‎Vue‎

‎View‎

‎VIEW VII:1‎

‎New York 1946. Series seven number one. Quarto. Pictorial wrappers by Isamu Noguchi. Heavily illustrated. Faint dust tanning to white wrapper but very good or better. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Schapiro Janis Seligmann Ford Tyler Sitwell Bowles "By the Water" Goodman W.C. Williams et al. MILLER C564. unknown books‎

Référence libraire : WRCLIT81263

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‎VIEW "THROUGH THE EYES OF THE POETS" II:1‎

‎New York 1942. Second series number one. Small quarto. Pictorial wrapper. Illustrations. Trace of light soiling to pale blue pictorial wrapper faint shallow tidemark at extreme fore-edge toward upper corner otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This is the special issue devoted to Max Ernst with contributions by Breton Janis Carrington Tyler Henry Miller Calas Levy et al. unknown‎

Référence libraire : WRCLIT81253

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‎VIEW "THROUGH THE EYES OF THE POETS" I:6‎

‎New York 1941. Series one number six. Folio. Tabloid format printed self-wrappers. Folded across middle spine of outer bifolia partially split otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This early number includes contributions by Calas Tanguy Merton Tyler Seligmann et al. unknown‎

Référence libraire : WRCLIT81256

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‎VIEW "THROUGH THE EYES OF THE POETS" I:11/12‎

‎New York 1942. Series one double number 11/12. Folio. Tabloid format printed self-wrappers. Folded across middle spine partially and neatly split otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This early double number includes contributions by Abel Seligmann H. Miller Duncan Durrell Jarrell Tyler Carrington et al. unknown‎

Référence libraire : WRCLIT81259

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‎VIEW "THROUGH THE EYES OF THE POETS" I:6‎

‎New York 1941. Series one number six. Folio. Tabloid format printed self-wrappers. Folded across middle spine of outer bifolia partially split otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This early number includes contributions by Calas Tanguy Merton Tyler Seligmann et al. unknown books‎

Référence libraire : WRCLIT81256

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‎VIEW "THROUGH THE EYES OF THE POETS" II:2‎

‎New York 1942. Second series number two. Small quarto. Pictorial wrapper. Illustrations. Trace of light soiling to pale pink pictorial wrapper otherwise near fine. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This is the special dual issue devoted to Tanguy and Tchelitchew with the sections bound dos-a- dos. Contributors include Tyler Soby Kirstein W.C. Williams Henry Miller Masson "O'Reilly" Calas Seligmann Breton et al. unknown books‎

Référence libraire : WRCLIT81252

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‎VIEW III:1‎

‎New York 1943. Series Three Number One. Quarto. Pictorial wrapper by Seligmann. Heavily illustrated. Library stamp and a small sticker scar mar the upper wrapper the latter largely obscured by the wrapper illustration some decorative scrawls inside the rear wrapper otherwise a very good copy. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include H. Miller Masson Tyler Calas E. Sitwell Calder Man Ray Bowles Janis Woodcock et al. MILLER C194. unknown‎

Référence libraire : WRCLIT81295

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‎VIEW III:4‎

‎New York 1943. Series Three Number Four. Quarto. Pictorial wrapper by Masson. Heavily illustrated. Library stamp and a small sticker scar mar the upper wrapper otherwise a very good copy. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Fowlie Tyler Calas Man Ray Paul Bowles "Bluey" Durrell N. Moore Zukofsky et al. MILLER c234. unknown‎

Référence libraire : WRCLIT81294

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‎VIEW III:4‎

‎New York 1943. Series Three Number Four. Quarto. Pictorial wrapper by Masson. Heavily illustrated. Library stamp and a small sticker scar mar the upper wrapper otherwise a very good copy. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Fowlie Tyler Calas Man Ray Paul Bowles "Bluey" Durrell N. Moore Zukofsky et al. MILLER c234. unknown books‎

Référence libraire : WRCLIT81294

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‎VIEW IV:2‎

‎New York 1944. Series Four Number Two. Quarto. Pictorial wrappers. Heavily illustrated. Ink name and date in top margin of contents page slight dusting to lower wrapper very faint creasing but a very good copy. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include O'Keeffe the upper wrapper Windham Zadkine Eberhart Lamantia Childs Ulanov Roussel W.C. Williams Roditi et al. unknown books‎

