecca Temple In New York With The Aeolian Opera A Black Opera Company. Duncan Was George Gershwin's Personal Choice As The First Performer Of The Role Of Porgy In Porgy And Bess In 1935 And Played The Role More Than 1800 Times. He Led The Cast During The Washington Run Of Porgy And Bess At The National Theatre In 1936 To Protest The Theatre's Policy Of Segregation. Duncan Stated That He "Would Never Play In A Theater Which Barred Him From Purchasing Tickets To Certain Seats Because Of His Race." Eventually Management Would Give Into The Demands And Allow For The First Integrated Performance At National Theatre. Duncan Was Also The First Performer For The Role Of Stephen Kumalo In Kurt Weill's Lost In The Stars. In 1938 Duncan Appeared On The London Stage At The Theatre Royal Drury Lane In C.B.Cochran's Musical Production The Sun Never Sets. The Cast Included Fellow American Adelaide Hall Leslie Banks Edna Best And Stewart Granger. The Musical Was Adapted By Pat Wallace And Guy Bolton From Various Stories Written By Edgar Wallace And The Show Included Original Music By Cole Porter. Costumes Were Designed By Elizabeth Haffenden. One Of The Numbers Duncan Sang Was 'River God'. After The London Run Closed Duncan And Adelaide Hall From The Original Cast Toured Britain With The Production. Duncan Taught Voice At Howard University In Washington D.C. For More Than Fifty Years. While Teaching At Howard He Continued Touring As A Soloist With Pianists William Duncan Allen And George Malloy. He Had A Very Successful Career As A Concert Singer With Over 2000 Performances In 56 Countries. He Retired From Howard And Opened His Own Voice Studio Teaching Privately And Giving Periodic Recitals. In 1945 He Became The First African American To Sing With A Major Opera Company And The First Black Person To Sing In An Opera With An Otherwise White Cast When He Performed The Role Of Tonio In Leoncavallo's Pagliacci With The New York City Opera. In The Same Year He Sang The Role Of Escamillo The Bullfighter In Bizet's Carmen. In 1955 Duncan Was The First To Record "Unchained Melody" A Popular Song With Music By Alex North And Lyrics By Hy Zaret. The Recording Was Made For The Soundtrack Of The Obscure Prison Film Unchained In Which Duncan Also Played A Minor Character. Following Duncan's Version The Song Went On To Become One Of The Most Recorded Songs Of The 20Th Century. <br/> <br/> E Weyhe paperback‎

Referencia librero : 039397

‎ARNOUX Alexandre‎

‎Rencontres avec Richard Wagner. Collection : Les écrits.‎

‎Paris, Bernard Grasset, 1927. 12 x 19, 204 pp., broché, bon état.‎

‎"Edition originale N° CLXXXI sur 150 exemplaires de service de presse, numérotés I à CDL, sur papier vélin bouffant; envoi autographe de l'auteur à Henry Lavedan."‎

Referencia librero : 96105

‎Arnold Jacobshagen (ed)‎

‎Rossini after Rossini. Musical and Social Legacy‎

‎, Brepols, 2020 Hardback, 436 pages, Size:210 x 260 mm, Illustrations:30 b/w, Languages: English, Italian, French. ISBN 9782503588209.‎

