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Saer, D. Roy (ed)
Caneuon Llafar Gwlad (songs from Oral tradition) Volume 1
Dual language (Welsh & English) in the notes with Welsh only in the music and lyrics. Photo on cover of "Mari Lwyd' procession from 1908. Songs included with commentary and notes 72 pages, 30 songs with music & words. Occasional light marking in pencil.
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Tchaikovsky, Peter Ilyitch
The Queen of Spades
Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. Dark green cloth cover. 289 pages. The complete opera in piano/vocal score, but with libretto in English only, not Russian. Translation by Rosa Newmarch, from the libretto, based on Pushkin, by the composer's brother.
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Newman, Ernest, Editor
Modern Russian Songs, Volume I
Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. Red board cover. 218 pages. Lyrics in English and German only, not Russian. For high voice. Volume I covers Alpheraky to Moussorgsky. 52 songs.
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Tschaikowsky, Peter I.
Romeo and Juliet
Miniature score, No. 293 in series. No markings of any kind. Spine creased and bottom of spine slightly worn.
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Tschaikowsky, Peter I.
The Nutcracker Suite, Op. 71a
Miniature score, No. 260 in series. No markings of any kind except one notation in pen on page 1. Some mild corner wear and denting. No date.
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Bach, J. S.
Matthew Passion, Selected Orchestral Parts
Ex-library edition with the usual stamps and markings. Available as set: First choir: Flute I, Flute II, Block flutes, Basoon; Second Choir: Oboe II/ Oboe d'Amore II, Violin I, Violin II, Viola da Gamba, Viola, Cello (2 copies), Basoon. 12 parts in all. In good condition inside; some cover wear and fading with age.
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Gamkrelidze, R.
Principles of Optimal Control Theory (Mathematical Concepts and Methods in Science and Engineering)
Book is as new with sharp corners Text is clean and unmarked. 175 pages, full of formulae. Some random phrases from the Table of Contents: Time-Potimal Problem and Maximum Principle, Pontryagin Maximum, Canonical Systems Convest Control Problem, Weak Convergence Partition of Unity, Approximation Lemma, Fixed-Point Theorem Contraction Mappings,variation Formula, Linear Matrix Differential Equations, Variation of Trajectories, Sliding Optimal Regimes,
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Gatz, Konrad; Thomas E. Burton (translator)
Modern Architectural Detailing Volume 1
A clean, unmarked book with a tight binding. Previous owner's name inside. Full orange cloth boards. 9"w x 11 7/8"h. 300 pages. Many color and b&w photos and illustrations.
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Gatz, Konrad; Thomas E. Burton (translator)
Modern Architectural Detailing Volume 2
A clean, unmarked book with a tight binding. Previous owner's name inside. Full green cloth boards. 9"w x 11 7/8"h. 284 pages. Many color and b&w photos and illustrations.
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ANNA MASALA.
Il canto e la spada: Canti di guerra del popolo Turco.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Italian. 260, [12] p. Il canto e la spada. Canti di guerra del popolo Turco. The song and the sword: Songs of War of Turkish people. Signed and inscribed by Masala. First Edition.
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CEM BEHAR.
Ali Ufkî ve mezmurlar.
New English Paperback. Pbo. Mint. In Turkish. 119 p. Crwon 8vo. (20 x 14 cm). Biography of Wojciech Bobowski (Ali Ufki 1610-1675) and his musical psalms. Ali Ufkî ve mezmurlar.
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BÜLENT ALANER.
Music publications from Ottoman Empire up today, 1876-1986.= Osmanli Imparatorlugu'ndan günümüze belgelerle müzik (nota) yayinciligi, 1876-1986.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 96 p., b/w plts. Music publications from Ottoman Empire up today, 1876-1986.= Osmanli Imparatorlugu'ndan günümüze belgelerle müzik (nota) yayinciligi, 1876-1986. "Publications of music is an enlightened part of our history of music. The subject was not considered as a whole, various important writings appeared on magazines stayed scattered, and the dpcuments were not collected. This book is the first step taken on this subject. The publication houses which mostly cannot be remembered in our days our presented for interests in this book depending on the notescores and other documents. And so, the untrue argument stating that the first publications of Turkish music were realized by the minorities is falsified and the line of progress of the Turkish music publications which began with Haci Emin Efendi in 1876, is put together the first time according to the documents, in chronological order.". This is still the best reference for not only history of Turkish / Ottoman classical music publications, but also collectible sheet musics.