Référence libraire : WRCLIT81248

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‎VIEW IV:3‎

‎New York 1945. Series four number three. Quarto. Pictorial wrappers by Fernand Leger. Heavily illustrated. Lower fore- corner bumped with crease rear wrapper slightly dusty and smudged very good. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Tyler de Chirico Sweeney Ford Tchelitchew Barry Ulanov et al. unknown books‎

Référence libraire : WRCLIT81267

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‎VIEW THE MODERN MAGAZINE V:4‎

‎New York 1945. Series five number four. Quarto. Pictorial wrappers by Leon Kelly. Heavily illustrated. Lower fore-corner bumped with crease rear wrapper slightly dusty and smudged very good. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Tyler Ponge translated by Paul Bowles Fowlie Roditi et al. unknown books‎

Référence libraire : WRCLIT81261

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‎VIEW V:5‎

‎New York 1945. Series five number five. Quarto. Pictorial wrappers by Masson. Heavily illustrated. Lower fore-corner bumped with crease rear wrapper slightly dusty with small surface scrape at corner very good. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Bowles Seligmann Sender Goodman Tyler et al. This issue also includes an editorial on Pound's legal situation. unknown books‎

Référence libraire : WRCLIT81230

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‎VIEW V:6‎

‎New York 1946. Series five number 6. Quarto. Pictorial wrappers by John Tunnard. Heavily illustrated. Wrapper neatly separated at spine otherwise very good. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Edith Sitwell Borges "The Circular Ruins" translated by Paul Bowles Chagall Calas Tyler et al. unknown books‎

Référence libraire : WRCLIT81270

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‎VIEW VI:2/3‎

‎New York 1946. Series six double number 2/3. Quarto. Pictorial wrappers by Fernand Leger. Heavily illustrated. Lower fore- corner bumped with crease rear wrapper slightly dusty and smudged pencil erasure on contents page otherwise very good. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this special double number devoted to Paris and France include Sartre Genet Valery Michaux Gracq Abel on Bataille and Nietzsche Blanchard Char Camus Calas Fowlie et al. unknown books‎

Référence libraire : WRCLIT81268

‎VIEW DRAWING NETHERLANDS BERGEN OP ZOOM. SLUYTER HA. H. A.‎

‎Gezigt der stad Bergen op Zoom. Netherlands 1793. Drawing in ink and watercolour 30.5 x 47 cm on paper signed and dated by H.A. Sluyter 1793. With title in large panel at the bottom.‎

‎Charming 18th-century view of the Dutch city Bergen op Zoom from the foreshore of the Oosterschelde by the otherwise unknown artist H.A. Sluyter. The drawing clearly depicts the fortification of the city and the roofs and towers of several buildings including the Gertrudiskerk on the left. Also showing a couple walking with a dog and a small boat.Some browning and staining in margins not affecting the image. In good condition.l Not in Van Mosselveld & Van Ham Tekeningen van Bergen op Zoom; Sluyter not in Thieme-Becker; Scheen etc. unknown‎

Référence libraire : B4S9HJ01U79O

‎VIEW JAPAN. OCHIAI Yoshiiku UTAGAWA Yoshiiku.‎

‎Kiyoko zuga = Representation of Nagasaki harbour.Nagasaki ca. 1880. A large watercolour painting of Nagasaki harbour image size: 49.5 x 87.5 cm probably on mulberry bark paper with one large Asian ship more than a dozen small Asian boats and a steam boat in the background all rendered following Western conventions of perspective. In a passe-partout in a modern wooden frame painted gold 95 x 125 cm behind glass.‎

‎A large watercolour painting from the Meiji period showing Nagasaki harbour viewed from the city looking across at the Papenburg Dutch for Pope's mountain named for the many Catholic martyrs who were thrown off the peak. A large Asian ship in the harbour 15.5 cm tall in the painting forms a focal point in the painting while the masts of another appear in the foreground at left. Several more Asian sailing ships appear far in the background and there are many small rowboats in the foreground and background. Of special interest is a steamboat sailing into the harbour in the background left with two smokestacks.Ochiai Yoshiiku 1833-1904 belonged to the group of woodcut artists known as the Utagawa school and is therefore also known as Utagawa Yoshiiku. He studied with Utagawa Kuniyoshi 1798-1861 who had studied with Tokokuni I 1769-1825 who took charge of the group when its founder his teacher Utagawa Toyoharu 1735-1814 died. The Utagawa school is known for mixing Western traditions especially Western perspective into traditional Japanese styles. While most of Ochiai's work remained faithful to the traditional manner the present painting shows a nearly pure Western perspective. This combined with the fact that his name also appears transliterated in the Latin alphabet may mean this painting was made for a European patron.With a few wrinkles in the paper slightly affecting the mountain at the right the sky near it and the sail of the large ship but otherwise in fine condition. A lovely and unusually large Japanese watercolour painting showing Nagasaki harbour with many ships and boats. unknown‎