‎Summary This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death. Rossini was the most influential opera composer of the first half of the 19th century. His exceptional position in contemporary cultural life and the international success of his works meant that monuments were erected during his lifetime and biographies, novels and plays about him appeared. The volume explores his literary reception and the dissemination of his operas in the 19th and 20th centuries in various countries, focusing in particular on stylistic and compositional legacy, the theory and practice of operatic singing, treatises and biographical memoires, and Rossini's position in politics, society and public opinion. Translations and adaptations of Rossini's libretti are analyzed with regard to their functions within in the performances in different cultures and languages. Several chapters address the influence of Rossini and his music on other composers such as Giacomo Meyerbeer, Ottorino Respighi and Ferruccio Busoni. The fame that once surrounded Rossini, however, has been lost in the course of time, and many of his works fell into oblivion. The last section of the volume sheds new light on the so-called 'Rossini Renaissance', the revival of his works in the second half of the 20th and the beginning of the 21st centuries. TABLE OF CONTENTS Arnold Jacobshagen, Preface Rossini's literary reception Jehoash Hirshberg, The Appreciation of Rossini: Two Phases Arnold Jacobshagen, Final Curtain: Commemorating Gioachino Rossini Matthieu Cailliez, Ricezione di Rossini nella stampa musicale internazionale tra il 1868 e il 1918 Renato Ricco, Dominio del genio versus agilit dell'estro : Giuseppe Rovani di fronte a Gioachino Rossini St phane Leli vre, Rossini de Ren Fauchois (1920), ou quand le compositeur monte sur sc ne Rossini on the International Stage Paolo Fabbri, Zelmira , un'opera da esportazione? Marco Beghelli, Singing Bodies: The Visual Metamorphosis of Rossini's Arnold from Canto di grazia to Belting Vesa Kurkela - Markus Mantere, Rossini in the Grand Duchy of Finland: A Review of Public Reception in the 19th Century Agnieszka Muszy?ska-Andrejczyk, Rossini and Poland: Libretto Translations and Presence in Polish Theatres in the Past and Today Vjera Katalinic, Rossini on the Musical Stage in Zagreb (1850-1880): Repertoire and Reception Miguel Angel R os Mun?oz, Rossini en espa ol, la transformaci n de pera en zarzuela V ctor S nchez S nchez, Resilience rossiniana nel furore wagneriano a Madrid (1875-1910) Rossinian Influence on Other Musicians Tom Me?barki, Rossini: un (post)moderno? Dal classicismo al neoclassicismo. Il potenziale rossiniano nell'estetica musicale neoclassica: il potenziale neoclassico nell'opera buffa rossiniana Maria Birbili, Rossini in Meyerbeer Federico Gon, Oh! It's a Great Thing to be Rossini : Verdi from the Sinfonia in Do to Un giorno di regno John Lam Chun-fai, Gamme chinoise as Rossinian Notion Roberto Scoccimarro, Hovering Above Profundity with Smiling Lightness : Lines of Affinity between the Aesthetics of Ferruccio Busoni and the Comic Theatre of Rossini Rossini Renaissance Zoila Mart nez Beltr n, Rossini's Rosina Resists the Test of Time : A 20th-century Spanish Soprano Generation Focused on Il barbiere di Siviglia Olga Jesurum, La riscoperta del Turco in Italia . Dal Teatro Eliseo al Teatro alla Scala Marco Pollaci, The Revival of Rossini and His Critical Reception in Italy between 1950 and 1960 Reto M ller, Il viaggio a Reims : The Cult Opera of the Rossini Renaissance Arnold Jacobshagen, Beyond the Renaissance: Rossini Today‎

Referencia librero : 65691

‎ARNAUD (François) et SUARD (Jean Baptiste Antoine)‎

‎Variétés littéraires ou recueil de pièces tant originales que traduites concernant la philosophie, la littérature et les arts. Nouvelle édition, corrigée et augmentée.‎

‎4 volumes in-8, demi-veau vert sapin, dos lisses ornés de triples filets dorés, titres et tomaisons dorés, tranches citron (rel. vers 1850). Recueil des principaux articles publiés dans la "Gazette Littéraire de l'Europe" ainsi que dans le "Journal des étrangers", par François Arnaud et Jean Baptiste Antoine Suard, fondateurs et rédacteurs historiques de ces périodiques, entre 1764 et 1766, augmenté de plusieurs articles qui ne figuraient pas dans l'édition originale. Ambitionnant d'élaborer un périodique culturel encyclopédique de "référence", les auteurs obtinrent le soutien actif du gouvernement et du ministère des Affaires étrangères et un large rayonnement international. Outre les articles d'Arnaud et de Suard, La "Gazette littéraire" comptait parmi ses rédacteurs Diderot, Voltaire, le baron d'Holbach, Morellet, Saint-Lambert, etc. De nombreux articles concernent la musique et l'opéra, sujet privilégié de François Arnaud, mais aussi beaux-arts, sciences de la vie, littérature et poésie, théâtre, médecine, philosophie, voyages, etc., etc. Chaque volume s'achève par une table. (Hatin, 'Bibliographie de la presse périodique française', p. 48). Quelques auréoles et quelques rousseurs. Bon exemplaire, bien relié.‎

‎ARNOLD SCHONBERG‎

‎ESERCIZI PRELIMINARI DI CONTRAPPUNTO‎

‎A cura e con prefazione di Leonard Stein<br/>Legatura brossura<br/>Formato Ottavo<br/>Num Pagine 238<br/>Traduttore Giacomo Manzoni<br/>Prima Edizione‎

‎ARRIGO BOITO‎

‎FALSTAFF COMEDIE LYRIQUE EN TROIS ACTES - MUSIQUE DE GIUSEPPE VERDI - VERSION FRANCAISE DE PAUL SOLANGES ET ARRIGO BOITO.‎

