‎Ornithology‎

‎GOODERS, JOHN [compiled and edited by].‎

‎The Second Bird-watchers' book.‎

‎Illustr.‎

‎GOODERS, John; Roger Tory Peterson (introduction)‎

‎Where to Watch Birds‎

‎8vo; 313pp, illus, maps. original cloth, fine. A picture of this book is available upon request by email. Excellent reference for watching birds in Britain.‎

‎GOODMAN, Steven M.; MEININGER, Peter L‎

‎The Birds of Egypt.‎

‎Oxford, Oxford University Press 1989. gr.-8°. xxi, 551 pp, publ. clothbound with dustj., very good condition. The first comprehensive work on the birds of Egypt. Extensive introductory sections discuss the history of Egyptian ornithology, geography, biotic communities, hunting, conservation, and changes in the environment. It describes the breeding distributions and seasons, movements, and migratory routes of the 421 species known in the country. The book is enhanced by range maps of most breeding species, numerous maps of the origins of Eurasian migrants, and six paintings. For the first time, both official and regional Egyptian bird names have been published in both Arabic script and transliterated form. Several indexes, a gazeteer of all localities mentioned in the text, and an extensive bibliography facilitate the book's use. A reference-work for the professional ornithologist, bird-watcher, and persons interested in the natural history of Egypt‎

Bookseller reference : ORNI0091 ISBN : 198576447

‎GOODWIN, D.‎

‎Crows of the World.- Illustrations by Robert Gilmoor.‎

‎HB - 4to, VI-354 pages, illustr., fig., maps, 2 index; HB + DW VG+++/VG+ [PLC-6]‎

‎GOODWIN, DEREK.‎

‎Crows of the World. Illustrations by Robert Gillmor. Sec. ed.‎

‎London, (1956). 4to. Orig. full fabrikoid. Part of wrappers pasted in. 299 pp., 6 colourplates, many textdrawings.‎

‎GOODWIN, DEREK.‎

‎Pigeons and Doves of the World. Illustrated by Robert Gillmor.‎

‎London, 1967. 4to. Orig. full cloth. Part of orig. wrappers pasted in. 446 pp., 3 colourplates and many textillustr.‎

‎GORE, M.E.J. a. WON PYONG-OH.‎

‎The Birds of Korea. Illustrated by Judy North with additioanl illustrations by Peggy Long.‎

‎Seoul, Tokyo, 1971. Royal8vo. Orig. full cloth. Part of wrappers pasted in. 450 pp., 40 colourplates and many b/w illustr.‎

‎Gorman Gerard, Tamas Péchy, etc‎

‎Partimadar 1993/3 : A partimadar munkascoport Lapja. Sommaire : Ugartyukok Burhinus oedicenmus ujabb nagyszamu, oszi voluas elotti gyülekezése a Dél-hevesi füves pusztakon - Ritka partimadarak Magyarorszagon (1993 masodik félév) -etc.‎

‎MME. Non daté. In-8. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. 64 pages augmentées de nombreuses illustrations en noir et blanc dans le texte. Relié par deux agraffes. Texte en anglais et hongrois.. . . . Classification Dewey : 598-Ornithologie‎

‎Sommaire : Ugartyukok Burhinus oedicenmus ujabb nagyszamu, oszi voluas elotti gyülekezése a Dél-hevesi füves pusztakon - Ritka partimadarak Magyarorszagon (1993 masodik félév) -etc. Classification Dewey : 598-Ornithologie‎

Bookseller reference : RO20214441

‎GOSSE, P. H. [Philip Henry]‎

‎Popular British Ornithology, containing Familiar and Technical Description of the Birds of the British Isles‎

‎12mo [17 x 13 cm]; viii, 320, [iv, ads], 8 [ads] pp, 19 fine hand-colored plates, lacking the frontis, index. original pictorial and blind-stamped pictorial cloth, gilt title lettering on spine with gilt decorations, name on endpaper, spine ends frayed, very good overall. A picture of this book is available upon request by email. Freeman and Wertheimer 37. Wood 363: "A well-written, popular little book, with excellent diagnostic plates". Nissen 367a. This is identical to the first edition of 1849. Gosse was one of the most important biologists of the nineteenth century. This was the only work he did on the birds of his native country. Popular Natural History Series.‎

‎Gottschalk, W‎

‎Das Truthuhn, seine Zucht, Haltung und Mast nach eigenen Erfahrungen.‎

‎Neudamm, J. Neumann, 1911. 62 S., 3 Bll. Verlags-Anzeigen. Mit 7 Text-Abb. u. 2 Taf. OBrosch.‎

‎Kanten bestoßen, unt. Kap. aufgeplatzt. - Naturgeschichte des Truthuhns. Pflege u. Fütterung; allgemeine Betrachtungen über die Zucht. Aufzucht der jungen Truthühner nach der englischen Methode. Die Mast. Verwertung des Truthuhns. Krankheiten u. Vorbeugungsmaßregeln.‎