Référence libraire : J8AAJA8OWE10

‎VIEW MIDDLE EAST.‎

‎Mountainous landscape with Middle Eastern and classical Roman ruins 6 shepherds with their flocks several figures riding dromedaries and one riding a donkey date palms lakes etc. Palestine ca. 1910. An enormous panoramic view drawn in coloured gouaches on a single continuous roll of paper 70 x 583 cm the drawing running to the edges of the paper.‎

‎A panoramic view of what appears to be a fantasy Middle Eastern landscape with spectacular mountains in the background a body of water near each end and a wide variety of buildings and ruins some clearly classical Roman and others Middle Eastern. The combination of classical Roman architecture with dromedaries and other Middle Eastern features places it very likely in Palestine but we have not been able to identify specific buildings. The most distinctive ruin a round Roman temple with five columns on the viewer's side an entablature above them and a vertical base below them looks more like the Temple of the Vesta at Tivoli than like any known in the Middle East the columns are not rendered in sufficient detail to determine their order but they are almost certainly not Ionic and are probably Corinthian. There are also classical Roman aqueducts. The six shepherds with their flocks all wear broad-brimmed hats and have staffs and two are blowing long slightly curved horns. Several more figures with broad-brimmed hats and staffs might be pilgrims one together with what is presumably his wife. With a 33 cm tear into the left end a few insignificant and much smaller tears and with pin holes about 1 cm from the edges from mounting on a wall but otherwise in very good condition and with the colours fresh and bright. A spectacular panoramic view of the Middle East including many classical Roman ruins. unknown‎

Référence libraire : J68AIMO7W1D1

‎VIEW NETHERLANDS AMSTERDAM. OTTENS Reinier and Josua OTTENS.‎

‎Amsterdam.Amsterdam Reinier and Josua Ottens ca. 1730. Large engraved panorama on 4 sheets ca. 42 x 218 cm as assembled. With title in banner at top centre arms of the city at top right city seal at top left and the primary locations with captions. Mounted and framed.‎

‎Rare large engraved view of Amsterdam as seen from the inlet known as the IJ published by Reinier and Josua Ottens ca. 1730 with numerous ships on the IJ. It's the last state of the view by Jacob Savry published in 1647 and partly updated including the changes made by Visscher in his issue from 1653. Most obvious are the changes on the east part of the city with several new buildings including ''s Lands Zeemagazijn' now known as the Netherlands Maritime Museum.Washed and with one minor professional restoration near the title. Very good copy of a beautifully executed an detailed view of Amsterdam.l D'Ailly Profielen 186; De Vries Atlas van Amsterdam 14; cf. D'Ailly Profielen 55 & 74. unknown‎

Référence libraire : E1Q9EQ01U79O

‎VIEW NETHERLANDS LEIDEN. SCHENK Leonardus and Abraham RADEMAKER.‎

‎Gesigt van de Visbrug de Waag en Vismarkt te sien naar de Hooglandsche kerk en Stadhuys tooren tot Lyden. Vüe du Visbrug du Pois et Poissonerie vers l'eglise de Hooglande et la tour de la Maison de Ville a Leide.Amsterdam Leonardus Schenk ca. 1728/35. Large engraved wall print on 2 sheets together 58 x 97 cm the sheets overlapping each other slightly showing the traditional business centre of the city of Leiden. The title both in Dutch and French is printed in a banderole at the head with putti on each side supporting the arms of Leiden and Holland. Leonardus Schenk's name appears as engraver and publisher at the right tip of the banderole. In black passepartout and gilt frame 82 x 121 cm.‎