‎G.RICORDI ET CIE. 1894. In-12. Broché. Etat d'usage, Couv. légèrement passée, Manque en coiffe de pied, Quelques rousseurs. 89 pages - quelques rousseurs sans réelle conséquence sur la lecture - étiquette collée sur le 1er contre plat - quelques pages partiellement désolidarisées - manque en coiffe de tête - tranches salies.. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎Vendu en l'état - Exemplaire de travail. Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : R240074902

‎ARRIGO BOÏTO‎

‎Méphistophélès‎

‎G. Ricordi & C.. Sans date. In-12. Broché. Bon état, Couv. convenable, Mors fendus, Intérieur bon état. 44p.. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎Grand opéra en 5 actes et 9 tableaux, Verssion française de m. Paul MILIET. Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : ROD0032244

‎ARRIGHI Gino -‎

‎Avventure di viaggio di un musicista: Michele Puccini nel Sudamerica.‎

‎Firenze, 1963, 8vo stralcio con copertina posticcia muta, pp. 917/922 con un'illustrazione. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.‎

‎Arrigo Boito Performer; Hungarian State Orchestra Performer; Hungaroton Opera Chorus Performer; Giuseppe Patane Performer; Samue‎

‎Boito - Mefistofele / Ramey · Marton · Domingo · Tedesco · Takács · Farkas · Pataki · Patané‎

‎Sony Classical 1991-01-29. Audio CD. Like New. CDs and case in mint condition. Prompt shipping. Sony Classical unknown‎

Referencia librero : 200206005

‎ARRUGA Lorenzo (testo di)‎

‎IL RIPOSO DELL'ARTISTA. La “Casa Verdi” di Milano.‎

‎In-4 (cm. 29.80), brossura illustrata, pp. 117, (3), con numerose illustrazioni in bianco e nero e a colori nel testo. Fotografie di Silvia Lelli e Roberto Masotti. In ottimo stato (nice copy).‎

‎Arthur HEULHARD‎

‎Etude sur une folie à Rome‎

‎Opéra bouffe de Frederico Ricci avec un avant-propos par Albert de Lassale, un portrait à l'eau-forte de F.Ricci par Cucinota et un appendice biographique, bibliographique, contenantun résumé des opinions de la prsees et un cataloguecomplet des oeuvres de F. Ricci à Paris, librairie Bachelin-Deflorenne - 1870. tiré à petit nombre Format : 12.5 x 19 cm, 96 pages, un frontispice, reliure demi-maroquin, dos à 5 nerfs, plats et gardes marbrés, couvertures conservées. couvertures renforcées, pâle auréole d'humidité sur le portrait en frontispice sinon bel état‎

‎prévoir 10 euros de frais d'envoi en colissimo pour la France métropolitaine‎

Referencia librero : 320

‎Arthur Sullivan ; Ephraim Hammett Jones editor ; Carl Simpson editor‎

‎The Pirates of Penzance‎

‎<p>At last an extraction of just the choruses for this perennial Gilbert and Sullivan classic - from the authoritative edition of the vocal score prepared by Ephraim Jones and Carl Simpson.</p><p> </p> Serenissima Music, Inc. paperback‎

Referencia librero : SER-021 ISBN : 1608740021 9781608740024

‎Asahi Beer Super Opera‎

‎AIDA‎

‎TOKYO: Asahi Beer Super Opera 1990. brossura. BUONO. 215 30. vr197 opera 003 USATO Asahi Beer Super Opera unknown‎

Referencia librero : vr197-101E ISBN : 2560731623842 2560731623

‎ASCARI Stefano - BUFFAGNI Cesare -‎

‎Macbeth. Melodramma in quattro parti di F.M. Piave dall’omonimo dramma di W. Shakespeare. Musica di Giuseppe Verdi - Romeo e Giulietta. Opera in cinque atti di Charles Gounod sul libretto francese di Jules Barbier e Michel Carré.‎

‎Modena, 2011, due fascicoli in-4to (cm. 29 x 20) punto metallico con copertina illustrata a colori, pp. 30 + 32 interamente illustrate a colori. Adattamenti a fumetti delle due opere liriche del titolo (Lirica a strisce, l’opera a fumetti A. I, nn. 1 e 2).‎

‎ASHBROOK William‎

‎The Operas of Puccini‎

‎<p>Cornell University Press 1985 hbk 269pp lacks dj otherwise an unread copy excellent clean tight unmarked as new</p> Cornell University Press, 1985, hardcover‎

Referencia librero : Mu459 ISBN : 0801418208 9780801418204