Bookseller reference : 52129

‎GOTZ DR G., KOSCH A.‎

‎QUEL EST DONC CET OISEAU ?‎

‎Nathan. Non daté. In-8 Carré. Relié, Jaquette. Etat d'usage. Coins frottés. Dos satisfaisant. Intérieur acceptable. 46 pages. Illustré de nombreux dessins en couleur sur planches hors texte. Jaquette abîmée avec manque. Etiquette de code sur le dos (jaquette). Tampon et annotation de bibliothèque en page de titre. 'Guides du Naturaliste', 1.‎

‎GOTZ G ET KOSCH A.‎

‎QUEL EST DONC CET OISEAU? - GUIDES DU NATURALISTE TOME 1‎

‎FERNAND NATHAN. NON DATE. In-8. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 46 pages augmentées de nombreuses illustrations dont 291 figures en couleurs et 36 figures en noir et blanc dans et hors texte - jaquette abimée.. Avec Jaquette. . . Classification Dewey : 598-Ornithologie‎

‎Classification Dewey : 598-Ornithologie‎

Bookseller reference : ROD0127547

‎GOTZ, G. & KOSCH, A.‎

‎Quel est donc cet oiseau ? Nouvel atlas ornithologique complet reproduisant 327 espèces d'oiseaux d'Europe - 291 figures en couleurs - 36 figures en noir.‎

‎in-8°, 45 pages de texte et 26 planches d"illustrations, broche, couv., jaquette illustree. Excellent etat. [HA-1][CA32-3]‎

‎GOULD J.-‎

‎Les Colibris. Collection Transfusine.-‎

‎Montreuil. Laboratoires Roland-Marie. (1964). Rare réunion complète des 32 planches (200 x 260mm) de reproductions en couleurs des célèbres gravures publiées par le naturaliste anglais J. GOULD, accompagnées d'un texte de présentation par J. BERLIOZ, professeur au Muséum. Elles sont présentées sous leur chemise toilée d'origine. Mors du 2e plat de la chemise fendu sur 6 cm sinon bon état, les planches sont impeccables.‎

Bookseller reference : ORD-4587

‎GOULD JOHN‎

‎MIROIR DES OISEAUX - COLLECTION ORBIS PICTUS N°21.‎

‎PAYOT LAUSANNE. 1957. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 pages + 19 planches en couleurs - couverture contrepliée .. . . . Classification Dewey : 598-Ornithologie‎

‎Introduction de R.-L. Juned - COLLECTION ORBIS PICTUS N°21. Classification Dewey : 598-Ornithologie‎

Bookseller reference : R240090929

‎GOULD JOHN‎

‎OISEAUX - LE LIVRE D'OR DE L'ESTAMPE‎

‎CHENE. 1964. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Environs 20 pages - nombreuses illustrations en couleurs hors texte - 1 page desolidarisée.. Avec Jaquette. . . Classification Dewey : 598-Ornithologie‎

‎INTRODUCTION D'EVA MANNERING. Classification Dewey : 598-Ornithologie‎

Bookseller reference : RO20198340

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Callipharus Nigriventris‎

‎Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould.   John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli.   Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work.  With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe.  Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.‎

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Chalcopsittacus Scintillatus‎

‎Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould. John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work.  With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe.  Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.‎

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Cyclopsitta Diophthalma‎

‎Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould. John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work.  With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe.  Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.‎

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Eucephala Chlorocephala‎

‎Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould.   John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli.   Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work.  With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe.  Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.‎

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Geoffroyius Timorlaoensis‎

‎Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould. John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work.  With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe.  Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.‎

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Nanodes Undulatus‎

‎Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould. John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work.  With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe.  Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.‎

‎GOULD John (Lyme Regis 1804 – Londra 1881)‎

‎Thaumatis Linnaei‎

‎Litografia tratta dal famoso The Birds of New Guine and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould.  L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould.  John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould.   John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli.   Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione.‎

‎Gould, John‎

‎Die Vögel Großbritanniens‎

‎Reprint. Einführung, Tafelerläuterungen und synoptisches Register von Armin Geus. 5 Bände. Dortmund, Harenberg, 1979. Kl.-8vo. Mit Hunderten von farbigen Tafeln. Leinenkaschierte Or.-Kart.; ein Band im Oberrand leicht fleckig, Kanten tlw. leicht fransig. [3 Warenabbildungen]‎

‎Vollständige Reproduktionen (allerdings im kleineren Format) der dekorativen Vogeldarstellungen, die ursprünglich im viktorianischen England unter dem Titel "Birds of Great Britain" erschienen. Als Vorlage diente das Exemplar der Stadtbibliothek Hannover.‎

Bookseller reference : 210317

‎Gould, John‎

‎Die Vögel Großbritanniens. 5 Bände. [ Kassetten-Edition ]‎

‎Harenberg, Dortmund (1979). Mit sehr zahlreichen farbigen Tafeln. Kl.-8°. Leinenkaschierte OKart. mit farbigen Deckelbildern in Kassette. Die Kassette mit Gebrauchsspuren, die Bücher in frischer Erhaltung.‎

‎- "Die bibliophilen Taschenbücher. Kassetten-Edition". - 5 Taschenbücher in voluminöser, farbig bedruckter Kartonkassette. -‎

Bookseller reference : 38826