‎A large engraved wall print in two sheets showing the trading and commercial centre of the city of Leiden at the convergence of the Oude Rijn and Nieuwe Rijn canals. Unlike most other Dutch towns Leiden had no central market square so that the waterways formed the major access routes for merchandise. On the banks of the canals there is a lively market that converges on the bridge central in the print. Market traders and customers come and go. Women from the coastal fishing villages of Katwijk and Noortwijk display fresh fish for sale. Right in the print we see the monumental "Waag" the weigh-house built in 1658 following a plan by the Dutch architect and engraver Pieter Post. The splendid relief designed by Rombout Verhulst that crowns the entrance is reproduced with a sharp eye for detail. In front of the building commercial goods are hoisted up from carts and a number of ships for transport to the weigh-house. Several other ships had moored and now continue to their destination. A boat flying the Dutch flag brings in a prominent party while a herald standing precariously at the bow trumpets for right of way. We know of several other wall prints by Schenk depicting local situations with almost photographic detail. Thanks to this detail important socio-historical aspects have been passed on to later generations giving these prints an important cultural meaning today. With some faint foxing otherwise in very good condition.l Overvoorde Catalogus van de prentverzameling der Gemeente Leiden 1906 no. 964; Waller Biogr. woordenb. Noord Ned. graveurs p. 287. unknown‎

Référence libraire : A2RGD4WT38YE

‎VIEW UTRECHT. BOS Jan and Pieter Wilhelmus van de WEIJER.‎

‎Panorama van Utrecht vervaardigd in het etablissement van P.W. van de Weijer.Utrecht widow of Herfkens and son 1859. Oblong concertina-fold book 9 x 18.5 cm. With 32 wood-engraved views each measuring 7.5 x 18 cm coloured by a contemporary hand. Contemporary gold-blocked red cloth.‎

‎Rare first edition of a charming hand-coloured panoramic view of the city of Utrecht consisting of 32 separate leaves hinged together like an accordion a so called "leporello” or “concertina-fold” book. The panoramic view starts at the "Witte-vrouwen-barrière" and shows among other things the Willemskazerne Wolvenplein Plompetorengracht Begijnen bolwerk Barthelomeus Gasthuis Geertekerk Diakonessenhuis Tolsteeg Sterrenkundig observatorium Lepelenburg and more. The illustrations are drawn from the opposite side of the city's canal providing a 360-degree view of the centre of the city depicting both public and private buildings as well as the parks designed by the famous architect Zocher replacing the former city walls which had been demolished in the 1830's and 1840's. The total length of the panorama is almost 5.8 meters.Separated at one hinge breaking the panorama in half slightly browned. Binding slightly rubbed along the extremities but still in very good condition.l WorldCat 4 copies. unknown‎

Référence libraire : I81FAMEX9DBV

‎View Jenice‎

‎A means to an end: The role of nonprofit/government contracting in sustaining the social contract‎

‎Union Institute Office for Social Responsibility Center for Public Policy. Used - Good. Shows some signs of wear and may have some markings on the inside. Union Institute, Office for Social Responsibility, Center for Public Policy unknown‎

Référence libraire : GRP67712597 ISBN : 1886949018 9781886949010

‎View Book‎

‎BOSTON AND HISTORICAL SURROUNDINGS; reproductions from photographs taken specially for this publication which covers thouroughly Boston Salem Concord and Lexington‎

‎Philadelphia: J. Howard Avil 1901. pict. paper wrapsunpaginated 48 pages stapled at spine ink sig at top of front wrap light soil throughout illlustrated throughout with black & white half tone illustrations . First Edition. Paperbound. Very Good. Illus. by Illustrations By J. H. Avil Engraving Co. Oblong 8 Vo.20 x 26 cm. J. Howard Avil Paperback‎

Référence libraire : 1124204

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‎Salt Lake City and Vicinity Utah‎

‎Salt Lake City UT: Souvenir Novelty Co. Inc.; Curt Teich & Co. Artgravure 1911. Paperback. Very good . Very slim quarto 21 cm x 26 cm Saddle-stitched blue wraps with a decorative title and vignette in gilt and blue ink. With only subtle fading and creasing to the wraps. A souvenir book with views of The Temple Block and Brigham Young Monument Eagle Gate Towards State Capitol Brigham Young's Grave The Barracks Fort Douglas and General View of Mormon Temple Grounds and Hotel Utah with State Capitol in Distance. Souvenir Novelty Co., Inc.; Curt Teich & Co., Artgravure paperback‎

Référence libraire : 49920

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‎SOUVENIR OF MINNESOTA‎

‎New York; 1883: Witteman Bros. First Edition. Hard Cover. 5" x 3 3/8" 16 panels folded accordion style with black and white photo-lithographs of landmarks around Minnesota; Maiden Rock St. Anthony Falls Minnehaha Falls and several others. With folding Wittemann Brothers catalogue in rear. Bound in red embossed cloth title gilt within frame Near fine. <br/><br/> Witteman Bros hardcover‎

Référence libraire : 4939