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TANER CAN, SALIH TURHAN.
Ordu'nun dereleri: Ordu türküleri. With CD.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. B/w ills. 406 p. Folk songs of Ordu City in the Black Sea Region with a CD. Ordu'nun dereleri: Ordu türküleri. With CD.
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SABRI KALIÇ.
Popun krali Michael Jackson.
Fine English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In Turkish. Color photos. 184 p. A biographical study on Michael Jackson. Popun krali Michael Jackson.
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N.A.].
L'Autriche va au partage de la Turquie, rôle que joue l'Angleterre.
Very Good English Modern cloth bdg. Cr. 8vo. (20 x 14 cm). In French. 79 p. L'Autriche va au partage de la Turquie, rôle que joue l'Angleterre.
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DANYAL MANTI.
The makams that have been rarely used in Turkish Classical Music.= Klasik Türk Musikisi'nde az kullanilan makamlar. With a CD.
New English Paperback. Pbo. 4to. (30 x 21 cm) In English and Turkish. [18], 488 p., musical scores, with a CD. The makams that have been rarely used in Turkish Classical Music.= Klasik Türk Musikisi'nde az kullanilan makamlar. With a CD.
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MICHAIL CHATZIATHANASIOU.
Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin.
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Greek. 63, [1] p., musical scores. Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin. A study on Byzantine songs and notation system.
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AHMET SAY.
The music makers in Turkey.
Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English. 335 p., color and b/w ills. The music makers in Turkey. "What part does Turkey play in 'world music' and what are the contributions of contemporary Turkish musicians? The music makers in Turkey attempts to involve responses to these questions and with its detailed documentation covering Turkish musical scene from all obvious aspects, it is the first to fill a long-felt needed. The book begins with a substantial section eplaining the cultural heritage inherited starting from antique era; Turkish music in the eyes of Europeans since the Renaissance; the effects of Turkish music on that of Europe and the effects of European music on traditional Turkish music; harmonization technique of Turkish music modes; eminent Turkish composers and their output; opera and ballet; orchestras; conductors; chamber music; prominent soloists; choruses; military music; traditional music;; musical education; musicologists and critics; international music festivals, foundations and societies. This book will afford a greater appreciation and understanding of music in Turkey and make it an essential guide".
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ZEKI YILMAZ.
Sehirlerimize besteler: Gözü gönlü güzel insan Amir Ates.
New Turkish Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 204 p., ills., musical scores and a CD. Sehirlerimize besteler: Gözü gönlü güzel insan Amir Ates.
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HACI SADULLAH AGA, (1728-1801).
[SHEET MUSIC] Sedarabân murabba' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1 [The House of Melodies Collected Works No. 1]. [With original personal stamp of Samli Iskender -Kudmanizâde-].
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
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EYYÛBÎ BEKIR AGA, (1685-1799).
[SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original personal stamp of Samli Iskender -Kudmanizâde-].
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). First Semâîs' composer is unknown, second one is by Eyyûbî Bekir Aga. He was an early classical Turkish composers. Ahmed Hamdi Tanpinar's devoted his book 'Mahur Beste' to Eyyûbî Efendi and inspired by him. Darülelhan published 121 scores before 1928, this is the third one. Özege 3585. Not in OCLC. Extremely rare.
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CERRAHPASA MÜ'EZZINI HALIL EFENDI, (?-1735).
[SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-].
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Almost known nothing for the life of Halil Efendi. There are four compositions with their lyrics up to now. Darülelhan published 121 scores before 1928, this is the seventh one. Özege 3585. Not in OCLC. Extremely rare.
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[MEHMET] HILMI USMANBAS.
[LAWYER of EXCHANGE of POPULATION] [Autograph letter signed 'A[vukat] Usmanbas' sent to his daughter Fetânet Hanim who was sister of Turkish musician Ilhan Usmanbas].
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed by Lawyer Usmanbas sent to his daughter Fetânet Hanim who was sister of Turkish musician Ilhan Usmanbas, (1921-). 22x14 cm. In Ottoman script. 1 p. Full. Dated 26-7-[1]946. He mentions a lawsuit in detail.
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MUALLIM ISMAIL HAKKI BEY, (1865-1927).
Solfej yahud nota dersleri [Mahzen-i esrâr-i mûsikî sahibi Muallim Ismail Hakki Bey'in usûlât, solfej, makâmât ve ilâveli nota dersleri].
Very Good Turkish, Ottoman (1500-1928) Paperback. Illustrated covers with portrait of Ismail Hakki Bey and borders. Art-nouveau illustrated borders on frontispiece. Taped and repaired spine. Cr. 8vo. (20 x 14 cm). In Ottoman script. 158, [2] p., musical scores. In contrary of the tradition of Ottoman book printing, this is numbered from right to left. Ismail Hakki Bey was a Turkish composer, musician and educator during the Ottoman Empire. The Society of Ottoman Music was founded by Ismail Hakk' Bey in March 1909 at the flat above the Fevziye Coffehouse. Ismail Hakki Bey, while he was the president and director of the Ottoman Society of Music, applied to the Ministry of Education to have a permit to open a private music school. After the permission was granted, The School of Ottoman Music, (1910-1920), the first private music school in the Ottoman State, was inaugurated on January 5th 1910. This book includes his teachings of solfege and musical scores with scores mostly. Lithograph. Roumi: 1341 = Gregorian: 1925. Second Enlarged Edition. Özege 18193.
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[JAMES] SIDNEY JONES, (British composer and maestro), (1861-1946).
[SHEET MUSIC] Geisha [= Die Geisha]. Muz. Sidney Djonsa (Sidney Jones). (Selection).
Very Good Russian Original sheet music. Folio. (33 x 26 cm). In Russian and German. 17 p. Musical scores with fine illustrated cover. Tape on spine. Water stains on pages. Otherwise a good copy. [SHEET MUSIC] Geisha [= Die Geisha]. Muz. Sidney Djonsa (Sidney Jones). (Selection). The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp. The Geisha opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish". Stmped by A. Comendinger who was a legendary musical publisher in Constantinople in 19th and 20th century. This is a rare Russian Edition. This "selected" edition is not in OCLC.
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ARKHIMANDRIOU PARKRATOU.
[HARMONIZATION IN THE BYZANTINE ECCLESIASTICAL MUSIC] I enarmonisis tis Bizantinis Ekklisiastikis mousikis.
Very Good Greek, Modern (post 1453) Paperback. Roy. 8vo. (24 x 17 cm). In Greek. 77 p., 3 numerous b/w plates, musical scores in the old Byzantine notation system. Signed and inscribed by Parkratou.
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WILLEMETZ Albert
Coups de roulis. Opérette en trois actes. D'après le roman de Maurice Larrouy. Musique de André Messager. (Partition piano et chant).
Broché. 162 pages. 25x32cm.
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AUBER D.F.E. - SCRIBE
Le domino noir. Opéra comique en trois actes. Paroles de Scribe. Partition chant et piano.
Reliure demi-chagrin. 172 pages. Tranches dorées. Dos frotté. Rousseurs. 18x28cm.
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MOZART
Les noces de Figaro de Mozart. Partition pour piano à deux mains. Arrangement de Richard Metzdorff.
Reliure percaline de l'éditeur. 85 pages. 23x31cm. Défraîchi.
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MARSAN - MEYNARD Gaston
En colonne. Opérette en trois actes. Poème de M. de Marsan. Partition piano et chant. Envoi de Gaston Meynard.
Broché. 183 pages. Dos et deuxième plat factices. 18x28cm.
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VERDI - MOZART
La traviata. (Partition réduite piano solo). Don Juan. (Partition piano solo). La flûte enchantée. (Piano seul).
Reliure demi-basane. 131 + 111 + 96 pages. Fortes rousseurs. Une page réparée. 18x27cm.
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NUITTER Ch. - SAINT-LEON - DELIBES Léo
Coppélia. Ballet en 2 actes et 3 tableaux. Musique de Léo Delibes. Partition réduite pour piano.
Broché. 152 pages. Couverture factice. 19x28cm.
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BOIELDIEU - SCRIBE
La dame blanche. Opéra comique en trois actes, paroles de Scribe. (Musique et chant).
Reliure percaline. 223 pages. Dos réparé. Mouillures. Fortes rousseurs. Tranches dorées. 18x28cm.
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GOUNOD Charles
Roméo et Juliette. Opéra en cinq actes. de Jules Barbier et Michel Carré. Musique de Charles Gounod. Partition piano solo.
Reliure demi-basane. 147 pages. Fortes rousseurs. Premier plat frotté. 18x28cm.
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HARBACH Otto - FRIML Rudolf
Rose Marie. Opérette en 2 actes. (Partition piano et chant).
Broché. 148 pages. 24x32cm. Dos factice.
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BEETHOVEN
Beethoven. Symphonien N°. 1-5. Piano solo.
Broché. 150 pages. 24x31cm. Dos factices. Mouillures.
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BAUDRY H. - FONTBONNE L.
Les perles musicales. Redowa, Pavane, fleurettes et papillons (suite de valses) pour piano seul, suivis de Morceaux de chants avec accompagnement de piano. Paroles de H. Baudry, musique de L. Fontbonne.
Reliure demi-toile. 176 pages. Rousseurs. Tranches dorées. 21x30cm.
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BEETHOVEN
Beethoven. Symphonien. N°.6-9. Piano solo.
Broché. 164 pages. 24x31cm. Dos factice. Rousseurs.
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MACE
Les noces de Jeannette. Musique et chant.
Reliure demi-basane. 110 pages. Couverture frottée. Rousseurs. 17x27cm. Annoations au crayon.
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FLOTOW F. de
Marta. Opéra semi séria en 4 actes. (Partition piano seul).
Reliure demi-chagrin. 160 pages. 19x27cm.
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GOLD Didier - CAZES Mario
Il est une maison. Mélodie. Hommage des auteurs à Madame et Monsieur Louis Guérin de Raconis.
2 pages.
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LYS Charles - HIMMEL Henry
Bohéminenne aux yeux noirs. Valse chantée. Crée et enregistrée sur disque Colombia par Tino Rossi.
2 pages.
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ROMANI - MARAFIOTI
La valse des cols bleus. Crée à l'Empire par Prior. Paroles de Romani.
2 pages.
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BOYER Jean - HEYMANN R.
Ville d'amour. Valse chantée. Dialogue et couplet français de J. Boyer. Tirée du film Le congrès s'amuse par Erich Charell, produit par Erich Pommer et la UFA. Pour piano et chant.
2 pages.
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LEHAR Franz - LEON Victor - STEIN Leo
La veuve joyeuse. Opérette en trois actes d'après Meilhac. Livret de Victor Léon et Léo Stein, musiqe de Franz Lehar. Partition comlète pour piano et chant.et chant
Broché. 150 pages. 22x30cm. Dos réparé.
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BLANQUES ARQUÉS Luis.
RECORDS INFANTILS.
Partituras y texto. "Premio Composición Coral 1971".
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HAENDEL G.F.
FUGUETAS. PIANO.
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FERNANDEZ J.M.
FANTASIA. GUITARRA.
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MATEO BOX Julieta.
CARTILLA MUSICAL.
Partituras y texto. Preciosas ilustraciones infantiles de Mairaxal, papel couché satinado.
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AGUIRRE J.
EL ZORZAL, CANTO TUCUMANO.
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